The line above, uttered by Professor Bernard Quatermass in the abandoned and derelict building in Hob's Lane, Knightsbridge, remains one of the most chilling moments of dialog ever uttered on either the television or theatrical screen. I was twelve at the time and came as close to wetting my pants that night as I have since. (with the possible exception of the day I received a letter postmarked R.A.A.C. telling me I had been conscripted into the Australian Army in 1967 - THINK about it!)
So far ahead of its time QUATERMASS AND THE PIT, Nigel Kneale's third installment in the Quatermass series, was a brilliant pot-pourri of horror, sci-fi, mysticism, the occult and just plain scripted genius. It was estimated that more than 3/4 of Britain were tuned-in to the 6th and final episode - the rest we presume, didn't have television!
Distinguised British actor Andre Morell WAS the perfect Quatermass, Senior Government scientist and head of Rocket Research, assigned to an investigation of the presumed 'unexploded bomb' unearthed during a routine archaeological 'dig' at Knightsbridge, subsequent upon the discovery of a human skull during building excavation there. Following the unearthing of the object virtually unmarked, yet located BELOW the skull, since carbon-dated as being at least five million years old, extreme paranormal occurrences are recorded which in 1958 were simply terrifying. Their power can still be seen even in the creaky and grainy old B & W video re-edit that was released some years ago and which I regularly watch, probably as much to re-capture my youth as to be thrilled once again.
This was a cerebral trip, Neve Campbell really wouldn't have slotted in here! It was a DIFFERENT fear back then...cabalistic markings, disturbing sounds, ghosts and demons you couldn't see, but KNEW were there (that awesome utterance in the summary!) and the biggest fright of all - the dead martian as it rustled and slipped through that web of decaying strands that had held it in place all those centuries! The big-screen color re-make FIVE MILLION YEARS TO EARTH was OK but lost all the POWER of the TV original and remains a pale imitation.
To have been able to watch this epic piece of film-making AT THE TIME was a great privilege, I don't think today's audience are going to feel quite the same about Freddy Krueger or Jason Voorhees in 2046. (although I HAVE to say, I rather LIKE these guys...they're almost family now!)
So far ahead of its time QUATERMASS AND THE PIT, Nigel Kneale's third installment in the Quatermass series, was a brilliant pot-pourri of horror, sci-fi, mysticism, the occult and just plain scripted genius. It was estimated that more than 3/4 of Britain were tuned-in to the 6th and final episode - the rest we presume, didn't have television!
Distinguised British actor Andre Morell WAS the perfect Quatermass, Senior Government scientist and head of Rocket Research, assigned to an investigation of the presumed 'unexploded bomb' unearthed during a routine archaeological 'dig' at Knightsbridge, subsequent upon the discovery of a human skull during building excavation there. Following the unearthing of the object virtually unmarked, yet located BELOW the skull, since carbon-dated as being at least five million years old, extreme paranormal occurrences are recorded which in 1958 were simply terrifying. Their power can still be seen even in the creaky and grainy old B & W video re-edit that was released some years ago and which I regularly watch, probably as much to re-capture my youth as to be thrilled once again.
This was a cerebral trip, Neve Campbell really wouldn't have slotted in here! It was a DIFFERENT fear back then...cabalistic markings, disturbing sounds, ghosts and demons you couldn't see, but KNEW were there (that awesome utterance in the summary!) and the biggest fright of all - the dead martian as it rustled and slipped through that web of decaying strands that had held it in place all those centuries! The big-screen color re-make FIVE MILLION YEARS TO EARTH was OK but lost all the POWER of the TV original and remains a pale imitation.
To have been able to watch this epic piece of film-making AT THE TIME was a great privilege, I don't think today's audience are going to feel quite the same about Freddy Krueger or Jason Voorhees in 2046. (although I HAVE to say, I rather LIKE these guys...they're almost family now!)