The devil is in the details in “The Dark and the Wicked,” a horror film that teases out the evil presence descending on a grieving family on a Texas farm, with the same ambiguous, psychological heft of Henry James’ “The Turn of the Screw.” His evocation of a familiar, domestic world mysteriously sliding into chaos feels all the more blood-curdling because the protagonists’ distress and helplessness are emotionally relatable.
Following its selection by the Tribeca, Fantasia and Sitges festivals, the film will be released theatrically stateside in November, and stream on Shudder in the U.K. and other select territories. Bertino can count on the enthusiasm of a niche but loyal genre fanbase for whom he built a reputation with three distinctively styled horror-thrillers — “The Strangers,” “Mockingbird” and “The Monster” — which also enjoyed a degree of critical recognition.
At a remote farm in Thurber, Texas, the end is near for...
Following its selection by the Tribeca, Fantasia and Sitges festivals, the film will be released theatrically stateside in November, and stream on Shudder in the U.K. and other select territories. Bertino can count on the enthusiasm of a niche but loyal genre fanbase for whom he built a reputation with three distinctively styled horror-thrillers — “The Strangers,” “Mockingbird” and “The Monster” — which also enjoyed a degree of critical recognition.
At a remote farm in Thurber, Texas, the end is near for...
- 9/18/2020
- by Maggie Lee
- Variety Film + TV
A Teacher
Written and directed by Hanna Fidell
USA, 2013
Diane is well-liked. The attractive young teacher is popular with her students and respected amongst her peers. By all outward accounts she seems to be following the path set out for her by society. But behind Diane’s estimable facade lies a secret that threatens to upend her entire existence.
In a story seemingly ripped from the headlines, A Teacher explores the morally complicated relationship between Diane, a high school English teacher, and Eric, the student with whom she is having an affair. First time feature writer/director Hannah Fidell’s quiet character study avoids many of the pitfalls inherent with such a plot, preferring to instead explore the weaknesses in character inherent in all of us.
Lindsay Burge delivers a break-out performance as the emotionally fraught Diane. Her thin smile, kept appearance, and restrained demeanour, project calm, but as the...
Written and directed by Hanna Fidell
USA, 2013
Diane is well-liked. The attractive young teacher is popular with her students and respected amongst her peers. By all outward accounts she seems to be following the path set out for her by society. But behind Diane’s estimable facade lies a secret that threatens to upend her entire existence.
In a story seemingly ripped from the headlines, A Teacher explores the morally complicated relationship between Diane, a high school English teacher, and Eric, the student with whom she is having an affair. First time feature writer/director Hannah Fidell’s quiet character study avoids many of the pitfalls inherent with such a plot, preferring to instead explore the weaknesses in character inherent in all of us.
Lindsay Burge delivers a break-out performance as the emotionally fraught Diane. Her thin smile, kept appearance, and restrained demeanour, project calm, but as the...
- 9/11/2013
- by Scott Colquitt
- SoundOnSight
After a successful run as part of the Park City at Midnight program during this year's Sundance, we finally have the home video specs for Sebastian Silva's Magic, Magic. Read on for details.
From the Press Release
From award-winning Chilean filmmaker Sebastián Silva (The Maid) comes the acclaimed thriller Magic Magic, available August 6th on DVD from Sony Pictures Home Entertainment. Starring Juno Temple (Killer Joe, The Dark Knight Rises), Emily Browning (Sucker Punch, The Uninvited), Catalina Sandino Moreno (Che, Maria Full of Grace), Michael Cera (Juno, Superbad), and Agustín Silva (Crystal Fairy, The Maid), the film tells the chilling story of a naive young tourist (Temple) whose road trip across Chile with friends turns into a waking nightmare. Magic Magic invoked terror in audiences and praise from critics at the 2013 Sundance Film Festival. The film “offers a more than entertaining diversion from the typical blood and guts of the genre,...
From the Press Release
From award-winning Chilean filmmaker Sebastián Silva (The Maid) comes the acclaimed thriller Magic Magic, available August 6th on DVD from Sony Pictures Home Entertainment. Starring Juno Temple (Killer Joe, The Dark Knight Rises), Emily Browning (Sucker Punch, The Uninvited), Catalina Sandino Moreno (Che, Maria Full of Grace), Michael Cera (Juno, Superbad), and Agustín Silva (Crystal Fairy, The Maid), the film tells the chilling story of a naive young tourist (Temple) whose road trip across Chile with friends turns into a waking nightmare. Magic Magic invoked terror in audiences and praise from critics at the 2013 Sundance Film Festival. The film “offers a more than entertaining diversion from the typical blood and guts of the genre,...
- 7/15/2013
- by Uncle Creepy
- DreadCentral.com
We are now officially half way through the year and so I’ve asked our staff to vote for their favourite films released thus far. Hollywood blockbusters may have disappointed us, but thankfully we can always rely on independent filmmakers to create some truly inspiring films. Rounding out the special mentions is Terrence Malick’s To The Wonder, Zack Snyder’s Man of Steel, and Cate Shortland’s Lore – all missing the cut by a couple of points.
****
#15: Iron Man 3 (24 points)
Directed by Shane Black
Written by Drew Pearce & Shane Black
USA, 2013
Fun has become a slightly forgotten commodity in the summer blockbuster, with many studios and filmmakers now inspired by the efforts of directors like Christopher Nolan to be as grim as possible. The modern superhero often has to be angst-ridden or otherwise mentally scarred to make an impact on audiences, so it’s a pleasant surprise...
****
#15: Iron Man 3 (24 points)
Directed by Shane Black
Written by Drew Pearce & Shane Black
USA, 2013
Fun has become a slightly forgotten commodity in the summer blockbuster, with many studios and filmmakers now inspired by the efforts of directors like Christopher Nolan to be as grim as possible. The modern superhero often has to be angst-ridden or otherwise mentally scarred to make an impact on audiences, so it’s a pleasant surprise...
- 7/1/2013
- by Ricky
- SoundOnSight
Upstream Color
Screenplay by Shane Carruth
Directed by Shane Carruth
USA, 2013
As with his first feature Primer, it helps to go into Upstream Color with a self-assured intellect, but I’ll be the first to acknowledge that director Shane Carruth, math major, former engineer and self taught filmmaker, likely has a few Iq points on most of us. Countering any criticism that his previous effort may have been too dense or overly verbose, Carruth answers with a film that is largely silent. Replacing the heady mathematics and breakneck dialogue is a musicality crafted by an ambient score (also by Carruth) and the lyrical repetition of images. Like the work of composer Phillip Glass, themes in Upstream Color reoccur in a cyclical nature.
The lion’s share of the plot (a word largely made subjective in Upstream Color) revolves around Kris (Amy Seimetz), a woman who is curiously abducted and made...
Screenplay by Shane Carruth
Directed by Shane Carruth
USA, 2013
As with his first feature Primer, it helps to go into Upstream Color with a self-assured intellect, but I’ll be the first to acknowledge that director Shane Carruth, math major, former engineer and self taught filmmaker, likely has a few Iq points on most of us. Countering any criticism that his previous effort may have been too dense or overly verbose, Carruth answers with a film that is largely silent. Replacing the heady mathematics and breakneck dialogue is a musicality crafted by an ambient score (also by Carruth) and the lyrical repetition of images. Like the work of composer Phillip Glass, themes in Upstream Color reoccur in a cyclical nature.
The lion’s share of the plot (a word largely made subjective in Upstream Color) revolves around Kris (Amy Seimetz), a woman who is curiously abducted and made...
- 4/9/2013
- by Scott Colquitt
- SoundOnSight
Upstream Color
Screenplay by Shane Carruth
Directed by Shane Carruth
USA, 2013
As with his first feature Primer, it helps to go into Upstream Color with a self-assured intellect, but I’ll be the first to acknowledge that director Shane Carruth, math major, former engineer and self taught filmmaker, likely has a few Iq points on most of us. Countering any criticism that his previous effort may have been too dense or overly verbose, Carruth answers with a film that is largely silent. Replacing the heady mathematics and breakneck dialogue is a musicality crafted by an ambient score (also by Carruth) and the lyrical repetition of images. Like the work of composer Phillip Glass, themes in Upstream Color reoccur in a cyclical nature.
The lion’s share of the plot (a word largely made subjective in Upstream Color) revolves around Kris (Amy Seimetz), a woman who is curiously abducted and made...
Screenplay by Shane Carruth
Directed by Shane Carruth
USA, 2013
As with his first feature Primer, it helps to go into Upstream Color with a self-assured intellect, but I’ll be the first to acknowledge that director Shane Carruth, math major, former engineer and self taught filmmaker, likely has a few Iq points on most of us. Countering any criticism that his previous effort may have been too dense or overly verbose, Carruth answers with a film that is largely silent. Replacing the heady mathematics and breakneck dialogue is a musicality crafted by an ambient score (also by Carruth) and the lyrical repetition of images. Like the work of composer Phillip Glass, themes in Upstream Color reoccur in a cyclical nature.
The lion’s share of the plot (a word largely made subjective in Upstream Color) revolves around Kris (Amy Seimetz), a woman who is curiously abducted and made...
- 1/26/2013
- by Scott Colquitt
- SoundOnSight
Lasting
Directed by Jacek Borcuch
Written by Jacek Borcuch
2012, Poland/Spain
Vacationing from school in Poland, Michał (Jakub Gierszal) and Karina (Magdalena Berus) spend their days drinking wine, laughing with friends and making love, but their idyllic sun-soaked existence among the fields of a Spanish vineyard are brought to an end when an argument with a local property owner gets out of hand and Michał’s impetuous mistake threatens to drive a wedge between the young couple. Further complicating matters is the fact that Michał’s confession makes Karina’s own secret impossible to confide.
Filmmaker Jacek Borcuch (All That I Love) prefaced the screening of his latest feature by stating that “This is not a crime film,” and it’s easy to see why he would make that distinction. The events that unfold in the film’s first 30 minutes provide the impetus for the scenes that follow, but Borcuch...
Directed by Jacek Borcuch
Written by Jacek Borcuch
2012, Poland/Spain
Vacationing from school in Poland, Michał (Jakub Gierszal) and Karina (Magdalena Berus) spend their days drinking wine, laughing with friends and making love, but their idyllic sun-soaked existence among the fields of a Spanish vineyard are brought to an end when an argument with a local property owner gets out of hand and Michał’s impetuous mistake threatens to drive a wedge between the young couple. Further complicating matters is the fact that Michał’s confession makes Karina’s own secret impossible to confide.
Filmmaker Jacek Borcuch (All That I Love) prefaced the screening of his latest feature by stating that “This is not a crime film,” and it’s easy to see why he would make that distinction. The events that unfold in the film’s first 30 minutes provide the impetus for the scenes that follow, but Borcuch...
- 1/24/2013
- by Scott Colquitt
- SoundOnSight
Magic Magic
Directed by Sebastián Silva
Written by Sebastián Silva
Chili 2013
Sundance alum Sebastián Silva (The Maid, Old Cats) returns to this year’s festival with two offerings, each as similar as they are different. Magic Magic, Silva’s entry into the genre oriented Midnight category, revolves around an ill-fated road trip to a remote location off the coast of Chile. Along the way reluctant tag along Alicia (Juno Temple), begins a decent into hysteria, and unfortunately for her, when her companions aren’t fueling her sleep deprived paranoia, they’re generally ignoring her pleas for help.
Temple channels her inner damsel in distress, in a harrowing and skin-crawling performance, as the off kilter Alicia. Silva stated during the Q&A that one of the ideas that intrigued him while writing the script was the horrific notion that a person with a propensity for schizophrenia, would go unnoticed in their time of need.
Directed by Sebastián Silva
Written by Sebastián Silva
Chili 2013
Sundance alum Sebastián Silva (The Maid, Old Cats) returns to this year’s festival with two offerings, each as similar as they are different. Magic Magic, Silva’s entry into the genre oriented Midnight category, revolves around an ill-fated road trip to a remote location off the coast of Chile. Along the way reluctant tag along Alicia (Juno Temple), begins a decent into hysteria, and unfortunately for her, when her companions aren’t fueling her sleep deprived paranoia, they’re generally ignoring her pleas for help.
Temple channels her inner damsel in distress, in a harrowing and skin-crawling performance, as the off kilter Alicia. Silva stated during the Q&A that one of the ideas that intrigued him while writing the script was the horrific notion that a person with a propensity for schizophrenia, would go unnoticed in their time of need.
- 1/24/2013
- by Scott Colquitt
- SoundOnSight
A Teacher
Written and Directed by: Hanna Fidell
2013, USA
Diane is well-liked. The attractive young teacher is popular with her students and respected amongst her peers. By all outward accounts she seems to be following the path set out for her by society. But behind Diane’s estimable facade lies a secret that threatens to upend her entire existence.
In a story seemingly ripped from the headlines, A Teacher explores the morally complicated relationship between Diane, a high school English teacher, and Eric, the student with whom she is having an affair. First time feature writer/director Hannah Fidell’s quiet character study avoids many of the pitfalls inherent with such a plot, preferring to instead explore the weaknesses in character inherent in all of us.
Lindsay Burge delivers a break-out performance as the emotionally fraught Diane. Her thin smile, kept appearance, and restrained demeanour, project calm, but as the...
Written and Directed by: Hanna Fidell
2013, USA
Diane is well-liked. The attractive young teacher is popular with her students and respected amongst her peers. By all outward accounts she seems to be following the path set out for her by society. But behind Diane’s estimable facade lies a secret that threatens to upend her entire existence.
In a story seemingly ripped from the headlines, A Teacher explores the morally complicated relationship between Diane, a high school English teacher, and Eric, the student with whom she is having an affair. First time feature writer/director Hannah Fidell’s quiet character study avoids many of the pitfalls inherent with such a plot, preferring to instead explore the weaknesses in character inherent in all of us.
Lindsay Burge delivers a break-out performance as the emotionally fraught Diane. Her thin smile, kept appearance, and restrained demeanour, project calm, but as the...
- 1/23/2013
- by Scott Colquitt
- SoundOnSight
Coral: Rekindling Venus
Directed by Lynette Wallworth
2013, Australia
The New Frontier selections at Sundance set out to explore the cross section of film, art and technology. It is in that spirit that Coral: Rekindling Venus, inspired in part by astronomer Edmond Halley’s appeal to the international community and subsequent expeditions taken on by a global cohort of scientists in 1761, forgoes the traditional narrative to create a visually stunning and wholly immersive experience, which includes both a full-dome planetary style presentation as well as an augmented reality app available for iOS and Android.
Filmmaker Lynette Wallworth’s visionary approach is both mesmerizing and emotionally resonate, capturing a world more alien than any likely to be found in the latest sci-fi blockbuster and all without the aid of gratuitous computer generated effects. Coral: Rekindling Venus reminds us of that other unexplored frontier and the precious resources that lie beyond the tiny mounds of earth we inhabit.
Directed by Lynette Wallworth
2013, Australia
The New Frontier selections at Sundance set out to explore the cross section of film, art and technology. It is in that spirit that Coral: Rekindling Venus, inspired in part by astronomer Edmond Halley’s appeal to the international community and subsequent expeditions taken on by a global cohort of scientists in 1761, forgoes the traditional narrative to create a visually stunning and wholly immersive experience, which includes both a full-dome planetary style presentation as well as an augmented reality app available for iOS and Android.
Filmmaker Lynette Wallworth’s visionary approach is both mesmerizing and emotionally resonate, capturing a world more alien than any likely to be found in the latest sci-fi blockbuster and all without the aid of gratuitous computer generated effects. Coral: Rekindling Venus reminds us of that other unexplored frontier and the precious resources that lie beyond the tiny mounds of earth we inhabit.
- 1/21/2013
- by Scott Colquitt
- SoundOnSight
Virtually Heroes
Directed by G.J. Echternkamp
Screenplay by Matt Yamashita
2013, USA
Gamers like myself have had a long and storied history with the film industry. Movie adaptations of popular video games titles have often been met with derision from the gaming community, and with good reason. Starting with Super Mario Bros in ’93, Double Dragon (1994), and more recently the Resident Evil and Silent Hill franchises, Hollywood hasn’t exactly done right by the gaming industry. Luckily,Virtually Heroes, screening this year as part of the Midnight selection at Sundance, forgoes any specific source material, thereby skipping the middle man and moving right along to the B-movie.
Produced by genre luminary Roger Corman (the film also not so discretely borrows a good deal of stock footage from his films), Virtually Heroes offers tongue-in-cheek insight into the existential quandary that is the day-to-day of a video game hero. As vapid as the games...
Directed by G.J. Echternkamp
Screenplay by Matt Yamashita
2013, USA
Gamers like myself have had a long and storied history with the film industry. Movie adaptations of popular video games titles have often been met with derision from the gaming community, and with good reason. Starting with Super Mario Bros in ’93, Double Dragon (1994), and more recently the Resident Evil and Silent Hill franchises, Hollywood hasn’t exactly done right by the gaming industry. Luckily,Virtually Heroes, screening this year as part of the Midnight selection at Sundance, forgoes any specific source material, thereby skipping the middle man and moving right along to the B-movie.
Produced by genre luminary Roger Corman (the film also not so discretely borrows a good deal of stock footage from his films), Virtually Heroes offers tongue-in-cheek insight into the existential quandary that is the day-to-day of a video game hero. As vapid as the games...
- 1/21/2013
- by Scott Colquitt
- SoundOnSight
V/H/S
Written by Simon Barrett, David Bruckner, Nicholas Tecosky, Ti West, Glenn McQuaid, Matt Bettinelli-Olpin, Tyler Gillett, Justin Martinez, Chad Villella
Directed by Adam Wingard, David Bruckner, Ti West, Glenn McQuaid, Joe Swanberg, Radio Silence
USA, 2011
One of the most anticipated additions to the growing pantheon of “found footage” films this year comes in the form of an anthology. V/H/S brings together some of the hottest names in indie and genre for the project conceived by Brad Miska, founder of the horror news and blog sight BloodyDisgusting.com.
V/H/S starts off with Adam Windgard (A Horrible Way to Die) providing the connective tissue for the film with his short Tape Fifty-Six. In it a group of men film themselves destroying their surroundings and sexually assaulting random women in the park before moving on to a job given to them by a nondescript third party.
Written by Simon Barrett, David Bruckner, Nicholas Tecosky, Ti West, Glenn McQuaid, Matt Bettinelli-Olpin, Tyler Gillett, Justin Martinez, Chad Villella
Directed by Adam Wingard, David Bruckner, Ti West, Glenn McQuaid, Joe Swanberg, Radio Silence
USA, 2011
One of the most anticipated additions to the growing pantheon of “found footage” films this year comes in the form of an anthology. V/H/S brings together some of the hottest names in indie and genre for the project conceived by Brad Miska, founder of the horror news and blog sight BloodyDisgusting.com.
V/H/S starts off with Adam Windgard (A Horrible Way to Die) providing the connective tissue for the film with his short Tape Fifty-Six. In it a group of men film themselves destroying their surroundings and sexually assaulting random women in the park before moving on to a job given to them by a nondescript third party.
- 3/17/2012
- by Scott Colquitt
- SoundOnSight
John Dies at the End
Directed by Don Coscarelli
Written by Don Coscarelli
2012, USA
John Dies at the End, the new film from exalted director Don Coscarelli screened last night at The Alamo Drafthouse to a packed house full of hardcore genre devotees. John Dies, also having played earlier this year at Sundance, enjoyed a friendly audience for what the director insists is the true premiere of the finished product here at SXSW.
As John Dies begins David and John are a couple of twenty-something burnouts who encounter a black goopy substance at a party one night. The “drug,” which goes by the street name “soy sauce,” gives them a host of new abilities (and side effects) but namely it allows them to read minds and transcend space and time. Oh and it also opens them up to a world of Lovecraftian horrors. It’s literally a vegan’s worst nightmare.
Directed by Don Coscarelli
Written by Don Coscarelli
2012, USA
John Dies at the End, the new film from exalted director Don Coscarelli screened last night at The Alamo Drafthouse to a packed house full of hardcore genre devotees. John Dies, also having played earlier this year at Sundance, enjoyed a friendly audience for what the director insists is the true premiere of the finished product here at SXSW.
As John Dies begins David and John are a couple of twenty-something burnouts who encounter a black goopy substance at a party one night. The “drug,” which goes by the street name “soy sauce,” gives them a host of new abilities (and side effects) but namely it allows them to read minds and transcend space and time. Oh and it also opens them up to a world of Lovecraftian horrors. It’s literally a vegan’s worst nightmare.
- 3/14/2012
- by Scott Colquitt
- SoundOnSight
Scott, Emmet and I decided to put together a list of our favorite films that screened at this year’s Fantastic Fest. We should be posting some more reviews this weekend so do check back for more coverage. In the meantime, here are our lists. Enjoy.
-
Ricky D
-
Note: I don’t want to include Take Shelter nor Malancholia on this list, since I’ve aleady given them too much love and attention from screenings at previous film festivals.
Snowtown
Snowtown is unrelentingly grim and terrifying. Director Justin Kurzel delivers a slow effective burn, examining how one man’s harmful beliefs spread through a community in the most horrific way possible. Snowtown is an instant classic, showing great promise for an first time filmmaker. Kurzel, for the most part. avoids sensationalistic, gruesome or exploitative techniques, and very little actual onscreen violence, yet Snowtown may just be one of...
-
Ricky D
-
Note: I don’t want to include Take Shelter nor Malancholia on this list, since I’ve aleady given them too much love and attention from screenings at previous film festivals.
Snowtown
Snowtown is unrelentingly grim and terrifying. Director Justin Kurzel delivers a slow effective burn, examining how one man’s harmful beliefs spread through a community in the most horrific way possible. Snowtown is an instant classic, showing great promise for an first time filmmaker. Kurzel, for the most part. avoids sensationalistic, gruesome or exploitative techniques, and very little actual onscreen violence, yet Snowtown may just be one of...
- 10/1/2011
- by Ricky
- SoundOnSight
Human Centipede 2: Full Sequence
Written and directed by Tom Six
2011, Netherlands/UK
It’s probably worth mentioning that I was not a fan of The Human Centipede. I thought the film underwhelming, poorly directed and largely undeserving of the cult status bestowed on it by some. Like Paramount’s Paranormal Activity (the first film distributed by a major studio to use crowd-sourcing) the hype machine was in full effect, building up excitement far before anyone had ever even seen the movie. The same can be said for Full Sequence.
This time around the “100% medically INaccurate” (the film’s protagonist administers blows to the head like they were Lunestra) depravity is carried out by a portly, bug-eyed man named Martin. Martin works in a parking garage endlessly watching The Human Centipede, dreaming of the day he too can assemble his own arthropod. Outside of that, Martin’s life sucks. His mother hates him.
Written and directed by Tom Six
2011, Netherlands/UK
It’s probably worth mentioning that I was not a fan of The Human Centipede. I thought the film underwhelming, poorly directed and largely undeserving of the cult status bestowed on it by some. Like Paramount’s Paranormal Activity (the first film distributed by a major studio to use crowd-sourcing) the hype machine was in full effect, building up excitement far before anyone had ever even seen the movie. The same can be said for Full Sequence.
This time around the “100% medically INaccurate” (the film’s protagonist administers blows to the head like they were Lunestra) depravity is carried out by a portly, bug-eyed man named Martin. Martin works in a parking garage endlessly watching The Human Centipede, dreaming of the day he too can assemble his own arthropod. Outside of that, Martin’s life sucks. His mother hates him.
- 9/29/2011
- by Scott Colquitt
- SoundOnSight
Boys on the Run
Written by Kengo Hanazawa (manga), Daisuke Miura (screenplay)
Directed by Daisuke Miura
2010, Japan
Tanishi is a mess. He spends his days filling vending machines with useless novelties and obsessively masturbating. A virgin at 29, he still lives at home floating along as a rank and file company man, hardly a participant in his own life. The only thing Tanishi really seems to have going for him is a budding relationship with Chiharu, a pretty coworker. The problem is he seems to be making just about every mistake possible along the way to winning her heart. The last lick (pun intended) occurs when Tanishi is caught in a compromising position with Chiharu’s morally loose neighbor, Shiho. The rest you can probably guess from there. The formula is simple really. Boy meets girl, boy and girl fall in love, boy loses girl, boy spends the rest of the...
Written by Kengo Hanazawa (manga), Daisuke Miura (screenplay)
Directed by Daisuke Miura
2010, Japan
Tanishi is a mess. He spends his days filling vending machines with useless novelties and obsessively masturbating. A virgin at 29, he still lives at home floating along as a rank and file company man, hardly a participant in his own life. The only thing Tanishi really seems to have going for him is a budding relationship with Chiharu, a pretty coworker. The problem is he seems to be making just about every mistake possible along the way to winning her heart. The last lick (pun intended) occurs when Tanishi is caught in a compromising position with Chiharu’s morally loose neighbor, Shiho. The rest you can probably guess from there. The formula is simple really. Boy meets girl, boy and girl fall in love, boy loses girl, boy spends the rest of the...
- 9/24/2011
- by Scott Colquitt
- SoundOnSight
Here’s your daily dose of an indie film in progress; every Friday, we’ll be spotlighting a bigger project, usually from an established filmmaker or affiliated with a bigger production company. Is this a movie you’d want to see? Tell indieWIRE in the comments below. "Computer Chess" Writer/Director: Andrew Bujalski Cinematographer: Matthias Grunsky Producers: Houston King, Alex Lipschultz, David McClafferty, Scott Colquitt and Drew Xanthopolus For more information and to contribute ...
- 8/5/2011
- Indiewire
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