Carey Mulligan and Zoe Kazan in ‘She Said’ (Photo © Universal Studios)
On October 5, 2017, journalists Jodi Kantor and Megan Twohey published an article in the New York Times that exposed Harvey Weinstein’s lengthy history of sexual assaults and catapulted the #MeToo movement into the mainstream lexicon. Kantor and Twohey’s incredible work is brought to life on the screen in She Said, a powerful drama adapted by Independent Spirit Award nominee Rebecca Lenkiewicz (Colette) and directed by Emmy Award winner Maria Schrader (Unorthodox).
She Said delves into Kantor and Twohey’s research process and how their award-winning exposé rocked Hollywood and heightened public awareness of the prevalence of sexual harassment in workplaces in the entertainment industry and beyond.
In 2022, the #MeToo movement’s widely accepted and embraced as pivotal in spurring changes in behavior both inside and outside the workplace. As for Weinstein, the disgraced media mogul and sexual predator...
On October 5, 2017, journalists Jodi Kantor and Megan Twohey published an article in the New York Times that exposed Harvey Weinstein’s lengthy history of sexual assaults and catapulted the #MeToo movement into the mainstream lexicon. Kantor and Twohey’s incredible work is brought to life on the screen in She Said, a powerful drama adapted by Independent Spirit Award nominee Rebecca Lenkiewicz (Colette) and directed by Emmy Award winner Maria Schrader (Unorthodox).
She Said delves into Kantor and Twohey’s research process and how their award-winning exposé rocked Hollywood and heightened public awareness of the prevalence of sexual harassment in workplaces in the entertainment industry and beyond.
In 2022, the #MeToo movement’s widely accepted and embraced as pivotal in spurring changes in behavior both inside and outside the workplace. As for Weinstein, the disgraced media mogul and sexual predator...
- 11/28/2022
- by Rebecca Murray
- Showbiz Junkies
For director Maria Schrader, “She Said” was more than a truthful and thrilling recreation of the Pulitzer Prize-winning, #MeToo-bolstering New York Times report that exposed Harvey Weinstein’s decades of sexual abuse and harassment. It was also about the personal stories of New York Times journalists Jodi Kantor (Zoe Kazan) and Megan Twohey (Carey Mulligan). This made it a more complex and emotionally resonant film about female empowerment and the “crucible of motherhood,” which Schrader’s go-to editor, Hansjörg Weißbrich, leaned into.
“This was an investigative thriller and a more important aspect — their private life and how they got to know each other as a result of the collaboration,” Weißbrich told IndieWire. “This was an additional storyline that wasn’t in the book.”
But that first required Schrader and screenwriter Rebecca Lenkiewicz to gain the trust of Kantor and Twohey, to let them include their struggle with parenting along with...
“This was an investigative thriller and a more important aspect — their private life and how they got to know each other as a result of the collaboration,” Weißbrich told IndieWire. “This was an additional storyline that wasn’t in the book.”
But that first required Schrader and screenwriter Rebecca Lenkiewicz to gain the trust of Kantor and Twohey, to let them include their struggle with parenting along with...
- 11/23/2022
- by Bill Desowitz
- Indiewire
Carey Mulligan and Zoe Kazan are splitting up, at least in terms of their Oscar campaign. “She Said,” which premiered at the New York Film Festival, and then one day later at the Middleburg Film Festival in Virginia, will be campaigned by Universal Pictures in the highly competitive best actress category for Kazan while Mulligan will seek attention in the wide-open supporting actress race.
Directed by Maria Schrader, “She Said” tells the story of New York Times reporters Megan Twohey (Mulligan) and Jodi Kantor (Kazan), who helped launched the #MeToo movement by exposing the silence surrounding sexual assault in Hollywood, and particularly Harvey Weinstein.
With 30 reviews counted so far, the film currently sits at 80 on Rotten Tomatoes, with critics singling out the performances of its cast, specifically Mulligan and Samantha Morton, who plays Zelda Perkins, former personal assistant to Weinstein in the 1990s. Said to be only a single scene,...
Directed by Maria Schrader, “She Said” tells the story of New York Times reporters Megan Twohey (Mulligan) and Jodi Kantor (Kazan), who helped launched the #MeToo movement by exposing the silence surrounding sexual assault in Hollywood, and particularly Harvey Weinstein.
With 30 reviews counted so far, the film currently sits at 80 on Rotten Tomatoes, with critics singling out the performances of its cast, specifically Mulligan and Samantha Morton, who plays Zelda Perkins, former personal assistant to Weinstein in the 1990s. Said to be only a single scene,...
- 10/18/2022
- by Clayton Davis
- Variety Film + TV
Maria Schrader’s She Said, written by Rebecca Lenkiewicz and based on the book by New York Times reporters Jodi Kantor and Megan Twohey, stars Carey Mulligan and Zoe Kazan as the journalists who uncovered a web of secrets, lies, and abuse revolving around famed Hollywood producer (and now convicted felon) Harvey Weinstein.
The story: Twohey (Mulligan), a reporter from The New York Times, talks to Rachel Crooks, who wants to come forward on the abuse she allegedly experienced at the hands of Donald Trump. Of course, the reporter and Crooks are harassed with death threats after going public with the story. When Trump wins the Presidential election, women became even more terrified to come forward with personal stories about abuse.
Also at the Nyt, Kantor (Kazan) gets a lead on a story involving Harvey Weinstein and his past behavior toward women. She heard Rose McGowan had an encounter with him,...
The story: Twohey (Mulligan), a reporter from The New York Times, talks to Rachel Crooks, who wants to come forward on the abuse she allegedly experienced at the hands of Donald Trump. Of course, the reporter and Crooks are harassed with death threats after going public with the story. When Trump wins the Presidential election, women became even more terrified to come forward with personal stories about abuse.
Also at the Nyt, Kantor (Kazan) gets a lead on a story involving Harvey Weinstein and his past behavior toward women. She heard Rose McGowan had an encounter with him,...
- 10/14/2022
- by Valerie Complex
- Deadline Film + TV
At a time when many of us are still trapped at home and riveted by stressful news, the claustrophobic intensity of Amazon Prime Video’s “7500” serves as the best kind of thriller release valve. We’re confined to the cockpit of an airplane with co-pilot Joseph Gordon-Levitt for 92 minutes as he combats Muslim terrorist hijackers on a flight from Germany to Paris. And German director Patrick Vollrath boldly shot his feature debut as a series of 15-minute, 360-degree takes, encouraging an improvisational spirit among his actors and cinematographer Sebastian Thaler.
Good thing that Vollrath and Thaler were already somewhat prepared after trying a smaller-scale, claustrophobic experiment together on their Oscar-nominated, live-action short, “Everything Will Be Okay” (2015), in which a father kidnaps his daughter in a hotel room. For the more ambitious demands of “7500,” however, Thaler began his meticulous prep by filming in the cockpit of an actual commercial airline flight,...
Good thing that Vollrath and Thaler were already somewhat prepared after trying a smaller-scale, claustrophobic experiment together on their Oscar-nominated, live-action short, “Everything Will Be Okay” (2015), in which a father kidnaps his daughter in a hotel room. For the more ambitious demands of “7500,” however, Thaler began his meticulous prep by filming in the cockpit of an actual commercial airline flight,...
- 6/18/2020
- by Bill Desowitz
- Thompson on Hollywood
At a time when many of us are still trapped at home and riveted by stressful news, the claustrophobic intensity of Amazon Prime Video’s “7500” serves as the best kind of thriller release valve. We’re confined to the cockpit of an airplane with co-pilot Joseph Gordon-Levitt for 92 minutes as he combats Muslim terrorist hijackers on a flight from Germany to Paris. And German director Patrick Vollrath boldly shot his feature debut as a series of 15-minute, 360-degree takes, encouraging an improvisational spirit among his actors and cinematographer Sebastian Thaler.
Good thing that Vollrath and Thaler were already somewhat prepared after trying a smaller-scale, claustrophobic experiment together on their Oscar-nominated, live-action short, “Everything Will Be Okay” (2015), in which a father kidnaps his daughter in a hotel room. For the more ambitious demands of “7500,” however, Thaler began his meticulous prep by filming in the cockpit of an actual commercial airline flight,...
Good thing that Vollrath and Thaler were already somewhat prepared after trying a smaller-scale, claustrophobic experiment together on their Oscar-nominated, live-action short, “Everything Will Be Okay” (2015), in which a father kidnaps his daughter in a hotel room. For the more ambitious demands of “7500,” however, Thaler began his meticulous prep by filming in the cockpit of an actual commercial airline flight,...
- 6/18/2020
- by Bill Desowitz
- Indiewire
It has been 2020 for a hundred years and we’re still only in mid-June. The world outside is ugly and scary and there’s a killer bug trying to wipe us out. Despite the risk, good people have taken to the streets to stop bad things from happening and thanks to protest hijackers that’s all become pretty ugly too.
7500 is the story of a good man trying to stop bad things from happening. It plays out in real-time, is unsettlingly realistic, visceral and bleak with a pair of impressive central performances and horribly plausible stakes. And, frankly, it all feels like a bit too much right now.
In the opening moments of 7500, the emotionless eyes of a series of security cameras watch nervy young Vedat (Omid Memar) as he progresses through an airport; drawing in closer to scrutinise his actions and tingle our thriller-primed Spidey senses.
By contrast,...
7500 is the story of a good man trying to stop bad things from happening. It plays out in real-time, is unsettlingly realistic, visceral and bleak with a pair of impressive central performances and horribly plausible stakes. And, frankly, it all feels like a bit too much right now.
In the opening moments of 7500, the emotionless eyes of a series of security cameras watch nervy young Vedat (Omid Memar) as he progresses through an airport; drawing in closer to scrutinise his actions and tingle our thriller-primed Spidey senses.
By contrast,...
- 6/16/2020
- by Emily Breen
- HeyUGuys.co.uk
“Operation ‘Business As Usual'” is the name of the undercover mission assigned to Mossad agent Rachel Currin in Tehran: a knowingly ironic label for a challenging undertaking that gets considerably less orthodox the longer it goes on. Less knowingly, it would also be an appropriate title for “The Operative,” a proficient but unsurprising espionage thriller from Israeli writer-director Yuval Adler that offers another well-fitted showcase for Diane Kruger’s stern resolve as a performer. Rather like Fatih Akin’s recent “In the Fade,” it’s an otherwise fairly impersonal genre piece that hangs on its leading lady’s every word, move and steel-eyed glance. Kruger’s presence will secure international interest in this out-of-competition Berlinale premiere, with multi-platform distribution a likely part of its business plan.
A few episodes of the USA Network series “Shooter” aside, this is Adler’s first work as a director since his 2013 debut “Bethlehem,” a taut,...
A few episodes of the USA Network series “Shooter” aside, this is Adler’s first work as a director since his 2013 debut “Bethlehem,” a taut,...
- 2/10/2019
- by Guy Lodge
- Variety Film + TV
Stefan Zweig (Josef Hader) - "He was considered one of the greatest travelers, the big European mastermind of the European Union."
In 2000, Max Färberböck's Aimée & Jaguar star Maria Schrader was on the Berlin Film Festival jury with Andrzej Wajda, Gong Li, Walter Salles, and Marisa Paredes when Paul Thomas Anderson's Magnolia won the Golden Bear and the number of translators had an impact on her. In New York, the director of Stefan Zweig: Farewell To Europe and I discussed her creative team, including co-writer Jan Schomburg, cinematographer Wolfgang Thaler, and editor Hansjörg Weißbrich. We followed a Zweig trail from Terence Davies on Max Ophüls' Letter From An Unknown Woman to George Prochnik's influence on Wes Anderson's The Grand Budapest Hotel to Varian Fry, Lion Feuchtwanger and Defying The Nazis: The Sharp's War, directed by Ken Burns and Artemis Joukowsky.
Maria Schrader: "I dedicated the movie to Denis Poncet.
In 2000, Max Färberböck's Aimée & Jaguar star Maria Schrader was on the Berlin Film Festival jury with Andrzej Wajda, Gong Li, Walter Salles, and Marisa Paredes when Paul Thomas Anderson's Magnolia won the Golden Bear and the number of translators had an impact on her. In New York, the director of Stefan Zweig: Farewell To Europe and I discussed her creative team, including co-writer Jan Schomburg, cinematographer Wolfgang Thaler, and editor Hansjörg Weißbrich. We followed a Zweig trail from Terence Davies on Max Ophüls' Letter From An Unknown Woman to George Prochnik's influence on Wes Anderson's The Grand Budapest Hotel to Varian Fry, Lion Feuchtwanger and Defying The Nazis: The Sharp's War, directed by Ken Burns and Artemis Joukowsky.
Maria Schrader: "I dedicated the movie to Denis Poncet.
- 1/20/2017
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Thriller marks Emma Watson’s first lead role since Harry Potter.
Pincipal photography is about to begin on thriller Colonia, from German director Florian Gallenberger (John Rabe).
The film stars Emma Watson in her first lead role since the Harry Potter franchise and Daniel Brühl, the German star of Rush and The Face of an Angel.
The film will shoot in Luxembourg, Munich, Berlin and South America, until the end of the year.
Colonia tells the story of Lena and Daniel, a young couple, who become entangled in the Chilean military coup of 1973.
Daniel is abducted by Pinochet’s secret police and Lena tracks him to a sealed off area in the South of the country, called Colonia Dignidad.
The Colonia presents itself as a charitable mission run by lay preacher Paul Schäfer but, in fact, is a place nobody ever escaped from. Lena decides to join the cult in order to find Daniel.
Gallenberger is directing...
Pincipal photography is about to begin on thriller Colonia, from German director Florian Gallenberger (John Rabe).
The film stars Emma Watson in her first lead role since the Harry Potter franchise and Daniel Brühl, the German star of Rush and The Face of an Angel.
The film will shoot in Luxembourg, Munich, Berlin and South America, until the end of the year.
Colonia tells the story of Lena and Daniel, a young couple, who become entangled in the Chilean military coup of 1973.
Daniel is abducted by Pinochet’s secret police and Lena tracks him to a sealed off area in the South of the country, called Colonia Dignidad.
The Colonia presents itself as a charitable mission run by lay preacher Paul Schäfer but, in fact, is a place nobody ever escaped from. Lena decides to join the cult in order to find Daniel.
Gallenberger is directing...
- 9/29/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Thriller marks Emma Watson’s first lead role since Harry Potter.
Pincipal photography is about to begin on thriller Colonia, from German director Florian Gallenberger (John Rabe).
The film stars Emma Watson in her first lead role since the Harry Potter franchise and Daniel Brühl, the German star of Rush and The Face of an Angel.
The film will shoot in Luxembourg, Munich, Berlin and South America, until the end of the year.
Colonia tells the story of Lena and Daniel, a young couple, who become entangled in the Chilean military coup of 1973.
Daniel is abducted by Pinochet’s secret police and Lena tracks him to a sealed off area in the South of the country, called Colonia Dignidad.
The Colonia presents itself as a charitable mission run by lay preacher Paul Schäfer but, in fact, is a place nobody ever escaped from. Lena decides to join the cult in order to find Daniel.
Gallenberger is directing...
Pincipal photography is about to begin on thriller Colonia, from German director Florian Gallenberger (John Rabe).
The film stars Emma Watson in her first lead role since the Harry Potter franchise and Daniel Brühl, the German star of Rush and The Face of an Angel.
The film will shoot in Luxembourg, Munich, Berlin and South America, until the end of the year.
Colonia tells the story of Lena and Daniel, a young couple, who become entangled in the Chilean military coup of 1973.
Daniel is abducted by Pinochet’s secret police and Lena tracks him to a sealed off area in the South of the country, called Colonia Dignidad.
The Colonia presents itself as a charitable mission run by lay preacher Paul Schäfer but, in fact, is a place nobody ever escaped from. Lena decides to join the cult in order to find Daniel.
Gallenberger is directing...
- 9/29/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
German helmer Florian Gallenberger won an Oscar for his 2000 short film Quiero Ser (I Want To Be…) and followed that up with such features as Honolulu and City Of War: The Story Of John Rabe. Both those films starred Daniel Bruhl with whom the director is reteaming on Colonia. Principal photography is about to begin on the thriller that has Emma Watson opposite Bruhl in a tale inspired by true events. They play a young couple who become entangled in the Chilean military coup of 1973. Daniel (Bruhl) is abducted by Pinochet’s secret police and Lena (Watson) tracks him to a sealed-off area in the south of the country called Colonia Dignidad. The Colonia presents itself as a charitable mission run by a lay preacher, but is in fact a place from which no one has ever escaped. In order to find her beloved, Lena decides to join the cult.
- 9/29/2014
- by Nancy Tartaglione
- Deadline
The Golden Lola for best feature film went to veteran director Edgar Reitz’s Home From Home - Chronicle of a Vision at the German Film Awards.Scroll down for full list of winners
The black-and-white epic, set in a fictitious village in Germany’s Hunsrück region in the mid-19th century, also received awards for Best Director and Best Screenplay (shared with co-author Gert Heidenreich) after being nominated by the members of the German Film Academy in a total of six categories.
The co-production with Margaret Ménégoz’s Les Films du Losange is handled internationally by Arri Media Worldsales and was released theatrically in Germany by Concorde Filmverleih.
The prizes were handed out at the 64th annual film awards, held in Berlin.
Austrian accent to ceremony
The night belonged to Austrian film-maker Andreas Prochaska and his producers Helmut Grasser of Allegro Film and Stefan Arndt of X Filme Creative Pool with their Alpine western The Dark...
The black-and-white epic, set in a fictitious village in Germany’s Hunsrück region in the mid-19th century, also received awards for Best Director and Best Screenplay (shared with co-author Gert Heidenreich) after being nominated by the members of the German Film Academy in a total of six categories.
The co-production with Margaret Ménégoz’s Les Films du Losange is handled internationally by Arri Media Worldsales and was released theatrically in Germany by Concorde Filmverleih.
The prizes were handed out at the 64th annual film awards, held in Berlin.
Austrian accent to ceremony
The night belonged to Austrian film-maker Andreas Prochaska and his producers Helmut Grasser of Allegro Film and Stefan Arndt of X Filme Creative Pool with their Alpine western The Dark...
- 5/10/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
PARK CITY -- Based on a horrific expose of an international sex slave network, "Trade" is an earnest attempt to dramatize the network of Internet sex "tunnels." Unfortunately, the film's horrific and important subject matter is distilled into a lackluster lump of generic buddy-movie/road-picture components. "Trade" certainly will incite early boxoffice based on its provocative subject matter, but this humdrum film does little justice to the young girls who are prey to these bands of international slime.
Plotting along from the squalor of Mexico City, where brigands capture girls for delivery to New Jersey where they will be auctioned off on an Internet site, "Trade" lumbers along a plot course that, basically, explicates what a good documentary filmmaker could do in half the time and with considerably more of an emotional wallop.
The narrative centers on the cruel abduction of a Polish girl (Alicja Bachleda)and a 13-year-old Mexican girl (Paulina Gaitan) whose combative brother, Jorge (Cesar Ramos), sets off on a trans-America trail to find his younger sister. Careening into the U.S., Jorge runs smack dab into a U.S. lawman, Ray (Kevin Kline), who is on some sort of "insurance" case. Further down the road a piece, we learn Ray is an emotionally wounded cop on a personal mission.
While Kline bravely undertakes the role of lawman with a vendetta, walking as stiff as Dirty Harry and emoting as minimally as Chuck Norris, he never gets a handle on the role. Bathetic phone calls to his wife about their cat convince Jorge that he's dealing with a candy-ass gringo. At this juncture, "Trade" careens into battling-buddy territory as the macho Jorge and the stoic lawman trade barbs, complain about the other's music and eventually bond.
Unfortunately, screenwriter Jose Rivera's banter and dialogue is as leaden as his drab expositional structuring. The dialogue is so uninspired it's as if listening to someone reading subtitles. Similarly, Marco Kreuzpaintner's slow-footed direction never puts the pedal to the metal; in essence, this "important" road picture/chase/buddy movie is devoid of visual accelerants. It is further slowed by editor Hansjorg Weissbrich's tentative braking -- car driving and other padding consistently defuse the story line.
The musical score by Jacobo Lieberman and Leonardo Heiblum is in sync with the film's overall lackluster aesthetics: The music is dreary and listless, more apt as a midwinter Scandinavian overture to the tundra than a torrid expose of international sex slavery.
On the plus side, Ramos' charismatic and charged portrayal of the avenging brother is the film's highlight: Ramos packs energy and fire, combustions that this subject matter deserves. Plaudits also to Gaitan as the waifish Mexican girl who endures unspeakable degradations, as well as Bachleda for her sympathetic and steely performance as the abducted Polish beauty.
Unfortunately, Ray's cat cannot overcome the filmmaker's sloppy cutesiness, and we're left with a final, comic fillip that seems writ from "Walker, Texas Ranger".
TRADE
Lionsgate
A Centropolis Entertainment and VIP Medienfonds 4 production
Credits:
Producers: Roland Emmerich, Rosilyn Heller
Director: Marco Kreuzpaintner
Screenwriter: Jose Rivera
Story: Peter Landesman, Jose Rivera
Based on the New York Times Magazine article "The Girls Next Door" by: Peter Landesman
Executive producers: Ashok Amritraj, Robert Leger, Tom Ortenberg, Michael Wimer, Nick Hamson, Peter Landesman, Lars Sylvest
Director of photography: Daniel Gottschalk
Production designer: Bernt Capra
Editor: Hansjorg Weissbrich
Music: Jacobo Lieberman, Leonardo Heiblum
Costume designer: Carol Oditz
Cast:
Ray: Kevin Kline
Jorge: Cesar Ramos
Veronica: Alicja Bachleda
Adriana: Paulina Gaitan
Manuelo: Marco Perez
Laura: Kate del Castillo
Hank Jefferson: Tim Reid
Vadim Youchenko: Pasha Lynchnikoff
Running time -- 120 minutes
MPAA rating: R...
Plotting along from the squalor of Mexico City, where brigands capture girls for delivery to New Jersey where they will be auctioned off on an Internet site, "Trade" lumbers along a plot course that, basically, explicates what a good documentary filmmaker could do in half the time and with considerably more of an emotional wallop.
The narrative centers on the cruel abduction of a Polish girl (Alicja Bachleda)and a 13-year-old Mexican girl (Paulina Gaitan) whose combative brother, Jorge (Cesar Ramos), sets off on a trans-America trail to find his younger sister. Careening into the U.S., Jorge runs smack dab into a U.S. lawman, Ray (Kevin Kline), who is on some sort of "insurance" case. Further down the road a piece, we learn Ray is an emotionally wounded cop on a personal mission.
While Kline bravely undertakes the role of lawman with a vendetta, walking as stiff as Dirty Harry and emoting as minimally as Chuck Norris, he never gets a handle on the role. Bathetic phone calls to his wife about their cat convince Jorge that he's dealing with a candy-ass gringo. At this juncture, "Trade" careens into battling-buddy territory as the macho Jorge and the stoic lawman trade barbs, complain about the other's music and eventually bond.
Unfortunately, screenwriter Jose Rivera's banter and dialogue is as leaden as his drab expositional structuring. The dialogue is so uninspired it's as if listening to someone reading subtitles. Similarly, Marco Kreuzpaintner's slow-footed direction never puts the pedal to the metal; in essence, this "important" road picture/chase/buddy movie is devoid of visual accelerants. It is further slowed by editor Hansjorg Weissbrich's tentative braking -- car driving and other padding consistently defuse the story line.
The musical score by Jacobo Lieberman and Leonardo Heiblum is in sync with the film's overall lackluster aesthetics: The music is dreary and listless, more apt as a midwinter Scandinavian overture to the tundra than a torrid expose of international sex slavery.
On the plus side, Ramos' charismatic and charged portrayal of the avenging brother is the film's highlight: Ramos packs energy and fire, combustions that this subject matter deserves. Plaudits also to Gaitan as the waifish Mexican girl who endures unspeakable degradations, as well as Bachleda for her sympathetic and steely performance as the abducted Polish beauty.
Unfortunately, Ray's cat cannot overcome the filmmaker's sloppy cutesiness, and we're left with a final, comic fillip that seems writ from "Walker, Texas Ranger".
TRADE
Lionsgate
A Centropolis Entertainment and VIP Medienfonds 4 production
Credits:
Producers: Roland Emmerich, Rosilyn Heller
Director: Marco Kreuzpaintner
Screenwriter: Jose Rivera
Story: Peter Landesman, Jose Rivera
Based on the New York Times Magazine article "The Girls Next Door" by: Peter Landesman
Executive producers: Ashok Amritraj, Robert Leger, Tom Ortenberg, Michael Wimer, Nick Hamson, Peter Landesman, Lars Sylvest
Director of photography: Daniel Gottschalk
Production designer: Bernt Capra
Editor: Hansjorg Weissbrich
Music: Jacobo Lieberman, Leonardo Heiblum
Costume designer: Carol Oditz
Cast:
Ray: Kevin Kline
Jorge: Cesar Ramos
Veronica: Alicja Bachleda
Adriana: Paulina Gaitan
Manuelo: Marco Perez
Laura: Kate del Castillo
Hank Jefferson: Tim Reid
Vadim Youchenko: Pasha Lynchnikoff
Running time -- 120 minutes
MPAA rating: R...
- 1/25/2007
- The Hollywood Reporter - Movie News
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