La dolce vita (1960)

Director:

Federico Fellini

Writers:

Federico Fellini (story) &
Ennio Flaiano (story) ...

Release Date:

19 April 1961 (USA)

Genre:

Drama

Tagline:

The Sweet Life

Plot:

Journalist and man-about-town Marcello struggles to find his place in the world, torn between the allure...

Plot Keywords:

Journalist | Sex | Writer | Film Star | Party

Awards:

Won Oscar. Another 7 wins & 7 nominations

Cast

Marcello Mastroianni	...	Marcello Rubini
Anita Ekberg	...	Sylvia
Anouk Aimée	...	Maddalena (as Anouk Aimee)
Yvonne Furneaux	...	Emma
Magali Noël	...	Fanny (as Magali Noel)
Alain Cuny	...	Steiner
Annibale Ninchi	...	Marcello's father
Walter Santesso	...	Paparazzo
Valeria Ciangottini	...	Paola
Riccardo Garrone	...	Riccardo
Ida Galli	...	Debuttante of the Year
Audrey McDonald	...	Jane (as Audey McDonald)
Polidor	...	Clown
Alain Dijon	...	Frankie Stout
Enzo Cerusico	...	Newspaper photographer

Also Known As:

La Dolce Vita (UK) (USA)
La dolce vita (France)
La douceur de vivre (France) (alternative title)

Runtime:

174 min | Germany:177 min (premiere) | Portugal:165 min (re-release) | USA:180 min (premiere)

Country:

Italy | France

Language:

Italian | English | French | German

Colour:

Black and White

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono (Western Electric)

Certification:

Italy:VM14 | Hungary:18 | South Korea:15 | Brazil:14 | Spain:13 | Spain:(Banned) (1960-1980) | Argentina:16 | Australia:M (DVD rating) | Australia:PG (original rating) | Chile:18 | Finland:K-16 | Norway:16 | Singapore:M18 | Sweden:15 | UK:15 | USA:Not Rated | West Germany:12 (video rating)

Filming Locations:

Bassano Romano, Viterbo, Lazio, Italy

Company:

Riama Film

Trivia:

Was voted the 6th Greatest film of all time by Entertainment Weekly.

Goofs:

Miscellaneous: In the castle, Marcello lights a match to view some ancestral paintings. A spotlight is used to enhance the light of this match, but does not follow the actor's movements very closely and gives the illusion away.

Quotes:

Steiner: Don't be like me. Salvation doesn't lie within four walls. I'm too serious to be a dilettante and too much a dabbler to be a professional. Even the most miserable life is better than a sheltered existence in an organized society where everything is calculated and perfected.

Movie Connections:

Referenced in Taxi für eine Leiche (2002)

Soundtrack:

Patricia

Complex And Rambling

Mostly because of the terrific high contrast, B&W visuals, and the evocative music, this is the only Fellini film I have seen that I have somewhat enjoyed. I recommend it, but not without reservations. It's a complex film with many textured layers of meaning. And, in typical Fellini fashion, it rambles and it meanders.

Deviating from standard three-Act structure, Fellini's story consists of roughly eight episodes, all starting at night and ending at dawn, more or less. Each has its own crisis. And the only thing that unites these episodes into a coherent whole is the story's protagonist, Marcello (Marcello Mastroianni). In his job as a journalist and overall observer of human nature, Marcello encounters people in high society who seem outwardly happy and self-fulfilled. On closer examination, however, these people are empty, hollow, alienated, emotionally adrift and vacant.

A good example is the starlet Sylvia (Anita Ekberg), a glamorous figure, but she's all image and no substance. "La dolce vita" is the first film that uses the concept of "paparazzi", which implies the importance of "image", separate from substance.

Throughout the various episodes Marcello sees these "images" of happiness, of contentment, but the images are deceptive, elusive, unreliable. In one episode, two "miracle" children "see" the Madonna. "The Madonna is over there", shouts one child. The crowd chases after her. But the other child who "sees" the Madonna runs in the opposite direction. Happiness, self-fulfillment, religious visions ... they're all a will-o'-the-wisp. And so, the film conveys a sense of pessimism and cynicism.

The film thus has deep thematic value. It caused a scandal when it was released, and was banned by the Catholic Church, apparently for appearing to be anti-religious.

Yet for all its deep meaning, "La dolce vita" can be a trial to sit through. Somewhere in the second half I began to lose interest. I don't have a problem with Fellini's deviation from standard plot structure. I do have a problem with a director who doesn't know when to quit. This film goes on for almost three hours. A good edit, to delete all the fat, would have tightened up the story and rendered it more potent. As is, it's too strung out, too stretched, too meandering.

If the viewer can persevere, there's enormous cinematic art in this film. And helped along by Nino Rota's music, the film is wonderfully evocative, at times stylishly melancholy.