The Oscars are done for another year and Christopher Nolan and Cillian Murphy are newly minted Oscar winners for Oppenheimer! Overall, it was an expected and welcome result, with Oppenheimer also taking home Best Picture, while Poor Things star Emma Stone won a second Oscar, in a surprising, but well-earned result. Overall, it was the icing on the cake of a refreshingly entertaining edition of the Oscars – one of the best in years.
Right off the bat it was pretty amusing, Jimmy Kimmel made some pretty fun digs in his opening monologue, including some references to Robert Downey Jr’s checkered history (which he was happy to play along to) and Margot Robbie and Ryan Gosling’s genetic perfection (he ain’t wrong). Plus, there was a close-up of Anatomy of a Fall’s breakout dog star, Messi (who showed up despite earlier giving the award show the high hat...
Right off the bat it was pretty amusing, Jimmy Kimmel made some pretty fun digs in his opening monologue, including some references to Robert Downey Jr’s checkered history (which he was happy to play along to) and Margot Robbie and Ryan Gosling’s genetic perfection (he ain’t wrong). Plus, there was a close-up of Anatomy of a Fall’s breakout dog star, Messi (who showed up despite earlier giving the award show the high hat...
- 3/10/2024
- by Chris Bumbray
- JoBlo.com
My, how much the race has evolved since the 96th Oscars nominations were announced January 23. We won’t say changed, since it seems like the certain sure bets at that time have become even surer bets. You all know “Oppenheimer,” long considered a frontrunner in many categories,” received the most nominations then with 13, followed by “Poor Things” with 11 and “Killers of the Flower Moon” with 10. Well, tonight, this evening of Sunday March 10 at the Dolby Theatre in Los Angeles at 7:00pm Et, we’re finally gonna see if what we all assume to be true is actually going to pan out: That “Oppenheimer” is teed up for a very big night, as IndieWire’s own Anne Thompson has predicted, with her final Oscar picks, herself.
“Oppenheimer” has won top honors at the Golden Globes, Critics Choice Awards, BAFTAs, and Screen Actors Guild Awards. Surely Oscars domination is next, right?...
“Oppenheimer” has won top honors at the Golden Globes, Critics Choice Awards, BAFTAs, and Screen Actors Guild Awards. Surely Oscars domination is next, right?...
- 3/10/2024
- by Marcus Jones and Christian Blauvelt
- Indiewire
One man is preparing for a “quite unbelievable” Oscars night, having found himself nominated three times this year in the same category.
Special effects supervisor Neil Corbould is up against himself twice over, after being recognised in the category for his work on three movies – Mission Impossible: Dead Reckoning Part One, The Creator and Napoleon.
Corbould has two previous Oscars to his name – for Gladiator and Gravity. He told the BBC that this year’s close-to-hand competition could be “the kiss of death,” and said:
“I might have three seats and have to play musical chairs!” The best part? “I get invited to three different after parties.”
Corbould has been working in the film industry for nearly five decades, having followed his uncle into special effects. Colin Chilvers previously won an Oscar himself, for his work on the 1978 movie Superman. He also worked on The Rocky Horror Picture Show (1975), Condorman...
Special effects supervisor Neil Corbould is up against himself twice over, after being recognised in the category for his work on three movies – Mission Impossible: Dead Reckoning Part One, The Creator and Napoleon.
Corbould has two previous Oscars to his name – for Gladiator and Gravity. He told the BBC that this year’s close-to-hand competition could be “the kiss of death,” and said:
“I might have three seats and have to play musical chairs!” The best part? “I get invited to three different after parties.”
Corbould has been working in the film industry for nearly five decades, having followed his uncle into special effects. Colin Chilvers previously won an Oscar himself, for his work on the 1978 movie Superman. He also worked on The Rocky Horror Picture Show (1975), Condorman...
- 3/9/2024
- by Caroline Frost
- Deadline Film + TV
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Achievement in Visual Effects
Weekly Commentary: “The Creator” has the advantage, but honesty, any film can win.
“Godzilla Minus One” is in the discussion and could be a cool choice for the Academy to make, similar to “Ex Machina.” However, don’t count out the power...
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Achievement in Visual Effects
Weekly Commentary: “The Creator” has the advantage, but honesty, any film can win.
“Godzilla Minus One” is in the discussion and could be a cool choice for the Academy to make, similar to “Ex Machina.” However, don’t count out the power...
- 3/7/2024
- by Clayton Davis
- Variety Film + TV
The films in the running for the 2024 Best Visual Effects Oscar are “The Creator,” “Godzilla Minus One,” “Guardians of the Galaxy Vol. 3,” “Mission: Impossible – Dead Reckoning Part One,” and “Napoleon.” Our odds currently indicate that “Godzilla Minus One” (10/3) is the frontrunner, followed in order by “The Creator” (18/5), the new “Guardians” entry (9/2), “Napoleon” (9/2), and the latest “Mission: Impossible” chapter (9/2).
Included among the 17 individuals in this lineup are 13 first-timers who constitute the category’s largest newcomer rate since the minimum annual amount of nominated films was set at five in 2011. This vast majority comprises all four “Godzilla Minus One” team members, dual contender Simone Coco (“Mission: Impossible” and “Napoleon”), three artists from “The Creator”, two from “Guardians of the Galaxy” (Theo Bialek and Alexis Wajsbrot), two more from “Mission: Impossible” (Jeff Sutherland and Alex Wuttke), and one more from “Napoleon” (Luc-Ewen Martin-Fenouillet).
The third “Guardians” volume is the 14th Marvel...
Included among the 17 individuals in this lineup are 13 first-timers who constitute the category’s largest newcomer rate since the minimum annual amount of nominated films was set at five in 2011. This vast majority comprises all four “Godzilla Minus One” team members, dual contender Simone Coco (“Mission: Impossible” and “Napoleon”), three artists from “The Creator”, two from “Guardians of the Galaxy” (Theo Bialek and Alexis Wajsbrot), two more from “Mission: Impossible” (Jeff Sutherland and Alex Wuttke), and one more from “Napoleon” (Luc-Ewen Martin-Fenouillet).
The third “Guardians” volume is the 14th Marvel...
- 3/7/2024
- by Matthew Stewart
- Gold Derby
Best Visual Effects is one of my personal favorite Oscar categories, but this year it’s one without a single Best Picture nominee in the bunch, which isn’t that uncommon — it happened most recently in 2020. Not that it necessarily matters, since not a single movie that has won Best Picture has also won this category going all the way back to Peter Jackson‘s “The Lord of the Rings: The Return of the King” in 2003. In fact, that was the last Best Picture winner to even be nominated in this category.
Two of the movies nominated this year received no other nominations, while the others only received one or two additional below-the-line bids. What’s interesting is that there is only one visual effects nominee that is also nominated for its production design: Ridley Scott‘s “Napoleon,” which only received three below-the-line nominations total. In most years that would...
Two of the movies nominated this year received no other nominations, while the others only received one or two additional below-the-line bids. What’s interesting is that there is only one visual effects nominee that is also nominated for its production design: Ridley Scott‘s “Napoleon,” which only received three below-the-line nominations total. In most years that would...
- 2/21/2024
- by Edward Douglas
- Gold Derby
Director James Gunn brought a new level of emotional power to “Guardians of the Galaxy Vol. 3” by making the wisecracking Rocket (voiced by Bradley Cooper) and his tragic backstory the centerpiece of the finale. This required the Oscar-nominated VFX (led by Marvel’s production VFX supervisor Stéphane Ceretti) to up its game considerably to meet the demands of Gunn’s intimate scale and epic scope.
Framestore (led by VFX supervisor Alexis Wajsbrot) was tasked with expanding and improving its keyframe animation of Rocket through six stages, from genetically altered baby raccoon to hardened weapons expert. This allowed for greater nuance and complexity in the facial performance along with more detailed fur and an evolved gait and physiology. “It’s really a chain of artists that work together and get that to the level where other humans looking at it are crying because of a CG raccoon,” Ceretti told IndieWire in the video below.
Framestore (led by VFX supervisor Alexis Wajsbrot) was tasked with expanding and improving its keyframe animation of Rocket through six stages, from genetically altered baby raccoon to hardened weapons expert. This allowed for greater nuance and complexity in the facial performance along with more detailed fur and an evolved gait and physiology. “It’s really a chain of artists that work together and get that to the level where other humans looking at it are crying because of a CG raccoon,” Ceretti told IndieWire in the video below.
- 2/14/2024
- by Bill Desowitz
- Indiewire
2024 BAFTA Awards Nominations Unveiled ( Photo Credit – IMDb; Facebook )
After the Emmys and Golden Globes, it’s time for the British Academy Film Awards or the BAFTA Awards 2024. The nominations have been unveiled, with Oppenheimer again enjoying multiple nods at the prestigious awards. Emma Stone and Mark Ruffalo’s Poor Things has also earned numerous nominations.
The streaming giant Lionsgate Play will telecast the event live, and eminent actor David Tennant will host it. The ceremony will take place at the Royal Festival Hall in London. The first ceremony was held in 1949 and was telecasted on the BBC. There are over twenty film-related categories. Keep scrolling for more.
Christopher Nolan’s Oppenheimer has received 13 nominations at the BAFTA Film Awards 2024, followed by 11 nominations by Poor Things and nine nods by Killers of the Flower Moon. Margot Robbie led Barbie, which is lagging and has only five nods.
Trending Did Jason Momoa...
After the Emmys and Golden Globes, it’s time for the British Academy Film Awards or the BAFTA Awards 2024. The nominations have been unveiled, with Oppenheimer again enjoying multiple nods at the prestigious awards. Emma Stone and Mark Ruffalo’s Poor Things has also earned numerous nominations.
The streaming giant Lionsgate Play will telecast the event live, and eminent actor David Tennant will host it. The ceremony will take place at the Royal Festival Hall in London. The first ceremony was held in 1949 and was telecasted on the BBC. There are over twenty film-related categories. Keep scrolling for more.
Christopher Nolan’s Oppenheimer has received 13 nominations at the BAFTA Film Awards 2024, followed by 11 nominations by Poor Things and nine nods by Killers of the Flower Moon. Margot Robbie led Barbie, which is lagging and has only five nods.
Trending Did Jason Momoa...
- 1/19/2024
- by Esita Mallik
- KoiMoi
A bunch of sequels and a remake are vying for the Best Visual Effects Oscar this year, many of them from Disney, including Bill Condon’s live-action remake of Disney’s classic “Beauty and the Beast,” Marvel’s “Thor: Ragnarok” and Lucasfilm’s upcoming “Star Wars: The Last Jedi.”
Three Fox films offer stunning VFX: “War for the Planet of the Apes,” which advances its visual effects technology over the last Matt Reeves installment featuring Weta Digital’s astonishing array of digital apes led by performance capture master Andy Serkis as Caesar, could win Weta’s Joe Letteri (“Avatar,” “King Kong,” “The Lord of the Rings”) his fifth Oscar. Another visually sumptuous sequel is Denis Villeneuve’s “Blade Runner 2049.” And Guillermo del Toro’s “The Shape of Water” is also impressive.
Two Warner Bros. blockbusters, Christopher Nolan’s World War II epic “Dunkirk” and Patty Jenkins’ World War I superhero origin myth “Wonder Woman,...
Three Fox films offer stunning VFX: “War for the Planet of the Apes,” which advances its visual effects technology over the last Matt Reeves installment featuring Weta Digital’s astonishing array of digital apes led by performance capture master Andy Serkis as Caesar, could win Weta’s Joe Letteri (“Avatar,” “King Kong,” “The Lord of the Rings”) his fifth Oscar. Another visually sumptuous sequel is Denis Villeneuve’s “Blade Runner 2049.” And Guillermo del Toro’s “The Shape of Water” is also impressive.
Two Warner Bros. blockbusters, Christopher Nolan’s World War II epic “Dunkirk” and Patty Jenkins’ World War I superhero origin myth “Wonder Woman,...
- 11/18/2017
- by Anne Thompson
- Indiewire
When director Jon Watts (“Cop Car”) met with Marvel for the first time about “Spider-Man: Homecoming,” they told him to infuse the reboot with an ’80s John Hughes high school rite of passage focus. Watts was already there: “Pretty in Pink,” “The Breakfast Club,” and “Ferris Bueller’s Day Off” were his touchstones.
“Those were the movies we grew up on,” Watts said. “I remember that age and you’re just constantly screwing up. You don’t know what to do yet, and you don’t know where you fit into the world.”
Capturing the Hughes Vibe
With the decidedly younger Tom Holland making his rough-and-tumble Spidey debut in “Captain America: Civil War,” Watts had a valuable head start with “Homecoming.” This brainy teenage version of the superhero finds himself way in over his head, ditching class, canceling dates, and fumbling his way as a crime fighter. It truly was like channeling the late Hughes.
“Those were the movies we grew up on,” Watts said. “I remember that age and you’re just constantly screwing up. You don’t know what to do yet, and you don’t know where you fit into the world.”
Capturing the Hughes Vibe
With the decidedly younger Tom Holland making his rough-and-tumble Spidey debut in “Captain America: Civil War,” Watts had a valuable head start with “Homecoming.” This brainy teenage version of the superhero finds himself way in over his head, ditching class, canceling dates, and fumbling his way as a crime fighter. It truly was like channeling the late Hughes.
- 7/14/2017
- by Bill Desowitz
- Indiewire
Sony Pictures Imageworks is on board to work on the 3-D version of "G-Force" -- one of the earliest scheduled live-action digital 3-D releases -- for Jerry Bruckheimer Prods. and Disney.
Imageworks also confirmed its current slate of visual effects projects. It is the lead VFX house on "Eagle Eye" for DreamWorks, "Watchmen" for Warner Bros., the untitled Ridley Scott film, United Artists' "Valkyrie" and the computer-animated "Cloudy With a Chance of Meatballs" for Sony Pictures Animation and Columbia.
On "G-Force," Imageworks will take the 2-d version of the film and convert all visual effects shots to 3-D. The company's Rob Engle will oversee the stereo effort.
The Imageworks VFX team on "G-Force" is led by visual effects supervisor Scott Stokdyk, who was the VFX supervisor on "Spider-Man 3" and won an Oscar for visual effects for his work on "Spider-Man 2." The "G-Force" crew in?cludes digital effects supervisor Seth Maury and animation supervisor Troy Saliba.
For D.J. Caruso's "Eagle Eye," Imageworks' Jim Berney will serve as VFX supervisor with David Smith as digital effects supervisor and Bob Pietzman as CG supervisor.
The "Watchmen" VFX team includes Imageworks' VFX supervisor Pete Travers; digital effects supervisor Dan Krame; and Kenn McDonald, most recently animation supervisor on "Beowulf."
The VFX on the untitled Scott film will be led by Imageworks' Sheena Duggal as visual effects supervisor along with John Monos as CG supervisor.
Rich Hoover will serve as senior visual effects supervisor on "Valkyrie," along with CG supervisors Peter Nofz, Dan Eaton, Theo Bialek and Patrick Witting.
Imageworks' credits include "Hancock," which opens today, as well as "Beo?wulf" and "The Polar Express."...
Imageworks also confirmed its current slate of visual effects projects. It is the lead VFX house on "Eagle Eye" for DreamWorks, "Watchmen" for Warner Bros., the untitled Ridley Scott film, United Artists' "Valkyrie" and the computer-animated "Cloudy With a Chance of Meatballs" for Sony Pictures Animation and Columbia.
On "G-Force," Imageworks will take the 2-d version of the film and convert all visual effects shots to 3-D. The company's Rob Engle will oversee the stereo effort.
The Imageworks VFX team on "G-Force" is led by visual effects supervisor Scott Stokdyk, who was the VFX supervisor on "Spider-Man 3" and won an Oscar for visual effects for his work on "Spider-Man 2." The "G-Force" crew in?cludes digital effects supervisor Seth Maury and animation supervisor Troy Saliba.
For D.J. Caruso's "Eagle Eye," Imageworks' Jim Berney will serve as VFX supervisor with David Smith as digital effects supervisor and Bob Pietzman as CG supervisor.
The "Watchmen" VFX team includes Imageworks' VFX supervisor Pete Travers; digital effects supervisor Dan Krame; and Kenn McDonald, most recently animation supervisor on "Beowulf."
The VFX on the untitled Scott film will be led by Imageworks' Sheena Duggal as visual effects supervisor along with John Monos as CG supervisor.
Rich Hoover will serve as senior visual effects supervisor on "Valkyrie," along with CG supervisors Peter Nofz, Dan Eaton, Theo Bialek and Patrick Witting.
Imageworks' credits include "Hancock," which opens today, as well as "Beo?wulf" and "The Polar Express."...
- 7/1/2008
- by By Carolyn Giardina
- The Hollywood Reporter - Movie News
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