In this episode, the acting profession is discussed as a permanent quest to suspend time.Luis Gnecco is a Chilean actor with an extensive career in theater and television since the 1990s. In the last decade, his versatility has been recognized internationally for collaborating with important Latin American directors such as Rodrigo Sepúlveda, Fernando Meirelles, and Carlos Carrera. In Pablo Larraín's Neruda and Matías Lira's El bosque de Karadima, he played two well-known and controversial characters in Chilean history, sparking interesting discussions about the fictionalization of reality and the representation of horror. On the other hand, Esteban Bigliardi is an Argentine actor with a diverse filmography spanning various dramatic styles. His collaborations with directors such as Lisandro Alonso, Romina Paula, Alejandro Fadel, and María Alché have allowed him to explore genres as diverse as family drama, thriller, experimental narratives, and even horror.In the last year, he starred...
- 5/1/2024
- MUBI
In Argentina, where the situation is already dire, one of the most prominent voices in the country’s national cinema is contemplating retirement. At forty-nine years young, Lisandro Alonso confided to James Benning that he would revisit the protagonist (as well as the filmmaking methods) he employed for his 2001 Un Certain Regard selected debut, La Libertad, and the shocker news according to the The FilmStage folks who got the scoop that this might also be his final film. Of course in the cinema of Alonso, an update on the character might not fall in traditional film sequel norms.
After a retrospective at the Sala Lugones in Buenos Aires (we unfortunately were departing the city that day), Alonso along with his filmography in canisters of film print were shipped off to the Los Angeles retrospective — David Hudson gave a great overview here.…...
After a retrospective at the Sala Lugones in Buenos Aires (we unfortunately were departing the city that day), Alonso along with his filmography in canisters of film print were shipped off to the Los Angeles retrospective — David Hudson gave a great overview here.…...
- 4/30/2024
- by Eric Lavallée
- IONCINEMA.com
Argentine master Lisandro Alonso teased his next feature at Space Not Time, a Los Angeles retrospective of his work. Speaking after a 35mm screening of the 2001 debut feature La Libertad, Alonso told James Benning his plans to revisit that film’s lead subject, Misael, this November, almost 25 years after the original shoot.
The formal constraints of both films will be identical: he plans to return to an eight-person crew and shoot only 54 cans of 35mm film. Alonso’s most recent project, the Cannes-premiering Eureka, was his first experience shooting digitally, and he admitted during the Q&a that he prefers how celluloid makes him organize projects.
It’s equally essential news that Alonso likes the idea of this being his last film: just as La Libertad is bookended by images of Misael’s face around a fire, Alonso’s film career looks to be bookended with these two day-in-the-life studies.
In...
The formal constraints of both films will be identical: he plans to return to an eight-person crew and shoot only 54 cans of 35mm film. Alonso’s most recent project, the Cannes-premiering Eureka, was his first experience shooting digitally, and he admitted during the Q&a that he prefers how celluloid makes him organize projects.
It’s equally essential news that Alonso likes the idea of this being his last film: just as La Libertad is bookended by images of Misael’s face around a fire, Alonso’s film career looks to be bookended with these two day-in-the-life studies.
In...
- 4/30/2024
- by Caleb Hammond
- The Film Stage
Harpooned by Thierry Frémaux and unceremoniously relegated to the Cannes Premiere section, the critically acclaimed Close Your Eyes will see the light of day in the U.S. After landing the #2 film on that same list in Lisandro Alonso’s Eureka, The Film Movement folks continue their shopping of Spanish-language cinema with Víctor Erice’s fourth solo feature (and perhaps last outing). This was a comeback film for the The Spirit of the Beehive – his first time behind the camera in three decades.…...
- 4/2/2024
- by Eric Lavallée
- IONCINEMA.com
With Ari Aster now in production on Eddington and Kevin Costner soon debuting 50% of his four-part Horizon, it looks like the western is back in style just as the superhero craze finally fades out. Before those arrive, Viggo Mortensen is debuting his 1860s-set western The Dead Don’t Hurt, in which he stars alongside Vicky Krieps. Following its TIFF premiere, the first trailer has now arrived from Shout! Studios ahead of a May 31 release.
Here’s the synopsis: “Vivienne Le Coudy (Vicky Krieps) is a fiercely independent woman who embarks on a relationship with Danish immigrant Holger Olsen (Viggo Mortensen). After meeting Olsen in San Francisco, she agrees to travel with him to his home near the quiet town of Elk Flats, Nevada, where they start a life together. The outbreak of the civil war separates them when Olsen makes a fateful decision to fight for the Union. This leaves Vivienne...
Here’s the synopsis: “Vivienne Le Coudy (Vicky Krieps) is a fiercely independent woman who embarks on a relationship with Danish immigrant Holger Olsen (Viggo Mortensen). After meeting Olsen in San Francisco, she agrees to travel with him to his home near the quiet town of Elk Flats, Nevada, where they start a life together. The outbreak of the civil war separates them when Olsen makes a fateful decision to fight for the Union. This leaves Vivienne...
- 3/25/2024
- by Leonard Pearce
- The Film Stage
Mati Diop’s documentary Dahomey, about artefacts being returned from Paris to present-day Benin, was awarded the Golden Bear for best film at the Berlin International Film Festival tonight (February 24).
The film, handled internationally by Les Film du Losange, is the second from the African continent to take the Berlinale’s top prize after Mark Dornford-May’s musical U-Carmen eKhayelitsha in 2005. It is also the second year in a row that a documentary has clinched the Golden Bear, following Nicolas Philibert’s On The Adamant last year.
In her speech, Diop said: “To restitute is to do justice. We can...
The film, handled internationally by Les Film du Losange, is the second from the African continent to take the Berlinale’s top prize after Mark Dornford-May’s musical U-Carmen eKhayelitsha in 2005. It is also the second year in a row that a documentary has clinched the Golden Bear, following Nicolas Philibert’s On The Adamant last year.
In her speech, Diop said: “To restitute is to do justice. We can...
- 2/24/2024
- ScreenDaily
The 74th Berlin International Film Festival announced the winners of the fest at the awards ceremony held at the Berlinale Palast on February 24.
20 films competed for the awards in this year’s competition with Lupita Nyong’o heading the International Jury alongside Ann Hui, Christian Petzold, Albert Serra, Jasmine Trinca and Oksana Zabuzhko. The Encounters Jury, Lisandro Alonso, Denis Côté and Tizza Covi choose the winners for Best Film, Best Director and the Special Jury Award.
The Golden Bear for Best Film was awarded to Dahomey by Mati Diop. Emily Watson won The Silver Bear for Best Supporting Performance for her role in Small Things Like These, while Sebastian Stan received The Silver Bear for Best Leading Performance in A Different Man. Nelson Carlo De Los Santos Arias was honored with The Silver Bear for Best Director for his film Pepe, and the Silver Bear Jury Prize went to Bruno Dumont for Empire.
20 films competed for the awards in this year’s competition with Lupita Nyong’o heading the International Jury alongside Ann Hui, Christian Petzold, Albert Serra, Jasmine Trinca and Oksana Zabuzhko. The Encounters Jury, Lisandro Alonso, Denis Côté and Tizza Covi choose the winners for Best Film, Best Director and the Special Jury Award.
The Golden Bear for Best Film was awarded to Dahomey by Mati Diop. Emily Watson won The Silver Bear for Best Supporting Performance for her role in Small Things Like These, while Sebastian Stan received The Silver Bear for Best Leading Performance in A Different Man. Nelson Carlo De Los Santos Arias was honored with The Silver Bear for Best Director for his film Pepe, and the Silver Bear Jury Prize went to Bruno Dumont for Empire.
- 2/22/2024
- by Robert Lang
- Deadline Film + TV
Throughout the history of cinema, the stories of indigenous peoples in the Americas have been framed almost entirely through the gaze of immigrant European peoples. Lisandro Alonso’s challenging three part film is informed by their own stories, not just in the narratives it unfolds, but also in the structures of its storytelling.
Scripted with the aid of authors Martin Camaño and Fabian Casas, this is a film as rich in thematic and literary motifs as it is in imagery. The first segment, which stars Viggo Mortensen as a damaged man looking for trouble in a dissolute frontier town, plays out like a black and white reworking of The Searchers, taking John Ford’s vision of the Wild West to such an extreme that its nature as propaganda can no longer be denied, and at the same time speaking to the very real tragedy wrought upon Native peoples by colonial brutalisation and.
Scripted with the aid of authors Martin Camaño and Fabian Casas, this is a film as rich in thematic and literary motifs as it is in imagery. The first segment, which stars Viggo Mortensen as a damaged man looking for trouble in a dissolute frontier town, plays out like a black and white reworking of The Searchers, taking John Ford’s vision of the Wild West to such an extreme that its nature as propaganda can no longer be denied, and at the same time speaking to the very real tragedy wrought upon Native peoples by colonial brutalisation and.
- 2/16/2024
- by Jennie Kermode
- eyeforfilm.co.uk
As the EFM gets underway Film Movement has snapped up North American rights from The Match Factory to the period dramedy Sisi & I starring current Oscar nominee Sandra Huller.
The Match Factory has also licensed rights in Australia & New Zealand (Palace Entertainment), France (Kinovista), South Korea (Andamiro), Italy (Movies Inspired), Benelux (September Films), Israel (Lev Cinemas), former Yugoslavia (McF Megacom), and Ukraine (Traffic Films).
Frauke Finsterwalder’s feature premiered at the Berlinale last year and sees Huller play Countess Irma Grafin, the lady-in-waiting to Empress Elisabeth of Austria played by Susanne Wolff.
Film Movement is planning a theatrical release...
The Match Factory has also licensed rights in Australia & New Zealand (Palace Entertainment), France (Kinovista), South Korea (Andamiro), Italy (Movies Inspired), Benelux (September Films), Israel (Lev Cinemas), former Yugoslavia (McF Megacom), and Ukraine (Traffic Films).
Frauke Finsterwalder’s feature premiered at the Berlinale last year and sees Huller play Countess Irma Grafin, the lady-in-waiting to Empress Elisabeth of Austria played by Susanne Wolff.
Film Movement is planning a theatrical release...
- 2/16/2024
- ScreenDaily
Cine Argentino Unido, the new coalition group representing Argentinian film organisations, has called for a show of solidarity in Berlin amid an arts funding crisis in the South American country.
On Thursday the group issued a statement in which it hailed Argentina’s artistic presence in the Berlinale this year.
“What should be a source of pride for our entire industry, however, comes in a context of alarm and emergency for the cinema and culture of our country,” the statement said, in reference to firebrand president Javier Milei’s efforts to course-correct a stricken economy buckling under hyperinflation, huge debt,...
On Thursday the group issued a statement in which it hailed Argentina’s artistic presence in the Berlinale this year.
“What should be a source of pride for our entire industry, however, comes in a context of alarm and emergency for the cinema and culture of our country,” the statement said, in reference to firebrand president Javier Milei’s efforts to course-correct a stricken economy buckling under hyperinflation, huge debt,...
- 2/15/2024
- ScreenDaily
Actor, director, poet, musician, photographer, publisher – there is nary a creative endeavour to which the American hasn’t turned his hand. He discusses his ‘strange’ work with Lisandro Alonso – and accidentally starring in his own film
Viggo Mortensen is a busy man. He is not only an actor, but also a poet, a musician, a photographer and the hands-on owner of a small arthouse press on the website of which he publishes regular updates on pressing issues of the day gleaned from media outlets around the world. He punctuates the newsroll with aphorisms from thinkers he admires. “It is not enough to be busy. So are the ants. The question is: what are we busy about?” reads a recent one, from Henry David Thoreau, that accompanies an article on groundwater loss.
It is a question Mortensen clearly asks regularly of himself. Shortly before accepting the breakthrough role of Aragorn in The Lord of the Rings,...
Viggo Mortensen is a busy man. He is not only an actor, but also a poet, a musician, a photographer and the hands-on owner of a small arthouse press on the website of which he publishes regular updates on pressing issues of the day gleaned from media outlets around the world. He punctuates the newsroll with aphorisms from thinkers he admires. “It is not enough to be busy. So are the ants. The question is: what are we busy about?” reads a recent one, from Henry David Thoreau, that accompanies an article on groundwater loss.
It is a question Mortensen clearly asks regularly of himself. Shortly before accepting the breakthrough role of Aragorn in The Lord of the Rings,...
- 2/8/2024
- by Claire Armitstead
- The Guardian - Film News
The Berlin International Film Festival has confirmed its full juries for the 2024 edition (February 16-24), with Italian actress Jasmine Trinca and German filmmaker Christian Petzold among those joining president Lupita Nyong’o on the main international jury.
Also on the jury are filmmakers Ann Hui (Hong Kong) and Albert Serra (Spain) alongside Ukrainian novelist and poet Oksana Zabuzhko.
The international jury will select the winners of the Golden and Silver Bears from the 20 films playing in Competition.
The three-member jury for the Encounters strand comprises filmmakers Lisandro Alonso (Argentina), Denis Côté (Canada) and Tizza Covi (Italy).
The Encounters jury will choose the winners of best film,...
Also on the jury are filmmakers Ann Hui (Hong Kong) and Albert Serra (Spain) alongside Ukrainian novelist and poet Oksana Zabuzhko.
The international jury will select the winners of the Golden and Silver Bears from the 20 films playing in Competition.
The three-member jury for the Encounters strand comprises filmmakers Lisandro Alonso (Argentina), Denis Côté (Canada) and Tizza Covi (Italy).
The Encounters jury will choose the winners of best film,...
- 2/1/2024
- ScreenDaily
The Berlinale Film Festival has unveiled the jury members for its main International Competition, which will be presided over by Lupita Nyong’o.
The members of the International Jury are American actor and filmmaker Brady Corbet, Hong Kong filmmaker Ann Hui, German director Christian Petzold, Spanish filmmaker Albert Serra, Italian actress Jasmine Trinca, and Ukrainian novelist and poet Oksana Zabuzhko.
Nyong’o’s presidential appointment was announced in December.
The festival also unveiled the three-member jury for its Encounters strand. Lisandro Alonso (Argentina), Denis Côté (Canada), and Tizza Covi (Italy) will pick the competition sidebar’s Best Film, Best Director, and Special Jury award winners.
The 2024 Berlin Film Festival runs Feb 15 – Feb 25. The festival opens with the Cillian Murphy movie Small Things Like These. The film reveals truths about Ireland’s Magdalen laundries – horrific asylums run by Roman Catholic institutions from the 1820s until 1996, ostensibly to reform “fallen young women.” It...
The members of the International Jury are American actor and filmmaker Brady Corbet, Hong Kong filmmaker Ann Hui, German director Christian Petzold, Spanish filmmaker Albert Serra, Italian actress Jasmine Trinca, and Ukrainian novelist and poet Oksana Zabuzhko.
Nyong’o’s presidential appointment was announced in December.
The festival also unveiled the three-member jury for its Encounters strand. Lisandro Alonso (Argentina), Denis Côté (Canada), and Tizza Covi (Italy) will pick the competition sidebar’s Best Film, Best Director, and Special Jury award winners.
The 2024 Berlin Film Festival runs Feb 15 – Feb 25. The festival opens with the Cillian Murphy movie Small Things Like These. The film reveals truths about Ireland’s Magdalen laundries – horrific asylums run by Roman Catholic institutions from the 1820s until 1996, ostensibly to reform “fallen young women.” It...
- 2/1/2024
- by Zac Ntim
- Deadline Film + TV
The international jury at the 74th Berlin Film Festival, led by Lupita Nyong’o, will include filmmakers Christian Petzold (Germany) and Ann Hui.
The international jury members also include actor-producer-director Brady Corbet (U.S.), filmmaker Albert Serra (Spain), actor-director Jasmine Trinca (Italy) and writer Oksana Zabuzhko (Ukraine). They will decide who will win the festival’s Golden and the Silver Bears.
The three-member jury that chooses the winners for best film, director and the special jury award at the Berlinale’s Encounters strand is made up of filmmakers Lisandro Alonso (Argentina), Denis Côté (Canada) and Tizza Covi (Italy).
Director and screenwriter Ilker Çatak (Germany), sound artist and researcher Xabier Erkizia (Spain) and director, screenwriter, video artist and lecturer Jennifer Reeder (U.S.) are the international short film jury for the 2024 Berlinale Shorts competition. They will be choosing the winner of the Golden Bear for best short film, the winner of the...
The international jury members also include actor-producer-director Brady Corbet (U.S.), filmmaker Albert Serra (Spain), actor-director Jasmine Trinca (Italy) and writer Oksana Zabuzhko (Ukraine). They will decide who will win the festival’s Golden and the Silver Bears.
The three-member jury that chooses the winners for best film, director and the special jury award at the Berlinale’s Encounters strand is made up of filmmakers Lisandro Alonso (Argentina), Denis Côté (Canada) and Tizza Covi (Italy).
Director and screenwriter Ilker Çatak (Germany), sound artist and researcher Xabier Erkizia (Spain) and director, screenwriter, video artist and lecturer Jennifer Reeder (U.S.) are the international short film jury for the 2024 Berlinale Shorts competition. They will be choosing the winner of the Golden Bear for best short film, the winner of the...
- 2/1/2024
- by Naman Ramachandran
- Variety Film + TV
UK producer and distributor Sovereign is expanding into US distribution and has set its first title as Laurent Negre’s A Forgotten Man.
The company aims to release up to three titles a year in US cinemas and across VOD platforms. The first will be Swiss thriller A Forgotten Man, which Sovereign released in the UK and Ireland on November 10, following its premiere at Zurich Film Festival in 2022. It is now set to open in the US on April 12.
It marks a further expansion for the London-based company, which was founded by Andreas Roald in 2008 and launched Sovereign Film Distribution...
The company aims to release up to three titles a year in US cinemas and across VOD platforms. The first will be Swiss thriller A Forgotten Man, which Sovereign released in the UK and Ireland on November 10, following its premiere at Zurich Film Festival in 2022. It is now set to open in the US on April 12.
It marks a further expansion for the London-based company, which was founded by Andreas Roald in 2008 and launched Sovereign Film Distribution...
- 1/25/2024
- ScreenDaily
One of the most-anticipated films to premiere at Cannes Film Festival this past year was Lisandro Alonso’s long-awaited Jauja follow-up Eureka. An epic spanning three different stories across space and time, with a cast including Viggo Mortensen and Chiara Mastroianni, we featured it prominently on our list of the best undistributed films of 2023 feature last month. Now, we’re pleased to exclusively announce that the Argentine director’s most ambitious film yet has found a home.
New York-based distributor Film Movement has acquired the film for North American distribution, with a theatrical premiere planned for Q3 of 2024, followed by release on all leading digital platforms and the home entertainment marketplace. The announcement was made by Michael Rosenberg, President, Film Movement, who recently picked up Bertrand Bonello’s Coma, and Romain Rancurel, Head of International Sales for Le Pacte.
“Since his earliest films, Lisandro has pushed the envelope with his unique viewpoint,...
New York-based distributor Film Movement has acquired the film for North American distribution, with a theatrical premiere planned for Q3 of 2024, followed by release on all leading digital platforms and the home entertainment marketplace. The announcement was made by Michael Rosenberg, President, Film Movement, who recently picked up Bertrand Bonello’s Coma, and Romain Rancurel, Head of International Sales for Le Pacte.
“Since his earliest films, Lisandro has pushed the envelope with his unique viewpoint,...
- 1/17/2024
- by Jordan Raup
- The Film Stage
A film over a decade in the making, Felipe Gálvez’s directorial debut The Settlers takes a formally thrilling look at the brutal genocide of the now-extinct Selk’nam people, who were native to the Patagonian region of southern Argentina and Chile. Following its premiere at Cannes Film Festival and acquisition by Mubi, the film went on to play at TIFF, NYFF, BFI London, and AFI Fest, was selected as Chile’s Oscar submission, and will now arrive in theaters starting this Friday.
I said in my Cannes review, “Backed by Harry Allouche’s Morricone-inspired score, The Tale of King Crab cinematographer Simone D’Arcangelo’s appreciation for vast Leone-esque vistas is apparent, albeit with a more inhospitable, bleak variety as the sun always seems to have just a few dying gasps of light left. It recalls Lisandro Alonso’s Jauja in more than just subject matter: D’Arcangelo shoots these...
I said in my Cannes review, “Backed by Harry Allouche’s Morricone-inspired score, The Tale of King Crab cinematographer Simone D’Arcangelo’s appreciation for vast Leone-esque vistas is apparent, albeit with a more inhospitable, bleak variety as the sun always seems to have just a few dying gasps of light left. It recalls Lisandro Alonso’s Jauja in more than just subject matter: D’Arcangelo shoots these...
- 1/11/2024
- by Jordan Raup
- The Film Stage
It would be the longest hap between films and certainly his most ambitious project to date (it was rumored to span all the continents but the pandemic would have changed plans), Argentinean filmmaker Lisandro Alonso‘s Eureka (which premiered in the Cannes Premiere section) does indeed have connective tissues to his last feature (Un Certain Regard selected Jauja). In his sixth feature film, Alonso delves into the lives of indigenous peoples and communities, emphasizing the importance of pausing, reflecting, and reconsidering our perceptions of these individuals, particularly in the context of time and the screen. At the 2023 Marrakech International Film Festival I got to ask him about the thought process behind some of the metaphysical elements, the myth of the American West, representation, and if there are any updates on The God Beside My Bed – a project that would team him with Rick Alverson.…...
- 1/1/2024
- by Eric Lavallée
- IONCINEMA.com
What do some of the directors of the best movies of 2023 think about the year in cinema? Films in Frame polled Christian Petzold, Justine Triet, Pedro Costa, Victor Erice, Aki Kaurismäki, Bas Devos, Pham Thien An, Joanna Arnow, Radu Jude, Pedro Costa, Rodrigo Moreno, Lisandro Alonso, and more––and we’ll spotlight one of the best lists, from the Afire director, here.
While he admits he wasn’t able to check out the latest from Albert Serra, Jonathan Glazer, Radu Jude, Yorgos Lanthimos, Kelly Reichardt, Aki Kaurismäki, and Hirokazu Kore-eda, he did find time for this year’s Palme d’Or winner, Mexico’s 2023 Oscar entry, Ireland’s 2022 Oscar entry, and of course, the latest from one of his favorite actors on the planet, Gerard Butler.
Check out Petzold’s picks below and visit Films in Frame to see more lists.
The Quiet Girl (Colm Bairead)
Anatomy of a Fall...
While he admits he wasn’t able to check out the latest from Albert Serra, Jonathan Glazer, Radu Jude, Yorgos Lanthimos, Kelly Reichardt, Aki Kaurismäki, and Hirokazu Kore-eda, he did find time for this year’s Palme d’Or winner, Mexico’s 2023 Oscar entry, Ireland’s 2022 Oscar entry, and of course, the latest from one of his favorite actors on the planet, Gerard Butler.
Check out Petzold’s picks below and visit Films in Frame to see more lists.
The Quiet Girl (Colm Bairead)
Anatomy of a Fall...
- 12/20/2023
- by Jordan Raup
- The Film Stage
After highlighting the 50 best films you may have missed this year and our overall top 50 films of 2023, today we put our spotlight on those that need a home in the first place: movies we loved on the festival circuit––from Berlinale, Sundance, Cannes, TIFF, NYFF, Rotterdam, and beyond—still seeking U.S. distribution.
We hope that highlighting these titles spurs some distributor interest and a forthcoming release; we’ll be sharing any updates in this regard on Twitter, so make sure to follow us there. As we move into 2024, one can also track our upcoming festival coverage here.
Borrowed Time (Choy Ji)
Everything in Mak Yuen-Ting’s life is about to change. She will soon join her fiancé’s well-to-do family. She wants her newly and unhappily retired mother, Chau-Kuen, to sell her apartment and move to the Luogang suburbs. Yuen-Ting (played by Lin Dongping) has to figure out how...
We hope that highlighting these titles spurs some distributor interest and a forthcoming release; we’ll be sharing any updates in this regard on Twitter, so make sure to follow us there. As we move into 2024, one can also track our upcoming festival coverage here.
Borrowed Time (Choy Ji)
Everything in Mak Yuen-Ting’s life is about to change. She will soon join her fiancé’s well-to-do family. She wants her newly and unhappily retired mother, Chau-Kuen, to sell her apartment and move to the Luogang suburbs. Yuen-Ting (played by Lin Dongping) has to figure out how...
- 12/18/2023
- by Jordan Raup
- The Film Stage
As various critics groups and awards bodies dole out their top films of the year, it can be hard to parse which ones are actually worth paying attention to. Following our top 50 films of 2023, one such list has arrived today with Film Comment’s annual end-of-year survey. Revealed at a special live talk last night, Todd Haynes’s May December, Kelly Reichardt’s Showing Up, and Martin Scorsese’s Killers of the Flower Moon grabbed the top three spots, while Eduardo Williams’s The Human Surge 3, Lisandro Alonso’s Eureka, and Víctor Erice’s Close Your Eyes topped the best undistributed films.
“It speaks to the ongoing vitality of cinema as an art form, as well as the discernment of our critics in the year of ‘Barbenheimer,’ that this year’s top films represent some of the most boundary-pushing, complex movies of recent times—three new classics from contemporary masters,...
“It speaks to the ongoing vitality of cinema as an art form, as well as the discernment of our critics in the year of ‘Barbenheimer,’ that this year’s top films represent some of the most boundary-pushing, complex movies of recent times—three new classics from contemporary masters,...
- 12/15/2023
- by Jordan Raup
- The Film Stage
“Do Not Expect Too Much From the End of the World,” from Romania’s Radu Jude, added to its ever larger silverware collection, winning the top Albar Award at Spain’s Gijón Festival.
Gijón’s big win join not only a Special Jury Prize at August’s Locarno Film Festival, where the film was the most talked about – one of Jude’s aims– and lauded of competition titles among reviewers, plus a Chicago Silver Hugo best performance nod (Ilinca Manolache) in October and a Lisbon Fest Jury Prize late last month.
Over 61 editions, and most especially when José Luis Cienfuegos, now Valladolid chief, took over its reins in 1995, the Gijón-Xijón Film Festival (Ficx) has carved out an identity as highlighting edgier international auteurs and indie fare, moving into promoting often more singular movies from a burgeoning new generation of Spanish filmmakers, greeted with enthusiasm by discerning and predominantly YA audiences...
Gijón’s big win join not only a Special Jury Prize at August’s Locarno Film Festival, where the film was the most talked about – one of Jude’s aims– and lauded of competition titles among reviewers, plus a Chicago Silver Hugo best performance nod (Ilinca Manolache) in October and a Lisbon Fest Jury Prize late last month.
Over 61 editions, and most especially when José Luis Cienfuegos, now Valladolid chief, took over its reins in 1995, the Gijón-Xijón Film Festival (Ficx) has carved out an identity as highlighting edgier international auteurs and indie fare, moving into promoting often more singular movies from a burgeoning new generation of Spanish filmmakers, greeted with enthusiasm by discerning and predominantly YA audiences...
- 11/27/2023
- by Pablo Sandoval
- Variety Film + TV
Fund to invest a total of €360,000 in latest funding of financing
The Berlinale’s World Cinema Fund (Wcf) is to provide a total of €360,000 in funding for 14 international projects.
In its latest funding round, the Wcf has recommended production funding for 11 projects and distribution grants for three films.
The 14 independent projects hail from Argentina, Chile, the Democratic Republic of the Congo, Ecuador, Egypt, Iran, Israel, Mozambique, Nigeria, the Republic of Belarus, Rwanda, Senegal and Thailand.
The production funding recipients include Demba by Senegalese writer-director Mamadou Dia, whose feature debut Nafi’s Father won the best first feature prize Locarno in...
The Berlinale’s World Cinema Fund (Wcf) is to provide a total of €360,000 in funding for 14 international projects.
In its latest funding round, the Wcf has recommended production funding for 11 projects and distribution grants for three films.
The 14 independent projects hail from Argentina, Chile, the Democratic Republic of the Congo, Ecuador, Egypt, Iran, Israel, Mozambique, Nigeria, the Republic of Belarus, Rwanda, Senegal and Thailand.
The production funding recipients include Demba by Senegalese writer-director Mamadou Dia, whose feature debut Nafi’s Father won the best first feature prize Locarno in...
- 11/24/2023
- by Tim Dams
- ScreenDaily
As U.S. and European sales agents and distributors gather in Buenos Aires next week for Ventana Sur, there will be a very large elephant in the room: the stunning victory in Argentina’s presidential election Sunday of far right Javier Milei, a self-described “anarcho-capitalist.”
Milei won 55.8% of the vote promising to do away with inflation, running at over 140%, as part of “drastic changes” which have included scrapping Argentina’s central bank, dollarizing the economy and slashing public spending by 15% of Gdp.
On the campaign trail, he also promised to abolish Argentina’s Ministry of Culture and national film-tv agency Incaa.
Currently, Argentina also holds the presidency of Ibermedia, the pan-regional fund for Latin America, Spain and Portugal, whose moneys are vital for art-house co-productions.
Incaa also co-organizes Ventana Sur itself with Cannes Film Festival and Market.
A left-leaning Argentine film-tv industry, whether Peronist or not, will take time to digest Milei’s victory.
Milei won 55.8% of the vote promising to do away with inflation, running at over 140%, as part of “drastic changes” which have included scrapping Argentina’s central bank, dollarizing the economy and slashing public spending by 15% of Gdp.
On the campaign trail, he also promised to abolish Argentina’s Ministry of Culture and national film-tv agency Incaa.
Currently, Argentina also holds the presidency of Ibermedia, the pan-regional fund for Latin America, Spain and Portugal, whose moneys are vital for art-house co-productions.
Incaa also co-organizes Ventana Sur itself with Cannes Film Festival and Market.
A left-leaning Argentine film-tv industry, whether Peronist or not, will take time to digest Milei’s victory.
- 11/20/2023
- by John Hopewell
- Variety Film + TV
Mubi Podcast: Encuentros returns for a fifth season.The first episode features:Lois Patiño (Spain), visual artist and filmmaker. Her experimental and contemplative feature and short films have been screened at venues such as the Directors Fortnight, the New York Film Festival, and Ficunam. His debut feature Costa da morte won the award for Best Director in the Filmmakers of the Present competition at Locarno and, more recently, Samsara, his third feature, won the Special Jury Prize in the Encounters section at the Berlinale.Natalia López Gallardo (Bolivia-México), editor, actress and director. She has edited films such as Heli, by Amat Escalante; Jauja, by Lisandro Alonso, and Silent Light (Luz silenciosa) by Carlos Reygadas, for which she was nominated for an Ariel Award. She made her directorial debut in 2006 with her short film En el cielo como en la tierra, presented in Rotterdam, and 17 years later, her first feature film...
- 11/8/2023
- MUBI
The particular focus of this year’s Viennale might have been Chile—the main retrospective, dedicated to Raúl Ruiz, was paired with a program exploring the country’s cinema in the half century since the 1973 coup—but its neighbor Argentina was also very well-represented. More than a specific curatorial inclination, this reflected the fact that it’s been a terrific year for Argentine film. Alongside such festival-circuit hits as Lisandro Alonso’s Eureka, Eduardo Williams’s The Human Surge 3 and Rodrigo Moreno’s The Delinquents, the Viennale screened more modestly scaled and below-the-radar films, including Martín Shanly’s About Thirty, Martín Rejtman’s The Practice and Puan by […]
The post Popular and Political Argentinian Cinema at Viennale 2023 first appeared on Filmmaker Magazine.
The post Popular and Political Argentinian Cinema at Viennale 2023 first appeared on Filmmaker Magazine.
- 11/3/2023
- by Giovanni Marchini Camia
- Filmmaker Magazine-Director Interviews
The particular focus of this year’s Viennale might have been Chile—the main retrospective, dedicated to Raúl Ruiz, was paired with a program exploring the country’s cinema in the half century since the 1973 coup—but its neighbor Argentina was also very well-represented. More than a specific curatorial inclination, this reflected the fact that it’s been a terrific year for Argentine film. Alongside such festival-circuit hits as Lisandro Alonso’s Eureka, Eduardo Williams’s The Human Surge 3 and Rodrigo Moreno’s The Delinquents, the Viennale screened more modestly scaled and below-the-radar films, including Martín Shanly’s About Thirty, Martín Rejtman’s The Practice and Puan by […]
The post Popular and Political Argentinian Cinema at Viennale 2023 first appeared on Filmmaker Magazine.
The post Popular and Political Argentinian Cinema at Viennale 2023 first appeared on Filmmaker Magazine.
- 11/3/2023
- by Giovanni Marchini Camia
- Filmmaker Magazine - Blog
Festival has programmed 75 films from 36 countries.
The Marrakech International Film Festival has unveiled the full line-up for its 20th edition, which runs from November 24-December 2.
The festival is opening with Richard Linklater’s action comedy Hit Man, starring Glen Powell, and is screening 75 films in total from 36 countries.
Marrakech’s official competition, which comprises first and second feature films, includes Ramata-Toulaye Sy’s Cannes Competition title Banel & Adama, Lina Soualem’s Venice Giornate degli Autori documentary Bye Bye Tiberias and Moroccan director Kamal Lazraq’s feature debut Hounds, which premiered in Un Certain Regard at Cannes.
Scroll down for full line-up
Johnny Barrington,...
The Marrakech International Film Festival has unveiled the full line-up for its 20th edition, which runs from November 24-December 2.
The festival is opening with Richard Linklater’s action comedy Hit Man, starring Glen Powell, and is screening 75 films in total from 36 countries.
Marrakech’s official competition, which comprises first and second feature films, includes Ramata-Toulaye Sy’s Cannes Competition title Banel & Adama, Lina Soualem’s Venice Giornate degli Autori documentary Bye Bye Tiberias and Moroccan director Kamal Lazraq’s feature debut Hounds, which premiered in Un Certain Regard at Cannes.
Scroll down for full line-up
Johnny Barrington,...
- 11/2/2023
- by Tim Dams
- ScreenDaily
The following text is an excerpt from the sixth volume of the Viennale's ongoing Textur series, each of which is devoted to the atmospheric craft of a single filmmaker. Textur #6 focuses on the films of Lisandro Alonso; its publication coincides with the Viennale's presentation of his new film Eureka, as well as a festival masterclass.In the excerpt below, the American experimental filmmaker Deborah Stratman explores the sonic palettes and "fugue states of repetition" in Alonso's 2004 film, Los muertos.Los muertos.Besides Queen of Diamonds (1991), Nina Menkes’ sublimely tedious reverie of capital and misogyny, Lisandro Alonso’s 2004 feature Los muertos might be the most transactional film I’ve seen. In each, the largely speechless, impassive protagonists inhabit landscapes from which they, and thereby we, have been dispossessed. The casino tables of Menkes’ blackjack-dealing Firdaus (Tinka Menkes) and the prison yards of Alonso’s inmate Vargas (Argentino Vargas) suspend...
- 10/24/2023
- MUBI
Lisandro Alonso’s heady, intoxicating Eureka opens on a pristine beach where a Native American musician sings toward the sun. None of what he says is subtitled, though it’s apparent that his personal history, as well as that of his people, colors every word. When his chant concludes, the man walks slowly inland in one of the protracted transitional sequences in which Alonso specializes. Of all the practitioners of so-called “slow cinema,” the Argentine filmmaker excels at making even the most anti-dramatic actions riveting.
Eventually, the Native singer comes to an overlook where he spots a wagon in the distance. In the back of the vehicle sits a grizzled gunslinger named Murphy (Viggo Mortensen). Up to this point, Eureka has the feel of an ethnographic documentary. But with the arrival of a bona fide movie star, the ambience shifts toward the thorny fantasyland of the American western.
The genre trappings are familiar,...
Eventually, the Native singer comes to an overlook where he spots a wagon in the distance. In the back of the vehicle sits a grizzled gunslinger named Murphy (Viggo Mortensen). Up to this point, Eureka has the feel of an ethnographic documentary. But with the arrival of a bona fide movie star, the ambience shifts toward the thorny fantasyland of the American western.
The genre trappings are familiar,...
- 10/10/2023
- by Keith Uhlich
- Slant Magazine
China’s Pingyao International Film Festival has announced the line-up for its seventh edition (October 11-18), which will open with Wei Shujun’s Only The River Flows and close with the world premiere of Fei Yu’s Football On The Roof.
Wei’s 1990s-set noir thriller, which premiered in Un Certain Regard at this year’s Cannes film festival, is also one of 11 titles competing in Pingyao’s Hidden Dragons competition for emerging Chinese filmmakers. Football On The Roof tells the story of a female soccer team fighting against the odds in the remote mountains of Yunnan province.
The Hidden Dragons line-up also includes Geng Zihan’s A Song Sung Blue, which premiered in Cannes Directors Fortnight, along with world premieres including Hao Feihuan’s Records Without Words, Li Binbin’s The Night Rain South Township and Yang Pingdao’s A Romantic Fragment (see full line-up below).
Pingyao has also...
Wei’s 1990s-set noir thriller, which premiered in Un Certain Regard at this year’s Cannes film festival, is also one of 11 titles competing in Pingyao’s Hidden Dragons competition for emerging Chinese filmmakers. Football On The Roof tells the story of a female soccer team fighting against the odds in the remote mountains of Yunnan province.
The Hidden Dragons line-up also includes Geng Zihan’s A Song Sung Blue, which premiered in Cannes Directors Fortnight, along with world premieres including Hao Feihuan’s Records Without Words, Li Binbin’s The Night Rain South Township and Yang Pingdao’s A Romantic Fragment (see full line-up below).
Pingyao has also...
- 10/8/2023
- by Liz Shackleton
- Deadline Film + TV
While it’s understandable that many’s most-anticipated films at a festival are also some of the biggest titles of the season––evidenced by the instant sell-outs of the latest from Hayao Miyazaki, Yorgos Lanthimos, Sofia Coppola, Andrew Haigh, Jonathan Glazer, and more at the 61st New York Film Festival––one of the true joys of the experience is seeing work one may never find again. For this year’s edition of Film at Lincoln Center’s annual celebration of world cinema, we’ve gathered eight recommendations that currently don’t have U.S. distribution. While we imagine news will be announced soon for some of these selections, a release might not occur until next year, so be sure to catch them if you can.
We should also make a special note for Revivals, NYFF’s lineup of restorations, which features Paul Vecchiali’s haunting, captivating portrait of alienation The Strangler...
We should also make a special note for Revivals, NYFF’s lineup of restorations, which features Paul Vecchiali’s haunting, captivating portrait of alienation The Strangler...
- 9/26/2023
- by The Film Stage
- The Film Stage
San Sebastian — In a first big deal to be announced during this year’s San Sebastian Festival, Madrid-based The Mediapro Studio, one of Europe’s biggest independent and international creation-production-distribution powerhouses, has acquired Cimarrón, the Uruguay, Argentina and Mexico-based production house and services company.
Of “highly significant value,” Tms said Friday, the deal looks set to consolidate Tms’ presence in Latin America and beyond. In the region, in its earliest talent deal, Tms acquired Argentina’s Oficina Burman in 2018, headed by filmmaker Daniel Burman who plays a further double role at Tms as head of content U.S. and as one of Tms’s leading creators, show running Amazon’s Prime Video title “Iosi, the Regretful Spy,” a major hit at 2022’s Berlinale Series.
Cimarrón’s integration in The Mediapro Studio follows on that of Spanish comedy powerhouse El Terrat and production alliances with Penelope Cruz’s Moonlyon, Mexico’s ViX,...
Of “highly significant value,” Tms said Friday, the deal looks set to consolidate Tms’ presence in Latin America and beyond. In the region, in its earliest talent deal, Tms acquired Argentina’s Oficina Burman in 2018, headed by filmmaker Daniel Burman who plays a further double role at Tms as head of content U.S. and as one of Tms’s leading creators, show running Amazon’s Prime Video title “Iosi, the Regretful Spy,” a major hit at 2022’s Berlinale Series.
Cimarrón’s integration in The Mediapro Studio follows on that of Spanish comedy powerhouse El Terrat and production alliances with Penelope Cruz’s Moonlyon, Mexico’s ViX,...
- 9/22/2023
- by John Hopewell
- Variety Film + TV
Trojan Women: Lopez Crafts Collage of Complicity in Stellar Debut
For her directorial debut Robe of Gems (Manto de gemas), Natalia López Gallardo resists expectations in a chilly narrative of complex intersections. Heretofore celebrated as the editor of critically revered titles from Amat Escalante, Lisandro Alonso and her partner Carlos Reygadas (with whom she co-starred in the underrated 2018’s Our Time – read review), Lopez’s stylistic choices remain self-evident, but there’s an almost harsh reticence in how she continually undermines not only a certain arthouse convention, but the inherent apathy of those balanced precariously in this world on a wire.…...
For her directorial debut Robe of Gems (Manto de gemas), Natalia López Gallardo resists expectations in a chilly narrative of complex intersections. Heretofore celebrated as the editor of critically revered titles from Amat Escalante, Lisandro Alonso and her partner Carlos Reygadas (with whom she co-starred in the underrated 2018’s Our Time – read review), Lopez’s stylistic choices remain self-evident, but there’s an almost harsh reticence in how she continually undermines not only a certain arthouse convention, but the inherent apathy of those balanced precariously in this world on a wire.…...
- 9/19/2023
- by Nicholas Bell
- IONCINEMA.com
Largely known as a film editor for having worked with partner Carlos Reygadas on 2007 masterwork Silent Light and with further collaborations with the likes Amat Escalante, Daniel Castro Zimbrón and Lisandro Alonso, it’s after several years in development (film market murmurs it was known as Supernova), Natalia López Gallardo unveiled her sensory-filled feature debut Robe of Gems (Manto de Gemas) at the 2022 Berlinale — where she walked away with the Jury Prize Silver Bear.
Per our review – Gallardo “focuses on how class, privilege and social status tend to evaporate when the women connecting her narrative dare to employ any real sense of agency, highlighting their often chilling relationship to a power structure which demands their complicity.…...
Per our review – Gallardo “focuses on how class, privilege and social status tend to evaporate when the women connecting her narrative dare to employ any real sense of agency, highlighting their often chilling relationship to a power structure which demands their complicity.…...
- 9/18/2023
- by Nicholas Bell
- IONCINEMA.com
I remember hearing Viggo Mortensen on an episode of Here’s The Thing with Alec Baldwin where he came off as the rare combination of pretentious but likable. A man who carried himself as an intelligent, soft-spoken guy who liked arthouse movies and votes Green Party, he had just the right amount of movie-star charisma to pull off his slightly self-satisfied air. So essentially I want to root for the guy, especially when tackling moviemaking.
For a second I thought he was capitalizing on it in his second directorial effort. The opening two shots of The Dead Don’t Hurt showed some promise: 1) a man riding horseback in knight’s armor, followed by 2) a long take fixating on a dying Vicky Krieps’ face. From there I thought Mortensen was maybe, as director, smuggling a surrealism and slow cinema inspired by collaborator Lisandro Alonso into TIFF-premiere filler. Yet that mystery and formal precision soon ends.
For a second I thought he was capitalizing on it in his second directorial effort. The opening two shots of The Dead Don’t Hurt showed some promise: 1) a man riding horseback in knight’s armor, followed by 2) a long take fixating on a dying Vicky Krieps’ face. From there I thought Mortensen was maybe, as director, smuggling a surrealism and slow cinema inspired by collaborator Lisandro Alonso into TIFF-premiere filler. Yet that mystery and formal precision soon ends.
- 9/10/2023
- by Ethan Vestby
- The Film Stage
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAggro Dr1ft.NYFF have announced a few new lineups, including their adventurous-looking Spotlight section, with new work by Harmony Korine, Hayao Miyazaki, Nathan Fielder & Benny Safdie, and more. They've also shared the experimental program for Currents, which opens with Eduardo Williams’s The Human Surge 3 and features James Benning, Deborah Stratman, and Pham Thien An. And finally, their Revivals section includes restorations of Jean Renoir’s “almost ghostly last film in Hollywood,” The Woman on the Beach (1947); Niki de Saint Phalle's first solo feature Un rêve plus long que la nuit (1976); and a 4K restoration of Horace Ové’s Pressure (1976), world-premiering in conjunction with the London Film Festival. Following news last week that Leila’s Brothers (2022) filmmakers Saeed Roustayi and Javad Noruzbegi have been sentenced to six months in prison, suspended over five years,...
- 8/23/2023
- MUBI
While Lisandro Alonso doesn’t make films that will likely earn $100 million at the box office and attract a massive audience, the acclaimed filmmaker is one of the most interesting and skilled storytellers working today. Unfortunately, we haven’t heard much from the filmmaker over the past decade. That is, until now, as “Eureka” is about to continue its tour of festivals and make its way to the U.S.
As seen in the trailer for “Eureka,” which has been chosen to play at this year’s New York Film Festival, Alonso’s latest tells three seemingly disparate stories across three different eras.
Continue reading ‘Eureka’ Trailer: Acclaimed Filmmaker Lisandro Alonso Returns With His First New Film In Nearly A Decade at The Playlist.
As seen in the trailer for “Eureka,” which has been chosen to play at this year’s New York Film Festival, Alonso’s latest tells three seemingly disparate stories across three different eras.
Continue reading ‘Eureka’ Trailer: Acclaimed Filmmaker Lisandro Alonso Returns With His First New Film In Nearly A Decade at The Playlist.
- 8/15/2023
- by Charles Barfield
- The Playlist
One of the most-anticipated films to premiere at Cannes Film Festival this past year was Lisandro Alonso’s long-awaited Jauja follow-up Eureka. An epic spanning three different stories across space and time, with a cast including Viggo Mortensen and Chiara Mastroianni, it’ll now make its North American premiere this fall as part of the 61st New York Film Festival’s Main Slate. Ahead of the premiere, and with the film still seeking U.S. distribution, the first trailer has now arrived.
Leonardo Goi said in his Cannes review, “Nine years since that underground epiphany, along comes Eureka, a film that, for large chunks, seems to emerge from the same hallucinatory terrain Jauja opened up. Like all its predecessors, this unfurls as a literal journey dotted with solitary wanderers either searching for or mourning lost relatives. Old tropes and motifs notwithstanding, Alonso’s latest is his most ambitious: a tripartite film,...
Leonardo Goi said in his Cannes review, “Nine years since that underground epiphany, along comes Eureka, a film that, for large chunks, seems to emerge from the same hallucinatory terrain Jauja opened up. Like all its predecessors, this unfurls as a literal journey dotted with solitary wanderers either searching for or mourning lost relatives. Old tropes and motifs notwithstanding, Alonso’s latest is his most ambitious: a tripartite film,...
- 8/10/2023
- by Leonard Pearce
- The Film Stage
Andrew Scott and Paul Mescal in ‘All of Us Strangers’
The 61st New York Film Festival will feature 32 films in its Main Slate, with the chosen slate of films representing 18 countries. The lineup includes Cannes winners Anatomy of a Fall, The Zone Interest, Fallen Leaves, About Dry Grasses, and Perfect Days.
The 2023 festival runs September 29th through October 15th.
“The unsettled state of the industry is an unavoidable talking point these days, but my hope is that our festival, as it has done through its 61-year history, will serve as a reminder that the art of cinema is in robust health,” stated Dennis Lim, Artistic Director of the New York Film Festival. “The filmmakers in this year’s Main Slate are grappling with eternal questions—about how movies relate to the world, about what it means to make art from life, about the most interesting ways to approach the contemporary...
The 61st New York Film Festival will feature 32 films in its Main Slate, with the chosen slate of films representing 18 countries. The lineup includes Cannes winners Anatomy of a Fall, The Zone Interest, Fallen Leaves, About Dry Grasses, and Perfect Days.
The 2023 festival runs September 29th through October 15th.
“The unsettled state of the industry is an unavoidable talking point these days, but my hope is that our festival, as it has done through its 61-year history, will serve as a reminder that the art of cinema is in robust health,” stated Dennis Lim, Artistic Director of the New York Film Festival. “The filmmakers in this year’s Main Slate are grappling with eternal questions—about how movies relate to the world, about what it means to make art from life, about the most interesting ways to approach the contemporary...
- 8/8/2023
- by Rebecca Murray
- Showbiz Junkies
Taking place September 29-October 15, the 61st New York Film Festival has now unveiled its Main Slate lineup. Comprised of 32 films, the slate includes work by Lisandro Alonso, Annie Baker, Marco Bellocchio, Bertrand Bonello, Catherine Breillat, Nuri Bilge Ceylan, Sofia Coppola, Bas Devos, Víctor Erice, Felipe Gálvez, Jonathan Glazer, Andrew Haigh, Ryûsuke Hamaguchi, Todd Haynes, Agnieszka Holland, Hong Sangsoo, Raven Jackson, Radu Jude, Aki Kaurismäki, Yorgos Lanthimos, Michael Mann, Kleber Mendonça Filho, Rodrigo Moreno, Paul B. Preciado, Martín Rejtman, Alice Rohrwacher, Angela Schanelec, Justine Triet, Wang Bing, Wim Wenders, and Zhang Lu.
“The unsettled state of the industry is an unavoidable talking point these days, but my hope is that our festival, as it has done through its 61-year history, will serve as a reminder that the art of cinema is in robust health,” said Dennis Lim, Artistic Director of the New York Film Festival. “The filmmakers in this year’s...
“The unsettled state of the industry is an unavoidable talking point these days, but my hope is that our festival, as it has done through its 61-year history, will serve as a reminder that the art of cinema is in robust health,” said Dennis Lim, Artistic Director of the New York Film Festival. “The filmmakers in this year’s...
- 8/8/2023
- by Leonard Pearce
- The Film Stage
The Zone Of Interest, Poor Things and Last Summer among the new additions.
The New York Film Festival (NYFF) has unveiled another 29 films – including new projects from Catherine Breillat, Jonathan Glazer and Andrew Haigh – for the main slate of its sixty-first edition, set to run from September 29 to October 15.
In all, the main slate will comprise 32 features from 18 countries.
A special addition to this year’s main slate is the North American premiere of a newly unearthed and restored short directed by Agnès Varda and featuring Pier Paolo Pasolini while both were in New York for the 1966 NYFF.
The new...
The New York Film Festival (NYFF) has unveiled another 29 films – including new projects from Catherine Breillat, Jonathan Glazer and Andrew Haigh – for the main slate of its sixty-first edition, set to run from September 29 to October 15.
In all, the main slate will comprise 32 features from 18 countries.
A special addition to this year’s main slate is the North American premiere of a newly unearthed and restored short directed by Agnès Varda and featuring Pier Paolo Pasolini while both were in New York for the 1966 NYFF.
The new...
- 8/8/2023
- by John Hazelton
- ScreenDaily
The New York Film Festival’s Main Slate of films will consists of almost three dozen films from a lineup of international directors that includes Justine Triet, Nuri Bilge Ceylan, Alice Rohrwacher, Ryûsuke Hamaguchi, Aki Kaurismaki, Wim Wenders, Yorgos Lathimos and Jonathan Glazer. Film at Lincoln Center announced the lineup on Tuesday morning.
Among the 32 films are three special presentations that NYFF had already announced. The opening-night film will be Todd Haynes’ “May December,” its centerpiece screening will be Sofia Coppola’s “Priscilla” and its closing-night movie will be Michael Mann’s “Ferrari.”
The rest of the Main Slate lineup includes 12 films that premiered at the Cannes Film Festival this year, including the prize winners “Anatomy of a Fall” from Triet, “The Zone of Interest” from Glazer, “About Dry Grasses” from Ceylan, “Perfect Days” from Wenders and “Fallen Leaves” from Kaurismaki.
Others films include “Do Not Expect Too Much From the End of the World...
Among the 32 films are three special presentations that NYFF had already announced. The opening-night film will be Todd Haynes’ “May December,” its centerpiece screening will be Sofia Coppola’s “Priscilla” and its closing-night movie will be Michael Mann’s “Ferrari.”
The rest of the Main Slate lineup includes 12 films that premiered at the Cannes Film Festival this year, including the prize winners “Anatomy of a Fall” from Triet, “The Zone of Interest” from Glazer, “About Dry Grasses” from Ceylan, “Perfect Days” from Wenders and “Fallen Leaves” from Kaurismaki.
Others films include “Do Not Expect Too Much From the End of the World...
- 8/8/2023
- by Steve Pond
- The Wrap
Film at Lincoln Center has set the 32 features from 18 countries making up the Main Slate of the New York Film Festival, from Cannes prize-winners Anatomy Of A Fall by Justine Triet (Palme d’Or) and Zone Of Interest by Jonathan Glazer (Grand Prix), to the latest by Ryûsuke Hamaguchi, Wim Wenders, Agnieszka Holland, Hong Sangsoo, Radu Jude, Yorgos Lanthimos and Alice Rohrwacher.
Wenders’ Perfect Days saw a Best Actor for Kōji Yakusho in Cannes, Nuri Bilge Ceylan’s About Dry Grasses a Best Actress for Merve Dizdar. Aki Kaurismäki’s Fallen Leaves received the Grand Jury Prize. Hailing from Berlin, Angela Schanelec’s Music, Silver Bear winner for Best Screenplay.
The lineup includes films from Lisandro Alonso, Marco Bellocchio, Bertrand Bonello, Catherine Breillat, Bas Devos, Víctor Erice, Kleber Mendonça Filho and Martín Rejtman. Appearing in the Main Slate for the first time: Annie Baker, Devos, Felipe Gálvez, Glazer, Andrew Haigh,...
Wenders’ Perfect Days saw a Best Actor for Kōji Yakusho in Cannes, Nuri Bilge Ceylan’s About Dry Grasses a Best Actress for Merve Dizdar. Aki Kaurismäki’s Fallen Leaves received the Grand Jury Prize. Hailing from Berlin, Angela Schanelec’s Music, Silver Bear winner for Best Screenplay.
The lineup includes films from Lisandro Alonso, Marco Bellocchio, Bertrand Bonello, Catherine Breillat, Bas Devos, Víctor Erice, Kleber Mendonça Filho and Martín Rejtman. Appearing in the Main Slate for the first time: Annie Baker, Devos, Felipe Gálvez, Glazer, Andrew Haigh,...
- 8/8/2023
- by Jill Goldsmith
- Deadline Film + TV
The 2023 New York Film Festival Main Slate lineup has officially been revealed.
Presented by Film at Lincoln Center, this year’s NYFF Main Slate boasts the latest films from Wim Wenders, Yorgos Lanthimos, and Jonathan Glazer. As previously announced, the festival will open September 29 with Todd Haynes’ “May December,” followed by Sofia Coppola’s “Priscilla” as the Centerpiece screening. The festival will conclude with Closing Night selection “Ferrari” by Michael Mann, debuting October 15.
The 61st NYFF includes Cannes winners “The Zone of Interest,” helmed by Glazer, “Anatomy of a Fall” directed by Justine Triet, and Wenders’ “Perfect Days,” as well as Nuri Bilge Ceylan’s “About Dry Grasses” and Aki Kaurismäki’s “Fallen Leaves.” Berlinale Silver Bear winner “Music” will also screen.
“The unsettled state of the industry is an unavoidable talking point these days, but my hope is that our festival, as it has done through its 61-year history,...
Presented by Film at Lincoln Center, this year’s NYFF Main Slate boasts the latest films from Wim Wenders, Yorgos Lanthimos, and Jonathan Glazer. As previously announced, the festival will open September 29 with Todd Haynes’ “May December,” followed by Sofia Coppola’s “Priscilla” as the Centerpiece screening. The festival will conclude with Closing Night selection “Ferrari” by Michael Mann, debuting October 15.
The 61st NYFF includes Cannes winners “The Zone of Interest,” helmed by Glazer, “Anatomy of a Fall” directed by Justine Triet, and Wenders’ “Perfect Days,” as well as Nuri Bilge Ceylan’s “About Dry Grasses” and Aki Kaurismäki’s “Fallen Leaves.” Berlinale Silver Bear winner “Music” will also screen.
“The unsettled state of the industry is an unavoidable talking point these days, but my hope is that our festival, as it has done through its 61-year history,...
- 8/8/2023
- by Samantha Bergeson
- Indiewire
Producer Marianne Slot will continue her successful collaboration with Icelandic director Benedikt Erlingsson, following 2018 “Woman at War” with TV show “The Danish Woman” and upcoming feature film “Normal Men.”
“It’s a comedy, as you can imagine. Benedikt Erlingsson and a feminist producer – that’s a good combination,” she laughs, recalling their previous film about an environmental activist going rogue.
“’Woman at War’ was so joyful to make. It is still being shown and used as a reference, even by politicians in many different countries.”
Slot talks to Variety in Locarno, when she is picking up the Raimondo Rezzonico Award, given to industry figures who have played a major role in international production.
A French producer of Danish origin, she has collaborated with such directors as Lucrecia Martel, Lisandro Alonso and Sergei Loznitsa and has been co-producing Lars von Trier’s films since 1995’s “Breaking the Waves,” including “The House That Jack Built.
“It’s a comedy, as you can imagine. Benedikt Erlingsson and a feminist producer – that’s a good combination,” she laughs, recalling their previous film about an environmental activist going rogue.
“’Woman at War’ was so joyful to make. It is still being shown and used as a reference, even by politicians in many different countries.”
Slot talks to Variety in Locarno, when she is picking up the Raimondo Rezzonico Award, given to industry figures who have played a major role in international production.
A French producer of Danish origin, she has collaborated with such directors as Lucrecia Martel, Lisandro Alonso and Sergei Loznitsa and has been co-producing Lars von Trier’s films since 1995’s “Breaking the Waves,” including “The House That Jack Built.
- 8/5/2023
- by Marta Balaga
- Variety Film + TV
Late into Lisandro Alonso’s Jauja, Viggo Mortensen’s Captain Gunnar Dinesen disappeared into a cave. What happened next, in that unnamed stretch of 19th-century Patagonia, was nothing short of otherworldly. Gunnar’s encounter down the grotto was Jauja’s climax, and it stood as a kind of revelation for film and filmmaker both. The narrative trap door stripped Jauja of its western trappings and lifted the Danish soldier’s search for his daughter across the pampa into the realm of myth before an ellipsis shuttled one across time and space and it all became something else entirely. It also moved Alonso away from the observational, minimalist style of his earlier features toward a more expansive, enigmatic, magical register. More than anything, perhaps, that baffling rupture suggested liberation: it was the sort of moment his previous work––with their intimations of spiritual mysteries and numinous references––had long courted; here it finally detonated,...
- 6/14/2023
- by Leonardo Goi
- The Film Stage
Below you will find the results of Notebook's critics' poll for the best films of the Cannes Film Festival, as well as an index of our coverage of the festival.Awardstop 101. Fallen Leaves (Aki Kaurismäki)2. The Zone of Interest (Jonathan Glazer)3. May December (Todd Haynes)4. Anatomy of a Fall (Justine Triet)5. Close Your Eyes (Víctor Erice)6. Killers of the Flower Moon (Martin Scorsese)7. La chimera (Alice Rohrwacher)8. The Pot-au-feu (Tràn Anh Hùng)9. A Prince (Pierre Creton)10. Last Summer (Catherine Breillat)(Poll contributors: Pedro Emilio Segura Bernal, Anna Bogutskaya, Jordan Cronk, Flavia Dima, Lawrence Garcia, Leonardo Goi, Daniel Kasman, Jessica Kiang, Roger Koza, Elena Lazic, Beatrice Loayza, Guy Lodge, Łukasz Mańkowski, Savina Petkova, Caitlin Quinlan, Vadim Rizov, Christopher Small, Öykü Sofuoğlu, Blake Williams)DISPATCHESThe Obscenity of EvilLeonardo Goi on The Zone of Interest (Jonathan Glazer), The Sweet East (Sean Price Williams), Eureka (Lisandro Alonso), and Killers of the Flower Moon...
- 6/14/2023
- MUBI
The festival runs June 23 - July 1.
Films by Jessica Hausner, Elegance Bratton and Sebastian Silva are among 36 titles selected for the Filmfest München’s three international competition strands, CineMasters, CineVision and CineRebels. The festival runs June 23-July 1.
CineMasters
Hausner’s Club Zero will be joined by another four Cannes competition titles - Aki Kaurismäki’s Fallen Leaves, Marco Bellocchio’s Kidnapped, Kaouther Ben Hania’s Four Daughters, and Hirokazu Kore-eda’s Monster - to screen in Munich’s CineMasters competition for the €50,000 Arri Award which is presented to the producers of the best international film.
The 12-title line-up also includes...
Films by Jessica Hausner, Elegance Bratton and Sebastian Silva are among 36 titles selected for the Filmfest München’s three international competition strands, CineMasters, CineVision and CineRebels. The festival runs June 23-July 1.
CineMasters
Hausner’s Club Zero will be joined by another four Cannes competition titles - Aki Kaurismäki’s Fallen Leaves, Marco Bellocchio’s Kidnapped, Kaouther Ben Hania’s Four Daughters, and Hirokazu Kore-eda’s Monster - to screen in Munich’s CineMasters competition for the €50,000 Arri Award which is presented to the producers of the best international film.
The 12-title line-up also includes...
- 6/13/2023
- by Martin Blaney
- ScreenDaily
Sovereign has acquired U.K. and Ireland distribution rights for Lisandro Alonso’s Cannes title “Eureka,” starring Viggo Mortensen.
The film recently had its world premiere at the Cannes Film Festival’s Cannes Premiere strand in May.
“Eureka” follows the story of Alaina (Alaina Clifford), a police officer in the Pine Ridge Reservation who decides to stop responding to her radio, leaving her niece Sadie waiting in vain for her return. Hurt by Alaina’s absence, Sadie embarks on a journey with the guidance of her grandfather. The journey transcends time and space, taking her to South America and transforming her perception of the world. As Sadie encounters the dreams of the forest dwellers, she learns that birds, if understood, hold truths that humans can’t grasp.
The narrative of “Eureka” unfolds in three distinct segments, centered around a woman who becomes a migratory bird, bridging continents and eras. The first part,...
The film recently had its world premiere at the Cannes Film Festival’s Cannes Premiere strand in May.
“Eureka” follows the story of Alaina (Alaina Clifford), a police officer in the Pine Ridge Reservation who decides to stop responding to her radio, leaving her niece Sadie waiting in vain for her return. Hurt by Alaina’s absence, Sadie embarks on a journey with the guidance of her grandfather. The journey transcends time and space, taking her to South America and transforming her perception of the world. As Sadie encounters the dreams of the forest dwellers, she learns that birds, if understood, hold truths that humans can’t grasp.
The narrative of “Eureka” unfolds in three distinct segments, centered around a woman who becomes a migratory bird, bridging continents and eras. The first part,...
- 6/6/2023
- by Naman Ramachandran
- Variety Film + TV
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