Halloween is over, but we keep the horror movie recommendations coming your way all year long with our Best Horror Movie You Never Saw video series. Today’s new episode takes a look back at the 1972 film Tales from the Crypt (watch it Here), which was inspired by the same EC Comics series that also inspired the popular HBO series. You can find out all about it by checking out the video embedded above!
Directed by Freddie Francis from a screenplay written by Milton Subotsky, Tales from the Crypt has the following synopsis:
When people in a tourist group get lost within ancient catacombs, they meet the sinister Crypt Keeper, who tells them each their fate. The creepy figure’s macabre stories involve Joanne Clayton, a wife dabbling in murder, and Grymsdyke, a retired sanitation worker targeted by his suspicious neighbors. Among the other characters is adulterer Carl Maitland, who...
Directed by Freddie Francis from a screenplay written by Milton Subotsky, Tales from the Crypt has the following synopsis:
When people in a tourist group get lost within ancient catacombs, they meet the sinister Crypt Keeper, who tells them each their fate. The creepy figure’s macabre stories involve Joanne Clayton, a wife dabbling in murder, and Grymsdyke, a retired sanitation worker targeted by his suspicious neighbors. Among the other characters is adulterer Carl Maitland, who...
- 11/2/2022
- by Cody Hamman
- JoBlo.com
I for one will never tire of them: those assorted candy boxes with always one or two disagreeable sorts to spit out, but overall filled with enjoyable treats. And so it goes in the movies as well; call them horror portmanteaus, omnibuses, or lotsashortstogether, they offer outrageous highs littered with occasional lows that offer a sugar rush once the box is done. Tales from the Crypt (1972) is one of my favorite examples of a horrific sampler.
This Amicus production was given a release by Twentieth Century Fox in its native UK, and by Cinerama Releasing Corporation in the US, and did quite well on both sides of the pond. Cinerama got the jump in March, with the UK afforded spookier seasonal vibes that September. Critics were kind to this latest from the studio that gave us Torture Garden and The House That Dripped Blood, and spotlit Peter Cushing in perhaps his most poignant role.
This Amicus production was given a release by Twentieth Century Fox in its native UK, and by Cinerama Releasing Corporation in the US, and did quite well on both sides of the pond. Cinerama got the jump in March, with the UK afforded spookier seasonal vibes that September. Critics were kind to this latest from the studio that gave us Torture Garden and The House That Dripped Blood, and spotlit Peter Cushing in perhaps his most poignant role.
- 9/18/2021
- by Scott Drebit
- DailyDead
Normal 0 false false false En-us X-none X-none
“A British Right Stuff”
By Raymond Benson
There exists a period in the career of the great David Lean in which several of his pictures are today more or less forgotten, especially in the U.S. After the one-two double punch of Brief Encounter and Great Expectations in the mid-40s, Lean directed several pictures that were less than stellar in terms of popularity and critical acclaim before he hit a spectacular stride with Hobson’s Choice, Summertime, and The Bridge on the River Kwai in the mid-50s.
Nestled neatly in this middle period is The Sound Barrier (titled Breaking the Sound Barrier in the U.S.), released in 1952. Despite doing very decent box office on both sides of the Atlantic, the film isn’t one that comes to mind when considering Lean’s genius.
It's the story of how the sound barrier...
“A British Right Stuff”
By Raymond Benson
There exists a period in the career of the great David Lean in which several of his pictures are today more or less forgotten, especially in the U.S. After the one-two double punch of Brief Encounter and Great Expectations in the mid-40s, Lean directed several pictures that were less than stellar in terms of popularity and critical acclaim before he hit a spectacular stride with Hobson’s Choice, Summertime, and The Bridge on the River Kwai in the mid-50s.
Nestled neatly in this middle period is The Sound Barrier (titled Breaking the Sound Barrier in the U.S.), released in 1952. Despite doing very decent box office on both sides of the Atlantic, the film isn’t one that comes to mind when considering Lean’s genius.
It's the story of how the sound barrier...
- 5/12/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Why is David Lean’s stirring ode to British aviation so historically and technically bogus? Because at heart it’s a science fiction film! Ralph Richardson drives his test pilots and his own son to die on the altar of aviation R&d, in a tale focused firmly on futurism and the push to the stars. Nigel Patrick and Denholm Elliott struggle to measure up, while Ann Todd hugs her baby and resists. Watching this terrific production, you’d think the Queen had a monopoly on supersonic aviation.
The Sound Barrier
Blu-ray
Kl Studio Classics
1952 / B&w / 1:37 Academy / 117 109 min. / Breaking the Sound Barrier / Street Date April 28, 2020 / available through Kino Lorber / 29.95
Starring: Ralph Richardson, Ann Todd, Nigel Patrick, John Justin, Dinah Sheridan, Joseph Tomelty, Denholm Elliott.
Cinematography: Jack Hildyard
Film Editor: Geoffrey Foot
Original Music: Malcolm Arnold
Aerial and second unit director: Anthony Squire
Written by Terence Rattigan
Produced and...
The Sound Barrier
Blu-ray
Kl Studio Classics
1952 / B&w / 1:37 Academy / 117 109 min. / Breaking the Sound Barrier / Street Date April 28, 2020 / available through Kino Lorber / 29.95
Starring: Ralph Richardson, Ann Todd, Nigel Patrick, John Justin, Dinah Sheridan, Joseph Tomelty, Denholm Elliott.
Cinematography: Jack Hildyard
Film Editor: Geoffrey Foot
Original Music: Malcolm Arnold
Aerial and second unit director: Anthony Squire
Written by Terence Rattigan
Produced and...
- 4/14/2020
- by Glenn Erickson
- Trailers from Hell
"Pandora and the Flying Dutchman", director Albert Lewin's 1951 drama based on the legend of the 'Flying Dutchman', starring Ava Gardner, James Mason, Nigel Patrick, Sheila Sim, Harold Warrender, Mario Cabré and Marius Goring, will be released theatrically in a new 4K restoration, February 7, 2020:
"...in 1930, fishermen in the small Spanish port of 'Esperanza' make a grim discovery in their nets, the bodies of a man and a woman.
"The resultant ringing of church bells in the village brings the local police and the resident archaeologist, 'Geoffrey Fielding' (Harold Warrender), to the beach.
"Fielding returns to his villa, and, breaking the 'fourth wall', retells the story of these two people to the audience.
"Esperanza's small group of English expatriates revolves around 'Pandora Reynolds' (Ava Gardner), an American nightclub singer and femme fatale.
"All the men love her (or believe that they do), but Pandora is unable to love anyone. She...
"...in 1930, fishermen in the small Spanish port of 'Esperanza' make a grim discovery in their nets, the bodies of a man and a woman.
"The resultant ringing of church bells in the village brings the local police and the resident archaeologist, 'Geoffrey Fielding' (Harold Warrender), to the beach.
"Fielding returns to his villa, and, breaking the 'fourth wall', retells the story of these two people to the audience.
"Esperanza's small group of English expatriates revolves around 'Pandora Reynolds' (Ava Gardner), an American nightclub singer and femme fatale.
"All the men love her (or believe that they do), but Pandora is unable to love anyone. She...
- 2/6/2020
- by Unknown
- SneakPeek
"Pandora and the Flying Dutchman", director Albert Lewin's 1951 Brit Technicolor drama based on the legend of the 'Flying Dutchman', starring Ava Gardner, James Mason, Nigel Patrick, Sheila Sim, Harold Warrender, Mario Cabré and Marius Goring, will be released theatrically as a 4K restored release February 7, 2020:
"...in 1930, fishermen in the small Spanish port of 'Esperanza' make a grim discovery in their nets, the bodies of a man and a woman. The resultant ringing of church bells in the village brings the local police and the resident archaeologist, 'Geoffrey Fielding' (Harold Warrender), to the beach. Fielding returns to his villa, and, breaking the 'fourth wall', retells the story of these two people to the audience.
"Esperanza's small group of English expatriates revolves around 'Pandora Reynolds' (Ava Gardner), an American nightclub singer and femme fatale. All the men love her (or believe that they do), but Pandora is unable to love anyone.
"...in 1930, fishermen in the small Spanish port of 'Esperanza' make a grim discovery in their nets, the bodies of a man and a woman. The resultant ringing of church bells in the village brings the local police and the resident archaeologist, 'Geoffrey Fielding' (Harold Warrender), to the beach. Fielding returns to his villa, and, breaking the 'fourth wall', retells the story of these two people to the audience.
"Esperanza's small group of English expatriates revolves around 'Pandora Reynolds' (Ava Gardner), an American nightclub singer and femme fatale. All the men love her (or believe that they do), but Pandora is unable to love anyone.
- 1/24/2020
- by Unknown
- SneakPeek
Close-Up is a feature that spotlights films now playing on Mubi. David Lean's Breaking the Sound Barrier (1952) is playing October 14 - November 13, 2017 on Mubi in the United States.John (J.R.) Ridgefield is a man possessed. The wealthy and influential aircraft industrialist is consumed by his desire to manufacture a plane capable of penetrating the inscrutable sound barrier. This supersonic obsession is a blessing and a curse for the Ridgefield family, providing their ample fortune and triggering largely latent rifts in their ancestral relations. It’s an opposition at the heart and soul of David Lean’s 1952 film The Sound Barrier, a post-war endorsement of British ingenuity and determination, and an emotional, blazing depiction of sacrifice and scientific achievement. The opening of The Sound Barrier (also known as Sound Barrier and Breaking the Sound Barrier), spotlights Philip Peel (John Justin), one of the film’s principal test pilots. In just under two minutes,...
- 10/18/2017
- MUBI
Stars: Ralph Richardson, Ann Todd, Nigel Patrick, John Justin, Dinah Sheridan, Joseph Tomelty, Denholm Elliot | Written by Terrence Rattigan | Directed by David Lean
David Lean is well known for his romantic dramas (Brief Encounter) and literary adaptations (Great Expectations, Doctor Zhivago), which is why The Sound Barrier, his 1952 semi-biographical portrait of the British struggle to surpass the speed of sound, seems like something of an oddity.
The story focuses on the relationships between an ambitious Raf pilot Tony (Nigel Patrick), his military bride Susan (Ann Todd) her father, John (Ralph Richardson), a wealthy plane manufacturer who has lofty goals and doesn’t mind risking human lives to reach them. A brief prelude sees Susan’s brother Christopher – a small but welcome appearance from Indiana Jones’ Denholm Elliott – attempt to join the air force, despite both a lack of interest in and aptitude for flying. This ominous complication, paired with the...
David Lean is well known for his romantic dramas (Brief Encounter) and literary adaptations (Great Expectations, Doctor Zhivago), which is why The Sound Barrier, his 1952 semi-biographical portrait of the British struggle to surpass the speed of sound, seems like something of an oddity.
The story focuses on the relationships between an ambitious Raf pilot Tony (Nigel Patrick), his military bride Susan (Ann Todd) her father, John (Ralph Richardson), a wealthy plane manufacturer who has lofty goals and doesn’t mind risking human lives to reach them. A brief prelude sees Susan’s brother Christopher – a small but welcome appearance from Indiana Jones’ Denholm Elliott – attempt to join the air force, despite both a lack of interest in and aptitude for flying. This ominous complication, paired with the...
- 4/8/2016
- by Mark Allen
- Nerdly
I. The Rattigan Version
After his first dramatic success, The Winslow Boy, Terence Rattigan conceived a double bill of one-act plays in 1946. Producers dismissed the project, even Rattigan’s collaborator Hugh “Binkie” Beaumont. Actor John Gielgud agreed. “They’ve seen me in so much first rate stuff,” Gielgud asked Rattigan; “Do you really think they will like me in anything second rate?” Rattigan insisted he wasn’t “content writing a play to please an audience today, but to write a play that will be remembered in fifty years’ time.”
Ultimately, Rattigan paired a brooding character study, The Browning Version, with a light farce, Harlequinade. Entitled Playbill, the show was finally produced by Stephen Mitchell in September 1948, starring Eric Portman, and became a runaway hit. While Harlequinade faded into a footnote, the first half proved an instant classic. Harold Hobson wrote that “Mr. Portman’s playing and Mr. Rattigan’s writing...
After his first dramatic success, The Winslow Boy, Terence Rattigan conceived a double bill of one-act plays in 1946. Producers dismissed the project, even Rattigan’s collaborator Hugh “Binkie” Beaumont. Actor John Gielgud agreed. “They’ve seen me in so much first rate stuff,” Gielgud asked Rattigan; “Do you really think they will like me in anything second rate?” Rattigan insisted he wasn’t “content writing a play to please an audience today, but to write a play that will be remembered in fifty years’ time.”
Ultimately, Rattigan paired a brooding character study, The Browning Version, with a light farce, Harlequinade. Entitled Playbill, the show was finally produced by Stephen Mitchell in September 1948, starring Eric Portman, and became a runaway hit. While Harlequinade faded into a footnote, the first half proved an instant classic. Harold Hobson wrote that “Mr. Portman’s playing and Mr. Rattigan’s writing...
- 3/25/2015
- by Christopher Saunders
- SoundOnSight
Popular stalwart of film classics such as The Browning Version and Fanny By Gaslight
Jean Kent, the fiery, sexy, red-haired bad girl of British movies in the 1940s, who has died aged 92, was a fine actor, and clearly enjoyed life, her work and – while it lasted – her cinema fame. While never a top star, she gained a considerable following, and from the 1960s appeared regularly on television. Her film breakthrough came as a result of stage work: after the revue Apple Sauce, starring Vera Lynn and Max Miller, reached the London Palladium in 1941, she was offered a long-term contract, and the first of her Gainsborough Pictures appearances came in It's That Man Again (1943), with another wartime entertainer, the radio comic Tommy Handley.
It took another four films for her to make her first real mark as Lucy, the friend of Phyllis Calvert in the title role of the melodrama Fanny By Gaslight,...
Jean Kent, the fiery, sexy, red-haired bad girl of British movies in the 1940s, who has died aged 92, was a fine actor, and clearly enjoyed life, her work and – while it lasted – her cinema fame. While never a top star, she gained a considerable following, and from the 1960s appeared regularly on television. Her film breakthrough came as a result of stage work: after the revue Apple Sauce, starring Vera Lynn and Max Miller, reached the London Palladium in 1941, she was offered a long-term contract, and the first of her Gainsborough Pictures appearances came in It's That Man Again (1943), with another wartime entertainer, the radio comic Tommy Handley.
It took another four films for her to make her first real mark as Lucy, the friend of Phyllis Calvert in the title role of the melodrama Fanny By Gaslight,...
- 12/2/2013
- by Sheila Whitaker
- The Guardian - Film News
Where would a horror movie be without a classic death scene – or two? We’ve had some great ones over the years: Janet Leigh’s shower to end all showers in Psycho (1960); the ill fated nude swim in Jaws (1975); David Warner’s famous decapitation in The Omen (1976); John Hurt’s serious indigestion problem in Alien (1979); and the exploding head in Scanners (1980). And let’s not forget the gruesome ends that befell pre-stardom Kevin Bacon and Johnny Depp.
Hang on a minute! I’ve just mentioned all the classic ones! Well let’s face it, so much has been written and discussed about those famous demises, they’ve been pretty much done to death (sorry!). Therefore, the following ten are horror-related deaths that deserve some kind of classic status, a couple of which are notable for their surreal and ambiguous nature.But beware...since most of the best death scenes are...
Hang on a minute! I’ve just mentioned all the classic ones! Well let’s face it, so much has been written and discussed about those famous demises, they’ve been pretty much done to death (sorry!). Therefore, the following ten are horror-related deaths that deserve some kind of classic status, a couple of which are notable for their surreal and ambiguous nature.But beware...since most of the best death scenes are...
- 10/22/2012
- Shadowlocked
Last week this column featured a review from the most recent Eclipse Series release, Silent Naruse. Sharp-eyed, or perhaps somewhat obsessive-compulsive, readers may have taken note that I had not yet made any mention in this space of the Eclipse set that preceded Silent Naruse. There’s a simple reason for that: I was waiting for the late 50s/early 60s films included in Eclipse Series 25: Basil Dearden’s London Underground to come up in the meticulous chronological sequence I use in my main blog, Criterion Reflections, where I’ve just recently advanced to the movies of 1959. (And with that disclosure, those same sharp-eyed readers are now wondering just who I am to call anyone else “somewhat obsessive-compulsive.”) Well, since I’ve moved past the double feature of First Man Into Space and Corridors of Blood, that point in the timeline has been reached. This week, I’m buffing up and polishing Sapphire.
- 4/4/2011
- by David Blakeslee
- CriterionCast
by Vadim Rizov
In 1957, Jack Hawkins led a coordinated Allied attack on The Bridge on the River Kwai, and three years later, he led a coordinated private attack on a British bank. The film was The League of Gentlemen (included in Basil Dearden's London Underground, a smashing new box set from Criterion/Eclipse), in which Hawkins rounds up seven equally unpleasant, mostly meta-cast men to assist. The recruits comprise a microcosm of various, superficially resilient members of the British way of post-war life. One is Nigel Patrick, perhaps best known at that point as a mindlessly brave test pilot in The Sound Barrier, a sacrificial lamb to the stiff-upper-limb ethos to the last. He's Hawkins' aide, clinging to his pre-war aristocratic status by being paternally glib to the other men and looking foolish in the process. Other members: Terence Alexander (in real life a member of the 27th Lancers,...
In 1957, Jack Hawkins led a coordinated Allied attack on The Bridge on the River Kwai, and three years later, he led a coordinated private attack on a British bank. The film was The League of Gentlemen (included in Basil Dearden's London Underground, a smashing new box set from Criterion/Eclipse), in which Hawkins rounds up seven equally unpleasant, mostly meta-cast men to assist. The recruits comprise a microcosm of various, superficially resilient members of the British way of post-war life. One is Nigel Patrick, perhaps best known at that point as a mindlessly brave test pilot in The Sound Barrier, a sacrificial lamb to the stiff-upper-limb ethos to the last. He's Hawkins' aide, clinging to his pre-war aristocratic status by being paternally glib to the other men and looking foolish in the process. Other members: Terence Alexander (in real life a member of the 27th Lancers,...
- 2/1/2011
- GreenCine Daily
"The measure of love is what one is willing to give up for it" archeologist Geoffrey Fielding (Harold Warrender) ponderously recalls. So goes the crux of Albert Lewin's lush technicolour fantasy from 1951, now available on DVD and Blu-ray for the first time after years in obscurity. Set in the Spanish port of Esperanza, and shot by legendary cinematographer Jack Cardiff, Pandora and the Flying Dutchman is a stunning curiosity - beautiful, elegiac and fabulously romantic.
James Mason stars as Hendrik, the titular Dutchman condemned to sail the seas for eternity, returning to land for 6 months every 7 years to seek a woman who will love him enough to give up her own life for him, and so break the curse. Ava Gardner is Pandora, a beautiful but manipulative young woman, idolised by all men but unable to fall in love with any of them. Despite finally being engaged to marry motoring enthusiast,...
James Mason stars as Hendrik, the titular Dutchman condemned to sail the seas for eternity, returning to land for 6 months every 7 years to seek a woman who will love him enough to give up her own life for him, and so break the curse. Ava Gardner is Pandora, a beautiful but manipulative young woman, idolised by all men but unable to fall in love with any of them. Despite finally being engaged to marry motoring enthusiast,...
- 8/9/2010
- Screen Anarchy
Tonight marks the end of Soccer Fever!—a week-long run of soccer films at the Brooklyn Academy of Music. The mini-festival closes with a rich and meticulous look into the World Cup in 1966, the only time England won it all. Goal! World Cup 1966 is narrated by the inimitable Nigel Patrick, his contemplative voice painting the film in earnestness at one turn, cheeky sarcasm the next. This is a rarely seen print, with incredible footage not only of English greats such as Bobby Charlton and Nobby Stiles, but of Pelé, Eusebio, and Franz Beckenbauer as well. It’s fascinating to see how much of the film seems to foreshadow today’s world of soccer. “Spain,” Patrick says when introducing the teams, “who never punch their weight in World Cups.” Later there are shots of the stands, so packed with people that the fans sway back and forth uncontrollably, like waves in...
- 6/8/2010
- Vanity Fair
Lebanon (15)
(Samuel Maoz, 2009, Israel) Yoav Donat, Oshri Cohen, Michael Moshonov. 93 mins
You can see why they made Top Gun about jet fighters. This is set entirely within the confines of an Israeli tank during the 1982 Lebanon war, and it's not much of a recruitment ad. The gimmick is both the movie's strength and its weakness. The space and visibility restrictions make this a neat minimalist thriller and a nervy, unpredictable combat experience, but it's one safely insulated from the questions – and victims – of the real-life conflict. Despite the sweat and grime, you feel like the really dirty stuff is going on elsewhere.
Robin Hood (12A)
(Ridley Scott, 2010, Us) Russell Crowe, Cate Blanchett, Max Von Sydow, Mark Strong. 140 mins
Scott attempts to pull another Gladiator, ditching the familiar tights and tropes and reimagining the legend through a combination of mangled history, epic set pieces and deadly earnest heroism. It's more of a prequel,...
(Samuel Maoz, 2009, Israel) Yoav Donat, Oshri Cohen, Michael Moshonov. 93 mins
You can see why they made Top Gun about jet fighters. This is set entirely within the confines of an Israeli tank during the 1982 Lebanon war, and it's not much of a recruitment ad. The gimmick is both the movie's strength and its weakness. The space and visibility restrictions make this a neat minimalist thriller and a nervy, unpredictable combat experience, but it's one safely insulated from the questions – and victims – of the real-life conflict. Despite the sweat and grime, you feel like the really dirty stuff is going on elsewhere.
Robin Hood (12A)
(Ridley Scott, 2010, Us) Russell Crowe, Cate Blanchett, Max Von Sydow, Mark Strong. 140 mins
Scott attempts to pull another Gladiator, ditching the familiar tights and tropes and reimagining the legend through a combination of mangled history, epic set pieces and deadly earnest heroism. It's more of a prequel,...
- 5/14/2010
- by The guide
- The Guardian - Film News
This week’s pick is the 1969 Guy Hamilton (Goldfinger, Force 10 From Navarone) directed classic Battle of Britain, which depicts the valiant struggle of Great Britain’s Royal Air Force against the onslaught of the numerically superior German Luftwaffe during the summer of 1940. The film opens as France falls in May 1940, and the British and their allies avoid capture with the massive evacuation at the coastal city of Dunkirk. With time to regroup and strengthen their home defenses, the British lie and wait for Hitler’s forces to eventually invade England.
The film is told through a collection of fighter squadron groups (English and German) who are veterans in the skies over France and the low countries during early 1940. Like many films of the mid to late 1960’s, Battle of Britain has its fare share of brilliant English and German actors. Screen legend Sir Laurence Olivier leads the cast as Chief Air Marshal H.
The film is told through a collection of fighter squadron groups (English and German) who are veterans in the skies over France and the low countries during early 1940. Like many films of the mid to late 1960’s, Battle of Britain has its fare share of brilliant English and German actors. Screen legend Sir Laurence Olivier leads the cast as Chief Air Marshal H.
- 2/22/2010
- by Douglas Barnett
- The Flickcast
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