We’re thrilled to launch a new feature on The Film Stage highlighting our top recommendations for films currently in theaters, from new releases to restorations receiving a proper theatrical run. While we already provide extensive monthly new-release recommendations and weekly streaming recommendations, as distributors’ roll-outs can vary, we thought it would be helpful to provide a one-stop list to share the essential films that may be on a screen near you. We’ll be updating this page weekly, so be sure to bookmark.
The Beast (Bertrand Bonello)
Where to begin with Bertrand Bonello’s wonderful The Beast? It’s been so gratifying to see the initial reaction to the French filmmaker’s tenth feature, after several decades of increasingly remarkable work––the majority of it dark, beautiful, and sleazy. In fact, for what a discomforting and despairing experience much of The Beast is, when I’ve thought back its moments of real,...
The Beast (Bertrand Bonello)
Where to begin with Bertrand Bonello’s wonderful The Beast? It’s been so gratifying to see the initial reaction to the French filmmaker’s tenth feature, after several decades of increasingly remarkable work––the majority of it dark, beautiful, and sleazy. In fact, for what a discomforting and despairing experience much of The Beast is, when I’ve thought back its moments of real,...
- 5/2/2024
- by The Film Stage
- The Film Stage
Luca Guadagnino’s Challengers opens in an intentionally disorienting manner: We are in New Rochelle, New York for a tennis challenger. Wearing cheap shorts that resemble boxers, Patrick Zweig (Josh O’Connor) battles Art Donaldson (Mike Faist), clad in head-to-toe Uniqlo, while the glamorous Tashi Donaldson (Zendaya) watches tensely from the stands. Flashbacks, first from a few days prior, and then way back to 13 years ago, slowly fill in the gaps on how these two former best friends ended up in such a position: playing against one another in a mid-tier tennis challenger comically sponsored by a tire brand.
Even as Challengers zips back and forth in time with boundless energy, the narrative, to Guadagnino and screenwriter Justin Kuritzkes’ credit, is never hard to follow. Sometimes the foreknowledge afforded by time jumps end up sacrificing drama, but in Challengers this sacrifice makes space for us to feel the burden of these broken relationships.
Even as Challengers zips back and forth in time with boundless energy, the narrative, to Guadagnino and screenwriter Justin Kuritzkes’ credit, is never hard to follow. Sometimes the foreknowledge afforded by time jumps end up sacrificing drama, but in Challengers this sacrifice makes space for us to feel the burden of these broken relationships.
- 4/12/2024
- by Caleb Hammond
- The Film Stage
Josh O’Connor in LA Chimera. Photo credit: Simona Pampaollona. Courtesy of Neon
In Alice Rohrwacher’s Felliniesque tragicomic adventure tale LA Chimera, an English archaeologist-turned-tomb raider named Arthur (Josh O’Connor) leads a merry band of grave robbers who plunder ancient Etruscan tombs, eking out a meager living selling the stolen artifacts to collectors. Arthur is a haunted man, mourning his lost love, and caught up in recurring memories of their last moments together.
The tomb-raiding gives LA Chimera a bit of an Indiana Jones vibe, but while Arthur appears to be a trained archaeologist, he is not working for university nor is he a professor. Instead, he is what archaeologists call a “pot-hunter” plundering archaeological sites for grave goods he can sell for profit. And this grave-robbing is by no means lucrative, as he lives in a shack he built from cast off items, in the shadow of an aqueduct,...
In Alice Rohrwacher’s Felliniesque tragicomic adventure tale LA Chimera, an English archaeologist-turned-tomb raider named Arthur (Josh O’Connor) leads a merry band of grave robbers who plunder ancient Etruscan tombs, eking out a meager living selling the stolen artifacts to collectors. Arthur is a haunted man, mourning his lost love, and caught up in recurring memories of their last moments together.
The tomb-raiding gives LA Chimera a bit of an Indiana Jones vibe, but while Arthur appears to be a trained archaeologist, he is not working for university nor is he a professor. Instead, he is what archaeologists call a “pot-hunter” plundering archaeological sites for grave goods he can sell for profit. And this grave-robbing is by no means lucrative, as he lives in a shack he built from cast off items, in the shadow of an aqueduct,...
- 4/12/2024
- by Cate Marquis
- WeAreMovieGeeks.com
Sydney, Paris, now Rome: Luca Guadagnino’s match moved to the Italian capital on Monday as the highly anticipated Warner Bros. film Challengers continued its world tour.
A film about love, relationships and tennis starring Zendaya, Josh O’Connor and Mike Faist, the feature is the eighth film from the director of Call Me by Your Name and Bones and All. It was presented for its Roman premiere in the setting of Piazza Barberini, behind the Via Veneto that gave birth to La Dolce Vita.
Challengers follows the story of the young tennis hopeful Tashi Duncan (Zendaya) at the center a love triangle with two friends and fellow athletes, Art (Faist) and Patrick (O’Connor). Due to a serious knee injury, Tashi has to give up her career and become Art’s coach, and the pair have since gotten married. After a series of winning matches, she wants to enroll Art in the Challenger Tour,...
A film about love, relationships and tennis starring Zendaya, Josh O’Connor and Mike Faist, the feature is the eighth film from the director of Call Me by Your Name and Bones and All. It was presented for its Roman premiere in the setting of Piazza Barberini, behind the Via Veneto that gave birth to La Dolce Vita.
Challengers follows the story of the young tennis hopeful Tashi Duncan (Zendaya) at the center a love triangle with two friends and fellow athletes, Art (Faist) and Patrick (O’Connor). Due to a serious knee injury, Tashi has to give up her career and become Art’s coach, and the pair have since gotten married. After a series of winning matches, she wants to enroll Art in the Challenger Tour,...
- 4/8/2024
- by Martina Barone
- The Hollywood Reporter - Movie News
Isabella Rossellini inLa Chimera(Neon), on the red carpet (Vittorio Zunino Celotto/Getty Images), inBlue Velvet(De Laurentis Entertainment Group/Sunset Boulevard/Corbis)Graphic: Jimmy Hasse
Welcome to Random Roles, wherein we talk to actors about the characters who defined their careers. The catch: They don’t know beforehand what...
Welcome to Random Roles, wherein we talk to actors about the characters who defined their careers. The catch: They don’t know beforehand what...
- 4/8/2024
- by Brent Simon
- avclub.com
La Chimera is a movie directed by Alice Rohrwacher starring Josh O’Connor. With Carol Duarte, Vincenzo Nemolato and Isabella Rossellini.
La chimera
“La Chimera” is one of those movies that, right from the start, is special and beloved for being so: it’s eccentric, poetic, and a full-on tribute to Italian cinema and Italy itself, along with its rich history.
Its premise is simple, yet complex: a gang of antique and tomb thieves. Meanwhile, our protagonist is in search of his “chimera”, something deep within, something we strive to do, seek without knowing we’re seeking, and in the process, makes us human.
Here’s a heads up: it has traveled half of Europe and part of North America, basking in praise for its poetry and lyricism, and its director is already a phenomenon among newer directors.
Indeed, Alice Rohrwacher has become a shining star of European cinema in recent years.
La chimera
“La Chimera” is one of those movies that, right from the start, is special and beloved for being so: it’s eccentric, poetic, and a full-on tribute to Italian cinema and Italy itself, along with its rich history.
Its premise is simple, yet complex: a gang of antique and tomb thieves. Meanwhile, our protagonist is in search of his “chimera”, something deep within, something we strive to do, seek without knowing we’re seeking, and in the process, makes us human.
Here’s a heads up: it has traveled half of Europe and part of North America, basking in praise for its poetry and lyricism, and its director is already a phenomenon among newer directors.
Indeed, Alice Rohrwacher has become a shining star of European cinema in recent years.
- 4/7/2024
- by Liv Altman
- Martin Cid Magazine - Movies
Chicago – One of the heralded auteur filmmakers of the recent decade is Alice Rohrwacher. The Italian director joins her cinema forebears like Pier Paolo Pasolini and Federico Fellini, both of which she’s been favorable compared to, in creating unique and personal stories that resonant beyond their narrative. Her latest, opening at Chicago’s Music Box Theatre on April 5th, is “La Chimera.”
Rating: 5.0/5.0
Based on her memories as a child of Italy, the term “La Chimera” represents a pursuit that individuals have in the back of their minds and their lives that they somehow find elusive. Rohrwacher puts this in the context of a petty thief and English-speaking expatriate named Arthur (Josh O’Connor), out of jail but reverting back to his skill as a tomb raider for ancient Estrucian artifacts … in the 1980s this was a mania in Italy. His gang is looking for a quick score, but he...
Rating: 5.0/5.0
Based on her memories as a child of Italy, the term “La Chimera” represents a pursuit that individuals have in the back of their minds and their lives that they somehow find elusive. Rohrwacher puts this in the context of a petty thief and English-speaking expatriate named Arthur (Josh O’Connor), out of jail but reverting back to his skill as a tomb raider for ancient Estrucian artifacts … in the 1980s this was a mania in Italy. His gang is looking for a quick score, but he...
- 4/5/2024
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
In Alice Rohrwacher’s La Chimera, the Italian writer-director’s fourth narrative feature film, the past melds with the present. Art is something to be dug up, to be discovered, regardless of its origins. A circus troupe does the digging, led by a quiet, discomforted British man named Arthur (Josh O’Connor), clad in his version of very penetrable armor, an all-white, stained suit. Arthur drifts back into town after a stint in prison, revisiting the home of his love, Beniamina (Yile Yara Vianello), who’s ever-present despite her lack of tangibility.
The art Arthur finds, via magic that has become a throughline in Rohrwacher’s work, fills him with despair and almost-bare riches. Who deserves to see the art buried with the dead? Rohrwacher meditates on Arthur and his troupe’s way of life, on the grasping at something physical, grasping at something to desperately hold onto. La Chimera can slip through one’s fingers.
The art Arthur finds, via magic that has become a throughline in Rohrwacher’s work, fills him with despair and almost-bare riches. Who deserves to see the art buried with the dead? Rohrwacher meditates on Arthur and his troupe’s way of life, on the grasping at something physical, grasping at something to desperately hold onto. La Chimera can slip through one’s fingers.
- 4/4/2024
- by Michael Frank
- The Film Stage
Get in touch to send in cinephile news and discoveries. To keep up with our latest features, sign up for the Weekly Edit newsletter and follow us @mubinotebook on Twitter and Instagram.NEWSThe Truman Show.Joana Vicente has resigned from her post at the helm of the Sundance Film Festival after less than three years. Some industry sources have pointed to a contentious relationship with the board on fundraising matters as one possible explanation.This year’s Cannes Film Festival will open with Quentin Dupieux’s The Second Act, a surrealist backstage comedy starring Léa Seydoux, Vincent Lindon, Louis Garrel, and Raphaël Quenard.Concerns about copyright, continuity, tech business models, and the uncanny valley lead industry insiders to speculate that generative AI won’t soon be making its big-screen debut, though it will increasingly be a part of pre-production workflows.Christopher Nolan’s Oppenheimer (2023) has opened in Japan to mixed...
- 4/3/2024
- MUBI
Italian actress and screenwriter Paola Cortellesi’s directorial feature debut, There’s Still Tomorrow (C’è Ancora Domani), and Matteo Garrone’s Io Capitano lead nominations at this year’s David Di Donatello Awards.
There’s Still Tomorrow nabbed 19 noms, including best film while Io Capitano landed 15, including best director for Garrone. Trailing the leading two is Alice Rohrwacher’s latest film, La Chimera, starring Josh O’Connor. Other leading films are Rapito (11), Comandante (10), Il Sol Dell’avvenire (7), and Adagio (5).
The 69th David di Donatello Awards take place May 3. The live show will be broadcast on Rai 1 in Italy. This year’s hosts include Carlo Conti and Alessia Marcuzzi. The ceremony will take place at the legendary Cinecittà studios.
Check out the full list of nominees below:
Best Film
C’È Ancora DOMANIprodotto da Mario Gianani e Lorenzo Gangarossa per Wildside società del gruppo Fremantle; Vision Distribution società del gruppo Sky; in collaborazione...
There’s Still Tomorrow nabbed 19 noms, including best film while Io Capitano landed 15, including best director for Garrone. Trailing the leading two is Alice Rohrwacher’s latest film, La Chimera, starring Josh O’Connor. Other leading films are Rapito (11), Comandante (10), Il Sol Dell’avvenire (7), and Adagio (5).
The 69th David di Donatello Awards take place May 3. The live show will be broadcast on Rai 1 in Italy. This year’s hosts include Carlo Conti and Alessia Marcuzzi. The ceremony will take place at the legendary Cinecittà studios.
Check out the full list of nominees below:
Best Film
C’È Ancora DOMANIprodotto da Mario Gianani e Lorenzo Gangarossa per Wildside società del gruppo Fremantle; Vision Distribution società del gruppo Sky; in collaborazione...
- 4/3/2024
- by Zac Ntim
- Deadline Film + TV
With “Dune: Part Two” (Warner Bros.), March came in like a lion. With “Godzilla x Kong: The New Empire” (also Warner Bros.), March is going out, well, as a lion. Leave the lamb for Easter dinner.
With an estimated $80 million (actual totals may be higher), Legendary Entertainment’s second big franchise sequel this month falls just shy of the $82 million debut for “Dune 2.” Warner Bros. now looks near certain to have three $200 million and over films since December — the only distributor to achieve that since July.
This could be the best weekend of the year so far, with a tentative estimate of $136.4 million. That includes four films over $10 million, the first time that’s happened this year. All told, this boosted the 2024 year to date; we’re now down by only six percent.
With “Godzilla x Kong,” “Dune: Part Two,” “Kung Fu Panda 4” (Universal) and “Ghostbusters: Frozen Empire” (Sony) all opening over $40 million,...
With an estimated $80 million (actual totals may be higher), Legendary Entertainment’s second big franchise sequel this month falls just shy of the $82 million debut for “Dune 2.” Warner Bros. now looks near certain to have three $200 million and over films since December — the only distributor to achieve that since July.
This could be the best weekend of the year so far, with a tentative estimate of $136.4 million. That includes four films over $10 million, the first time that’s happened this year. All told, this boosted the 2024 year to date; we’re now down by only six percent.
With “Godzilla x Kong,” “Dune: Part Two,” “Kung Fu Panda 4” (Universal) and “Ghostbusters: Frozen Empire” (Sony) all opening over $40 million,...
- 3/31/2024
- by Tom Brueggemann
- Indiewire
Legend has it that if you were to stroll around Riparbella, a small Italian village in the rural part of Tuscany, you would come across a number of tombs. Some were hidden, some were open, and many of these underground burial sites were more than 2000 years old, filled with ancient artifacts. For centuries, they were left undisturbed, as a sign of respect for the dead. Then, in the early 1980s, grave robbers known as tombaroli would ransack these sacred spaces and sell the stolen goods on the black market, which...
- 3/30/2024
- by David Fear
- Rollingstone.com
La chimera.Around 1655, a group of rural laborers were excavating a field in Norfolk, England, when they dug up a collection of ancient urns, small clay vessels filled with ashes, bones, and various grave goods: combs, tweezers, brass plates, and a blue opal, possibly once set into a ring. More than a thousand years before, this field had served as a cemetery, and if not for an agricultural accident, it would have remained unknown. The find so impressed the scholar, doctor, and writer Sir Thomas Browne that he began his 1658 Urne-Buriall with the following: “Nature hath furnished one part of the Earth, and man another. The treasures of time lie high, in Urnes, Coynes, and Monuments, scarce below the roots of some vegetables.” He marveled at the survival of these fragile vessels, which, though “in a yard underground, and thin walls of clay, [have] out-worn all the strong and specious buildings above it,...
- 3/29/2024
- MUBI
Liam Neeson crime thriller In the Land of Saints and Sinners opens on 896 screens this weekend, joined by Sean Penn in Asphalt City — the Godzilla vs. Kong of the specialty market?
Neeson reunites with The Marksman director Robert Lorenz as a newly retired assassin in a remote Irish village who finds himself drawn into a lethal game of cat and mouse with a trio of vengeful terrorists. Ciarán Hinds, Kerry Condon, Colm Meaney and Jack Gleeson also star in Land of Saints and Sinners, which premiered at Venice, and was shot in County Donegal, Ireland. Screenplay by Mark Michael McNally and Terry Loane. Samuel Goldwyn Films’ widest release post-pandemic sits at 80% with critics on Rotten Tomatoes.
Penn stars with Tye Sheridan in Asphalt City, Vertical’s co-release with Roadside Attractions that opens on 297 screens, also with a national footprint. Young paramedic Ollie Cross (Sheridan) is paired with seasoned partner Gene...
Neeson reunites with The Marksman director Robert Lorenz as a newly retired assassin in a remote Irish village who finds himself drawn into a lethal game of cat and mouse with a trio of vengeful terrorists. Ciarán Hinds, Kerry Condon, Colm Meaney and Jack Gleeson also star in Land of Saints and Sinners, which premiered at Venice, and was shot in County Donegal, Ireland. Screenplay by Mark Michael McNally and Terry Loane. Samuel Goldwyn Films’ widest release post-pandemic sits at 80% with critics on Rotten Tomatoes.
Penn stars with Tye Sheridan in Asphalt City, Vertical’s co-release with Roadside Attractions that opens on 297 screens, also with a national footprint. Young paramedic Ollie Cross (Sheridan) is paired with seasoned partner Gene...
- 3/29/2024
- by Jill Goldsmith
- Deadline Film + TV
Josh O’Connor plays a troubled archaeologist obsessed with his dead girlfriend in “La Chimera,” the adventurous and ruggedly beautiful new Italian film from Alice Rohrwacher finally out this Friday from Neon.
In the haunted and haunting 2023 Cannes premiere, O’Connor’s mopey, recently-freed-from-jail Arthur joins with a band of tombaroli, or gravediggers, to excavate ancient treasures that may include an Etruscan statue that Arthur feels homages his former partner. The statue is too beautiful for human eyes, as Arthur says. O’Connor, the daffy and floppy-eared British actor beloved for his roles in films like the new queer classic “God’s Own Country” and already for Luca Guadagnino’s upcoming “Challengers,” went Method to play the part of an outsider adrift in the Italian countryside. Not only did he learn Italian — the actor speaks near-fluently in scenes that ask he do so — but O’Connor also spent his nights between shooting...
In the haunted and haunting 2023 Cannes premiere, O’Connor’s mopey, recently-freed-from-jail Arthur joins with a band of tombaroli, or gravediggers, to excavate ancient treasures that may include an Etruscan statue that Arthur feels homages his former partner. The statue is too beautiful for human eyes, as Arthur says. O’Connor, the daffy and floppy-eared British actor beloved for his roles in films like the new queer classic “God’s Own Country” and already for Luca Guadagnino’s upcoming “Challengers,” went Method to play the part of an outsider adrift in the Italian countryside. Not only did he learn Italian — the actor speaks near-fluently in scenes that ask he do so — but O’Connor also spent his nights between shooting...
- 3/29/2024
- by Ryan Lattanzio
- Indiewire
The Passionate Thief: Rohrwacher Finds Treasures Under the Tuscan Sun
“The sun is following us,” whispers a willowy blonde in the enigmatic opening moments of Alice Rohrwacher’s fourth feature, La Chimera, the title a reference to the fire-breathing hybrid monster from Greek mythology. Set in 1980s Tuscany, an English aracheolgist-cum-graverobber chases artifacts from the past while mourning the disappearance of his lover, not realizing he’s chasing her right down into Hades like the fated Orpheus. Like Rohrwacher’s previous titles, she allows her characters to breathe in their environment while we orient ourselves to realities which are often mysterious and quite specific.…...
“The sun is following us,” whispers a willowy blonde in the enigmatic opening moments of Alice Rohrwacher’s fourth feature, La Chimera, the title a reference to the fire-breathing hybrid monster from Greek mythology. Set in 1980s Tuscany, an English aracheolgist-cum-graverobber chases artifacts from the past while mourning the disappearance of his lover, not realizing he’s chasing her right down into Hades like the fated Orpheus. Like Rohrwacher’s previous titles, she allows her characters to breathe in their environment while we orient ourselves to realities which are often mysterious and quite specific.…...
- 3/29/2024
- by Nicholas Bell
- IONCINEMA.com
David Lynch‘s “Blue Velvet” continues to cause a stir nearly four decades after its release, with the film having just as many detractors as it does champions. And in a recent interview with IndieWire, actress Isabella Rossellini had a chance to respond to one of the film’s harshest critics: the late Roger Ebert.
Read More: ‘La Chimera’ Trailer: Alice Rohrwacher’s Latest Drama Stars Josh O’Connor, Isabella Rossellini & More
Ebert infamously trounced the film upon release in 1986, particularly how Lynch treated Rossellini in her performance, deeming it exploitative, but Rossellini defended her “choice” to do the role as “an adult.” “I didn’t read the reviews at the time it came out,” the actress said about “Blue Velvet.” “I try not to read reviews.
Continue reading ‘Blue Velvet’: Isabella Rossellini Reflects On Roger Ebert’s Criticism Of Lynch’s Film: “I Chose To Play The Character” at The Playlist.
Read More: ‘La Chimera’ Trailer: Alice Rohrwacher’s Latest Drama Stars Josh O’Connor, Isabella Rossellini & More
Ebert infamously trounced the film upon release in 1986, particularly how Lynch treated Rossellini in her performance, deeming it exploitative, but Rossellini defended her “choice” to do the role as “an adult.” “I didn’t read the reviews at the time it came out,” the actress said about “Blue Velvet.” “I try not to read reviews.
Continue reading ‘Blue Velvet’: Isabella Rossellini Reflects On Roger Ebert’s Criticism Of Lynch’s Film: “I Chose To Play The Character” at The Playlist.
- 3/29/2024
- by Ned Booth
- The Playlist
In ancient times, the Etruscan civilization built elaborate underground tombs not to please human eyes but those of the spirit world. A similar spirit of feeling unbound from the pressures of the present-day animates Italian filmmaker Alice Rohrwacher’s La Chimera, a 1980s-set adventure following a roving group of tomb raiders who attempt to excavate and pillage these secret sanctuaries. The director has always depicted time as layered rather than strictly linear. The present exists not ahead the past but on top of it, and the moments she depicts will one day be history for another era. This vision lends the sensation that she, like the ancient culture she depicts, is communicating with something beyond our perception.
Rohrwacher finds a perfect partner in her search for the sublime with Josh O’Connor. The English actor provides a human incarnation of the director’s restless attempt to collapse the contradictions of time.
Rohrwacher finds a perfect partner in her search for the sublime with Josh O’Connor. The English actor provides a human incarnation of the director’s restless attempt to collapse the contradictions of time.
- 3/28/2024
- by Marshall Shaffer
- Slant Magazine
Arthur (Josh O'Connor) is not having a good day. He's just got out of prison with nothing but the clothes on his back. His former criminal gang is eager to recruit him; the person to whom he plied his trade has paid for his debts, but Arthur doesn't want anything to do with them. Moreover, he's lost his great love. But memories call from every corner, and it seems only his rare and unusual talent is all that matters in world which offers little else to keep him alive. Alice Rohrwacher returns with another feature that revisits some themes she has deftly explored in past films: memory, the invisible, and belonging. La Chimera introduces us to a world of theft,...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 3/28/2024
- Screen Anarchy
Isabella Rossellini transitioned from her modeling career to an acting career through David Lynch’s 1986 film, Blue Velvet. Rossellini was praised for her role and the film achieved a cult status in the following years, but Blue Velvet was a controversial film at the time of its release. The explicit content was a major problem for critics, including Roger Ebert, who accused Lynch of exploiting the actress. However, Rossellini has defended Lynch in her recent interview.
Isabella Rossellini as Dorothy Vallens in Blue Velvet
David Lynch worked on Blue Velvet‘s script after the commercial failure of his epic sci-fi project, Dune. While the critical response was divided, Lynch received his second Academy Award nomination for Best Director for the film.
Isabella Rossellini Defends David Lynch For Her Exploitative Scenes In Blue Velvet Isabella Rossellini and David Lynch on the sets of Blue Velvet
Isabella Rossellini played the role of...
Isabella Rossellini as Dorothy Vallens in Blue Velvet
David Lynch worked on Blue Velvet‘s script after the commercial failure of his epic sci-fi project, Dune. While the critical response was divided, Lynch received his second Academy Award nomination for Best Director for the film.
Isabella Rossellini Defends David Lynch For Her Exploitative Scenes In Blue Velvet Isabella Rossellini and David Lynch on the sets of Blue Velvet
Isabella Rossellini played the role of...
- 3/28/2024
- by Hashim Asraff
- FandomWire
One of the most infamous reviews for David Lynch’s “Blue Velvet” to publish when the film opened in 1986 came courtesy of Roger Ebert, who gave the movie one star. Then the most prominent critic in the United States, Ebert criticized how Lynch’s casting of Isabella Rossellini in a role where she gets “humiliated.”
“[Rossellini] is asked to do things in this film that require real nerve … She is degraded, slapped around, humiliated and undressed in front of the camera,” Ebert wrote. “And when you ask an actress to endure those experiences, you should keep your side of the bargain by putting her in an important film.”
Rossellini stars in “Blue Velvet” as the tormented nightclub singer Dorothy Vallens, who is held emotionally and physically captive by the sociopath gangster Frank Booth (Dennis Hopper). At one point in the film, Dorothy shows up naked on the front porch of Jeffrey...
“[Rossellini] is asked to do things in this film that require real nerve … She is degraded, slapped around, humiliated and undressed in front of the camera,” Ebert wrote. “And when you ask an actress to endure those experiences, you should keep your side of the bargain by putting her in an important film.”
Rossellini stars in “Blue Velvet” as the tormented nightclub singer Dorothy Vallens, who is held emotionally and physically captive by the sociopath gangster Frank Booth (Dennis Hopper). At one point in the film, Dorothy shows up naked on the front porch of Jeffrey...
- 3/27/2024
- by Zack Sharf
- Variety Film + TV
In Roger Ebert’s one-star review of David Lynch‘s “Blue Velvet” in 1986, the film critic had strong words for the director he never softened through the rest of his career, even as Ebert came to appreciate some of Lynch’s later films. Ebert wrote that Isabella Rossellini “is asked to do things in this film that require real nerve… She is degraded, slapped around, humiliated and undressed in front of the camera. And when you ask an actress to endure those experiences, you should keep your side of the bargain by putting her in an important film.”
But Rossellini, who at the time of the controversial landmark’s release was in a relationship with director Lynch, today doesn’t necessarily agree with Ebert’s takedown of the movie. The daughter of Ingrid Bergman and Roberto Rossellini had by then gathered some modeling and film credits, but “Blue Velvet” proved to be her big breakout.
But Rossellini, who at the time of the controversial landmark’s release was in a relationship with director Lynch, today doesn’t necessarily agree with Ebert’s takedown of the movie. The daughter of Ingrid Bergman and Roberto Rossellini had by then gathered some modeling and film credits, but “Blue Velvet” proved to be her big breakout.
- 3/27/2024
- by Ryan Lattanzio
- Indiewire
Italian filmmaker Alice Rorhwacher’s puckish and scintillatingly tactile fourth feature is her most ambitious to date. Once again dramatizing the conflicting ideals of modernity and tradition, past and present, Rohrwacher continues to pay debt to forebears of Italian cinema like Ermanno Olmi while also infusing her film with a symbolic surrealism and neo-realist class consciousness reminiscent of the respective likes of Pier Paolo Pasolini Roberto Rossellini. La Chimera follows English archaeologist Arthur (Josh O’Connor), who possesses a mystical ability to divine the location of subterranean treasures. Freshly released from prison, he reunites with a band of tombaroli (essentially grave robbers) […]
The post “We Go from 16mm to Super 16 to 35mm”: Alice Rohrwacher on La Chimera first appeared on Filmmaker Magazine.
The post “We Go from 16mm to Super 16 to 35mm”: Alice Rohrwacher on La Chimera first appeared on Filmmaker Magazine.
- 3/27/2024
- by Elissa Suh
- Filmmaker Magazine - Blog
Italian filmmaker Alice Rorhwacher’s puckish and scintillatingly tactile fourth feature is her most ambitious to date. Once again dramatizing the conflicting ideals of modernity and tradition, past and present, Rohrwacher continues to pay debt to forebears of Italian cinema like Ermanno Olmi while also infusing her film with a symbolic surrealism and neo-realist class consciousness reminiscent of the respective likes of Pier Paolo Pasolini Roberto Rossellini. La Chimera follows English archaeologist Arthur (Josh O’Connor), who possesses a mystical ability to divine the location of subterranean treasures. Freshly released from prison, he reunites with a band of tombaroli (essentially grave robbers) […]
The post “We Go from 16mm to Super 16 to 35mm”: Alice Rohrwacher on La Chimera first appeared on Filmmaker Magazine.
The post “We Go from 16mm to Super 16 to 35mm”: Alice Rohrwacher on La Chimera first appeared on Filmmaker Magazine.
- 3/27/2024
- by Elissa Suh
- Filmmaker Magazine-Director Interviews
Easter weekend should help end March as one of the best months of the year so far, thanks to yet another major franchise sequel, this time “Godzilla.” Read on for Gold Derby’s box office preview.
As March comes to an end, considerably better than earlier months this year, Warner Bros. are releasing the third sequel of the month that follows up a pandemic release, as “Godzilla x Kong: The New Empire” brings back the giant monsters that Legendary Pictures has been shepherding along since the 2014 “Godzilla” opened with $93 million, grossed $200.7 million domestic and $529 million globally. In 2017, “Kong: Skull Island” opened with $61 million, leading into 2019’s “Godzilla: King of the Monsters,” which opened with considerably less, $47.8 million, and only made $383 million worldwide.
Those three movies led to 2021’s “Godzilla vs. Kong,” which was stymied by the pandemic when it was released in late March 2021, just as movie theaters were reopening...
As March comes to an end, considerably better than earlier months this year, Warner Bros. are releasing the third sequel of the month that follows up a pandemic release, as “Godzilla x Kong: The New Empire” brings back the giant monsters that Legendary Pictures has been shepherding along since the 2014 “Godzilla” opened with $93 million, grossed $200.7 million domestic and $529 million globally. In 2017, “Kong: Skull Island” opened with $61 million, leading into 2019’s “Godzilla: King of the Monsters,” which opened with considerably less, $47.8 million, and only made $383 million worldwide.
Those three movies led to 2021’s “Godzilla vs. Kong,” which was stymied by the pandemic when it was released in late March 2021, just as movie theaters were reopening...
- 3/27/2024
- by Edward Douglas
- Gold Derby
Gian Piero Capretto, Ramona Fiorini, Melochiorre Pala, Josh O’Connor, Luca Gargiullo, Vincenzo Nemolato, and Lou Roy LecollinetPhoto: Neon
The past is so close you can almost touch it in Alice Rohrwacher’s romantic treasure hunt, La Chimera. Set in the liminal space between living and dying, better known as the Italian countryside,...
The past is so close you can almost touch it in Alice Rohrwacher’s romantic treasure hunt, La Chimera. Set in the liminal space between living and dying, better known as the Italian countryside,...
- 3/27/2024
- by Matt Schimkowitz
- avclub.com
Everyone is falling apart in “Stress Positions,” the Sundance premiere now opening in U.S. theaters from Neon on April 19.
The anxiety-inducing comedy directed by Theda Hammel, which she co-wrote with Faheem Ali, centers on a cluster of Brooklyn-dwelling New Yorkers spiraling during the first Covid summer of 2020 and also reeling from their own hang-ups, breakdowns, and break-ups. There’s Terry (John Early), a politically numbed basket case in the midst of a divorce, now spinning his wheels in the Brooklyn brownstone owned by the husband who’s left him. There’s his Moroccan nephew Bahlul (Qaher Harhash), a beautiful model badly injured with a broken leg and convalescing at said brownstone, with nowhere else to go and identity questions of his own. Then there’s Terry’s best friend, Karla (also played by director Hammel), a trans massage therapist in a shitty relationship with a writer (Amy Zimmer), reaping...
The anxiety-inducing comedy directed by Theda Hammel, which she co-wrote with Faheem Ali, centers on a cluster of Brooklyn-dwelling New Yorkers spiraling during the first Covid summer of 2020 and also reeling from their own hang-ups, breakdowns, and break-ups. There’s Terry (John Early), a politically numbed basket case in the midst of a divorce, now spinning his wheels in the Brooklyn brownstone owned by the husband who’s left him. There’s his Moroccan nephew Bahlul (Qaher Harhash), a beautiful model badly injured with a broken leg and convalescing at said brownstone, with nowhere else to go and identity questions of his own. Then there’s Terry’s best friend, Karla (also played by director Hammel), a trans massage therapist in a shitty relationship with a writer (Amy Zimmer), reaping...
- 3/26/2024
- by Ryan Lattanzio
- Indiewire
With just a few weeks to go until Luca Guadagnino’s delayed feature Challengers finally hits screens, he’s looking to reteam with his star Josh O’Connor on a new project. Guadagnino, who already has his next feature in the can with the Daniel Craig-led adaptation Queer, seems to line up no shortage of potential projects, but according to reports, this one will be fast-tracked quickly.
Variety and La Repubblica report O’Connor will lead the queer romance Separate Rooms, an adaptation of Pier Vittorio Tondelli’s 1989 novel following an Italian writer who is mourning the loss of his boyfriend and begins a relationship with a German musician. Tondelli died at the age of 36 from AIDS-related causes. Scripted by Francesca Manieri (We Are Who We Are), it would mark another Italian production for O’Connor following Alice Rohrwacher’s La Chimera, which finally opens in the U.S. this week.
Variety and La Repubblica report O’Connor will lead the queer romance Separate Rooms, an adaptation of Pier Vittorio Tondelli’s 1989 novel following an Italian writer who is mourning the loss of his boyfriend and begins a relationship with a German musician. Tondelli died at the age of 36 from AIDS-related causes. Scripted by Francesca Manieri (We Are Who We Are), it would mark another Italian production for O’Connor following Alice Rohrwacher’s La Chimera, which finally opens in the U.S. this week.
- 3/25/2024
- by Leonard Pearce
- The Film Stage
Georgian director Elene Naveriani’s late-coming-of-age, female empowerment drama Blackbird Blackbird Blackberry topped the prizes at the Swiss Film Awards in Zurich over the weekend.
The drama, which world premiered in Cannes Directors’ Fortnight last year, revolves around an independent-minded, single woman in her 40s in a small Georgian village, who faces a personal crossroads when she unexpectedly falls in love.
The feature won Best Feature Film, as well as Best Screenplay and for Best Screenplay for Naveriani and for Best Film Editing for Aurora Franco Vögeli.
The Swiss-Georgian co-production was produced by Thomas Reichlin, Ketie Danelia and Bettina Brokemper for Alva Film in Switzerland and Takes Film in Georgia.
Pierre Monnard’s clandestine fight club drama Bisons also won three prizes: Best Film Score for Nicolas Rabaeus, Best Cinematography for Joseph Areddy and Best Actor for Karim Barras.
Swiss-French Barras will also soon be seen in period drama Winter Palace,...
The drama, which world premiered in Cannes Directors’ Fortnight last year, revolves around an independent-minded, single woman in her 40s in a small Georgian village, who faces a personal crossroads when she unexpectedly falls in love.
The feature won Best Feature Film, as well as Best Screenplay and for Best Screenplay for Naveriani and for Best Film Editing for Aurora Franco Vögeli.
The Swiss-Georgian co-production was produced by Thomas Reichlin, Ketie Danelia and Bettina Brokemper for Alva Film in Switzerland and Takes Film in Georgia.
Pierre Monnard’s clandestine fight club drama Bisons also won three prizes: Best Film Score for Nicolas Rabaeus, Best Cinematography for Joseph Areddy and Best Actor for Karim Barras.
Swiss-French Barras will also soon be seen in period drama Winter Palace,...
- 3/25/2024
- by Melanie Goodfellow
- Deadline Film + TV
Stars: Josh O’Connor, Carol Duarte, Vincenzo Nemolato, Alba Rohrwacher, Isabelle Rossellini, Lou Roy-Lecollinet | Written and Directed by Alice Rohrwacher
Fresh out of jail, Arthur (Josh O’Connor) is a man who seems reluctant to head back to his past, although haunted by his lost love Beniamina. Meeting back up with his rag-tag bunch of friends, Arthur succumbs to the means of living he loves the most — stealing Etruscan artifacts from local graves. Sinking deeper and deeper into his work, Arthur’s quest to find a door to the afterlife becomes overwhelming.
2020s cinema has, so far, been a time of reminiscence. As a collective, we’ve been harking for the 1980s in particular, longing for its synth-based tunes, garish colours, and a future that felt as though anything could happen next. Typically, this manifests in something that looks of its time but clearly is made in the modern day. Instead of a synthetic homage,...
Fresh out of jail, Arthur (Josh O’Connor) is a man who seems reluctant to head back to his past, although haunted by his lost love Beniamina. Meeting back up with his rag-tag bunch of friends, Arthur succumbs to the means of living he loves the most — stealing Etruscan artifacts from local graves. Sinking deeper and deeper into his work, Arthur’s quest to find a door to the afterlife becomes overwhelming.
2020s cinema has, so far, been a time of reminiscence. As a collective, we’ve been harking for the 1980s in particular, longing for its synth-based tunes, garish colours, and a future that felt as though anything could happen next. Typically, this manifests in something that looks of its time but clearly is made in the modern day. Instead of a synthetic homage,...
- 3/21/2024
- by Jasmine Valentine
- Nerdly
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2023 Oscars Predictions:
Best Original Screenplay Past Lives, from left: Teo Yoo, Greta Lee, John Magro, 2023. © A24 / Courtesy Everett Collection
Weekly Commentary: Following its victories at the Golden Globes for best screenplay and the BAFTA for original screenplay, it appears almost inevitable that “Anatomy of a Fall” will secure the Oscar for its co-writers,...
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2023 Oscars Predictions:
Best Original Screenplay Past Lives, from left: Teo Yoo, Greta Lee, John Magro, 2023. © A24 / Courtesy Everett Collection
Weekly Commentary: Following its victories at the Golden Globes for best screenplay and the BAFTA for original screenplay, it appears almost inevitable that “Anatomy of a Fall” will secure the Oscar for its co-writers,...
- 3/7/2024
- by Clayton Davis
- Variety Film + TV
Wes Anderson is long overdue an Oscar. The iconic director has been nominated seven times and lost on all seven occasions. He earned his eighth nomination this year for Best Live Action Short Film for his Roald Dahl adaptation “The Wonderful Story of Henry Sugar” (shared with Steven Rales).
However, Anderson could find himself trumped again as there is an impactful, emotional, heartfelt obstacle in his way: Misan Harriman‘s “The After.” Harriman, who rose to prominence as a photographer, has created one of the year’s most talked about short films with “The After.” The Netflix short follows David Oyelowo as a man who suffers an extraordinary loss and attempts to go through the ensuing healing process.
The movie has earned plenty of A-list supporters, with Angelina Jolie, Jeff Bridges, and Oprah all making it known how much they adored the tragic short film. Meghan Markle also conducted a...
However, Anderson could find himself trumped again as there is an impactful, emotional, heartfelt obstacle in his way: Misan Harriman‘s “The After.” Harriman, who rose to prominence as a photographer, has created one of the year’s most talked about short films with “The After.” The Netflix short follows David Oyelowo as a man who suffers an extraordinary loss and attempts to go through the ensuing healing process.
The movie has earned plenty of A-list supporters, with Angelina Jolie, Jeff Bridges, and Oprah all making it known how much they adored the tragic short film. Meghan Markle also conducted a...
- 3/6/2024
- by Jacob Sarkisian
- Gold Derby
There are parts of the world where the ancient past exists in tantalising proximity to the present, where it’s difficult to escape the sense of being a latecomer to the party, scraping a living in the ruins of something greater. From the earliest days of its empire, Britain sought to borrow older imperial glory by presenting itself as the keeper of antique knowledge, the proper heir – regardless of location – to the treasures of Ancient Greece, Rome, and adjacent older civilisations such as the Etruscans. Alice Rohrwacher’s latest work, which is screening as part of the Glasgow Film Festival, follows a latter-day English adventurer, his grimy suit betokening the Empire’s fall, as he seeks to make his fortune from looting ancient tombs, only to discover something about his own status in the process.
The name chimera would seem, on the surface of it, to the Etruscan habit of hybridising.
The name chimera would seem, on the surface of it, to the Etruscan habit of hybridising.
- 3/2/2024
- by Jennie Kermode
- eyeforfilm.co.uk
The International Film Festival Rotterdam has always been something of a grab bag. This year, at the 53rd edition, the Dutch festival showed 424 films across its various programmes — a reduction from past years due to widespread budget cuts. Still, 424 films (including 183 world premieres) is a mammoth undertaking for any one film critic at a major festival lacking an intuitive method of whittling down a schedule. This is especially true for international press less interested in the trickle-down from Cannes or Venice — Agniezka Holland’s audience award-winner Green Border, Bertrand Bonello’s The Beast, and Alice Rohrwacher’s La […]
The post Rotterdam 2024 Critic’s Notebook: A Spoiling Rain, The Ballad of Suzanne Césaire, Under a Blue Sun and 102 Narra first appeared on Filmmaker Magazine.
The post Rotterdam 2024 Critic’s Notebook: A Spoiling Rain, The Ballad of Suzanne Césaire, Under a Blue Sun and 102 Narra first appeared on Filmmaker Magazine.
- 2/19/2024
- by Beatrice Loayza
- Filmmaker Magazine - Blog
The International Film Festival Rotterdam has always been something of a grab bag. This year, at the 53rd edition, the Dutch festival showed 424 films across its various programmes — a reduction from past years due to widespread budget cuts. Still, 424 films (including 183 world premieres) is a mammoth undertaking for any one film critic at a major festival lacking an intuitive method of whittling down a schedule. This is especially true for international press less interested in the trickle-down from Cannes or Venice — Agniezka Holland’s audience award-winner Green Border, Bertrand Bonello’s The Beast, and Alice Rohrwacher’s La […]
The post Rotterdam 2024 Critic’s Notebook: A Spoiling Rain, The Ballad of Suzanne Césaire, Under a Blue Sun and 102 Narra first appeared on Filmmaker Magazine.
The post Rotterdam 2024 Critic’s Notebook: A Spoiling Rain, The Ballad of Suzanne Césaire, Under a Blue Sun and 102 Narra first appeared on Filmmaker Magazine.
- 2/19/2024
- by Beatrice Loayza
- Filmmaker Magazine-Director Interviews
Italy — which is the Country of Focus at this year’s European Film Market in Berlin — is flourishing in terms of production activity just as its box office grosses start to pick up. Yet there’s room for improvement in terms of the number of titles that are able to break out internationally.
The Cinema Italiano output currently stands at over 350 movies a year, including co-productions, which is up compared with pre-pandemic levels. Still, while exports are growing, Italy only has a handful of directors — such as Paolo Sorrentino, Luca Guadagnino, Matteo Garrone and Alice Rohrwacher — whose movies consistently manage to travel around the world.
That said, a new generation of Italian auteurs is emerging. Case in point are the country’s two titles in the Berlin Film Festival competition: star-studded sci-fi film “Another End,” and musical comedy “Gloria!”
“Another End” is the sophomore work by Piero Messina, whose first film,...
The Cinema Italiano output currently stands at over 350 movies a year, including co-productions, which is up compared with pre-pandemic levels. Still, while exports are growing, Italy only has a handful of directors — such as Paolo Sorrentino, Luca Guadagnino, Matteo Garrone and Alice Rohrwacher — whose movies consistently manage to travel around the world.
That said, a new generation of Italian auteurs is emerging. Case in point are the country’s two titles in the Berlin Film Festival competition: star-studded sci-fi film “Another End,” and musical comedy “Gloria!”
“Another End” is the sophomore work by Piero Messina, whose first film,...
- 2/17/2024
- by Nick Vivarelli
- Variety Film + TV
South Korean auteur Bong Joon-ho once described the works of Italian film director, editor, and screenwriter Alice Rohrwacher as “a mix of magic realism and neorealism, innocent characters butting up against corrupt behemoths.” And that’s a beautiful and apt description of her work and arguably her latest film, “La Chimera.” A period romantic drama, the film centers on A group of archaeologists and the black market of historical artifacts that ties them all together.
Continue reading ‘La Chimera’ Trailer: Alice Rohrwacher’s Latest Drama Stars Josh O’Connor, Isabella Rossellini & More at The Playlist.
Continue reading ‘La Chimera’ Trailer: Alice Rohrwacher’s Latest Drama Stars Josh O’Connor, Isabella Rossellini & More at The Playlist.
- 2/6/2024
- by Edward Davis
- The Playlist
"You've cast a spell." One of the best films from 2023! Neon has finally unveiled the official US trailer for the Italian film La Chimera, the latest from acclaimed Italian filmmaker Alice Rohrwacher. This first premiered at the 2023 Cannes Film Festival last year, where I first fell in love with it, before going on to play at the Telluride, Toronto, Zurich, and New York Film Festivals. Josh O'Connor stars as Arthur, one of the key members of a band of black market bandits (known as the "Tombaroli") who dig up archeological artifacts hidden in tombs around Italy and sell them to a collector. The cast also features Isabella Rossellini, Carol Duarte, Alba Rohrwacher, Vincenzo Nemolato, and Lou Roy-Lecollinet. I Adore this film and everything in it – I went to see it three times at three different festivals last year. It ended up as my #1 film of 2023 on my final Top 10 for...
- 2/6/2024
- by Alex Billington
- firstshowing.net
While Indiana Jones and the Dial of Destiny perhaps garnered more press out of Cannes Film Festival last year, it was another selection involving archaeologists and tomb raiders that will have a longer shelf life. Alice Rohrwacher’s latest feature La Chimera, starring Josh O’Connor, Isabella Rossellini, Alba Rohrwacher, Carol Duarte, and Vincenzo Nemolato, has now finally been set for a March 29, 2024 release from Neon following a 2023 awards-qualifying run and now the new trailer and poster have arrived.
Here’s the synopsis: “Everyone has their own Chimera, something they try to achieve but never manage to find. For the band of tombaroli, thieves of ancient grave goods and archaeological wonders, the Chimera means redemption from work and the dream of easy wealth. For Arthur, the Chimera looks like the woman he lost, Beniamina. To find her, Arthur challenges the invisible, searches everywhere, goes inside the earth – in search of the...
Here’s the synopsis: “Everyone has their own Chimera, something they try to achieve but never manage to find. For the band of tombaroli, thieves of ancient grave goods and archaeological wonders, the Chimera means redemption from work and the dream of easy wealth. For Arthur, the Chimera looks like the woman he lost, Beniamina. To find her, Arthur challenges the invisible, searches everywhere, goes inside the earth – in search of the...
- 2/6/2024
- by Jordan Raup
- The Film Stage
Josh O’Connor is on a quest to find his long lost (and dead) love.
O’Connor leads writer-director Alice Rohrwacher’s “La Chimera,” a mystical adventure that premiered at Cannes 2023.
The official synopsis reads: “Everyone has their own Chimera, something they try to achieve but never manage to find. For the band of tombaroli, thieves of ancient grave goods and archaelogical wonders, the Chimera means redemption from work and the dream of easy wealth. For Arthur (O’Connor), the Chimera looks like the woman he lost, Beniamina. To find her, Arthur challenges the invisible, searches everywhere, goes inside the earth…all in search of the door to the afterlife of which myths speak. In an adventurous journey between the living and the dead, between forests and cities, between celebrations and solitudes, the intertwined destinies of these characters unfold, all in search of the Chimera.”
Isabella Rossellini co-stars as the mother of Arthur’s deceased lover.
O’Connor leads writer-director Alice Rohrwacher’s “La Chimera,” a mystical adventure that premiered at Cannes 2023.
The official synopsis reads: “Everyone has their own Chimera, something they try to achieve but never manage to find. For the band of tombaroli, thieves of ancient grave goods and archaelogical wonders, the Chimera means redemption from work and the dream of easy wealth. For Arthur (O’Connor), the Chimera looks like the woman he lost, Beniamina. To find her, Arthur challenges the invisible, searches everywhere, goes inside the earth…all in search of the door to the afterlife of which myths speak. In an adventurous journey between the living and the dead, between forests and cities, between celebrations and solitudes, the intertwined destinies of these characters unfold, all in search of the Chimera.”
Isabella Rossellini co-stars as the mother of Arthur’s deceased lover.
- 2/6/2024
- by Samantha Bergeson
- Indiewire
Exclusive: Cannes Marché du Film has unveiled the four film industry professionals who will select the projects for the second edition of its Investors Circle initiative.
The one-day event – taking place within the framework of this year’s market, running from May 14 to 22 – is aimed at connecting elevated, international feature film projects with film financiers and high-net worth individuals with a desire to invest in cinema.
This year’s selection committee comprises Arte France Cinéma CEO Remi Burah; French film and TV biz entrepreneur Serge Hayat; Georgian cinema professional Tamara Tatishvili, who is currently head of the International Film Festival Rotterdam’s Hubert Bals Fund, and Korean co-production expert Wonsun Shin.
The projects are gathered through a combination of networking and scouting as well as direct submissions to the Cannes Marché du Film up until February 29. The Selection Committee will meet throughout March to decide the final line-up.
Aleksandra Zakharchenko,...
The one-day event – taking place within the framework of this year’s market, running from May 14 to 22 – is aimed at connecting elevated, international feature film projects with film financiers and high-net worth individuals with a desire to invest in cinema.
This year’s selection committee comprises Arte France Cinéma CEO Remi Burah; French film and TV biz entrepreneur Serge Hayat; Georgian cinema professional Tamara Tatishvili, who is currently head of the International Film Festival Rotterdam’s Hubert Bals Fund, and Korean co-production expert Wonsun Shin.
The projects are gathered through a combination of networking and scouting as well as direct submissions to the Cannes Marché du Film up until February 29. The Selection Committee will meet throughout March to decide the final line-up.
Aleksandra Zakharchenko,...
- 2/6/2024
- by Melanie Goodfellow
- Deadline Film + TV
Mubi has unveiled their February 2024 lineup, featuring Roy Andersson’s little-seen 1991 short World of Glory, Nicole Holofcener’s Lovely & Amazing starring Catherine Keener with an early Jake Gyllenhaal performance, and special Black History Month selections: Spike Lee’s Red Hook Summer, Kasi Lemmon’s Eve’s Bayou, Carl Franklin’s One False Move, and more.
Check out the lineup below, including recently added January titles, and get 30 days free here.
Just-Added
American Movie, directed by Christopher Smith | Festival Focus: Sundance
Pieces of April, directed by Peter Hedges | Festival Focus: Sundance
The Blair Witch Project, directed by Daniel Myrick, Eduardo Sánchez | Festival Focus: Sundance
But I’m a Cheerleader, directed by Jamie Babbit | Festival Focus: Sundance
Secretary, directed by Steven Shainberg | Festival Focus: Sundance
Medicine for Melancholy directed by Barry Jenkins | First Films First
Antiviral, directed by Brandon Cronenberg | First Films First
Shithouse, directed by Cooper Raiff | First Films First
Age of Panic,...
Check out the lineup below, including recently added January titles, and get 30 days free here.
Just-Added
American Movie, directed by Christopher Smith | Festival Focus: Sundance
Pieces of April, directed by Peter Hedges | Festival Focus: Sundance
The Blair Witch Project, directed by Daniel Myrick, Eduardo Sánchez | Festival Focus: Sundance
But I’m a Cheerleader, directed by Jamie Babbit | Festival Focus: Sundance
Secretary, directed by Steven Shainberg | Festival Focus: Sundance
Medicine for Melancholy directed by Barry Jenkins | First Films First
Antiviral, directed by Brandon Cronenberg | First Films First
Shithouse, directed by Cooper Raiff | First Films First
Age of Panic,...
- 1/25/2024
- by Jordan Raup
- The Film Stage
The 53rd edition of the International Film Festival Rotterdam, taking place between Jan. 25 – Feb. 4, will be the first for Clare Stewart as managing director. Functioning under a dual leadership structure where the managing director and festival director oversee the commercial and creative elements of the organization respectively, IFFR appointed Stewart back in June 2023 to focus on the festival’s business side.
Speaking to Variety ahead of the festival and joined by festival director Vanja Kaludjercic, the former director of the Sydney Film Festival and BFI London Film Festival emphasized it feels like a “full circle moment” to be back in Rotterdam after first attending IFFR over 20 years ago as her first international film event outside of her home country of Australia.
“It’s also interesting to be coming in as the managing director, having previously held roles that either combined the two or were more of a creative director role,...
Speaking to Variety ahead of the festival and joined by festival director Vanja Kaludjercic, the former director of the Sydney Film Festival and BFI London Film Festival emphasized it feels like a “full circle moment” to be back in Rotterdam after first attending IFFR over 20 years ago as her first international film event outside of her home country of Australia.
“It’s also interesting to be coming in as the managing director, having previously held roles that either combined the two or were more of a creative director role,...
- 1/25/2024
- by Rafa Sales Ross
- Variety Film + TV
Legendary Entertainment’s Godzilla x Kong: The New Empire moves up to March 29.
Bong Joon Ho’s upcoming sci-fi Mickey 17 starring Robert Pattinson has been undated by Warner Bros due to strike disruption and is expected to be given a new date soon.
Mickey 17 was previously set to open on March 29 this year.
Screen understands Bong has been given more time to complete post-production on the follow-up feature to his Palme d’Or winner and 2020 best picture Oscar winner Parasite.
Adapted from Edward Ashton’s book Mickey7 published in 2022, the feature produced by Plan B centres on an...
Bong Joon Ho’s upcoming sci-fi Mickey 17 starring Robert Pattinson has been undated by Warner Bros due to strike disruption and is expected to be given a new date soon.
Mickey 17 was previously set to open on March 29 this year.
Screen understands Bong has been given more time to complete post-production on the follow-up feature to his Palme d’Or winner and 2020 best picture Oscar winner Parasite.
Adapted from Edward Ashton’s book Mickey7 published in 2022, the feature produced by Plan B centres on an...
- 1/9/2024
- by Jeremy Kay
- ScreenDaily
Festival selection includes Nikolaj Arcel’s ‘The Promised Land’ and Ernst De Geer’s ‘The Hypnosis’.
Goteborg Film Festival has selected almost 250 films for its 47th edition, including recent Nordic favourites The Promised Land starring Mads Mikkelsen and The Hypnosis by Ernst De Geer.
The festival, which runs from January 26 to February 4, has also programmed events including a talk between Ruben Ostlund and Cannes director Thierry Fremaux; and selected Danish actress Sidse Babett Knudsen to receive its Nordic Honorary Dragon award.
Scroll down for the list of festival titles
The 10 films competing in the Nordic Competition include Nikolaj Arcel’s The Promised Land,...
Goteborg Film Festival has selected almost 250 films for its 47th edition, including recent Nordic favourites The Promised Land starring Mads Mikkelsen and The Hypnosis by Ernst De Geer.
The festival, which runs from January 26 to February 4, has also programmed events including a talk between Ruben Ostlund and Cannes director Thierry Fremaux; and selected Danish actress Sidse Babett Knudsen to receive its Nordic Honorary Dragon award.
Scroll down for the list of festival titles
The 10 films competing in the Nordic Competition include Nikolaj Arcel’s The Promised Land,...
- 1/9/2024
- by Ben Dalton
- ScreenDaily
The Göteborg Film Festival has unveiled the competition titles selected for its 47th edition, which runs from January 26 to February 4. (Scroll down for the full list).
Göteborg is split into four competition strands. The main strand is the Nordic Competition, which features nine films from the Nordic region. The competition’s winner takes home the Dragon Award and a Sek 400,000 cash prize. The rest of the festival comprises the Nordic Documentary Competition, the Ingmar Bergman Competition for first-time filmmakers, and the International Competition.
Among the Nordic highlights is Madame Luna, Swedish filmmaker Daniel Espinosa’s return to Nordic filmmaking following a series of Hollywood titles such as Morbius and Safe House. Inspired by real-life events, the film follows an Eritrean refugee who gets stuck in Libya and becomes a notorious human trafficker known as “Mama Luna” with deep ties to the Italian Mafia. When she is forced to flee to...
Göteborg is split into four competition strands. The main strand is the Nordic Competition, which features nine films from the Nordic region. The competition’s winner takes home the Dragon Award and a Sek 400,000 cash prize. The rest of the festival comprises the Nordic Documentary Competition, the Ingmar Bergman Competition for first-time filmmakers, and the International Competition.
Among the Nordic highlights is Madame Luna, Swedish filmmaker Daniel Espinosa’s return to Nordic filmmaking following a series of Hollywood titles such as Morbius and Safe House. Inspired by real-life events, the film follows an Eritrean refugee who gets stuck in Libya and becomes a notorious human trafficker known as “Mama Luna” with deep ties to the Italian Mafia. When she is forced to flee to...
- 1/9/2024
- by Zac Ntim
- Deadline Film + TV
Following The Film Stage’s collective top 50 films of 2023, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
The very act of making a top ten list each year is an absurd yet worthwhile exercise, as frustrating as it is always valuable to reflect on the overall state of cinema in a given year, an art I’ve dedicated much of my adult life to. While I’m about to complain about the process I would be offended if my editors here at The Film Stage didn’t ask me to contribute. As always, thanks Jordan for keeping me around for another year!
For some, life is about the ones that got away––I feel this acutely as I almost passed on Claire Simon’s Our Body, a rewarding documentary with a final scene that nearly broke me emotionally––for the very reason that I...
The very act of making a top ten list each year is an absurd yet worthwhile exercise, as frustrating as it is always valuable to reflect on the overall state of cinema in a given year, an art I’ve dedicated much of my adult life to. While I’m about to complain about the process I would be offended if my editors here at The Film Stage didn’t ask me to contribute. As always, thanks Jordan for keeping me around for another year!
For some, life is about the ones that got away––I feel this acutely as I almost passed on Claire Simon’s Our Body, a rewarding documentary with a final scene that nearly broke me emotionally––for the very reason that I...
- 1/5/2024
- by John Fink
- The Film Stage
2023, the year of the Barbenheimer double bill, spoiler: neither of them feature in my top ten, but what a year for getting people excited about the cinema again. Films have always been such a huge, influential and guiding part of my life and I hope this epic mastermind of filmmaking and marketing will ensure more future film lovers. As always, I wish I had watched more films and deciding on my top ten always brings me a certain level of angst as I have long relied on the medium to take me away from real life, yet simultaneously allow me to reflect on the themes within and their relatability to my own existence and the world I live in. The films that have made my list are those that have sat with me in both my waking and sleeping moments. They come back to me when I am least expecting...
- 12/30/2023
- by Sarah Smith
- Directors Notes
Following The Film Stage’s collective top 50 films of 2023, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
I love going to the movies every year, but I really loved going to the movies this year. I saw Knock at the Cabin in Providence, I saw May December in Tallinn. I saw Enys Men in a small theater at Village East where it felt like everyone in the audience turned against the film but me. Somehow I liked Equalizer 3 despite loathing the other two. The worst movie I saw in theaters was Fast X, which I watched on an edible that put me to sleep during a set piece. I missed out on seeing Magic Mike’s Last Dance with some friends who wound up running into Christopher Nolan going to see Skinamarink. I loved breaking Yom Kippur fast during The Beast (out next year—I...
I love going to the movies every year, but I really loved going to the movies this year. I saw Knock at the Cabin in Providence, I saw May December in Tallinn. I saw Enys Men in a small theater at Village East where it felt like everyone in the audience turned against the film but me. Somehow I liked Equalizer 3 despite loathing the other two. The worst movie I saw in theaters was Fast X, which I watched on an edible that put me to sleep during a set piece. I missed out on seeing Magic Mike’s Last Dance with some friends who wound up running into Christopher Nolan going to see Skinamarink. I loved breaking Yom Kippur fast during The Beast (out next year—I...
- 12/28/2023
- by Fran Hoepfner
- The Film Stage
2023 was a year of seemingly seismic change for the film industry, as superhero movies (especially Marvel) lost their grip on the box office while more auteur-led efforts such as Oppenheimer and Barbie made serious bank. Audiences seem hungry for a return to thoughtful and engaging efforts, voting for their wallets against a decade of cape-clad hegenomy in favour of more challenging (and visually interesting) cinema. But as with the majority of contemporary film analysis, these are mostly concerns for Hollywood. The international arthouse scene plugs away as usual, providing a diverse range of exciting visions that once again expand the very possibilities of the cinematic form. I went back and forth on this list several times, only coming to a final top ten this very morning. With courtroom drama, oddball romance, epic character study and even outright horror, this year’s selection subverted and expanded genre norms, showing that great cinema,...
- 12/26/2023
- by Redmond Bacon
- Directors Notes
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