Inhumans vs. X-Men is over. Now, it’s time for ResurrXion to take effect, with Inhumans: Prime #1 poised to be the catalyst that kicks-off the Royal Family’s future adventures. It’s a monumental task as this one-shot’s meant to lay the groundwork for Royals, Secret Warriors and Black Bolt, as well as introduce newcomers to the characters. The question is, does it achieve all of its goals?
From a storyline perspective, this issue takes the easy road, touching briefly on the events of Inhumans vs. X-Men before setting up a clash between Maximus and his peeps and the Inhumans at the Grand Canyon. Each side demonstrates their special skills, but it’s the good guys who come out on top (as expected). Undoubtedly, this clash stands out as the main highlight of the book, as the rest of the issue spends its time being an extended epilogue for the spinoffs.
From a storyline perspective, this issue takes the easy road, touching briefly on the events of Inhumans vs. X-Men before setting up a clash between Maximus and his peeps and the Inhumans at the Grand Canyon. Each side demonstrates their special skills, but it’s the good guys who come out on top (as expected). Undoubtedly, this clash stands out as the main highlight of the book, as the rest of the issue spends its time being an extended epilogue for the spinoffs.
- 3/29/2017
- by Sergio Pereira
- We Got This Covered
Times are changing for the Inhumans; and the ResurrXion begins for this strange super race this March in Inhumans Prime #1 – setting the stage for a bevy of can’t-miss new series: Royals, Secret Warriors, and Black Bolt, this one-shot asks the question… Is there a future for the Inhuman race? Incoming Royals writer Al Ewing is joined by fan-favorite artist Ryan Sook and rising star Chris Allen to bring readers the next blockbuster chapter of Inhumanity.
Witness…the trial of Maximus! The prophecy of Marvel Boy! The rise of a new leader! And more! Plus, what dark secret is Black Bolt hiding that could shatter the Inhumans once and for all? Be there for this special issue that bridges the past of the Inhumans…and their future. Both here on Earth, and in the depths of space! Don’t miss the kickoff to the next stage of Inhuman evolution in Inhumans Prime #1 – available March 29th!
Witness…the trial of Maximus! The prophecy of Marvel Boy! The rise of a new leader! And more! Plus, what dark secret is Black Bolt hiding that could shatter the Inhumans once and for all? Be there for this special issue that bridges the past of the Inhumans…and their future. Both here on Earth, and in the depths of space! Don’t miss the kickoff to the next stage of Inhuman evolution in Inhumans Prime #1 – available March 29th!
- 3/6/2017
- by Phil Wheat
- Nerdly
Inhumans: Prime #1 Gallery 1 of 9
Click to skip
More From The Web Click to zoom
Before you know it, Inhumans vs. X-Men will have concluded and ResurrXion will be in full swing. Yesterday, Marvel afforded us a deeper look at an oversized one-shot that will begin a new status quo for mutants with X-Men: Prime #1 and, today, we get to see how the other half lives with Inhumans: Prime #1.
Much like the X-Men’s deluxe extravaganza, this issue will set the stage for a number of key titles pertaining to the Inhumans, specifically Royals, Secret Warriors and Black Bolt. But where this differs is that this won’t be handled by as many artists and writers. Instead, Al Ewing is slated to pen the entire thing, with artwork being provided by Ryan Sook and Chris Allen.
If you want to see contributions from other great artists, well, then you’ll have...
Click to skip
More From The Web Click to zoom
Before you know it, Inhumans vs. X-Men will have concluded and ResurrXion will be in full swing. Yesterday, Marvel afforded us a deeper look at an oversized one-shot that will begin a new status quo for mutants with X-Men: Prime #1 and, today, we get to see how the other half lives with Inhumans: Prime #1.
Much like the X-Men’s deluxe extravaganza, this issue will set the stage for a number of key titles pertaining to the Inhumans, specifically Royals, Secret Warriors and Black Bolt. But where this differs is that this won’t be handled by as many artists and writers. Instead, Al Ewing is slated to pen the entire thing, with artwork being provided by Ryan Sook and Chris Allen.
If you want to see contributions from other great artists, well, then you’ll have...
- 3/3/2017
- by Eric Joseph
- We Got This Covered
Australian director John Hillcoat’s got four features under his belt now, and I’m a massive fan of the previous three. All four of them share a few things, most prominently brutality and the darker side of humanity. What his latest film Triple 9 is noticeably different for is a modern setting; both The Proposition and Lawless are tales of the past and The Road is set in the bleak, bleak future. I wasn’t sure how his style would translate to a current story, but the short version is that it’s gritty, dark, and intense in ways his other films couldn’t capture. This is where Heat and Training Day meets The Town, and all of those films are better as a whole. Don’t count it out though.
The cast is…insane. So many great actors tossed into one story with an equal many characters is bound to be complex,...
The cast is…insane. So many great actors tossed into one story with an equal many characters is bound to be complex,...
- 2/26/2016
- by Mike Hassler
- Destroy the Brain
In director John Hillcoat's apocalyptic Atlanta, the Gotham of the New South, dirty cops tangle with tweakers, tatted-up gang lieutenants, soused detectives, shady feds, and the Russian mob, to the point that bloodletting seems a matter of course. Traffic halts for a gunfight as though it were a routine rush hour nuisance; military-grade stun grenades set off after a bank heist, each one labeled "distraction device," elicit no comment from investigators sweeping the scene. In "Triple 9" (Open Road, Feb. 26), Hillcoat brings down the hammer on the domestic front's urban warfare, only to smash his crime drama to smithereens in the process. Read More: "Listen to Atticus Ross' Badass 'Triple 9' Ep Right This Second (Exclusive)" The long, twin shadows of Iraq and Afghanistan loom in the film's near distance. Even after former soldier Chris Allen — the terse, slyly funny Casey Affleck, gnawing on gum as...
- 2/25/2016
- by Matt Brennan
- Thompson on Hollywood
Highlighting the key chess pieces found in John Hillcoat’s star-studded crime caper, the latest Triple 9 trailer (featurette?) has landed, flanked by a string of dark and atmospheric clips.
Arriving by way of Open Road Films, Triple 9 stands as Hillcoat’s first foray behind the lens since 2012’s Lawless, and the director has continued his streak of assembling a who’s who of Hollywood talent. At the core of the actioner is Casey Affleck’s rookie cop Chris Allen, who is pulled into an illicit masterplan involving blood, greed and deceit when his precinct is bribed by the Russian mafia.
Scrambling for options, the only way to pull off the seemingly impossible heist is to execute a Triple 9 (police jargon for Officer Down) in order to stage a distraction on the other end of town. But when the chips come down, the corrupt group find themselves questioning...
Arriving by way of Open Road Films, Triple 9 stands as Hillcoat’s first foray behind the lens since 2012’s Lawless, and the director has continued his streak of assembling a who’s who of Hollywood talent. At the core of the actioner is Casey Affleck’s rookie cop Chris Allen, who is pulled into an illicit masterplan involving blood, greed and deceit when his precinct is bribed by the Russian mafia.
Scrambling for options, the only way to pull off the seemingly impossible heist is to execute a Triple 9 (police jargon for Officer Down) in order to stage a distraction on the other end of town. But when the chips come down, the corrupt group find themselves questioning...
- 2/23/2016
- by Michael Briers
- We Got This Covered
John Hillcoat has built a career out of vivisecting archetypal models of masculinity. His films are all spiritual Westerns set just about anywhere other than the sun-scorched American frontier, sweat-stained epics of rough-and-tumble outlaws in dire straits. They radiate a very precise kind of low, rumbling intensity that’s occasionally punctuated – and accentuated – by ruthless explosions of ultra-violence so shockingly brutal as to induce whiplash.
With Triple 9, his sixth and potentially best film since The Proposition, there’s no longer any question that Hillcoat is a master at crafting these surly, male-dominated dramas. He’s a gifted director, clearly inspired by the work of Martin Scorsese (especially Goodfellas) and Michael Mann (especially Heat), but assured enough to mount multiple sequences that take big cinematic risks and work like gangbusters because of them.
And yet, too many of his films are also marred by narrative confusion and sagging midsections – Hillcoat...
With Triple 9, his sixth and potentially best film since The Proposition, there’s no longer any question that Hillcoat is a master at crafting these surly, male-dominated dramas. He’s a gifted director, clearly inspired by the work of Martin Scorsese (especially Goodfellas) and Michael Mann (especially Heat), but assured enough to mount multiple sequences that take big cinematic risks and work like gangbusters because of them.
And yet, too many of his films are also marred by narrative confusion and sagging midsections – Hillcoat...
- 2/22/2016
- by Isaac Feldberg
- We Got This Covered
What might have been a smart suspense thriller is overloaded with heavy-duty action, and has a ridiculous turn from Kate Winslet as a Russian mobster
John Hillcoat sure does put the pedal to the metal directing this heist-cum-cop-corruption movie. He believes in delivering heavy-duty action, guns, explosions, sweaty-faced guys in grainy closeup and crash-prone SUVs at all times. He’s got gusto, but the story is clotted and overloaded, lacking the necessary clean tautness and suspense. And Kate Winslet’s turn as a hatchet-faced Russian mob matriarch is a bit on the ridiculous side.
The triple-nine of the title is a cop code for “officer down”; it means every policeman and policewoman will come rushing to help. A bunch of dirty cops in league with ex-military tough guys have to pull off a super-dangerous robbery on the orders of Winslet’s mafia queen, herself acting on the instructions of an...
John Hillcoat sure does put the pedal to the metal directing this heist-cum-cop-corruption movie. He believes in delivering heavy-duty action, guns, explosions, sweaty-faced guys in grainy closeup and crash-prone SUVs at all times. He’s got gusto, but the story is clotted and overloaded, lacking the necessary clean tautness and suspense. And Kate Winslet’s turn as a hatchet-faced Russian mob matriarch is a bit on the ridiculous side.
The triple-nine of the title is a cop code for “officer down”; it means every policeman and policewoman will come rushing to help. A bunch of dirty cops in league with ex-military tough guys have to pull off a super-dangerous robbery on the orders of Winslet’s mafia queen, herself acting on the instructions of an...
- 2/18/2016
- by Peter Bradshaw
- The Guardian - Film News
Casey Affleck finds himself caught between a rock, a hard place and a moral conundrum in the latest TV spot for Open Road Films’ heist thriller, Triple 9, which you can check out over at Coming Soon.
John Hillcoat’s anticipated actioner tells the tale of Affleck’s rookie cop Chris Allen, who is soon caught up in a corrupt maelstrom of dirty cops and seedy Russian gangsters. Bribed by the mob, Affleck’s fellow law enforcers begin plotting a deadly heist that involves ringing in a “Triple 9,” causing the city’s response unit to scramble in search of a hoax while they carefully enact their plan on the other side of town.
Less a foolproof plan and more an exercise in risking their lives for a quick buck, today’s latest snippet showcases just how quickly things turn from bad to worse, with Woody Harrelson’s world-weary detective...
John Hillcoat’s anticipated actioner tells the tale of Affleck’s rookie cop Chris Allen, who is soon caught up in a corrupt maelstrom of dirty cops and seedy Russian gangsters. Bribed by the mob, Affleck’s fellow law enforcers begin plotting a deadly heist that involves ringing in a “Triple 9,” causing the city’s response unit to scramble in search of a hoax while they carefully enact their plan on the other side of town.
Less a foolproof plan and more an exercise in risking their lives for a quick buck, today’s latest snippet showcases just how quickly things turn from bad to worse, with Woody Harrelson’s world-weary detective...
- 2/1/2016
- by Michael Briers
- We Got This Covered
From RedBand.Ca, take a look @ the restricted 'red band' trailer supporting director John Hillcoat's upcoming crime-thriller "Triple 9", starring Gal Gadot ("Batman v Superman: Dawn Of Justice"), Casey Affleck, Chiwetel Ejiofor ("Dr. Strange"), Anthony Mackie ("Captain America: Civil War"), Aaron Paul ("Breaking Bad"), Norman Reedus ("The Walking Dead"), Woody Harrelson, Kate Winslet, Clifton Collins, Jr., Michael K. Williams and Teresa Palmer, opening in North America, February 26, 2016:
"...a group of criminals and corrupt cops find themselves in serious trouble, as theRussian mob blackmails them. The only way to deal with the situation is to perform an extremely challenging heist.
"They eventually hatch a plan. On one side of town, half of the crew will plan the murder of rookie cop 'Chris Allen' (Affleck)...
"...while the rest of the force is distracted by a '999 officer down call', as the other half of the corrupt cops pull off the job.
"...a group of criminals and corrupt cops find themselves in serious trouble, as theRussian mob blackmails them. The only way to deal with the situation is to perform an extremely challenging heist.
"They eventually hatch a plan. On one side of town, half of the crew will plan the murder of rookie cop 'Chris Allen' (Affleck)...
"...while the rest of the force is distracted by a '999 officer down call', as the other half of the corrupt cops pull off the job.
- 1/12/2016
- by Michael Stevens
- SneakPeek
Acclaimed Australian director John Hillcoat (The Proposition, The Road, Lawless) may be treading on familiar ground with his upcoming and gritty cop thriller Triple 9, but with a star-studded ensemble and intriguing story set-up in tow, the filmmaker may be serving up a rare cinematic treat within a a sub-genre that has witnessed its fair share of approaches.
It’s releasing soon, too, with Open Road Films setting sights for a theatrical release on February 26, and to garner excitement ahead of its debuts, a slew of character posters have arrived via IGN that spotlight both sides of the law. In case you haven’t deduced it for yourself, yes, Triple 9 tells the gripping tale of a corrupt band of law enforcers who aren’t shy about getting their hands dirty in exchange for a quick buck.
Thrusted into the center of this moral maelstrom is Casey Affleck’s rookie...
It’s releasing soon, too, with Open Road Films setting sights for a theatrical release on February 26, and to garner excitement ahead of its debuts, a slew of character posters have arrived via IGN that spotlight both sides of the law. In case you haven’t deduced it for yourself, yes, Triple 9 tells the gripping tale of a corrupt band of law enforcers who aren’t shy about getting their hands dirty in exchange for a quick buck.
Thrusted into the center of this moral maelstrom is Casey Affleck’s rookie...
- 1/11/2016
- by Michael Briers
- We Got This Covered
Australian director John Hillcoat doesn’t step behind the lens too often, but when he does, it’s worth standing up and taking notice. As the filmmaker behind The Proposition, a big-screen rendition of Cormac McCarthy’s The Road, and the star-studded Lawless, Hillcoat has established an impressive body of work over the past decade or so, and he’ll be hoping that soon-to-be-released heist thriller Triple 9 adds another feather to his cap.
Orbiting around a tight-knit crew of cops who won’t hesitate to get their hands dirty, the moniker Triple 9 is actually police code for ‘officer down,’ and that’s exactly the stunt the corrupt law enforcers set out to stage in order to pull off a seemingly impossible heist. Wedged in between a rock and a hard place, today’s rip-roaring new trailer showcases the involvement of the Russian mob, with some of the most...
Orbiting around a tight-knit crew of cops who won’t hesitate to get their hands dirty, the moniker Triple 9 is actually police code for ‘officer down,’ and that’s exactly the stunt the corrupt law enforcers set out to stage in order to pull off a seemingly impossible heist. Wedged in between a rock and a hard place, today’s rip-roaring new trailer showcases the involvement of the Russian mob, with some of the most...
- 11/11/2015
- by Michael Briers
- We Got This Covered
People hankering for a Training Day fix might have their needs met by Triple 9, the upcoming heist thriller from director John Hillcoat and starring Casey Affleck that sees a posse of corrupt cops blackmailed into serious criminal shenanigans by a sleazy Russian mobster. Into the mix comes rookie cop Chris Allen (Affleck), set up to be merked (hence the film’s title — 999 being code for “officer down”) by the corrupt cops as a distraction while they pull off the job, only…...
- 10/7/2015
- Deadline
Mayhem rules in this trailer John Hillcoat's action-packed "Triple 9," which Open Road Films will open wide February 19. Open Road picked up domestic distribution rights early on and decided to give the film a wide 2016 release. "Triple 9" reunites "Out of the Furnace" co-stars Woody Harrelson and Casey Affleck as Sergeant Jeffrey Allen and rookie cop Chris Allen. "Out-monster the monster and get home at the end of the night," the uncle advises his nephew, who gets caught in a heist orchestrated by the Russian mob (including Kate Winslet) which involves pulling off a 999, which is police lingo for “officer down.” The mob's tricky maneuvers go awry when young Allen unexpectedly survives the attack intended to kill him. Anthony Mackie, Norman Reedus, Chiwetel Ejiofor, Michael B. Jordan, Aaron Paul, Teresa Palmer and Gal Gadot (Wonder Woman) also star. Written by Matt Cook, the movie was financed by Worldview and.
- 10/5/2015
- by Anne Thompson
- Thompson on Hollywood
As the leading presenter of Latin American Cinema in the U.S. Cinema Tropical advocates for the Latino filmmaking community and honors their achievements. Cinema Tropical Awards now in its fourth edition have announced this year's nominees
The winners of the 4th Annual Cinema Tropical Awards will be announced at a special event at The New York Times Company headquarters in New York City in late January, 2014.
The nominees for this year’s Cinema Tropical Awards were selected by a nine-member jury panel from a list of Latin American and U.S. Latino feature films of a minimum of 60 minutes in length that were premiered between April 1, 2012 and March 31, 2013 (January 1, 2012 and March 31, 2013, for U.S. Latino productions). The list was culled by a nominating committee composed of 17 film professionals from Latin America, the U.S., Canada, and Europe.
The Cinema Tropical Awards are presented in partnership with Voces, Latino Heritage Network of The New York Times Company. Media Sponsors: LatAm Cinema and Remezcla. Special thanks to Mario Díaz, Andrea Betanzos, and Tatiana García.
Best Feature Film
- Gloria (Sebastián Lelio, Chile/Spain, 2013)
- No (Pablo Larraín, Chile/USA/France/Mexico, 2012)
- Post Tenebras Lux (Carlos Reygadas, Mexico/France/Germany/Netherlands, 2012)
- Tanta Agua | So Much Water (Ana Guevara and Leticia Jorge, Uruguay/Germany/Mexico, 2013)
- VIolA (Matías Piñeiro, Argentina, 2012)
Best Director, Feature Film
- Sebastián Silva, Crystal Fairy (Chile, 2013)
- Pablo Larraín, No (Chile/USA/France/Mexico, 2012)
- Carlos Reygadas, Post Tenebras Lux (Mexico/ France/ Germany/ Netherlands, 2012)
-Ana Guevara and Leticia Jorge, Tanta Agua | So Much Water
(Uruguay/ Germany/ Mexico, 2013)
- Matías Piñeiro, Viola (Argentina, 2012)
Best Documentary Film
- El Alcalde | The Mayor (Emiliano Altuna, Carlos F. Rossini, Diego Osorno, Mexico, 2012)
- La Chica Del Sur | The Girl from the South (José Luis García, Argentina, 2012)
- La Gente Del RÍO | The River People (Martín Benchimol and Pablo Aparo, Argentina, 2012)
- El Huaso (Carlo Guillermo Proto, Chile/Canada, 2012)
- El Otro DÍA | The Other Day (Ignacio Agüero, Chile, 2012)
Best Director, Documentary Film
- José Luis García, La Chica Del Sur | The Girl from the South (Argentina, 2012)
- Priscilla Padilla, La Eterna Noche De Las Doce Lunas | The Eternal Night of the Twelve Moons (Colombia, 2013)
- Martín Benchimol, Pablo Aparo, La Gente Del RÍO | The River People (Argentina, 2012)
- Mercedes Moncada, Palabras MÁGICAS (Para Romper Un Encantamiento) | Magic Words (Breaking a Spell) (Mexico/Guatemala, 2012)
- Ignacio Agüero, El Otro DÍA | The Other Day (Chile, 2012)
Best First Film
- Carne De Perro | Dog Flesh (Fernando Guzzoni, Chile/France/Germany, 2012)
- El Limpiador | The Cleaner (Adrián Saba, Peru, 2012)
- Melaza | Molasses (Carlos Díaz Lechuga, Cuba/France/Panama, 2012)
- Tanta Agua | So Much Water (Ana Guevara and Leticia Jorge, Uruguay/Germany/Mexico, 2013)
- Los Salvajes | The Wild Ones (Alejandro Fadel, Argentina, 2012)
Best U.S. Latino Film
- American Promise (Joe Brewster and Michèle Stephenson, USA, 2013)
- Filly Brown (Youssef Delara and Michael D. Olmos, USA, 2012)
- Mosquita Y Mari (Aurora Guerrero, USA, 2012)
- Reportero (Bernardo Ruiz, USA, 2012)
- Wonder Women! The Untold Story Of American Superheroines (Kristy Guevara-Flanagan, USA, 2012)
2013 Jury:
Chris Allen, founder and director, UnionDocs; Melissa Anderson, film critic, Artforum; Beth Janson, executive director, Tribeca Film Institute; Daniel Loría, overseas editor, BoxOffice; Mike Maggiore, programmer, Film Forum; Paco de Onís, filmmaker; Anita Reher, executive director, Robert Flaherty Film Seminar; Julia Solomonoff, filmmaker; Maria-Christina Villaseñor, film curator and writer.
2013 Nominating Committee:
Cecilia Barrionuevo, programmer, Mar del Plata Film Festival, Argentina; Raúl Camargo, programmer, Valdivia Film Festival, Chile; John Campos Gómez, director, Transcinema Film Festival, Peru; Inti Cordera, director, DocsDF Film Festival, Mexico; Christine Davila, programmer, Sundance, Los Angeles Film Festival, Ambulante USA; Eugenio del Bosque, director, Cine Las Américas, USA; Raciel del Toro, Cinergia, Costa Rica; Vanessa Erazo, film programmer and journalist, indieWIRE/LatinoBuzz, Remezcla, USA; Lisa Franek, programmer, San Diego Latino Film Festival, USA; Robert A. Gomez, film journalist, Cinemathon, Venezuela; Jaie Laplante, director, Miami Film Festival, USA; Agustín Mango, film journalist, Hollywood Reporter, Argentina; Jim Mendiola, programmer, CineFestival, San Antonio, USA; Luis Ortiz, director, Latino Public Broadcasting, USA; Rafael Sampaio, programmer, Sao Paulo Latin American Film Festival, Brazil; Eva Sangiorgi, programmer, Ficunam, Mexico; Gerwin Tamsma, programmer, Rotterdam Film Festival, Netherlands.
The winners of the 4th Annual Cinema Tropical Awards will be announced at a special event at The New York Times Company headquarters in New York City in late January, 2014.
The nominees for this year’s Cinema Tropical Awards were selected by a nine-member jury panel from a list of Latin American and U.S. Latino feature films of a minimum of 60 minutes in length that were premiered between April 1, 2012 and March 31, 2013 (January 1, 2012 and March 31, 2013, for U.S. Latino productions). The list was culled by a nominating committee composed of 17 film professionals from Latin America, the U.S., Canada, and Europe.
The Cinema Tropical Awards are presented in partnership with Voces, Latino Heritage Network of The New York Times Company. Media Sponsors: LatAm Cinema and Remezcla. Special thanks to Mario Díaz, Andrea Betanzos, and Tatiana García.
Best Feature Film
- Gloria (Sebastián Lelio, Chile/Spain, 2013)
- No (Pablo Larraín, Chile/USA/France/Mexico, 2012)
- Post Tenebras Lux (Carlos Reygadas, Mexico/France/Germany/Netherlands, 2012)
- Tanta Agua | So Much Water (Ana Guevara and Leticia Jorge, Uruguay/Germany/Mexico, 2013)
- VIolA (Matías Piñeiro, Argentina, 2012)
Best Director, Feature Film
- Sebastián Silva, Crystal Fairy (Chile, 2013)
- Pablo Larraín, No (Chile/USA/France/Mexico, 2012)
- Carlos Reygadas, Post Tenebras Lux (Mexico/ France/ Germany/ Netherlands, 2012)
-Ana Guevara and Leticia Jorge, Tanta Agua | So Much Water
(Uruguay/ Germany/ Mexico, 2013)
- Matías Piñeiro, Viola (Argentina, 2012)
Best Documentary Film
- El Alcalde | The Mayor (Emiliano Altuna, Carlos F. Rossini, Diego Osorno, Mexico, 2012)
- La Chica Del Sur | The Girl from the South (José Luis García, Argentina, 2012)
- La Gente Del RÍO | The River People (Martín Benchimol and Pablo Aparo, Argentina, 2012)
- El Huaso (Carlo Guillermo Proto, Chile/Canada, 2012)
- El Otro DÍA | The Other Day (Ignacio Agüero, Chile, 2012)
Best Director, Documentary Film
- José Luis García, La Chica Del Sur | The Girl from the South (Argentina, 2012)
- Priscilla Padilla, La Eterna Noche De Las Doce Lunas | The Eternal Night of the Twelve Moons (Colombia, 2013)
- Martín Benchimol, Pablo Aparo, La Gente Del RÍO | The River People (Argentina, 2012)
- Mercedes Moncada, Palabras MÁGICAS (Para Romper Un Encantamiento) | Magic Words (Breaking a Spell) (Mexico/Guatemala, 2012)
- Ignacio Agüero, El Otro DÍA | The Other Day (Chile, 2012)
Best First Film
- Carne De Perro | Dog Flesh (Fernando Guzzoni, Chile/France/Germany, 2012)
- El Limpiador | The Cleaner (Adrián Saba, Peru, 2012)
- Melaza | Molasses (Carlos Díaz Lechuga, Cuba/France/Panama, 2012)
- Tanta Agua | So Much Water (Ana Guevara and Leticia Jorge, Uruguay/Germany/Mexico, 2013)
- Los Salvajes | The Wild Ones (Alejandro Fadel, Argentina, 2012)
Best U.S. Latino Film
- American Promise (Joe Brewster and Michèle Stephenson, USA, 2013)
- Filly Brown (Youssef Delara and Michael D. Olmos, USA, 2012)
- Mosquita Y Mari (Aurora Guerrero, USA, 2012)
- Reportero (Bernardo Ruiz, USA, 2012)
- Wonder Women! The Untold Story Of American Superheroines (Kristy Guevara-Flanagan, USA, 2012)
2013 Jury:
Chris Allen, founder and director, UnionDocs; Melissa Anderson, film critic, Artforum; Beth Janson, executive director, Tribeca Film Institute; Daniel Loría, overseas editor, BoxOffice; Mike Maggiore, programmer, Film Forum; Paco de Onís, filmmaker; Anita Reher, executive director, Robert Flaherty Film Seminar; Julia Solomonoff, filmmaker; Maria-Christina Villaseñor, film curator and writer.
2013 Nominating Committee:
Cecilia Barrionuevo, programmer, Mar del Plata Film Festival, Argentina; Raúl Camargo, programmer, Valdivia Film Festival, Chile; John Campos Gómez, director, Transcinema Film Festival, Peru; Inti Cordera, director, DocsDF Film Festival, Mexico; Christine Davila, programmer, Sundance, Los Angeles Film Festival, Ambulante USA; Eugenio del Bosque, director, Cine Las Américas, USA; Raciel del Toro, Cinergia, Costa Rica; Vanessa Erazo, film programmer and journalist, indieWIRE/LatinoBuzz, Remezcla, USA; Lisa Franek, programmer, San Diego Latino Film Festival, USA; Robert A. Gomez, film journalist, Cinemathon, Venezuela; Jaie Laplante, director, Miami Film Festival, USA; Agustín Mango, film journalist, Hollywood Reporter, Argentina; Jim Mendiola, programmer, CineFestival, San Antonio, USA; Luis Ortiz, director, Latino Public Broadcasting, USA; Rafael Sampaio, programmer, Sao Paulo Latin American Film Festival, Brazil; Eva Sangiorgi, programmer, Ficunam, Mexico; Gerwin Tamsma, programmer, Rotterdam Film Festival, Netherlands.
- 1/8/2014
- by Sydney Levine
- Sydney's Buzz
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.