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Breaking the Waves (1996)
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Overview
User Rating:
Director:
Writers:
Release Date:
13 November 1996 (USA)
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Tagline:
Love is a mighty power.
Plot:
Oilman Jan is paralyzed in an accident. His wife, who prayed for his return, feels guilty; even more, when Jan urges her to have sex with another. full summary | add synopsis
Awards:
Nominated for Oscar.
Another 40 wins
&
13 nominations
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NewsDesk:
(32 articles)
Exclusive Interview: Chris Alexander talks to Lars Von Trier about Antichrist
(From Fangoria. 12 November 2009, 8:33 AM, PST)
Exclusive Interview: Chris Alexander talks to Lars Von Trier about Antichrist
(From Fangoria. 12 November 2009, 8:33 AM, PST)
(From Fangoria. 12 November 2009, 8:33 AM, PST)
Exclusive Interview: Chris Alexander talks to Lars Von Trier about Antichrist
(From Fangoria. 12 November 2009, 8:33 AM, PST)
User Comments:
Bleak, Thoughtful, Disturbing, Touching and A Long Way Off From Being Light Viewing.
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Cast
(Cast overview, first billed only)| Emily Watson | ... | Bess McNeill | |
| Stellan Skarsgård | ... | Jan Nyman | |
| Katrin Cartlidge | ... | Dodo McNeill | |
| Jean-Marc Barr | ... | Terry | |
| Adrian Rawlins | ... | Dr. Richardson | |
| Jonathan Hackett | ... | Priest | |
| Sandra Voe | ... | Mother | |
| Udo Kier | ... | Sadistic Sailor | |
| Mikkel Gaup | ... | Pits | |
| Roef Ragas | ... | Pim | |
| Phil McCall | ... | Grandfather | |
| Robert Robertson | ... | Chairman | |
| Desmond Reilly | ... | An Elder | |
| Sarah Gudgeon | ... | Sybilla | |
| Finlay Welsh | ... | Coroner (as Finley Welsh) |
Additional Details
Also Known As:
MPAA:
Rated R for strong graphic sexuality, nudity, language and some violence.
Parents Guide:
Runtime:
159 min | USA:153 min (director's cut)
Language:
Colour:
Colour (Eastmancolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Iceland:16 |
Singapore:R21 (re-rating) |
New Zealand:R16 |
Australia:R |
Canada:18A |
Chile:18 |
Denmark:12 |
Finland:K-14 |
France:-12 |
Germany:12 |
Hong Kong:III |
Hungary:16 |
Italy:VM14 |
Netherlands:16 |
Norway:15 |
Portugal:M/16 |
Singapore:R(A) |
South Korea:18 |
Spain:18 |
Sweden:15 |
UK:18 |
USA:R |
Argentina:16 |
Israel:18
Filming Locations:
Company:
Fun Stuff
Trivia:
The first film in Lars von Trier's "Golden Heart" trilogy in which the heroines remain naïve despite their actions. The two other parts are Idioterne (1998) and Dancer in the Dark (2000).
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Quotes:
Bess McNeill:
Everyone has something they're good at. I've always been stupid, but I'm good at this.
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Movie Connections:
Referenced in I Lars von Triers rige (1999) (TV)
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Soundtrack:
Life on Mars
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FAQ
This FAQ is empty. Add the first question.more (196 total)
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Emotional power is one of the most difficult and complex aspects of film-making to succeed in. Very few films can manage to be emotionally destructive, while still retaining the viewer's concentration and dedication to the piece. Yet, Breaking the Waves is a film that holds more emotionally power that most films, it is not a film you will want to see again. One viewing is enough (at least for a long period of time). Bearing in mind, you will feel devastated by the film's self-destructive nature and after viewing such an unforgettable story of heart ache and sadness you will have etched into the back of your mind.
Breaking the Waves is a complicated story; it is one that studies love, regret, guilt, madness and religion. Breaking the Waves is set in a small religious town deep in Scotland and tells the sorrowful story of the innocent Bess (Emily Watson) and her lover Jan (Stellan Skarsgaard). Jan becomes paralysed in a freak accident at the oil-rig he is working on and asks his estranged wife Bess to have sex with other men and then tell him what it was like to keep their relationship stable.
Lars Von Trier, the founder of Dogme film-making creates a drama that remains in a league of its own. Though Breaking the Waves is not Dogme film-making (like The Idiots) it still has elements of Dogme film-making style littered around it. The film is separated into chapters, which work as wonderful mood and symbolic transitions. These sequences are a single shot focusing on something that is considerably impressive, with the added touch of a brilliantly chosen song to fit the mood. The film's general direction is one that feels like it has been shot with a hand-held style.
The film studies many questionable elements of life, including topics such as death, terminal illness, spirituality, emotions and hypocrisy in religion. These are just a view of the talking points that crop up throughout the long running-time. The film asks the viewer questions and most importantly tests how much harrowing devastation you can handle. There is no denying just how pure Breaking the Waves is.
Emma Watson gives a career defining performance with her pitiful role of a naive young woman, who just wants to be free from pain. The performance is very painful to watch because it is so unbearably realistic. You become apart of her journey and watch her emotions and sanity spiral out of control, even from the people who love her. Heartbreaking in every way.
Breaking the Waves is a difficult film and one that is not for everyone, though I say it is a film which deserves the critical acclaim it gets.