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The Road (2009)
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Overview
User Rating:
Your Rating:
Director:
Writers:
Release Date:
2 December 2009 (France)
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Tagline:
In a moment the world changed forever.
Plot:
A post-apocalyptic tale of a man and his son trying to survive by any means possible. full summary | full synopsis
Plot Keywords:
Awards:
Nominated for BAFTA Film Award.
Another 1 win
&
7 nominations
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NewsDesk:
(891 articles)
The Sundance diary of Chris Morris's Four Lions
(From The Guardian - TV News. 6 February 2010, 5:41 AM, PST)
Four Lions Sundance diary
(From The Guardian - Film News. 6 February 2010, 5:41 AM, PST)
(From The Guardian - TV News. 6 February 2010, 5:41 AM, PST)
Four Lions Sundance diary
(From The Guardian - Film News. 6 February 2010, 5:41 AM, PST)
User Reviews:
Loved the book... Loved the Movie
more (175 total)
US Showtimes:
Cast
(Cast overview, first billed only)| Viggo Mortensen | ... | Father | |
| Kodi Smit-McPhee | ... | Boy | |
| Charlize Theron | ... | Mother | |
| Robert Duvall | ... | Old Man - Eli | |
| Guy Pearce | ... | Veteran | |
| Molly Parker | ... | Friendly woman | |
| Michael K. Williams | ... | The Thief (as Michael Kenneth Williams) | |
| Garret Dillahunt | ... | Gang Member | |
| Bob Jennings | ... | Bearded Man | |
| Agnes Herrmann | ... | Archer's Woman | |
| Buddy Sosthand | ... | Archer | |
| Kirk Brown | ... | Bearded Face | |
| Jack Erdie | ... | Bearded Man #2 | |
| David August Lindauer | ... | Man On Mattress | |
| Gina Preciado | ... | Well Fed Woman |
Additional Details
MPAA:
Rated R for some violence, disturbing images and language.
Parents Guide:
Runtime:
111 min
Country:
Language:
Colour:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
USA:R (certificate #44940) |
Finland:K-15 |
Canada:14A (Alberta/British Columbia/Manitoba/Ontario) |
Ireland:16 |
UK:15 |
Switzerland:14 (canton of Geneva) |
Switzerland:14 (canton of Vaud) |
Canada:13+ (Quebec) |
Portugal:M/16 |
South Korea:15 |
Australia:MA |
Norway:15 |
Sweden:15
Filming Locations:
Company:
Fun Stuff
Trivia:
Viggo Mortensen nearly turned down the role of Man because he had planned a break from film work. After completing his work as the Man, Mortensen took a long break from acting.
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Goofs:
Errors in geography: When the Man is walking to the ocean pier through the amusement park where he gets shot by an arrow, the entrance sign to the park clearly says "Conneaut LAKE Park."
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Quotes:
Movie Connections:
Featured in "Late Show with David Letterman: (#17.49)" (2009)
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FAQ
What are the Boy's and Man's names?Why is it that the thief on the beach and the father of the family in the end had their thumbs cut off?
Is The Road based on a book?
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more (175 total)
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"It's not as good as the book." seems to be one of the most common sentences in discussions about movies. I have certainly uttered it many times. I try to judge a film on it's own merits as a separate art form, but cannot help the comparison, especially when elements that I love in a book are sacrificed in the translation to the screen (especially if I felt the changes were made in service of some 2 hour "time limit"). I can only remember one time that I thought a movie improved on a book (The Godfather and the Godfather Part 2.) There are certainly many times I felt that a mediocre book served as the basis for a mediocre movie (The DaVinci Code). Cormac McCarthy's works have generally translated well to the screen, especially No Country for Old Men. The Road was one of the most wonderful books that I can remember - to create a sense of hope against an overwhelmingly dismal post-apocalyptic backdrop is no small feat. As I read it I found myself sympathizing with the fears and frustrations for the man and, at the same time, completely drawn into the innocence and wisdom of the boy. I could not put the book down - I had to know the ending of this story.
As I sat watching the movie, I was right back in the book. John Hillcoat and Joe Penhall's collaboration made for a marvelous adaptation of this compelling story. Viggo Mortensen and Kodi Smit-McPhee were outstanding. The film editing and art direction in this picture really contribute to the overall post-apocalyptic feel. The use of color in the otherwise gray backdrop was pure film-making genius. I was dragged to the height and depths of emotions and felt every anguish and small triumph experienced by the on-screen duo. In the end, I experienced both the triumph and the uncertainty of the human condition. And felt that I had seen a movie that was as good as the book.