Ms Novak’s (Mia Wasikowska) students Fred (Luke Barker), Ragna (Florence Baker), Helen (Gwen Currant), Elsa (Ksenia Devriendt), and Ben (Samuel D Anderson) in Jessica Hausner’s bewitching Club Zero
In the second installment with Jessica Hausner on Club Zero (co-written with Geraldine Bajard) and scored by Markus Binder (European Film Award winner), starring Mia Wasikowska (as Conscious Eating instructor Ms Novak), we discussed her longtime collaborators, costume designer Tanja Hausner and cinematographer Martin Gschlacht plus Sidse Babett Knudsen and Peter & The Wolf.
Jessica Hausner on using Peter & The Wolf in Club Zero: “It’s a very common fairytale and we found out that it’s really very well known …” Photo: Anne Katrin Titze
The parents of the students are played by Elsa Zylberstein (Simone Veil in Olivier Dahan’s all-embracing portrait Simone: Woman Of The Century) Mathieu Demy, Camilla Rutherford...
In the second installment with Jessica Hausner on Club Zero (co-written with Geraldine Bajard) and scored by Markus Binder (European Film Award winner), starring Mia Wasikowska (as Conscious Eating instructor Ms Novak), we discussed her longtime collaborators, costume designer Tanja Hausner and cinematographer Martin Gschlacht plus Sidse Babett Knudsen and Peter & The Wolf.
Jessica Hausner on using Peter & The Wolf in Club Zero: “It’s a very common fairytale and we found out that it’s really very well known …” Photo: Anne Katrin Titze
The parents of the students are played by Elsa Zylberstein (Simone Veil in Olivier Dahan’s all-embracing portrait Simone: Woman Of The Century) Mathieu Demy, Camilla Rutherford...
- 4/2/2024
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Club Zero director Jessica Hausner with Anne-Katrin Titze (in Batsheva): “I do see the film in connection to a fairy tale. I think in all my films there is a connection to one fairy tale or the other.”
Jessica Hausner’s bewitching Club Zero (co-written with Geraldine Bajard), shot by Martin Gschlacht, scored by Markus Binder (European Film Award winner) with costumes by the ever surprising Tanja Hausner, starts off with students Fred (Luke Barker), Elsa (Ksenia Devriendt), Ragna (Florence Baker), Ben (Samuel D Anderson), Helen (Gwen Currant), Joan (Sade McNichols-Thomas), and Corbinian (Andrei Hozoc), all dressed in gender-neutral pale yellow polo shirts, beige skorts, and purple knee socks, gathering insect-like chairs for a Conscious Eating class, led by recently hired instructor Ms Novak (Mia Wasikowska). Ms Dorset (Sidse Babett Knudsen), the head mistress of this elite and very expensive international boarding school, is well-meaning and oblivious of...
Jessica Hausner’s bewitching Club Zero (co-written with Geraldine Bajard), shot by Martin Gschlacht, scored by Markus Binder (European Film Award winner) with costumes by the ever surprising Tanja Hausner, starts off with students Fred (Luke Barker), Elsa (Ksenia Devriendt), Ragna (Florence Baker), Ben (Samuel D Anderson), Helen (Gwen Currant), Joan (Sade McNichols-Thomas), and Corbinian (Andrei Hozoc), all dressed in gender-neutral pale yellow polo shirts, beige skorts, and purple knee socks, gathering insect-like chairs for a Conscious Eating class, led by recently hired instructor Ms Novak (Mia Wasikowska). Ms Dorset (Sidse Babett Knudsen), the head mistress of this elite and very expensive international boarding school, is well-meaning and oblivious of...
- 3/14/2024
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Few sacred cows emerge unscathed from director Jessica Hausner’s Club Zero. No matter where audiences sit on the political spectrum, they’re liable find something discomfiting, if not enraging, in the film. Hausner and co-writer Géraldine Bajard can be applauded for the inclusivity of their derision, which is hostile to all forms of complacency. Then again, maybe it’s too easy to toss people and ideas so indiscriminately into the vat of irony while defending nothing, potentially leaving the viewer at a tiresome, cynical impasse.
This caustic satire follows a group of students at a private high school who sign up for a nutrition course taught by Ms. Novak (Mia Wasikowska), who’s hired at the recommendation of the parent board. Ms. Novak teaches—or rather, preaches—the doctrine of “conscious eating.” Each student has their reasons for enrolling: Helen (Gwen Currant) to protect the environment by cutting down on consumption,...
This caustic satire follows a group of students at a private high school who sign up for a nutrition course taught by Ms. Novak (Mia Wasikowska), who’s hired at the recommendation of the parent board. Ms. Novak teaches—or rather, preaches—the doctrine of “conscious eating.” Each student has their reasons for enrolling: Helen (Gwen Currant) to protect the environment by cutting down on consumption,...
- 3/9/2024
- by William Repass
- Slant Magazine
There’s a new diet trend with sinister intentions, courtesy of Jessica Hausner’s latest dark comedy “Club Zero.”
The film, which premiered at the 2023 Cannes Film Festival, stars Mia Wasikowska as a nefarious teacher who encourages her students to stop eating altogether. The reason? Other than weight loss and pseudo-environmental concerns, it’s a tactic to gain new cult members.
“Club Zero” competed for the Palme d’Or at Cannes before going on to become a Best Picture nominee at both the Sitges and Munich International Film Festivals.
The official synopsis reads: “At an international boarding school, an unassuming yet rigorous Miss Novak (Wasikowska) joins the teaching staff to instruct a new class on ‘conscious eating.’ Her impressionable teenage students each have their own reasons for joining the class – to improve fitness, reduce their carbon footprint, or get extra credit. Although early lectures focus on mindful consumption, Miss Novak...
The film, which premiered at the 2023 Cannes Film Festival, stars Mia Wasikowska as a nefarious teacher who encourages her students to stop eating altogether. The reason? Other than weight loss and pseudo-environmental concerns, it’s a tactic to gain new cult members.
“Club Zero” competed for the Palme d’Or at Cannes before going on to become a Best Picture nominee at both the Sitges and Munich International Film Festivals.
The official synopsis reads: “At an international boarding school, an unassuming yet rigorous Miss Novak (Wasikowska) joins the teaching staff to instruct a new class on ‘conscious eating.’ Her impressionable teenage students each have their own reasons for joining the class – to improve fitness, reduce their carbon footprint, or get extra credit. Although early lectures focus on mindful consumption, Miss Novak...
- 2/6/2024
- by Samantha Bergeson
- Indiewire
The disturbing thriller “Club Zero” that played at Cannes will divide audiences and critics with a scene of a teen eating vomit, but director Jessica Hausner gets one crucial thing right: It starts with a trigger warning for attendees, stating that the film features scenes regarding eating disorders. Of course, there will be many opinions on the auteur’s execution and theme, but in the same way her villainous lead character promotes “conscious eating,” Hausner delivered a “conscious warning.”
This practice should become the norm for content, whether movies or television. Not only should an advisory be shown at the beginning, but marketing departments should brainstorm ways to include it on posters, trailers and other campaigns. We, and studios, cannot rely solely on the MPAA rating system to inform viewers of brutal scenes that could be triggering. “Club Zero” involves scenes and topics of bulimia, while many other films and...
This practice should become the norm for content, whether movies or television. Not only should an advisory be shown at the beginning, but marketing departments should brainstorm ways to include it on posters, trailers and other campaigns. We, and studios, cannot rely solely on the MPAA rating system to inform viewers of brutal scenes that could be triggering. “Club Zero” involves scenes and topics of bulimia, while many other films and...
- 5/23/2023
- by Clayton Davis
- Variety Film + TV
Jessica Hausner, the director of the supremely audacious and disturbing eating-disorder thriller “Club Zero”, has the potential to be an important filmmaker. Her last movie, “Little Joe” (2019), a sci-fi creep-out about a sinister strain of houseplant, was really a dark-as-midnight parable of the psychotropic-drug era. “Club Zero” won’t be for everyone, but Hausner, channeling some combination of Hitchcock and Cronenberg and “Village of the Damned” and the Todd Haynes of “Superstar: The Karen Carpenter Story,” has now made an even more gripping and provocative mind-fuck.
“Club Zero” is set at an elite British boarding school, where seven students, in the opening scene, sit around in a circle led by Miss Novak (Mia Wasikowska), the school’s new nutrition teacher. Each of the students says something about why he or she wants to eat better — to save the planet, to lose weight or shed body fat, to fight addictive junk-food consumerism.
“Club Zero” is set at an elite British boarding school, where seven students, in the opening scene, sit around in a circle led by Miss Novak (Mia Wasikowska), the school’s new nutrition teacher. Each of the students says something about why he or she wants to eat better — to save the planet, to lose weight or shed body fat, to fight addictive junk-food consumerism.
- 5/22/2023
- by Owen Gleiberman
- Variety Film + TV
The panel will take place on Friday (May 20).
Mia Bays, director of the British Film Institute (BFI) Film Fund, will today be leading a discussion on how producers and funders can adapt to a streamer-led marketplace, as part of the UK Pavilion industry programme at Cannes.
The UK Pavilion, previously known as the UK Film Centre, runs from May 19 to May 24, and is based at the Cannes Marché International Village.
Bays’ panel is titled ‘Insights into changing markets’ (11:00-12:00) and will comprise of René Bourdages, vice president, cultural portfolio management, Telefilm Canada; Matt Brodlie, co-president, Upgrade Productions; Makhosazana Khanyile,...
Mia Bays, director of the British Film Institute (BFI) Film Fund, will today be leading a discussion on how producers and funders can adapt to a streamer-led marketplace, as part of the UK Pavilion industry programme at Cannes.
The UK Pavilion, previously known as the UK Film Centre, runs from May 19 to May 24, and is based at the Cannes Marché International Village.
Bays’ panel is titled ‘Insights into changing markets’ (11:00-12:00) and will comprise of René Bourdages, vice president, cultural portfolio management, Telefilm Canada; Matt Brodlie, co-president, Upgrade Productions; Makhosazana Khanyile,...
- 5/19/2022
- by Mona Tabbara
- ScreenDaily
Modern Films’ Eve Gabereau, Emu Films’ Mike Elliott and Element Pictures’ Ed Guiney are also taking part.
Mia Bays, Matt Brodlie, Graeme Mason, Eve Gabereau and Ed Guiney are among the industry speakers taking part in the UK Pavilion industry programme at Cannes, previously known as the UK Film Centre, which will run from May 19 to May 24.
The series of industry events will be open to festival and market delegates as well as press attending the festival. It includes a series of Talent Talks with filmmakers with films making their world premiere in the festival.
The industry talks include an...
Mia Bays, Matt Brodlie, Graeme Mason, Eve Gabereau and Ed Guiney are among the industry speakers taking part in the UK Pavilion industry programme at Cannes, previously known as the UK Film Centre, which will run from May 19 to May 24.
The series of industry events will be open to festival and market delegates as well as press attending the festival. It includes a series of Talent Talks with filmmakers with films making their world premiere in the festival.
The industry talks include an...
- 5/11/2022
- by Mona Tabbara
- ScreenDaily
Determined to find the ultimate source of "happiness," a company breeds a new species of plant in the new film Little Joe, but happiness comes with serious side effects when the plants outwit their owners. The English-language feature film debut of Jessica Hausner, Little Joe is out now on DVD and VOD from Magnolia Pictures, and to celebrate the film's release, we caught up with Hausner in our latest Q&a feature to discuss the Dr. Frankenstein elements of the screenplay (which she co-wrote with Géraldine Bajard), coming up with the design of the titular plant, and how her film explores the dark side of happiness.
Thanks for taking the time to catch up with us, and congratulations on Little Joe! How and when did you and co-writer Géraldine Bajard get come up with the idea for this film?
Jessica Hausner: Our plan was to write a story about a...
Thanks for taking the time to catch up with us, and congratulations on Little Joe! How and when did you and co-writer Géraldine Bajard get come up with the idea for this film?
Jessica Hausner: Our plan was to write a story about a...
- 3/10/2020
- by Derek Anderson
- DailyDead
Little Joe Magnolia Pictures Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten Director: Jessica Hausner Screenwriter: Jessica Hausner, Géraldine Bajard Cast: Emily Beecham, Ben Whishaw, Kit Connor, Kerry Fox, David Wilmot Screened at: Digital Arts, NYC, 10/15/19 Opens: December 6, 2019 Take a ride on the New York subway. Look around […]
The post Little Joe Movie Review appeared first on Shockya.com.
The post Little Joe Movie Review appeared first on Shockya.com.
- 12/1/2019
- by Harvey Karten
- ShockYa
Jessica Hausner’s sci-fi is set for UK release in February 2020.
BFI Distribution has secured UK and Ireland rights to Jessica Hausner’s sci-fi drama Little Joe from The Bureau Sales.
The film played in Competition at Cannes earlier this year where Emily Beecham won the best actress award.
The Austria-uk-Germany co-production will debut in the UK at the BFI London Film Festival on October 4 and will be released theatrically in February 2020.
The film centres on a single mother (Beecham) who is a dedicated senior plant breeder at a corporation engaged in developing new species. Against company policy, she takes...
BFI Distribution has secured UK and Ireland rights to Jessica Hausner’s sci-fi drama Little Joe from The Bureau Sales.
The film played in Competition at Cannes earlier this year where Emily Beecham won the best actress award.
The Austria-uk-Germany co-production will debut in the UK at the BFI London Film Festival on October 4 and will be released theatrically in February 2020.
The film centres on a single mother (Beecham) who is a dedicated senior plant breeder at a corporation engaged in developing new species. Against company policy, she takes...
- 9/19/2019
- by Ben Dalton
- ScreenDaily
Magnolia Pictures acquired the North American rights to “Little Joe,” a sci-fi drama that won the Best Actress prize at this year’s Cannes Film Festival for Emily Beecham’s performance, the distributor announced Thursday.
The debut English-language film from director Jessica Hausner made its premiere in competition at Cannes, and Magnolia is planning a theatrical release for the film later this year.
“Little Joe” follows Alice (Beecham), a single mother and dedicated senior plant breeder at a corporation engaged in developing new species. She has engineered a special crimson flower, remarkable not only for its beauty but also for its therapeutic value: if kept at the ideal temperature, fed properly and spoken to regularly, this plant makes its owner happy.
Against company policy, Alice takes one home as a gift for her teenage son, Joe. They christen it “Little Joe.” But as their plant grows, so too does Alice...
The debut English-language film from director Jessica Hausner made its premiere in competition at Cannes, and Magnolia is planning a theatrical release for the film later this year.
“Little Joe” follows Alice (Beecham), a single mother and dedicated senior plant breeder at a corporation engaged in developing new species. She has engineered a special crimson flower, remarkable not only for its beauty but also for its therapeutic value: if kept at the ideal temperature, fed properly and spoken to regularly, this plant makes its owner happy.
Against company policy, Alice takes one home as a gift for her teenage son, Joe. They christen it “Little Joe.” But as their plant grows, so too does Alice...
- 7/25/2019
- by Brian Welk
- The Wrap
Magnolia Pictures has acquired North American rights to “Little Joe,” a sci-fi drama that won the Cannes Film Festival’s best actress award for star Emily Beecham. The indie studio is planning a theatrical release for later this year.
“Little Joe” centers on Alice (Beecham), a single mother and dedicated plant breeder at a corporation engaged in developing new species. In that role, she creates a special crimson flower, one that is beautiful and emits a scent that induces happiness. One day, Alice violates company policy by taking the plant home as a gift for her teenage son, Joe. As it grows, Alice becomes suspicious that her creation may do more harm than good. In a positive review out of Cannes, where the film premiered, Variety’s Owen Gleiberman called “Little Joe” the “‘Invasion of the Body Snatchers’ for the age of antidepressants.”
The film is the English-language feature debut...
“Little Joe” centers on Alice (Beecham), a single mother and dedicated plant breeder at a corporation engaged in developing new species. In that role, she creates a special crimson flower, one that is beautiful and emits a scent that induces happiness. One day, Alice violates company policy by taking the plant home as a gift for her teenage son, Joe. As it grows, Alice becomes suspicious that her creation may do more harm than good. In a positive review out of Cannes, where the film premiered, Variety’s Owen Gleiberman called “Little Joe” the “‘Invasion of the Body Snatchers’ for the age of antidepressants.”
The film is the English-language feature debut...
- 7/25/2019
- by Brent Lang
- Variety Film + TV
Jessica Hausner’s English-language debut Little Joe promises a crossbreed of shrewd science fiction and health care satire, but it scuppers its genre creds in exchange for a sterile arthouse drama that rather muddles its conceit.
Emily Beecham, so good as a bohemian partier in the British flick Dafne, plays Alice, a fastidious employee at a faceless corporation that makes genetically-modified natural remedies. Alice is the creator of a new blood-red flower that changes its scent to make its owner happy, with supposedly antidepressant properties, for a world in the thrall of a mental health crisis. It could make her bosses very rich, but is this to be one of those tales when man plays God and it all goes wrong?
A workaholic, Alice has a difficult, distant relationship with her teenage son Joe (a compelling Kit Connor) and as some sort of recompense for her neglect christens her new plant Little Joe,...
Emily Beecham, so good as a bohemian partier in the British flick Dafne, plays Alice, a fastidious employee at a faceless corporation that makes genetically-modified natural remedies. Alice is the creator of a new blood-red flower that changes its scent to make its owner happy, with supposedly antidepressant properties, for a world in the thrall of a mental health crisis. It could make her bosses very rich, but is this to be one of those tales when man plays God and it all goes wrong?
A workaholic, Alice has a difficult, distant relationship with her teenage son Joe (a compelling Kit Connor) and as some sort of recompense for her neglect christens her new plant Little Joe,...
- 5/21/2019
- by Ed Frankl
- The Film Stage
Just about every horror movie has an opening stretch — it could be 20 minutes, or even the first 45 — that inches along in a creep-out mode of anticipatory anxiety, building to the moment when the demon, the slasher, the monster, the source of the fear factor is revealed. These days, the film will then usually turn into a ride. But even if it doesn’t, the source of the horror always becomes tangible, visible, alive. It takes audacity, and a special skill, to sustain that early mood of premonitory dread over an entire film. And that’s what happens in “Little Joe,” an artfully unnerving, austerely hypnotic horror movie about a very sinister plant.
Behind the opening credits, the camera hovers, at a skewed high angle, over rows and rows of flower seedlings — hundreds of them — arranged with antiseptic precision in some sort of glassed-in white-on-white tech bunker of a laboratory. It...
Behind the opening credits, the camera hovers, at a skewed high angle, over rows and rows of flower seedlings — hundreds of them — arranged with antiseptic precision in some sort of glassed-in white-on-white tech bunker of a laboratory. It...
- 5/17/2019
- by Owen Gleiberman
- Variety Film + TV
I don't think the title of head programmer for any festival is an easy job, but I'd argue that Marco Müller has it "easy" this year. With so many of the world's best auteurs having not been ready to deliver at the Cannes deadline, the 67th edition of the Venice Film Festival (which will run 1st to 11th September 2010) is going to be loaded in premium titles. With many items having already been mentioned and speculated on before, here is an updated predictions list with a good helping of new names. Opening Film Prediction: Anton Corbijn's The American With Focus Features being a key supplier for the festival over the years, and them having set Corbijn's film for a September 1st release, I would logically conclude that, an European-based thriller with scenes shot in parts of Italy and with an Italian resident in Geroge Clooney might lead the pack.
- 7/12/2010
- IONCINEMA.com
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