The Bridge on the River Kwai (1957)

Director:

David Lean

Writer (WGA):

Pierre Boulle (novel)

Release Date:

2 October 1957 (UK)

Genre:

Adventure | Drama | War

Tagline:

It spans a whole new world of entertainment!

Plot:

After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.

Plot Keywords:

Bridge | British | Construction | Japanese | Torture

Awards:

Won 7 Oscars. Another 23 wins & 5 nominations

Cast

William Holden	...	Shears
Alec Guinness	...	Colonel Nicholson
Jack Hawkins	...	Major Warden
Sessue Hayakawa	...	Colonel Saito
James Donald	...	Major Clipton
Geoffrey Horne	...	Lieutenant Joyce
André Morell	...	Colonel Green (as Andre Morell)
Peter Williams	...	Captain Reeves
John Boxer	...	Major Hughes
Percy Herbert	...	Grogan
Harold Goodwin	...	Baker
Ann Sears	...	Nurse
Heihachirô Ôkawa	...	Captain Kanematsu (as Henry Okawa)
Keiichiro Katsumoto	...	Lieutenant Miura (as K. Katsumoto)
M.R.B. Chakrabandhu	...	Col. Broome Yai

MPAA:

Rated PG for mild war violence. (1991 reissue)

Runtime:

161 min

Country:

UK | USA

Language:

English | Japanese | Thai

Colour:

Colour (Technicolor)

Aspect Ratio:

2.55 : 1

Sound Mix:

70 mm 6-Track (70 mm prints) (RCA Sound System) | Dolby SR (re-release) | Mono (35 mm prints)

Certification:

Iceland:12 | South Korea:12 | USA:Approved | USA:PG (re-rating) (1991) | Brazil:12 | Argentina:13 | Australia:PG | Chile:14 | Finland:K-16 | Norway:16 | Spain:T | UK:PG | West Germany:12 (w) | Sweden:15 | Canada:PG (Ontario)

Filming Locations:

Ambepussa, Sri Lanka

Company:

Horizon Pictures (II)

Trivia:

The film was edited in Paris as David Lean was facing punitive divorce costs from the dissolution of his marriage to Ann Todd at the time in his native England.

Goofs:

Continuity: During the bridge completion celebration Nicholson gives a speech on the stage while Shears and Joyce are placing the explosive charges under cover of darkness. In some shots, the camp is visible in broad daylight beyond the left edge of the stage backdrop behind Nicholson.

Quotes:

Colonel Green: You were an accountant in Montreal?
Lieutenant Joyce: Yes, sir. Uh, not really an accountant, sir. That is, I didn't have my charter.
Colonel Green: Exactly what did you do?
Lieutenant Joyce: Well, sir, I just checked columns and columns of figures which three or four people had checked before me, and then there were other people who checked them after I had checked them.
Colonel Green: Sounds a frightful bore.
Lieutenant Joyce: Sir, it was a frightful bore.

Movie Connections:

Referenced in Indiana Jones: Making the Trilogy (2003) (V)

Soundtrack:

For He's a Jolly Good Fellow

Ageless and all but perfect

Of all war movies this is the one with the best idea behind it. Think how easy it is to make a bad war movie. A group of people must blow up a bridge, and this is the story of their quest ... Actually, that DID serve as the premise for a film: it was called `Force Ten from Navarone', and it was dire. Or how about this one: we see close up the brutalities of war. (Then we see them again. Then we see some more of the brutalities of war. Then we see the credits.) Or how about this: a humble American soldier, with the pragmatism native to his breed, rejects his superiors' highfalutin talk of honour and glory and asserts his basic humanity in trying to stay alive. Or this one: we see English prisoners of war maintain their dignity in the face of Japanese brutality.

They're all present, in a sort of a way: but ALSO present is a magnificent, long, suspenseful, tight story, around which these apparent clichés wrap naturally. If the clichés don't wrap naturally then they, not the story, are bent out of shape. Just when we think that the American pragmatist will turn out to be the hero, we see him cut a rather shabby figure, and it seems that there really WAS something to that highfalutin talk of honour and glory, after all. But then we discover that he has standards of his own, and they appear to be better ones. But THEN it seems that ... I could go on indefinitely, since there are many people here with something to be said for them, and it requires some thought to see who has the most to be said for him in the end.

There's almost no need to mention the excellent performances, photography and music. The only thing one might have qualms about is historical accuracy. Nothing like this ever happened. Still, that makes the movie much less dishonest than those that base themselves on historical events, and then proceed to get them all wrong. You can only be misled by `The Bridge on the River Kwai' if you don't know that it's pure fiction. Well - you know now.