Dario Argento in 4K — that sounds like a good idea, especially for his more visually jolting giallos. Arrayed in garish reds and blacks, this blood-soaked mystery shocker emphasizes exotic murders — stabbings, scaldings, lacerations from broken glass. David Hemmings is again the investigator, digging into evidence sourced not in photographic details, but the hidden artwork of a disturbed child. Techniscope images by Luigi Kuveiller and music by Goblin, with abbondante gore orchestrated by Signor Argento at the top of his form.
Deep Red 4K
4K Ultra HD
Arrow Video
1975 / Color / 2:35 widescreen / 127 & 105 min. / Street Date October 26, 2021 / 59.95
Starring: David Hemmings, Daria Nicolodi, Gabriele Lavia, Macha Méril, Eros Pagni, Giuliana Calandra, Piero Mazzinghi, Glauco Mauri, Clara Calamai, Nocoletta Elmi.
Cinematography: Luigi Kuveiller
Production Designer: Art Director:
Film Editor: Franco Fraticelli
Original Music: Goblin
Written by Dario Argento, Bernardino Zapponi
Produced by Claudio Argento, Salvatore Argento
Directed by Dario Argento
Deep Red hasn’t...
Deep Red 4K
4K Ultra HD
Arrow Video
1975 / Color / 2:35 widescreen / 127 & 105 min. / Street Date October 26, 2021 / 59.95
Starring: David Hemmings, Daria Nicolodi, Gabriele Lavia, Macha Méril, Eros Pagni, Giuliana Calandra, Piero Mazzinghi, Glauco Mauri, Clara Calamai, Nocoletta Elmi.
Cinematography: Luigi Kuveiller
Production Designer: Art Director:
Film Editor: Franco Fraticelli
Original Music: Goblin
Written by Dario Argento, Bernardino Zapponi
Produced by Claudio Argento, Salvatore Argento
Directed by Dario Argento
Deep Red hasn’t...
- 11/2/2021
- by Glenn Erickson
- Trailers from Hell
“I can feel death in this room! I feel a presence, a twisted mind sending me thoughts! Perverted, murderous thoughts… Go away! You have killed! And you will kill again!”
Dario Argento’s Deep Red will be available on Uhd 4K Ultra HD October 26th from Arrow Video
From Dario Argento, maestro of the macabre and the man behind some of the greatest excursions in Italian horror, comes Deep Red – the ultimate giallo movie.
One night, musician Marcus Daly, looking up from the street below, witnesses the brutal axe murder of a woman in her apartment. Racing to the scene, Marcus just manages to miss the perpetrator… or does he? As he takes on the role of amateur sleuth, Marcus finds himself ensnared in a bizarre web of murder and mystery where nothing is what it seems…
Aided by a throbbing score from regular Argento collaborators Goblin, Deep Red (aka...
Dario Argento’s Deep Red will be available on Uhd 4K Ultra HD October 26th from Arrow Video
From Dario Argento, maestro of the macabre and the man behind some of the greatest excursions in Italian horror, comes Deep Red – the ultimate giallo movie.
One night, musician Marcus Daly, looking up from the street below, witnesses the brutal axe murder of a woman in her apartment. Racing to the scene, Marcus just manages to miss the perpetrator… or does he? As he takes on the role of amateur sleuth, Marcus finds himself ensnared in a bizarre web of murder and mystery where nothing is what it seems…
Aided by a throbbing score from regular Argento collaborators Goblin, Deep Red (aka...
- 10/6/2021
- by Tom Stockman
- WeAreMovieGeeks.com
Cannes 1968: The Year Jean-Luc Godard and François Truffaut Led Protests That Shut Down The Festival
Saturday May 18. The 1968 Cannes Film Festival was about to enter its second week when a press conference was called for 10Am in the Jean Cocteau Theater at the old Palais Croisette. Just a few yards down the road, a budding starlet was preparing to hold court on the beach, imagining she would make headlines with her saucy topless photo-call. No one came. Instead, on a bright, sunny day, the world’s media was crammed into a small, stuffy screening room, watching the festival implode.
Taking the stage and representing themselves as The Cinémathèque Defence Committee were French New Wave stalwarts Jean-Luc Godard and François Truffaut, the former known for his increasingly radical politicization, the latter not, which made what he was about to say all the more surprising. France, said Truffaut, was in a state of siege, after a spate of recent student protests had escalated into nationwide strikes and violent rioting.
Taking the stage and representing themselves as The Cinémathèque Defence Committee were French New Wave stalwarts Jean-Luc Godard and François Truffaut, the former known for his increasingly radical politicization, the latter not, which made what he was about to say all the more surprising. France, said Truffaut, was in a state of siege, after a spate of recent student protests had escalated into nationwide strikes and violent rioting.
- 5/18/2018
- by Damon Wise
- Deadline Film + TV
Close-Up is a column that spotlights films now playing on Mubi. Hélène Cattet & Bruno Forzani's The Strange Colour of Your Body's Tears (2013) is showing February 4 - March 6 and Dario Argento's Deep Red (1975) is showing February 5 - March 7, 2017 in the United Kingdom in the double feature Giallo/Meta Giallo.“I know it when I see it.” Like film noir, the giallo is one of those genres as easy to pin down as it is difficult to define. More often than not, what constitutes a giallo rests on a given film’s balance of emblematic imagery and an archetypal storyline, while other factors like tone, score, and setting will also play a part in its classification. Arguably no filmmaker has had a more stylish and deftly rigorous hand in establishing these defining traits than Dario Argento. And his 1975 film, Deep Red (Profondo Rosso), is perhaps as good as it gets,...
- 2/26/2017
- MUBI
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon Instant Video, and more (note: U.S. only). Check out our rundown for this week’s selections below.
13 Hours: The Secret Soldiers of Benghazi (Michael Bay)
For better or worse, 13 Hours: The Secret Soldiers of Benghazi is the purest distillation of Michael Bay’s cinematic voice. Bay’s favorite themes recur here from his brand of cheerleading GI Joe patriotism to righteous bloodlust to endlessly off-color non-sequiturs. And years of carpet bombing criticism targeted at his continued lack of political correctness and subtlety have...
13 Hours: The Secret Soldiers of Benghazi (Michael Bay)
For better or worse, 13 Hours: The Secret Soldiers of Benghazi is the purest distillation of Michael Bay’s cinematic voice. Bay’s favorite themes recur here from his brand of cheerleading GI Joe patriotism to righteous bloodlust to endlessly off-color non-sequiturs. And years of carpet bombing criticism targeted at his continued lack of political correctness and subtlety have...
- 5/27/2016
- by The Film Stage
- The Film Stage
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. Check out our rundown below and return every Tuesday for the best (or most interesting) films one can take home. Note that if you’re looking to support the site, every purchase you make through the links below helps us and is greatly appreciated.
A Married Woman (Jean-Luc Godard)
A Married Woman is an often overlooked masterwork from Godard’s most productive period. The plot appears to be simple: Charlotte (Macha Méril) is a young married woman having an affair with an actor. When she discovers that she is pregnant, she must decide which man is the father and which man she will stay with. In Godard’s hands, however, the film, described as a film about a woman’s beauty and the ugliness of her world,...
A Married Woman (Jean-Luc Godard)
A Married Woman is an often overlooked masterwork from Godard’s most productive period. The plot appears to be simple: Charlotte (Macha Méril) is a young married woman having an affair with an actor. When she discovers that she is pregnant, she must decide which man is the father and which man she will stay with. In Godard’s hands, however, the film, described as a film about a woman’s beauty and the ugliness of her world,...
- 5/24/2016
- by The Film Stage
- The Film Stage
Here's something special, a Godard movie about people as much as concepts, and the dialogue doesn't sound as if it belongs in cartoon bubbles. Jean-Luc Godard turns his intellect to the subject of relationships and reveals a lot about himself. It's a beautiful show too -- with the incredible Macha Méril visually cut up for study piece by piece. A Married Woman Blu-ray Entertainment One / Cohen Film Collection 1964 / B&W / 1:37 full frame / 95 min. / Un Femme Marieacute;e / Street Date May 24, 2016 / 39.98 Starring Bernard Noël, Macha Méril, Philippe Leroy, Roger Leenhardt. Cinematography Raoul Coutard Film Editor Andrée Choty, Françoise Collin, Agnès Guillemot, Gérard Pollicand. Written and Directed by Jean-Luc Godard
Reviewed by Glenn Erickson
Imagine that -- a Jean-Luc Godard film not primarily organized around destructing film language. By 1964 Godard had taken apart the conventions of film editing and structure. He'd plumbed new depths in genre autopsies and blended moving pictures...
Reviewed by Glenn Erickson
Imagine that -- a Jean-Luc Godard film not primarily organized around destructing film language. By 1964 Godard had taken apart the conventions of film editing and structure. He'd plumbed new depths in genre autopsies and blended moving pictures...
- 5/10/2016
- by Glenn Erickson
- Trailers from Hell
The Eighth Annual Robert Classic French Film Festival — co-produced by Cinema St. Louis and the Webster University Film Series — celebrates St. Louis’ Gallic heritage and France’s cinematic legacy. The featured films span the decades from the 1920s through the early 1990s, offering a comprehensive overview of French cinema.
The fest is annually highlighted by significant restorations, and we’re especially pleased to present Jacques Rivette’s long-unavailable epic Out 1: Spectre Additional restoration highlights include Jean-Luc Godard’s A Married Woman and Max Ophüls’ too-little-seen From Mayerling To Sarajevo. Both Ophüls’ film and Louis Malle’s Elevator To The Gallows – with a jazz score by St. Louis-area native Miles Davis — screen from 35mm prints. All films will screen at Webster University’s Moore Auditorium (47- E. Lockwood)
Music fans will further delight in the Rats & People Motion Picture Orchestra’s accompaniment and original score for Carl Th. Dreyer’s...
The fest is annually highlighted by significant restorations, and we’re especially pleased to present Jacques Rivette’s long-unavailable epic Out 1: Spectre Additional restoration highlights include Jean-Luc Godard’s A Married Woman and Max Ophüls’ too-little-seen From Mayerling To Sarajevo. Both Ophüls’ film and Louis Malle’s Elevator To The Gallows – with a jazz score by St. Louis-area native Miles Davis — screen from 35mm prints. All films will screen at Webster University’s Moore Auditorium (47- E. Lockwood)
Music fans will further delight in the Rats & People Motion Picture Orchestra’s accompaniment and original score for Carl Th. Dreyer’s...
- 2/16/2016
- by Tom Stockman
- WeAreMovieGeeks.com
Dario Argento’s Deep Red is a strange little film. Widely considered the director’s masterpiece, a view that I personally share as a big fan of Argento, Deep Red is at times brilliant, at times confusing, but never less than a joy to watch in terms of cinematic originality.
The plot revolves around a British jazz pianist (David Hemmings) living in Rome who witnesses the brutal murder of a renowned psychic (Macha Meril). Haunted by the feeling that he may have seen something crucial to help with the identification of the killer, he begins an investigation of his own, aided by flirty reporter Gianna Brezzi (Daria Nicolodi), and a friend of the victim, Giordani (Glauco Mauri).
Like many of Argento’s films, Deep Red can be accused of being style over substance, but the overall effect is a complex, at times hypnotic, experience that draws the viewer in and...
The plot revolves around a British jazz pianist (David Hemmings) living in Rome who witnesses the brutal murder of a renowned psychic (Macha Meril). Haunted by the feeling that he may have seen something crucial to help with the identification of the killer, he begins an investigation of his own, aided by flirty reporter Gianna Brezzi (Daria Nicolodi), and a friend of the victim, Giordani (Glauco Mauri).
Like many of Argento’s films, Deep Red can be accused of being style over substance, but the overall effect is a complex, at times hypnotic, experience that draws the viewer in and...
- 2/15/2016
- Shadowlocked
Stabbings, scaldings, hideous lacerations from broken glass and even more brutal manglings for our sanguinary delectation! Dario Argento's smartly directed murder mystery gives us David Hemmings as a jazz man in Rome, studying not photographic blowups but the hidden artwork of a disturbed child. With music by Goblin and striking Techniscope imagery by Luigi Kuveiller. Deep Red Region A+B Blu-ray Arrow Video (UK) 1975 / Color / 2:35 widescreen / 127 & 105 min. / Street Date January 25, 2016 / Profondo Rosso / Available from Amazon UK £24.99 Starring David Hemmings, Daria Nicolodi, Gabriele Lavia, Macha Méril, Eros Pagni, Giuliana Calandra, Piero Mazzinghi, Glauco Mauri, Clara Calamai, Nocoletta Elmi. Cinematography Luigi Kuveiller Editing Franco Fraticelli Original Music Goblin Written by Dario Argento, Bernardino Zapponi Produced by Claudio Argento, Salvatore Argento Directed by Dario Argento
Reviewed by Glenn Erickson
In 1976 the Giallo craze was in full swing in Italy, and the more adventurous American fans were already hip to Dario Argento...
Reviewed by Glenn Erickson
In 1976 the Giallo craze was in full swing in Italy, and the more adventurous American fans were already hip to Dario Argento...
- 2/6/2016
- by Glenn Erickson
- Trailers from Hell
Stars: David Hemmings, Daria Nicolodi, Gabriele Lavia, Macha Méril, Eros Pagni, Giuliana Calandra, Piero Mazzinghi, Glauco Mauri, Clara Calamai | Written by Dario Argento, Bernardino Zapponi | Directed by Dario Argento
If you were asked to recommend a good Giallo film, chances are you’d look to one of Dario Argento’s films as a good start. Arrow’s release of the 4k remaster of Deep Red is a new box set that is not only one of the best Giallos from the director, but also one of Arrow Video’s best releases in recent months.
When Marcus Daly (David Hemmings) witnesses the murder of one of his neighbours as he stands in the street below, he rushes to her aid. Unable to save the woman he looks for clues as to who the murderer is. The only thing he can remember is a painting that seems to be missing from the woman’s apartment.
If you were asked to recommend a good Giallo film, chances are you’d look to one of Dario Argento’s films as a good start. Arrow’s release of the 4k remaster of Deep Red is a new box set that is not only one of the best Giallos from the director, but also one of Arrow Video’s best releases in recent months.
When Marcus Daly (David Hemmings) witnesses the murder of one of his neighbours as he stands in the street below, he rushes to her aid. Unable to save the woman he looks for clues as to who the murderer is. The only thing he can remember is a painting that seems to be missing from the woman’s apartment.
- 1/24/2016
- by Paul Metcalf
- Nerdly
My first foray into Italian horror was Lucio Fulci’s Zombie (1980), seen as a delightfully repulsed 10 year old. However, Dario Argento’s Deep Red (Profondo Rosso if you’re Italian) was the first Italian horror film that actually intrigued me; same age, but very different feelings. The repulsion was there, that base fear, but set within a framework of beautifully rendered images. I didn’t know much about art, but it felt like that’s what I was watching.
Released in March of 1975, Deep Red was the latest thriller from Argento in the giallo style; an Italian term which has generally become known to mean a gruesome, lurid detective story; so called due to the fact that the original Italian pulp novels a lot of these stories pay homage to were written on yellow, or giallo, paper. Argento was already making a name for himself worldwide with previous efforts in...
Released in March of 1975, Deep Red was the latest thriller from Argento in the giallo style; an Italian term which has generally become known to mean a gruesome, lurid detective story; so called due to the fact that the original Italian pulp novels a lot of these stories pay homage to were written on yellow, or giallo, paper. Argento was already making a name for himself worldwide with previous efforts in...
- 5/23/2015
- by Scott Drebit
- DailyDead
Stars: Irene Miracle, Laura D’Angelo, Flavio Bucci, Gianfranco De Grassi, Macha Méril, Enrico Maria Salerno, Marina Berti, Franco Fabrizi | Written by Roberto Infascelli, Renato Izzo, Aldo Lado, Ettore Sanzò | Directed by Aldo Lado
With some of the recent releases from 88 Films they’ve delved into the Video Nasty vaults and picked out a chosen few for Blu-ray releases. With Night Train Murders which is part of The Italian Collection we get Aldo Lado’s take on Last House on the Left which surprisingly manages to be more effective than Wes Craven’s infamous classic.
When Margaret (Irene Miracle) and Lisa (Laura D’Angelo) decide to take the train from Germany to Verona for a Christmas vacation to visit Lisa’s family. Catching the eye of two young men Blackie (Flavio Bucci) and Curly (Gianfranco De Grassi) at first they playfully flirt with them in a conversation that seems innocent enough.
With some of the recent releases from 88 Films they’ve delved into the Video Nasty vaults and picked out a chosen few for Blu-ray releases. With Night Train Murders which is part of The Italian Collection we get Aldo Lado’s take on Last House on the Left which surprisingly manages to be more effective than Wes Craven’s infamous classic.
When Margaret (Irene Miracle) and Lisa (Laura D’Angelo) decide to take the train from Germany to Verona for a Christmas vacation to visit Lisa’s family. Catching the eye of two young men Blackie (Flavio Bucci) and Curly (Gianfranco De Grassi) at first they playfully flirt with them in a conversation that seems innocent enough.
- 3/29/2015
- by Paul Metcalf
- Nerdly
The first thing to appear on screen in Une femme mariée (1964) is nothing, followed by hands. His and hers. One with a ring, one without. Then the back of a woman's neck. Bare legs. The side of a face. The whole face. A torso. Different poses. In Pierrot le fou, one year and two films away, Jean-Luc Godard would turn the opening credits into a semiotic game, where each letter appeared one at a time in alphabetical order, so the audience watches as isolated and thus meaningless symbols slowly cohere into a unified whole. Une femme mariée, the most generous and underrated of Godard's 60s films, takes a similar approach, but with a very different end, for greeting not language but a person.
Charlotte (Macha Méril) is first seen (if that's the correct word) following a tryst with a man who isn't her husband. She exists in a kind of cinematic cubism,...
Charlotte (Macha Méril) is first seen (if that's the correct word) following a tryst with a man who isn't her husband. She exists in a kind of cinematic cubism,...
- 3/2/2015
- by Duncan Gray
- MUBI
Even after nearly two decades of short films, documentaries and the success of his 1968 feature debut, L’enfance Nue, director Maurice Pialat’s celebrated sophomore feature, We Won’t Grow Old Together never received a theatrical release stateside, despite also winning a Best Actor award for Jean Yanne at the 1972 Cannes Film Festival. Remastered for an exciting Blu-ray release from Kino Classics, it’s a title ripe for reconsideration in the cinematic canon. Pialat’s filmography has proven to be a major influence on countless emerging artists, with the likes of Ira Sachs, Alex Ross Perry and a slew of others directly citing the filmmaker as inspiration for their own output.
We Won’t Grow Old Together basically features a string of interactions between an aging film director, Jean (Jean Yanne), and his much younger mistress, Catherine (Marlene Jobart). We assume they met when she had vague aspirations to become...
We Won’t Grow Old Together basically features a string of interactions between an aging film director, Jean (Jean Yanne), and his much younger mistress, Catherine (Marlene Jobart). We assume they met when she had vague aspirations to become...
- 8/19/2014
- by Nicholas Bell
- IONCINEMA.com
Poor David Hemmings. First, Michelangelo Antonioni puts him through the wringer in the ultra stylish giallo, Blow Up (1966), and then Dario Argento gets the idea to cast him in a reworking of Blow Up in 1975, with Deep Red. This guy can’t go anywhere without being thrown into a murder mystery, and thus risking his life at every turn.
In Deep Red, Hemmings plays Marcus Daily, a British pianist working in Italy. One night he witnesses the murder of his neighbor Helga (Macha Meril), a renowned psychic, in their apartment building. While being interrogated by the police he meets Gianna Brezzi (Daria Nicolodi), a plucky journalist who quickly ropes Marcus into investigating the murder with her.
Daria Nicolodi and David Hemmings’ relationship is reminiscent of a 1940’s comedy starring Spencer Tracy and Katherine Hepburn. In a memorable sequence where the two are in Gianna’s car, she is driving, while...
In Deep Red, Hemmings plays Marcus Daily, a British pianist working in Italy. One night he witnesses the murder of his neighbor Helga (Macha Meril), a renowned psychic, in their apartment building. While being interrogated by the police he meets Gianna Brezzi (Daria Nicolodi), a plucky journalist who quickly ropes Marcus into investigating the murder with her.
Daria Nicolodi and David Hemmings’ relationship is reminiscent of a 1940’s comedy starring Spencer Tracy and Katherine Hepburn. In a memorable sequence where the two are in Gianna’s car, she is driving, while...
- 3/19/2012
- by Derek Botelho
- DailyDead
DVD Playhouse—February 2012
By Allen Gardner
To Kill A Mockingbird 50th Anniversary Edition (Universal) Robert Mulligan’s film of Harper Lee’s landmark novel pits a liberal-minded lawyer (Gregory Peck) against a small Southern town’s racism when defending a black man (Brock Peters) on trumped-up rape charges. One of the 1960s’ first landmark films, a truly stirring human drama that hits all the right notes and isn’t dated a bit. Robert Duvall makes his screen debut (sans dialogue) as the enigmatic Boo Radley. DVD and Blu-ray double edition. Bonuses: Two feature-length documentaries: Fearful Symmetry and A Conversation with Gregory Peck; Featurettes; Excerpts and film clips from Gregory Peck’s Oscar acceptance speech and AFI Lifetime Achievement Award; Commentary by Mulligan and producer Alan J. Pakula; Trailer. Widescreen. Dolby and DTS 2.0 mono.
Outrage: Way Of The Yakuza (Magnolia) After a brief hiatus from his signature oeuvre of Japanese gangster flicks,...
By Allen Gardner
To Kill A Mockingbird 50th Anniversary Edition (Universal) Robert Mulligan’s film of Harper Lee’s landmark novel pits a liberal-minded lawyer (Gregory Peck) against a small Southern town’s racism when defending a black man (Brock Peters) on trumped-up rape charges. One of the 1960s’ first landmark films, a truly stirring human drama that hits all the right notes and isn’t dated a bit. Robert Duvall makes his screen debut (sans dialogue) as the enigmatic Boo Radley. DVD and Blu-ray double edition. Bonuses: Two feature-length documentaries: Fearful Symmetry and A Conversation with Gregory Peck; Featurettes; Excerpts and film clips from Gregory Peck’s Oscar acceptance speech and AFI Lifetime Achievement Award; Commentary by Mulligan and producer Alan J. Pakula; Trailer. Widescreen. Dolby and DTS 2.0 mono.
Outrage: Way Of The Yakuza (Magnolia) After a brief hiatus from his signature oeuvre of Japanese gangster flicks,...
- 2/26/2012
- by The Hollywood Interview.com
- The Hollywood Interview
After recuperating from two big releases this October, Blue Underground are hitting the ground running in January of 2012 with original Video Nasty, Night Train Murders.You Can Tell Yourself It's Only A Movie... But It Won't Help!It was released as Second House On The Left, New House On The Left, and Torture Train. The ads screamed, "Most movies last less than two hours! This is one of everlasting torment!" It remains one of the most graphically fiendish films in exploitation history, the story of two teenage girls traveling through Europe, forced into a nightmare of sexual assault and sadistic violence.Irene Miracle (Inferno, Midnight Express), Flavio Bucci (Suspiria), Macha Meril (Deep Red), and Marina Berti (What Have They Done To Your Daughters?) star in this depraved...
- 11/16/2011
- Screen Anarchy
Montgomery Clift, I Confess Montgomery Clift on TCM: A Place In The Sun, The Heiress, Raintree County Schedule (Et) and synopses from the TCM website: 6:00 Am Raintree County (1957) In this sumptuous Civil War story, a willful southern belle goes mad out of fear that she may be part black. Dir: Edward Dmytryk. Cast: Montgomery Clift, Elizabeth Taylor, Eva Marie Saint. C-173 mins, Letterbox Format. 9:00 Am Lonelyhearts (1958) A sensitive young reporter assigned to write an advice column gets caught up in his readers' lives. Dir: Vincent J. Donehue. Cast: Montgomery Clift, Robert Ryan, Myrna Loy. Bw-103 mins. 11:00 Am The Big Lift (1950) Two Air Force sergeants find love while flying the Berlin Airlift. Dir: George Seaton. Cast: Montgomery Clift, Paul Douglas, Cornell Borchers. Bw-118 mins. 1:00 Pm Red River (1948) A young cowhand rebels against his rancher stepfather during a perilous cattle drive. Dir: Howard Hawks. Cast: John Wayne, Montgomery Clift,...
- 8/20/2011
- by Andre Soares
- Alt Film Guide
When the guys asked me if I'd like to work on a Dario Argento piece I jumped at it. I was only 20 years old when I was able to get a hold of a Dario Argento flick. It was purchased out of state by my girlfriend for me on my birthday; needless to say it was the best birthday ever. The movie in question was none other than Profondo Rosso (a.k.a. Deep Red). That is the movie that changed my life...
Italian director Argento has a way with art and colorful imagery that tingles the senses in so many ways that even a person who is Not a fan of the genre could appreciate his films. I remember directly after watching Profondo Rosso going out and buying as many Argento flicks that I could find in the area. With some steaks on the grill and some good beer...
Italian director Argento has a way with art and colorful imagery that tingles the senses in so many ways that even a person who is Not a fan of the genre could appreciate his films. I remember directly after watching Profondo Rosso going out and buying as many Argento flicks that I could find in the area. With some steaks on the grill and some good beer...
- 1/6/2011
- by Keepers of the Bid
- Horrorbid
The new Chinese film "In Love We Trust" has an irresistible premise, one you can easily imagine being sucked up into the Hollywood processing plant and molded into a hectic piece of polystyrene, either hysterically melodramatic or slapstickily comic. Simply: a divorced couple, both now married to others, discover their six-year-old has leukemia (admittedly, not the potentially funny part), and realize that her only chance for survival -- for a bone marrow match -- is for them to have another child together, therein jeopardizing both of their marriages. I don't want to picture either version of the American remake, but Wang Ziaoshuai's film is deliberately temperate, pensive, observational, and of course comes loaded with specifically Chinese contexts: the still-in-effect one-child policy is a barely acknowledged punitive barrier, however it is in conflict (like so many official positions) with the rise of the Chinese urban middle class.
Unlike the other recent...
Unlike the other recent...
- 6/16/2009
- by Michael Atkinson
- ifc.com
Keep in mind, I went into Une Femme Mariée with very limited exposure to the actual films of Jean-Luc Godard despite having studied his techniques and style in various film school courses. Not even Breathless, which is infinitely quoted as the quintessential French New Wave classic, particularly interested me. Maybe Une Femme Mariée surprised me as much as it did because of my unfamiliarity with Godard’s oeuvre. Just to think, having studied someone in great detail had shaped my perspective beyond a reasonable doubt. Yet, Une Femme Mariée is a challenging film on its own, free from the cult of personality that is Godard and yet fully indulging in his stylistic fashion.
Une Femme Mariée lets us peek into the life of Charlotte and her relationship with her husband and her lover, respectively. Macha Méril, whose delicate features and lack of emotional expression quickly establish her as only mildly...
Une Femme Mariée lets us peek into the life of Charlotte and her relationship with her husband and her lover, respectively. Macha Méril, whose delicate features and lack of emotional expression quickly establish her as only mildly...
- 6/4/2009
- by Mark Zhuravsky
- JustPressPlay.net
DVD Playhouse—June 2009
By
Allen Gardner
The International (Sony) An Interpol agent (Clive Owen) joins forces with a Manhattan D.A. (Naomi Watts) to bring down an arms dealing ring and a corrupt global banking cartel that’s funding them. Superlative thriller was oddly ignored by critics and audiences alike, but expertly blends intelligence (courtesy screenwriter Eric Warren Singer’s masterfully-crafted script) and full-throttle action (director Tom Tykwer stages one of the great film shoot-outs in New York’s iconic Guggenheim Museum), making this dynamite thriller reminiscent of the best work from masters such as John Frankenheimer and Robert Aldrich. Armin Mueller-Stahl is wonderful as a world-weary covert op. Bonuses: Extended scene; Featurettes; Trailer. Widescreen. Dolby 5.1 surround.
The Jack Lemmon Film Collection(Sony) Five films from the two-time Oscar winning actor, focusing on his early career: Phfft! is a zippy comedy from 1954, one of Lemmon’s earliest films, in which...
By
Allen Gardner
The International (Sony) An Interpol agent (Clive Owen) joins forces with a Manhattan D.A. (Naomi Watts) to bring down an arms dealing ring and a corrupt global banking cartel that’s funding them. Superlative thriller was oddly ignored by critics and audiences alike, but expertly blends intelligence (courtesy screenwriter Eric Warren Singer’s masterfully-crafted script) and full-throttle action (director Tom Tykwer stages one of the great film shoot-outs in New York’s iconic Guggenheim Museum), making this dynamite thriller reminiscent of the best work from masters such as John Frankenheimer and Robert Aldrich. Armin Mueller-Stahl is wonderful as a world-weary covert op. Bonuses: Extended scene; Featurettes; Trailer. Widescreen. Dolby 5.1 surround.
The Jack Lemmon Film Collection(Sony) Five films from the two-time Oscar winning actor, focusing on his early career: Phfft! is a zippy comedy from 1954, one of Lemmon’s earliest films, in which...
- 6/3/2009
- by The Hollywood Interview.com
- The Hollywood Interview
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