Slow very clicheed disappointment
11 July 2003
Despite the best efforts of the actors, this movie is awful. The screenplay can only be described as moronic. I appreciate that it is the songs that draw people to watch it, but if so, do stick to the record.

It's a shame too because Debbie Reynolds, Greer Garson, Ricardo Montelban, Katherine Ross, Agnes Moorehead, Chad Everett all do as well as can be expected - and I am reminded of how wonderful a singing voice Debbie Reynolds has. Moreover, Montelban is truly believable as a priest - as are Garson and Reynolds as nuns. Ross is just fine.

But this is more saccharine than most of the Flying Nun episodes. It's strange too - because most movies about nuns have for some reason been quite good - Black Narcissus, Heaven Knows Mr. Allison, The Nun's Story, The French movie, Therese, The Song of Bernadette, even The Trouble with Angels (which bowled me over with how affectingly it evolved).

Most movies succeed in the writing - this one had a great real story to tell - even without emphasizing the astonishingly grim post-convent life of its protagonist -- from her family's life in Paris during W.W.II (her father a figure in the Resistance) to the fascinating relationship with music. (Think of how fantastically the movie Hilary and Jackie showed a woman's conflicts about having her life revolve around music).

When I was a boy, Sister Soeur's songs were the leitmotif of our Catholic grade school - we all had to learn them in French, sing them in Christmas concerts for our parents, etc. It's such a shame that such an awful movie celebrates such light, cheery music. It's truly not worth watching.
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