This film fully deserves its reputation as one of the most scorching dramas of greed and corruption ever placed on celluloid. A deceptively slow start soon draws into the machinations of the Hubbard clan whose brazen backstabbings and betrayals even today make our jaws drop. Davis' stunning portrayal of the supremely grasping Regina Giddens leads a stellar cast which does a superb job of delineating a finely drawn group of characters. Charles Dingle's deceptively warm smile masks the cooly intelligent deviousness of Ben Hubbard. Carl Reid's Oscar Hubbard is just as malicious but his inferior intelligence makes him yield to his brother's and sister's lead. Dan Duryea nicely portrays the imbecilic and immature Leo Hubbard, a characterization which borders on but never crosses over into comedy. Patricia Collinge breaks our hearts as the broken-spirited and alcoholic Birdie, Oscar's wife. Herbert Marshall's performance as the doomed Horace, Regina's husband, delineates the pain, anger, and sense of betrayal burning beneath his deathly illness. The star of the proceedings, however, is clearly Davis. Wyler's superb direction blends all these characters into a masterful whole.
Hellman's skill as a dramatist must be credited for much of this, but her Marxist inclinations clearly peep through the seams of the dialogue.
I'm glad I finally had a chance to see this undoubted classic. Thanks again to that great channel, American Movie Classics.
Hellman's skill as a dramatist must be credited for much of this, but her Marxist inclinations clearly peep through the seams of the dialogue.
I'm glad I finally had a chance to see this undoubted classic. Thanks again to that great channel, American Movie Classics.