Contrary to what the English guy says (hey, the Brits are the bad guys in this movie, whaddaya expect), this is to my mind the most impressive work of Soviet silent cinema-- an epic with several dazzling sequences of rat-a-tat-tat editing that invite comparison with Gance's Napoleon, as well as a deliberate build to an explosive climax that, in its willingness to delay gratification until almost the breaking point, has the operatic grandeur of something like The Godfather. Highly recommended (in fact, highly recommended before you see less accessible works such as October or Potemkin).
Review of Storm Over Asia
