Exclusive: UK sales outfit Sc Films International has acquired world rights to the thriller Captive from producer Antony I. Ginnane (Screamers), and to be directed by Louise Alston (Back of the Net).
The film is set to start production this autumn. Billed as a “thrilling kidnap and ransom story,” the pic follows Mav, who wakes up in a confined space next to a dead body. She is tied and gagged and realizes she has been kidnapped. Her kidnapper explains that he knows she is the daughter of the richest woman in the State. He wants a $20,000,000 ransom paid in 12 hours, or he will kill her like the other passenger. A cat-and-mouse game ensues as her mother is unwilling to pay the ransom and neither the kidnappee nor the kidnapper are what they seem.
The pic comes from a screenplay by Stephen Vagg (All My Friends Are Leaving Brisbane) and was...
The film is set to start production this autumn. Billed as a “thrilling kidnap and ransom story,” the pic follows Mav, who wakes up in a confined space next to a dead body. She is tied and gagged and realizes she has been kidnapped. Her kidnapper explains that he knows she is the daughter of the richest woman in the State. He wants a $20,000,000 ransom paid in 12 hours, or he will kill her like the other passenger. A cat-and-mouse game ensues as her mother is unwilling to pay the ransom and neither the kidnappee nor the kidnapper are what they seem.
The pic comes from a screenplay by Stephen Vagg (All My Friends Are Leaving Brisbane) and was...
- 5/3/2023
- by Zac Ntim
- Deadline Film + TV
Radha Mitchell of Silent Hill and Pitch Black stars in the upcoming thriller Girl at the Window, a today a trailer for the film has arrived online along with the announcement that XYZ Films is going to be giving it a digital and VOD release on November 4th! So take a look at the trailer and see if this looks like a movie you’ll be adding to your watch list next month.
Described as “a blend of Rear Window and Disturbia” – which doesn’t seem necessary, since Disturbia was basically just a teen take on Rear Window – Girl at the Window is about what happens when
Amy and her mother move to a new home. Amy sees weird activity – her neighbor comes and goes at strange hours and she hears screams. Is her new neighbor and her mother’s new love interest the serial killer that’s killing her classmates?...
Described as “a blend of Rear Window and Disturbia” – which doesn’t seem necessary, since Disturbia was basically just a teen take on Rear Window – Girl at the Window is about what happens when
Amy and her mother move to a new home. Amy sees weird activity – her neighbor comes and goes at strange hours and she hears screams. Is her new neighbor and her mother’s new love interest the serial killer that’s killing her classmates?...
- 10/14/2022
- by Cody Hamman
- JoBlo.com
There’ll be no room for idle hands when production begins on Ursula Dabrowsky’s The Devil’s Work in South Australia.
The third film in her Demon Trilogy will be filmed across just five nights in December, as opposed to the two weeks it took to shoot predecessor Inner Demon in 2012 and the four-week schedule for 2009’s Family Demons.
Headlining the cast are two leads from the previous films, Cassandra Kane and Sarah Jeavons, who play feuding sisters in a story that chronicles a young couple’s weekend away at a remote cottage. What begins as a romantic escape soon turns into a harrowing fight for survival as they are terrorised by an unhinged, homicidal sibling.
They are joined by Mark Fantasia (The Tourist) who has returned to Adelaide after an eight-year stint in Los Angeles.
Written and directed by Dabrowsky, the project will also feature Maxx Corkindale as director of photography,...
The third film in her Demon Trilogy will be filmed across just five nights in December, as opposed to the two weeks it took to shoot predecessor Inner Demon in 2012 and the four-week schedule for 2009’s Family Demons.
Headlining the cast are two leads from the previous films, Cassandra Kane and Sarah Jeavons, who play feuding sisters in a story that chronicles a young couple’s weekend away at a remote cottage. What begins as a romantic escape soon turns into a harrowing fight for survival as they are terrorised by an unhinged, homicidal sibling.
They are joined by Mark Fantasia (The Tourist) who has returned to Adelaide after an eight-year stint in Los Angeles.
Written and directed by Dabrowsky, the project will also feature Maxx Corkindale as director of photography,...
- 10/29/2021
- by Sean Slatter
- IF.com.au
Friday will see the launch of the first stage of the Australian Feature Film Summit, an event spearheaded by a working group across exhibition, distribution and production, which aims to break down sector silos to build further theatrical success for Australian features.
Its origins lie in provocative questions about the future of local film posed by producer and distributor Sue Maslin back in 2018.
Such as: Have we turned into a vanity publishing industry with little connection between creative ideas and audiences? If the old business models are broken, how can we work differently? How can we get a better equation between risk/reward?
Maslin felt a disconnect between what exhibitors were prepared to show on screens and what filmmakers were making, with the vast majority of Australian films earning less than $1 million. It occurred to her that most producers had little to do with the ‘retail’ end of the industry.
Its origins lie in provocative questions about the future of local film posed by producer and distributor Sue Maslin back in 2018.
Such as: Have we turned into a vanity publishing industry with little connection between creative ideas and audiences? If the old business models are broken, how can we work differently? How can we get a better equation between risk/reward?
Maslin felt a disconnect between what exhibitors were prepared to show on screens and what filmmakers were making, with the vast majority of Australian films earning less than $1 million. It occurred to her that most producers had little to do with the ‘retail’ end of the industry.
- 10/20/2021
- by Jackie Keast
- IF.com.au
In 2018, producer and distributor Sue Maslin posed some provocative questions regarding the future of Australian feature film.
Among them: Have we turned into a vanity publishing industry with little connection between creative ideas and audiences? If the old business models are broken, how can we work differently?
It kicked off introspection among industry, and sparked lively conversation at that year’s Prism, hosted by Screen Producers Australia (Spa), that gathered executives from federal and state screen agencies, producers, distributors and exhibitors.
Out of that event hatched a cross-industry working group who for the past three years have met regularly to strategise how to grow a local feature film sector that makes more commercially successful and culturally relevant films.
Among its founding members are Maslin; Independent Cinemas Australia CEO Adrianne Pecotic; producer Antony I. Ginnane; Event Cinemas general manager of content Claire Gandy; Spa director of policy Holly Brimble; Motion Picture...
Among them: Have we turned into a vanity publishing industry with little connection between creative ideas and audiences? If the old business models are broken, how can we work differently?
It kicked off introspection among industry, and sparked lively conversation at that year’s Prism, hosted by Screen Producers Australia (Spa), that gathered executives from federal and state screen agencies, producers, distributors and exhibitors.
Out of that event hatched a cross-industry working group who for the past three years have met regularly to strategise how to grow a local feature film sector that makes more commercially successful and culturally relevant films.
Among its founding members are Maslin; Independent Cinemas Australia CEO Adrianne Pecotic; producer Antony I. Ginnane; Event Cinemas general manager of content Claire Gandy; Spa director of policy Holly Brimble; Motion Picture...
- 9/7/2021
- by Jackie Keast
- IF.com.au
A mother and daughter deal with an ambiguous and uncertain threat that binds them closer together in The Girl at The Window, a new thriller helmed by Mark Hartley and starring Radha Mitchell, Vince Colosimo and Ella Newton.
Producer Antony I. Ginnane describes the feature, now shooting in Melbourne, as a mix between Rear Window and Disturbia.
The film is the prolific producer’s 72nd, and already looks set to reach a wide audience – international sales agent Blue Fox Entertainment has already sold the it to territories including USA, UK, South Africa, Indonesia, Cis (Commonwealth of Independent States) and the Middle East.
“Audiences worldwide love thrillers, and our script is filled with twists and turns that will engage and excite. I’m looking forward to seeing Mark Hartley work with our terrific cast to bring this story to life,” Ginnane says.
The script is penned by Terence Hammond (Last Dance) and Nicolette Minster,...
Producer Antony I. Ginnane describes the feature, now shooting in Melbourne, as a mix between Rear Window and Disturbia.
The film is the prolific producer’s 72nd, and already looks set to reach a wide audience – international sales agent Blue Fox Entertainment has already sold the it to territories including USA, UK, South Africa, Indonesia, Cis (Commonwealth of Independent States) and the Middle East.
“Audiences worldwide love thrillers, and our script is filled with twists and turns that will engage and excite. I’m looking forward to seeing Mark Hartley work with our terrific cast to bring this story to life,” Ginnane says.
The script is penned by Terence Hammond (Last Dance) and Nicolette Minster,...
- 9/2/2021
- by Jackie Keast
- IF.com.au
Blue Fox handles sales.
LA-based Blue Fox Entertainment and Australian producer Antony I. Ginnane have announced the start of principal photography in Melbourne on Radha Mitchell thriller The Girl At The Window.
Mark Hartley is directing the film from a screenplay by Terence Hammond (Last Dance) and Nicolette Minster under strict Covid Safety protocols.
Ginnane, whose producing credits include Screamers and Patrick, described the project about a mother and daughter dealing with an ambiguous threat that brings them closer together as a blend of Rear Window and Disturbia.
Mitchell’s credits include Silent Hill, Finding Neverland and the Has Fallen...
LA-based Blue Fox Entertainment and Australian producer Antony I. Ginnane have announced the start of principal photography in Melbourne on Radha Mitchell thriller The Girl At The Window.
Mark Hartley is directing the film from a screenplay by Terence Hammond (Last Dance) and Nicolette Minster under strict Covid Safety protocols.
Ginnane, whose producing credits include Screamers and Patrick, described the project about a mother and daughter dealing with an ambiguous threat that brings them closer together as a blend of Rear Window and Disturbia.
Mitchell’s credits include Silent Hill, Finding Neverland and the Has Fallen...
- 9/2/2021
- by Jeremy Kay
- ScreenDaily
David Lightfoot, producer of films such as Wolf Creek, died on Sunday following complications from recent surgery.
Lightfoot worked in the screen industry for more than 30 years, beginning at the South Australian Film Corporation in 1982.
His prolific career spanned more than 80 credits in various roles, including associate producer of Bad Boy Bubby; location manager for Babe; co-producer for The Sound of One Hand Clapping and line producer for Japanese Story.
Lightfoot was both producer and line producer for Greg McLean’s 2005 hit Wolf Creek, which premiered at the Sundance Film Festival and screened in Cannes’ Directors’ Fortnight.
He continued to collaborate with McLean on 2007’s Rogue, and went on to produce Rupert Glasson’s thriller Coffin Rock in 2009.
Mickey Rourke, Matt Hearn, Greg McLean, Cassandra Magrath and David Lightfoot in Cannes, 2005.
More recently, via his company Ultrafilms, he produced Jack Thompson, Jacki Weaver and James Cromwell-starrer Never Too Late with Antony I. Ginnane.
Lightfoot worked in the screen industry for more than 30 years, beginning at the South Australian Film Corporation in 1982.
His prolific career spanned more than 80 credits in various roles, including associate producer of Bad Boy Bubby; location manager for Babe; co-producer for The Sound of One Hand Clapping and line producer for Japanese Story.
Lightfoot was both producer and line producer for Greg McLean’s 2005 hit Wolf Creek, which premiered at the Sundance Film Festival and screened in Cannes’ Directors’ Fortnight.
He continued to collaborate with McLean on 2007’s Rogue, and went on to produce Rupert Glasson’s thriller Coffin Rock in 2009.
Mickey Rourke, Matt Hearn, Greg McLean, Cassandra Magrath and David Lightfoot in Cannes, 2005.
More recently, via his company Ultrafilms, he produced Jack Thompson, Jacki Weaver and James Cromwell-starrer Never Too Late with Antony I. Ginnane.
- 6/15/2021
- by Jackie Keast
- IF.com.au
‘Never Too Late’ (Photo credit: Bradley Patrick).
The launches of the Liam Neeson action drama Honest Thief and Australian ‘geezer’ comedy Never Too Late helped reverse a three-week slide at cinemas last weekend.
But ticket sales remain depressed and the year-to-date national Bo total through Sunday is $334 million, a woeful 67.5 per cent down on last year’s $1.03 billion.
Among the limited releases, Polish drama Corpus Christi posted the weekend’s highest per-screen average while US indie comedy-drama Kajillionaire struggled. The Taika Waititi-produced Kiwi comedy Baby, Done did not resonate either.
Numero reported the top 20 titles generated $2.28 million, 7 per cent up on the previous frame.
The feature writing and directing debut of Ozark co-creator Mark Williams, Honest Thief stole $696,000 on 206 screens and $722,000 with previews for Rialto, in line with the US results where it’s been No. 1 for three weeks in a Covid-19 devastated market.
Neeson plays Tom Carter, a...
The launches of the Liam Neeson action drama Honest Thief and Australian ‘geezer’ comedy Never Too Late helped reverse a three-week slide at cinemas last weekend.
But ticket sales remain depressed and the year-to-date national Bo total through Sunday is $334 million, a woeful 67.5 per cent down on last year’s $1.03 billion.
Among the limited releases, Polish drama Corpus Christi posted the weekend’s highest per-screen average while US indie comedy-drama Kajillionaire struggled. The Taika Waititi-produced Kiwi comedy Baby, Done did not resonate either.
Numero reported the top 20 titles generated $2.28 million, 7 per cent up on the previous frame.
The feature writing and directing debut of Ozark co-creator Mark Williams, Honest Thief stole $696,000 on 206 screens and $722,000 with previews for Rialto, in line with the US results where it’s been No. 1 for three weeks in a Covid-19 devastated market.
Neeson plays Tom Carter, a...
- 10/26/2020
- by Don Groves
- IF.com.au
Antony I. Ginnane.
After 50 years in the business of producing films, Antony I. Ginnane is calling on the screen industry to fight to help the next generation of creatives.
Ginnane slammed key measures of the Federal Government’s media reforms including lowering the Producer Offset for films to 30 per cent and exempting producers’ overheads from the minimum qualifying Australian production expenditure (Qape), coupled with the failure to impose local spending obligations on SVOD services.
“It’s vital that we push back on these changes to film regulations,” he said in a webinar with Screen Producers Australia CEO Matt Deaner. “We have to fight to help the next generation so they don’t come in and get screwed from the get-go.”
The producer who has more than 70 screen credits fears many films won’t get made because the ensuing funding gap of 15 per cent – 25 per cent will be impossible to fill.
After 50 years in the business of producing films, Antony I. Ginnane is calling on the screen industry to fight to help the next generation of creatives.
Ginnane slammed key measures of the Federal Government’s media reforms including lowering the Producer Offset for films to 30 per cent and exempting producers’ overheads from the minimum qualifying Australian production expenditure (Qape), coupled with the failure to impose local spending obligations on SVOD services.
“It’s vital that we push back on these changes to film regulations,” he said in a webinar with Screen Producers Australia CEO Matt Deaner. “We have to fight to help the next generation so they don’t come in and get screwed from the get-go.”
The producer who has more than 70 screen credits fears many films won’t get made because the ensuing funding gap of 15 per cent – 25 per cent will be impossible to fill.
- 10/9/2020
- by The IF Team
- IF.com.au
‘Relic’s’ Robyn Nevin with Natalie Erika James.
Natalie Erika James’ Relic continued its reign as the top title in its second weekend in the fractured US theatrical market while Mark Lamprell’s Never Too Late launched on a combination of virtual cinemas and hard tops.
Released by IFC Midnight, the psychological horror movie co-scripted by James and Christian White, rang up $US192,000 in its first weekend at 69 drive-ins: the biggest opening weekend in almost three months.
Last weekend the haunted house movie featuring Emily Mortimer, Robyn Nevin and Bella Heathcote expanded to 126 locations, generating $US236,000, which brings the 10-day total to $US581,000, according to Box Office Mojo.
Produced by Carver Films’ Anna McLeish and Sarah Shaw with Nine Stories Productions’ Jake Gyllenhaal and Riva Marker, Relic premiered on Stan on July 10 as a Stan Original.
The US distributor Blue Fox Entertainment launched Never Too Late in 15 hard tops plus...
Natalie Erika James’ Relic continued its reign as the top title in its second weekend in the fractured US theatrical market while Mark Lamprell’s Never Too Late launched on a combination of virtual cinemas and hard tops.
Released by IFC Midnight, the psychological horror movie co-scripted by James and Christian White, rang up $US192,000 in its first weekend at 69 drive-ins: the biggest opening weekend in almost three months.
Last weekend the haunted house movie featuring Emily Mortimer, Robyn Nevin and Bella Heathcote expanded to 126 locations, generating $US236,000, which brings the 10-day total to $US581,000, according to Box Office Mojo.
Produced by Carver Films’ Anna McLeish and Sarah Shaw with Nine Stories Productions’ Jake Gyllenhaal and Riva Marker, Relic premiered on Stan on July 10 as a Stan Original.
The US distributor Blue Fox Entertainment launched Never Too Late in 15 hard tops plus...
- 7/13/2020
- by The IF Team
- IF.com.au
‘Never Too Late’ (Photo credit: Bradley Patrick).
Blue Fox Entertainment has bought the Us rights to Mark Lamprell’s Never Too Late and will release the comedy-drama on about 25 screens, followed by transactional VOD two weeks later.
That’s the distributor’s third Aussie acquisition following Stephan Elliott’s Swinging Safari and Russell Mulcahy’s In Like Flynn last year.
Starring Jack Thompson, James Cromwell, Dennis Waterman and Roy Billing as Vietnam veterans who plan to break out of their nursing home, the film scripted by Luke Preston will open the Young at Heart Senior Film Festival at Palace cinemas across Australia on February 19.
It will play each day for a couple of weeks in the festival then go out on a broader national release on April 23 via R&r Films.
Jacki Weaver plays Norma, the long-lost love of Cromwell’s character Bronson, formerly a Us soldier whom she met...
Blue Fox Entertainment has bought the Us rights to Mark Lamprell’s Never Too Late and will release the comedy-drama on about 25 screens, followed by transactional VOD two weeks later.
That’s the distributor’s third Aussie acquisition following Stephan Elliott’s Swinging Safari and Russell Mulcahy’s In Like Flynn last year.
Starring Jack Thompson, James Cromwell, Dennis Waterman and Roy Billing as Vietnam veterans who plan to break out of their nursing home, the film scripted by Luke Preston will open the Young at Heart Senior Film Festival at Palace cinemas across Australia on February 19.
It will play each day for a couple of weeks in the festival then go out on a broader national release on April 23 via R&r Films.
Jacki Weaver plays Norma, the long-lost love of Cromwell’s character Bronson, formerly a Us soldier whom she met...
- 2/11/2020
- by The IF Team
- IF.com.au
James Cromwell.
Mark Lamprell’s Never Too Late (formerly The Chain Breakers), a comedy-drama about four heroic Vietnam veterans who plan to break out of their nursing home, will start shooting in South Australia on March 18.
Jack Thompson, James Cromwell, Dennis Waterman and Roy Billing play the quartet, who were famous for escaping from a Vietnamese Pow camp.
Now residents of the Hogan Hills Retirement Home for Returned Veterans, each has an unrealised dream he wants to achieve before it’s too late. They devise a plan to escape but the rules of engagement have changed. Indeed, they can’t even remember what the rules were and that’s half the problem.
Jacki Weaver plays Norma, the long-lost love of Cromwell’s character Bronson, formerly a Us soldier. They met when he was in Australia on R&R but he was posted back to Vietnam before he could propose. Norma’s...
Mark Lamprell’s Never Too Late (formerly The Chain Breakers), a comedy-drama about four heroic Vietnam veterans who plan to break out of their nursing home, will start shooting in South Australia on March 18.
Jack Thompson, James Cromwell, Dennis Waterman and Roy Billing play the quartet, who were famous for escaping from a Vietnamese Pow camp.
Now residents of the Hogan Hills Retirement Home for Returned Veterans, each has an unrealised dream he wants to achieve before it’s too late. They devise a plan to escape but the rules of engagement have changed. Indeed, they can’t even remember what the rules were and that’s half the problem.
Jacki Weaver plays Norma, the long-lost love of Cromwell’s character Bronson, formerly a Us soldier. They met when he was in Australia on R&R but he was posted back to Vietnam before he could propose. Norma’s...
- 3/6/2019
- by The IF Team
- IF.com.au
Screaming, flying ‘Autonomous Mobile Swords’ have decimated the enemy in a war on a far-off planet, but now the pesky smart weapons are self-evolving into ever more cruel and deadly new iterations. Peter Weller and Jennifer Rubin head a cast of desperate soldiers in this adaptation of an early story by Philip K. Dick — that perhaps addresses an aspect of the arms race? The show remains a cult favorite of fans of violent sci-fi adventures. Disc extras interview the filmmakers on Screamers’ decade-long path to the screen.
Screamers
Blu-ray
Scream Factory
1995 / Color / 1:85 widescreen / 108 min. / Street Date January 29, 2019 / 29.99
Starring: Peter Weller, Roy Dupuis, Jennifer Rubin, Andrew Lauer, Charles Edwin Powell, Ron White, Michael Caloz.
Cinematography: Rodney Gibbons
Film Editor: Yves Langlois
Original Music: Normand Corbell
Written by Dan O’Bannon, Miguel Tejada-Flores
From the short story ‘Second Variety’ by Philip K. Dick
Produced by Charles W. Fries, Antony I. Ginnane,...
Screamers
Blu-ray
Scream Factory
1995 / Color / 1:85 widescreen / 108 min. / Street Date January 29, 2019 / 29.99
Starring: Peter Weller, Roy Dupuis, Jennifer Rubin, Andrew Lauer, Charles Edwin Powell, Ron White, Michael Caloz.
Cinematography: Rodney Gibbons
Film Editor: Yves Langlois
Original Music: Normand Corbell
Written by Dan O’Bannon, Miguel Tejada-Flores
From the short story ‘Second Variety’ by Philip K. Dick
Produced by Charles W. Fries, Antony I. Ginnane,...
- 1/19/2019
- by Glenn Erickson
- Trailers from Hell
Jacki Weaver.
Comedy feature The Chain Breakers, to star Jacki Weaver, Jack Thompson, James Cromwell, Denis Waterman and Shane Jacobson, is one of seven projects to have recently received production funding from Screen Australia.
Written by Luke Preston and directed by Mark Lamprell, the film follows four Vietnam vets, famous for escaping a Pow camp, who find themselves in a new hell: The Hogan Hills Retirement Home for Returned Veterans. Each has an unrealised dream they want achieve, and so they band together to escape again. Produced by Antony I. Ginnane and David Lightfoot, the film is billed as a cross between Grumpy Old Men and The Great Escape. It will be distributed via R & R Films, the new venture between Richard Becker and Robert Slaviero.
Among the other projects to have shared in the $7.5 million of funding from the federal agency is Lone Wolf, writer-director Jonathan Ogilvie’s...
Comedy feature The Chain Breakers, to star Jacki Weaver, Jack Thompson, James Cromwell, Denis Waterman and Shane Jacobson, is one of seven projects to have recently received production funding from Screen Australia.
Written by Luke Preston and directed by Mark Lamprell, the film follows four Vietnam vets, famous for escaping a Pow camp, who find themselves in a new hell: The Hogan Hills Retirement Home for Returned Veterans. Each has an unrealised dream they want achieve, and so they band together to escape again. Produced by Antony I. Ginnane and David Lightfoot, the film is billed as a cross between Grumpy Old Men and The Great Escape. It will be distributed via R & R Films, the new venture between Richard Becker and Robert Slaviero.
Among the other projects to have shared in the $7.5 million of funding from the federal agency is Lone Wolf, writer-director Jonathan Ogilvie’s...
- 1/14/2019
- by jkeast
- IF.com.au
Claire van der Boom. (Photo: David Cook)..
The ABC.s new medical drama.Pulse.goes into production in Sydney today.
The series, from Clandestine Beyond, is inspired by a true story of a transplant patient who became a doctor, and is created by Kris Wyld, Michael Miller and Mel Hill..
Set in a western suburbs teaching hospital, Claire van der Boom (Sisters of War) stars as Frankie Bell, a second year practising doctor who, eight years after her own kidney transplant, is set to start on a renal rotation..
Pulse will also star Andrea Demetriades (Janet King), Owen Teale (Game of Thrones), Liam McIntyre (Spartacus: War of the Damned), Susie Porter (Puberty Blues), Arka Das (Top of The Lake), Penny Cook (A Country Practice), Blessing Mokgohloa (Hunters), Pallavi Sharda (Lion) and Renee Lim (Please Like Me).
The series is produced by Wyld and Antony I. Ginnane, with Beyond Entertainment.s...
The ABC.s new medical drama.Pulse.goes into production in Sydney today.
The series, from Clandestine Beyond, is inspired by a true story of a transplant patient who became a doctor, and is created by Kris Wyld, Michael Miller and Mel Hill..
Set in a western suburbs teaching hospital, Claire van der Boom (Sisters of War) stars as Frankie Bell, a second year practising doctor who, eight years after her own kidney transplant, is set to start on a renal rotation..
Pulse will also star Andrea Demetriades (Janet King), Owen Teale (Game of Thrones), Liam McIntyre (Spartacus: War of the Damned), Susie Porter (Puberty Blues), Arka Das (Top of The Lake), Penny Cook (A Country Practice), Blessing Mokgohloa (Hunters), Pallavi Sharda (Lion) and Renee Lim (Please Like Me).
The series is produced by Wyld and Antony I. Ginnane, with Beyond Entertainment.s...
- 3/13/2017
- by Staff Writer
- IF.com.au
For the second week of January, horror and sci-fi fans have another relatively quiet week of home entertainment releases to look forward to this Tuesday. Scream Factory has given the underrated thriller Dead of Winter an HD overhaul on their upcoming Blu-ray, and Severin Films is resurrecting the cult classic The Survivor with a brand new 2K transfer.
Other releases for January 10th include Under the Shadow, B.C. Butcher, The Harrow, The Summoning, and the double feature Blu-ray of Crystal Lake Memories and Never Sleep Again.
Dead of Winter (Scream Factory, Blu-ray)
Katie McGovern will do anything to make it as an actress…even if it kills her.
Academy Award winner Mary Steenburgen* and Roddy McDowell star in the chilling Dead Of Winter. When struggling actress Katie (Steenburgen) is offered the opportunity to replace an actress who has suffered an emotional breakdown during a film shoot, she jumps at...
Other releases for January 10th include Under the Shadow, B.C. Butcher, The Harrow, The Summoning, and the double feature Blu-ray of Crystal Lake Memories and Never Sleep Again.
Dead of Winter (Scream Factory, Blu-ray)
Katie McGovern will do anything to make it as an actress…even if it kills her.
Academy Award winner Mary Steenburgen* and Roddy McDowell star in the chilling Dead Of Winter. When struggling actress Katie (Steenburgen) is offered the opportunity to replace an actress who has suffered an emotional breakdown during a film shoot, she jumps at...
- 1/10/2017
- by Heather Wixson
- DailyDead
Australia’s premier genre festival – Monster Fest – has unveiled its final wave of films for the 2016 festival, which is set to take place November 24-27 at the Lido Cinemas in Melbourne.
The team of features programmers – which includes festival director Kier-La Janisse, Monster Pictures co-founder Neil Foley, Boston Underground Film Festival Director of Programming Nicole McControversy and writer/programmer/punk legend Chris D. – vetted over 600 features in selecting the 2016 Monster Fest lineup, which includes new crime films Dog Eat Dog and The Hollow Point from Paul Schrader and Gonzalo López-Gallego respectively, gory slasher throwback The Windmill Massacre (reviewed here), the hometown premiere of epic period western The Legend of Ben Hall with cast in person and acclaimed Tiff selections Prevenge and Interchange alongside Fantastic Fest faves such as the Aussie-made yuletide thriller Safe Neighbourhood and the devastating – and polarizing – Playground.
From the press release:
Select panels for the Swinburne University...
The team of features programmers – which includes festival director Kier-La Janisse, Monster Pictures co-founder Neil Foley, Boston Underground Film Festival Director of Programming Nicole McControversy and writer/programmer/punk legend Chris D. – vetted over 600 features in selecting the 2016 Monster Fest lineup, which includes new crime films Dog Eat Dog and The Hollow Point from Paul Schrader and Gonzalo López-Gallego respectively, gory slasher throwback The Windmill Massacre (reviewed here), the hometown premiere of epic period western The Legend of Ben Hall with cast in person and acclaimed Tiff selections Prevenge and Interchange alongside Fantastic Fest faves such as the Aussie-made yuletide thriller Safe Neighbourhood and the devastating – and polarizing – Playground.
From the press release:
Select panels for the Swinburne University...
- 11/17/2016
- by Phil Wheat
- Nerdly
Edited by Hans-Åke Lilja, Shining in the Dark: Celebrating Twenty Years of Lilja's Library is exclusive to Cemetery Dance Publications and will feature a Stephen King story that hasn't been released since 1981. We also have updated release details for The Similars, the final wave of films announced at Monster Fest 2016, six photos / details for The Orphanage video game, and a new trailer for Gremlin.
Cemetery Dance Publications' Shining in the Dark Anthology: From Cemetery Dance: "Shining In the Dark: Celebrating Twenty Years of Lilja's Library edited by Hans-Åke Lilja.
About the Book:
Hans-Ake Lilja, the founder of Lilja's Library, has compiled a brand new anthology of horror stories to help celebrate twenty years of running the #1 Stephen King news website on the web!
This anthology includes both original stories like the brand new novella by John Ajvide Lindqvist (Let the Right One In) very rare reprints like "The Blue Air...
Cemetery Dance Publications' Shining in the Dark Anthology: From Cemetery Dance: "Shining In the Dark: Celebrating Twenty Years of Lilja's Library edited by Hans-Åke Lilja.
About the Book:
Hans-Ake Lilja, the founder of Lilja's Library, has compiled a brand new anthology of horror stories to help celebrate twenty years of running the #1 Stephen King news website on the web!
This anthology includes both original stories like the brand new novella by John Ajvide Lindqvist (Let the Right One In) very rare reprints like "The Blue Air...
- 11/2/2016
- by Tamika Jones
- DailyDead
Morgan Griffin and Xavier Samuel
Shooting has commenced in Adelaide on suspense thriller Bad Blood, written and directed by David Pulbrook (Last Dance). As If has previously reported,.the feature will star Adelaide-raised Xavier Samuel (Fury, The Twilight Saga: Eclipse) alongside Morgan Griffin (San Andreas, Unbroken). Just announced to be joining them is a supporting cast featuring all South Australian actors, including Tess Fowler (Raising the Bar, Sam Fox: Extreme Adventures), Rob Macpherson (Deadline Gallipoli, Danger 5), Elena Carapetis (One Eyed Girl, Burning Man, Look Both Ways) and Patrick Frost (the.Wolf Creek series, Deadline Gallipoli). Casting director Angela Heesom said, .We have been able to find the entire supporting cast out of South Australia which is incredibly exciting. This means, with the inclusion of South Australian lead, Xavier Samuel, it.s a very home grown picture for us all to be making and showcases the extraordinary talents of our local acting community.
Shooting has commenced in Adelaide on suspense thriller Bad Blood, written and directed by David Pulbrook (Last Dance). As If has previously reported,.the feature will star Adelaide-raised Xavier Samuel (Fury, The Twilight Saga: Eclipse) alongside Morgan Griffin (San Andreas, Unbroken). Just announced to be joining them is a supporting cast featuring all South Australian actors, including Tess Fowler (Raising the Bar, Sam Fox: Extreme Adventures), Rob Macpherson (Deadline Gallipoli, Danger 5), Elena Carapetis (One Eyed Girl, Burning Man, Look Both Ways) and Patrick Frost (the.Wolf Creek series, Deadline Gallipoli). Casting director Angela Heesom said, .We have been able to find the entire supporting cast out of South Australia which is incredibly exciting. This means, with the inclusion of South Australian lead, Xavier Samuel, it.s a very home grown picture for us all to be making and showcases the extraordinary talents of our local acting community.
- 6/21/2016
- by Staff Writer
- IF.com.au
Xavier Samuel in Kimble Rendall's Bait 3D.
Adelaide-raised Xavier Samuel is returning home to star in South Australian feature Bad Blood, a suspense thriller to be directed by David Pulbrook (Last Dance) about a couple's long weekend away that turns sinister.
Samuel will star alongside Morgan Griffin (San Andreas, Unbroken) in his first Sa-shot film since his debut film, 2006's 2:37 (the film which also provided an early breakout role for Teresa Palmer).
Bad Blood will be produced by Wolf Creek's David Lightfoot alongside Antony I. Ginnane, with filming in the Adelaide Hills and at Adelaide Studios to begin June 6 and run for three weeks.
.Interest in filming in South Australia is currently very high, with the State.s experienced crews, diverse filming locations and the state-of-the-art Adelaide Studios all proving strong drawcards among producers and directors," South Australian Film Corporation Chief Executive Annabelle Sheehan said.
.In the last two years,...
Adelaide-raised Xavier Samuel is returning home to star in South Australian feature Bad Blood, a suspense thriller to be directed by David Pulbrook (Last Dance) about a couple's long weekend away that turns sinister.
Samuel will star alongside Morgan Griffin (San Andreas, Unbroken) in his first Sa-shot film since his debut film, 2006's 2:37 (the film which also provided an early breakout role for Teresa Palmer).
Bad Blood will be produced by Wolf Creek's David Lightfoot alongside Antony I. Ginnane, with filming in the Adelaide Hills and at Adelaide Studios to begin June 6 and run for three weeks.
.Interest in filming in South Australia is currently very high, with the State.s experienced crews, diverse filming locations and the state-of-the-art Adelaide Studios all proving strong drawcards among producers and directors," South Australian Film Corporation Chief Executive Annabelle Sheehan said.
.In the last two years,...
- 5/18/2016
- by Staff Writer
- IF.com.au
Exclusive: Xavier Samuel has joined the Australian suspense thriller along with San Andreas actor Morgan Griffin.
Xavier Samuel (The Twilight Saga) and Morgan Griffin (San Andreas) have signed on to star in David Pulbook’s Australian suspense thriller Bad Blood.
The film is produced by Antony I. Ginnane (Screamers) through his Fg Film Group banner, along with David Lightfoot (Wolf Creek) through his production outfit Ultra Films.
Shanghai-based post house Leading Digital Post is part-financing the film through its multi-year co-financing partnership with The Little Film Company, which is handling international sales on Bad Blood.
Pulbook is directing from a script he co-wrote with Patrick Edgeworth about a woman (Griffin) who accepts an invitation to spend a weekend at a mountain resort with a male friend (Samuel) but quickly realises something is wrong.
The film is being produced with financial assistance from the South Australian Film Corporation and Screen Queensland. Production is scheduled...
Xavier Samuel (The Twilight Saga) and Morgan Griffin (San Andreas) have signed on to star in David Pulbook’s Australian suspense thriller Bad Blood.
The film is produced by Antony I. Ginnane (Screamers) through his Fg Film Group banner, along with David Lightfoot (Wolf Creek) through his production outfit Ultra Films.
Shanghai-based post house Leading Digital Post is part-financing the film through its multi-year co-financing partnership with The Little Film Company, which is handling international sales on Bad Blood.
Pulbook is directing from a script he co-wrote with Patrick Edgeworth about a woman (Griffin) who accepts an invitation to spend a weekend at a mountain resort with a male friend (Samuel) but quickly realises something is wrong.
The film is being produced with financial assistance from the South Australian Film Corporation and Screen Queensland. Production is scheduled...
- 5/17/2016
- by lizshackleton@gmail.com (Liz Shackleton)
- ScreenDaily
While the screen industry has plenty to celebrate as Australian films are set to finish the year with around $87 million in B.O. takings, the results show a sizable number of films failed to address fundamental questions.
Namely: Who precisely will watch my film and which cinemas will play it at a time when theatrical release here increasingly is a sure way to lose money?
Screen Australia CEO Graeme Mason is delighted with the range of films and documentaries that have resonated with audiences this year.
Mad Max Fury Road, The Dressmaker, Oddball and The Water Diviner all grossed more than $10 million, and Paper Planes just under. Last Cab to Darwin, Blinky Bill: The Movie, That Sugar Film and Holding the Man performed well, although Mason believes Neil Armfield.s gay-themed romance, which grossed $1.2 million, deserved to make double that.
Still, Mason questions the mindset of a sizable section of the screen industry.
Namely: Who precisely will watch my film and which cinemas will play it at a time when theatrical release here increasingly is a sure way to lose money?
Screen Australia CEO Graeme Mason is delighted with the range of films and documentaries that have resonated with audiences this year.
Mad Max Fury Road, The Dressmaker, Oddball and The Water Diviner all grossed more than $10 million, and Paper Planes just under. Last Cab to Darwin, Blinky Bill: The Movie, That Sugar Film and Holding the Man performed well, although Mason believes Neil Armfield.s gay-themed romance, which grossed $1.2 million, deserved to make double that.
Still, Mason questions the mindset of a sizable section of the screen industry.
- 12/1/2015
- by Don Groves
- IF.com.au
Antony I. Ginnane has long been concerned about what he regards as a high level of film illiteracy among many writers, producers and directors, both established and emerging.
And the veteran producer/distributor believes that even among those filmmakers who are steeped in screen history, some have little or no knowledge of the countless classic films produced in the decades before the 1970s.
That.s part of the motivation for Ginnane.s new book, The Unusual Suspects: 104 Films That Made World Cinema, which Currency Press is launching next month.
His eclectic choices range from D.W. Griffith.s Way Down East (1920) through to Quentin Tarantino.s Kill Bill Volume 1 (2003).
Omitting any title produced after 2003, he explains, does not suggest that no great films had been made since then, but rather that the grammar of cinema had already been laid down.
He is quick to point out his list, which includes Alfred Hitchcock.s Vertigo,...
And the veteran producer/distributor believes that even among those filmmakers who are steeped in screen history, some have little or no knowledge of the countless classic films produced in the decades before the 1970s.
That.s part of the motivation for Ginnane.s new book, The Unusual Suspects: 104 Films That Made World Cinema, which Currency Press is launching next month.
His eclectic choices range from D.W. Griffith.s Way Down East (1920) through to Quentin Tarantino.s Kill Bill Volume 1 (2003).
Omitting any title produced after 2003, he explains, does not suggest that no great films had been made since then, but rather that the grammar of cinema had already been laid down.
He is quick to point out his list, which includes Alfred Hitchcock.s Vertigo,...
- 10/25/2015
- by Don Groves
- IF.com.au
Brian Trenchard-Smith's outrageous futuristic gore-fest imagines an Australian extermination camp run by the sadistic Michael Craig and Roger Ward, where jaded rich folk come to hunt human prey. The leading targets for this week's jaunt are Steve Railsback and Olivia Hussey. It is snarky? Is it subversive? An alternate title was Blood Camp Thatcher! Turkey Shoot Blu-ray Severin Films 1982 / Color / 2:35 widescreen / 93 80 min. / Escape 2000, Blood Camp Thatcher / Street Date September 22, 2015 / 24.98 Starring Steve Railsback, Olivia Hussey, Michael Craig, Carmen Duncan, Noel Ferrier, Lynda Stoner, Roger Ward, Michael Petrovitch, Gus Mercurio, John Ley. Cinematography John McLean Film Editor Alan Lake Original Music Brian May Special Effects John Stears Second Unit Director / Executive Producer David Hemmings Written byJon George, Neill Hicks, George Schenck, Robert Williams, David Lawrence Produced by William Fayman, Antony I. Ginnane Directed by Brian Trenchard-Smith
Reviewed by Glenn Erickson
Who cannot appreciate a movie that carries the alternate title Blood Camp Thatcher?...
Reviewed by Glenn Erickson
Who cannot appreciate a movie that carries the alternate title Blood Camp Thatcher?...
- 9/22/2015
- by Glenn Erickson
- Trailers from Hell
.Hollywood studios rarely release theatrical documentaries so Mark Hartley is chuffed to be invited to Los Angeles next month for the premiere of his profile of the 1980s filmmaking machine run by Menahem Golan and Yoram Globus.
Warner Bros. is launching Electric Boogaloo: The Wild, Untold Story of Cannon Films (https://www.youtube.com/watch?v=-igpjqRDgDI&feature=youtu.be) in 17 Us cities on September 18.
Hartley and his producer, Wildbear Entertainment.s Veronica Fury, found an ally in Brett Ratner and James Packer.s RatPac Entertainment, which co-finances films with WB.
Ratner contacted Hartley when he read a story in Variety about Drafthouse Films acquiring the Us rights to the doc.. Subsequently a big piece of the Australian funding fell through when Screen Australia declined to invest in the project (although the agency later put up completion funds).
Drafthouse agreed to step aside, realising that RatPac's investment was the only...
Warner Bros. is launching Electric Boogaloo: The Wild, Untold Story of Cannon Films (https://www.youtube.com/watch?v=-igpjqRDgDI&feature=youtu.be) in 17 Us cities on September 18.
Hartley and his producer, Wildbear Entertainment.s Veronica Fury, found an ally in Brett Ratner and James Packer.s RatPac Entertainment, which co-finances films with WB.
Ratner contacted Hartley when he read a story in Variety about Drafthouse Films acquiring the Us rights to the doc.. Subsequently a big piece of the Australian funding fell through when Screen Australia declined to invest in the project (although the agency later put up completion funds).
Drafthouse agreed to step aside, realising that RatPac's investment was the only...
- 8/17/2015
- by Don Groves
- IF.com.au
Screen Australia.s decision to hand back the rights of 1,200 titles to the producers, effective July 1, will result in the reissue on DVD and pay TV of some films and TV productions that have long been out of circulation.
While few if any producers expect to get rich from regaining the rights, the move has been widely welcomed.
The agency has clarified that the concession applies to all projects, including features, miniseries, series and telemovies funded by the Film Finance Corp. and during Screen Australia.s first year, that were released or broadcast in the seven years prior to December 31 2008.
The handover has been brought forward by six months. All rights minus a 1% copyright fee revert back to producers.
Producer Matt Carroll is looking forward to exploring the potential of new revenue sources for Passion, his 1993 drama about composer Percy Grainger, which starred Richard Roxburgh. Beyond Films handled the film directed by Peter Duncan.
While few if any producers expect to get rich from regaining the rights, the move has been widely welcomed.
The agency has clarified that the concession applies to all projects, including features, miniseries, series and telemovies funded by the Film Finance Corp. and during Screen Australia.s first year, that were released or broadcast in the seven years prior to December 31 2008.
The handover has been brought forward by six months. All rights minus a 1% copyright fee revert back to producers.
Producer Matt Carroll is looking forward to exploring the potential of new revenue sources for Passion, his 1993 drama about composer Percy Grainger, which starred Richard Roxburgh. Beyond Films handled the film directed by Peter Duncan.
- 6/29/2015
- by Don Groves
- IF.com.au
Screen Australia.s decision to hand back the rights of 1,200 titles to the producers, effective July 1, is likely to result in the reissue on DVD and pay TV of some films and TV productions that have long been out of circulation.
While few if any producers expect to get rich from regaining the rights, the move has been widely welcomed.
The agency has clarified that the concession applies to all projects, including features, miniseries, tv series and telemovies funded by the Film Finance Corp. and during Screen Australia.s first year, that were released or broadcast in the seven years prior to December 31 2008.
The handover has been brought forward by six months.
Producer Matt Carroll is looking forward to exploring the potential of new revenue sources for Passion, his 1993 drama about composer Percy Grainger, which starred Richard Roxburgh. Beyond Films handled the film directed by Peter Duncan.
The topic may...
While few if any producers expect to get rich from regaining the rights, the move has been widely welcomed.
The agency has clarified that the concession applies to all projects, including features, miniseries, tv series and telemovies funded by the Film Finance Corp. and during Screen Australia.s first year, that were released or broadcast in the seven years prior to December 31 2008.
The handover has been brought forward by six months.
Producer Matt Carroll is looking forward to exploring the potential of new revenue sources for Passion, his 1993 drama about composer Percy Grainger, which starred Richard Roxburgh. Beyond Films handled the film directed by Peter Duncan.
The topic may...
- 6/29/2015
- by Don Groves
- IF.com.au
The case for flexible release windows for Australian and other independent films has been reinforced by the weekend debuts of My Mistress and Rise. Transmission launched My Mistress, Stephen Lance.s debut feature about the affair between a vulnerable teenager (Harrison Gilbertson) and a French S&M mistress (Emmanuelle Béart), grossing $8,029 at seven Palace locations and $1,329 from the Canberra International Film Festival. Including receipts from Melbourne International Film Festival, the total is $19,020. .My Mistress is a brave debut feature which has sold well internationally to a number of key territories including the Us, UK, Russia, Hong Kong and Japan (somewhat of a coup for an Australian film),. producer Leanne Tonkes tells If. .We had our world premiere at Miff where screenings were sold out. It is a well-known fact that distributing independent films is challenging - getting the word out about a film's screening schedule and creating a groundswell to...
- 11/10/2014
- by Don Groves
- IF.com.au
Roy Billing.s plea to his union Actors. Equity to ease the restrictions on importing actors for Australian films has triggered a wave of support from producers, directors, writers and other industry figures.
Some believe Equity should have no role in vetoing foreign actors and that producers and directors should be free to cast whoever they think is right for particular roles.
Odin.s Eye Entertainment.s Michael Favelle says, .There should not be any kind of arbiter in respect of who a director, producer and financier need in their movie to make it financially viable and audience friendly..
In a similar vein, producer-distributor Antony I. Ginnane contends, .The industry push should be to take Equity out of the mix completely and leave casting decisions to the producers and investors who are taking the entrepreneurial and financial risks..
Hoodlum Entertainment.s Tracey Robertson, who is in the Us producing the...
Some believe Equity should have no role in vetoing foreign actors and that producers and directors should be free to cast whoever they think is right for particular roles.
Odin.s Eye Entertainment.s Michael Favelle says, .There should not be any kind of arbiter in respect of who a director, producer and financier need in their movie to make it financially viable and audience friendly..
In a similar vein, producer-distributor Antony I. Ginnane contends, .The industry push should be to take Equity out of the mix completely and leave casting decisions to the producers and investors who are taking the entrepreneurial and financial risks..
Hoodlum Entertainment.s Tracey Robertson, who is in the Us producing the...
- 9/18/2014
- by Don Groves
- IF.com.au
To have any chance of international sales, Australian films need to be original, bold, tell universal stories and be extremely well executed.
That.s according to some international sales agents whom If interviewed as part of our ongoing series of articles on the state of Australian cinema and ways to reach audiences more effectively.
While their views may sound obvious, they say that too often Australian films are failing on most if not all counts.
Michael Favelle of Odin.s Eye Entertainment agrees with the premise that producers should go big or small and avoid middle budget films, as If canvassed last week, but he sees a deeper problem.
.Yes there is a challenge in recouping and financing mid-range films but where we are failing more often is in original films with clear and compelling premises or stories with universal appeal,. says Favelle, the international sales rep for Canopy, Forbidden Ground,...
That.s according to some international sales agents whom If interviewed as part of our ongoing series of articles on the state of Australian cinema and ways to reach audiences more effectively.
While their views may sound obvious, they say that too often Australian films are failing on most if not all counts.
Michael Favelle of Odin.s Eye Entertainment agrees with the premise that producers should go big or small and avoid middle budget films, as If canvassed last week, but he sees a deeper problem.
.Yes there is a challenge in recouping and financing mid-range films but where we are failing more often is in original films with clear and compelling premises or stories with universal appeal,. says Favelle, the international sales rep for Canopy, Forbidden Ground,...
- 9/16/2014
- by Don Groves
- IF.com.au
After focussing on TV dramas, David Caesar plans to direct a conspiracy thriller, his first feature since Prime Mover in 2009.
Scripted by Terence Hammond and produced by Antony I. Ginnane, Spontaneous Combustion is set during a pandemic involving government and Big Pharma.
The plan is to start shooting in Melbourne in the first quarter of 2015, with post production and VFX in Queensland. The logline reads, "When a marine biologist who saw his father burst into flames for no reason is drawn into investigating an outbreak of spontaneous combustion deaths by an investigative journalist, they uncover a Big Pharma conspiracy and put their own lives on the line in a race to stop the development of a deadly global weapon."
.David is harking back to his Dirty Deeds milieu here, and he.s a big fan of The Parallax View, Three Days of the Condor and The Conversation, which is the zone we are in here,...
Scripted by Terence Hammond and produced by Antony I. Ginnane, Spontaneous Combustion is set during a pandemic involving government and Big Pharma.
The plan is to start shooting in Melbourne in the first quarter of 2015, with post production and VFX in Queensland. The logline reads, "When a marine biologist who saw his father burst into flames for no reason is drawn into investigating an outbreak of spontaneous combustion deaths by an investigative journalist, they uncover a Big Pharma conspiracy and put their own lives on the line in a race to stop the development of a deadly global weapon."
.David is harking back to his Dirty Deeds milieu here, and he.s a big fan of The Parallax View, Three Days of the Condor and The Conversation, which is the zone we are in here,...
- 7/16/2014
- by Don Groves
- IF.com.au
Producer Antony I. Ginnane plans to be staying busy on the remake scene. He was the man behind Patrick and its remake Patrick: Evil Awakens, and now he's digging up two more of his films, The Survivor and Thirst to get the redux treatment.
The news comes via Screen Daily. “Genre – particularly thrillers, sci-fi and action – never really dates,” said Ginnane. “Sales agents and international buyers like something that has been previously tested, has cult resonance and is made for a price. In some cases we are selling to the children of the guys who bought the originals.”
Rod Hardy-directed 1979's Thirst. The descendant of Elizabeth Bathory is abducted by a cult of self-proclaimed supermen who achieve this state of superiority by drinking from the "blood cows" (read: people) kept at the "dairy farm", and they try to get her to join them.
David Hemmings directed the 1981 flick, The Survivor.
The news comes via Screen Daily. “Genre – particularly thrillers, sci-fi and action – never really dates,” said Ginnane. “Sales agents and international buyers like something that has been previously tested, has cult resonance and is made for a price. In some cases we are selling to the children of the guys who bought the originals.”
Rod Hardy-directed 1979's Thirst. The descendant of Elizabeth Bathory is abducted by a cult of self-proclaimed supermen who achieve this state of superiority by drinking from the "blood cows" (read: people) kept at the "dairy farm", and they try to get her to join them.
David Hemmings directed the 1981 flick, The Survivor.
- 5/30/2014
- by Steve Barton
- DreadCentral.com
Producer Antony I. Ginnane is out to remake both Thirst and The Survivor, reports Screen Daily. Ginnane produced both of the original films in '79 and '81 respectively and is also known for shepherding Patrick and its recent redo Patrick: Evil Awakens. Thirst concerns a descendant of Elizabeth Bathory who tries to escape a cult that wants to induct her into their vampire master race.
The post Thirst, The Survivor in Line to Be Remade By Patrick Producer appeared first on Shock Till You Drop.
The post Thirst, The Survivor in Line to Be Remade By Patrick Producer appeared first on Shock Till You Drop.
- 5/30/2014
- by Ryan Turek
- shocktillyoudrop.com
At least 17 Australian films look set to be released theatrically in the Us this year following the latest batch of deals announced in Cannes. If that's how it pans out, that will be an all-time record, or the highest in the last few decades. The previous high point was 1997 when 15 features were distributed in the Us, according to Screen Australia, whose records go back to 1985.
The preponderance of VOD-targeted deals with limited theatrical play-off partly explains the upswing this year. Only five Australian features got theatrical exposure in the Us in 2012 and seven in 2011, according to Screen Australia's research.
Main Street Films bought Tim Winton.s The Turning, A24 picked up Julius Avery.s crime thriller Son of a Gun and XLrator Media collared Tony Mahony and Angus Sampson.s dark comedy The Mule. Murali Thuralli.s post-Apocalyptic drama One will also be released in the Us by Main...
The preponderance of VOD-targeted deals with limited theatrical play-off partly explains the upswing this year. Only five Australian features got theatrical exposure in the Us in 2012 and seven in 2011, according to Screen Australia's research.
Main Street Films bought Tim Winton.s The Turning, A24 picked up Julius Avery.s crime thriller Son of a Gun and XLrator Media collared Tony Mahony and Angus Sampson.s dark comedy The Mule. Murali Thuralli.s post-Apocalyptic drama One will also be released in the Us by Main...
- 5/18/2014
- by Don Groves
- IF.com.au
At least 17 Australian films will be released theatrically in the Us this year following the latest batch of deals announced in Cannes. If that isn.t a record, it must be close, albeit that some of those deals are VOD-driven, with a limited theatrical release. Main Street Films bought Tim Winton.s The Turning, A24 picked up Julius Avery.s crime thriller Son of a Gun and XLrator Media collared Tony Mahony and Angus Sampson.s dark comedy The Mule. Murali Thuralli.s post-Apocalyptic drama One will also be released in the Us by Main Street Films but that won.t be until next year (see separate story). .The number of Us deals secured for the latest crop of Australian films demonstrates the strength and international audience appeal of Australian storytelling,. Kathleen Drumm, head of marketing at Screen Australia, tells If from Cannes. .Expanding platforms offer new ways into the...
- 5/18/2014
- by Don Groves
- IF.com.au
Projects by Stephan Elliott, The Babadook writer- director Jennifer Kent, Ben Elton, Rowan Woods, Trent O'Donnell and Jacqueline McKenzie are among the recipients of the latest round of development funding from Screen Australia.
The agency is investing more than $550,000 in 16 feature film projects, including 11 new ones and five that get continued support.
Screen Australia.s Head of Production Sally Caplan, said, .The funding decisions made in this last quarter reflect the breadth of stories coming out of this country and the depth of talent. It is great to be able to support such a spread of genres and ideas and such a range of established and emerging writing, directing and producing talent..
Elliott.s Madams is a comedy from the writers of Easy Virtue. Kent gets funding for Interior, a revenge thriller set in Tasmania in the 1820s.
Woods. The Phobos Experiment is a thriller in which people simulate training...
The agency is investing more than $550,000 in 16 feature film projects, including 11 new ones and five that get continued support.
Screen Australia.s Head of Production Sally Caplan, said, .The funding decisions made in this last quarter reflect the breadth of stories coming out of this country and the depth of talent. It is great to be able to support such a spread of genres and ideas and such a range of established and emerging writing, directing and producing talent..
Elliott.s Madams is a comedy from the writers of Easy Virtue. Kent gets funding for Interior, a revenge thriller set in Tasmania in the 1820s.
Woods. The Phobos Experiment is a thriller in which people simulate training...
- 4/11/2014
- by Don Groves
- IF.com.au
Prolific screenwriter Everett De Roche, who died in Melbourne yesterday, was one of the instigators of the Ozploitation genre movement of the 1970s and 80s.
The Us-born writer, who migrated to Australia with his wife in 1968, was 67. He had battled with cancer for three years. He started as an in-house writer for Crawfords for four years in the 1970s, penning episodes of Homicide, Division 4, Ryan and Matlock Police.
His first feature screenplay was Colin Eggleston.s Long Weekend in 1978. Among his film credits were Richard Franklin.s Patrick (1978), Simon Wincer.s Harlequin (1980), Franklin.s Roadgames (1981), David Hemmings. Race to the Yankee Zephyr (1981), Russell Mulcahy.s Razorback (1984) and Franklin.s Visitors (2003).
In 2008 he and director Jamie Blanks collaborated on a remake of Long Weekend, for which he added two characters, a baby dugong and several scenes. "The basic environmental message works as well today as it did in 1978," he said.
The Us-born writer, who migrated to Australia with his wife in 1968, was 67. He had battled with cancer for three years. He started as an in-house writer for Crawfords for four years in the 1970s, penning episodes of Homicide, Division 4, Ryan and Matlock Police.
His first feature screenplay was Colin Eggleston.s Long Weekend in 1978. Among his film credits were Richard Franklin.s Patrick (1978), Simon Wincer.s Harlequin (1980), Franklin.s Roadgames (1981), David Hemmings. Race to the Yankee Zephyr (1981), Russell Mulcahy.s Razorback (1984) and Franklin.s Visitors (2003).
In 2008 he and director Jamie Blanks collaborated on a remake of Long Weekend, for which he added two characters, a baby dugong and several scenes. "The basic environmental message works as well today as it did in 1978," he said.
- 4/3/2014
- by Don Groves
- IF.com.au
Producer David Hannay will be remembered as one of the pioneers of the modern Australian film industry, a passionate cinephile, mentor and loyal friend.
The Nz-born filmmaker whose career spanned seven decades died on Monday, aged 74, after a long battle with cancer.
He entered the film industry at Artransa Park Studios in 1958 as an extras casting assistant on Ray Lawler's Summer of the Seventeenth Doll.
As a producer and executive producer he was involved in more than 50 film and television productions. His feature film credits include Stone, The Man From Hong Kong, Solo, Death of a Soldier, Emma.s War, Mapantsula, Shotgun Wedding, Gross Misconduct, Dead Funny, Savage Play, Love in Ambush and the feature documentary Stone Forever.
He was Head of Production for Gemini Productions (which merged with the Grundy Organisation in 1977) from 1970 to 1973 and again from 1975 to 1976, and general manager of the Greater Union production subsidiary The...
The Nz-born filmmaker whose career spanned seven decades died on Monday, aged 74, after a long battle with cancer.
He entered the film industry at Artransa Park Studios in 1958 as an extras casting assistant on Ray Lawler's Summer of the Seventeenth Doll.
As a producer and executive producer he was involved in more than 50 film and television productions. His feature film credits include Stone, The Man From Hong Kong, Solo, Death of a Soldier, Emma.s War, Mapantsula, Shotgun Wedding, Gross Misconduct, Dead Funny, Savage Play, Love in Ambush and the feature documentary Stone Forever.
He was Head of Production for Gemini Productions (which merged with the Grundy Organisation in 1977) from 1970 to 1973 and again from 1975 to 1976, and general manager of the Greater Union production subsidiary The...
- 3/31/2014
- by Don Groves
- IF.com.au
If you’ve seen the fabulously entertaining Ozploitation documentary Not Quite Hollywood — which tracks the rise of Down Under genre films in the ’70s and ’80s — then you will be familiar with producer and Quentin Tarantino favorite Antony I. Ginnane, the so-called “Roger Corman of Australia” whose output includes the horror movies Patrick, Dead Kids, and Thirst. “But how can I learn more about these films?” I pretend to hear you cry. Well, good news! This month, Severin Films is releasing all three terror flicks in Blu-ray/DVD combo packs (as well as the self-explanatory DVD, Ozploitation Trailer Explosion) which...
- 3/19/2014
- by Clark Collis
- EW - Inside Movies
Rechristened Patrick: Evil Awakens, Mark Hartley.s re-imagining of Richard Franklin.s 1978 cult horror film Patrick opens in the Us today.
Many Us critics had already seen and reviewed the film, which is being released simultaneously on Video-on-Demand and in cinemas in Los Angeles, New York and Columbus, Ohio, by Phase 4 Films.
The latest batch of Us reviews is a mixed bag, ranging from the mostly effusive to a couple that were dismissive. On the positive side, Blu-ray.com.s Brian Orndorf declared, .Armed with a brand name and movie geek recognition, the producers have elected to mount Patrick once again, using contemporary fright film mechanics to sell a familiar tale. Against all odds, they.ve managed to succeed where many efforts fail, returning the tension and peculiarity of the premise for another go-around of telekinetic terror..
Orndorf praised the performances of Sharni Vinson, the nurse who forms...
Many Us critics had already seen and reviewed the film, which is being released simultaneously on Video-on-Demand and in cinemas in Los Angeles, New York and Columbus, Ohio, by Phase 4 Films.
The latest batch of Us reviews is a mixed bag, ranging from the mostly effusive to a couple that were dismissive. On the positive side, Blu-ray.com.s Brian Orndorf declared, .Armed with a brand name and movie geek recognition, the producers have elected to mount Patrick once again, using contemporary fright film mechanics to sell a familiar tale. Against all odds, they.ve managed to succeed where many efforts fail, returning the tension and peculiarity of the premise for another go-around of telekinetic terror..
Orndorf praised the performances of Sharni Vinson, the nurse who forms...
- 3/13/2014
- by Don Groves
- IF.com.au
Dominic Purcell, Viva Bianca and Robert Taylor are set to star in Turkey Shoot Reloaded, an action adventure set in the near future.
The director is Jon Hewitt (X, Acolytes, Bloodlust), who co-wrote the screenplay with his wife, actress-writer Belinda McClory, with whom he collaborated on X and Acolytes.
Hewitt tells If the film is in the spirit of Brian Trenchard-Smith.s 1982 cult item Turkey Shoot but is not a reboot. .I loved Turkey Shoot but I did not want to remake it," he says. "This is a complete reinvention..
Principal photography starts in Melbourne on February 5. The Post Lounge is handling the visual effects and investing in the film. The producer is Antony I. Ginnane, who produced Turkey Shoot, with David Lightfoot as line producer and Lizzette Atkins as associate producer. Trenchard-Smith is an executive producer.
Turkey Shoot (also known outside Australia as Escape 2000 and Blood Camp Thatcher...
The director is Jon Hewitt (X, Acolytes, Bloodlust), who co-wrote the screenplay with his wife, actress-writer Belinda McClory, with whom he collaborated on X and Acolytes.
Hewitt tells If the film is in the spirit of Brian Trenchard-Smith.s 1982 cult item Turkey Shoot but is not a reboot. .I loved Turkey Shoot but I did not want to remake it," he says. "This is a complete reinvention..
Principal photography starts in Melbourne on February 5. The Post Lounge is handling the visual effects and investing in the film. The producer is Antony I. Ginnane, who produced Turkey Shoot, with David Lightfoot as line producer and Lizzette Atkins as associate producer. Trenchard-Smith is an executive producer.
Turkey Shoot (also known outside Australia as Escape 2000 and Blood Camp Thatcher...
- 1/10/2014
- by Don Groves
- IF.com.au
The decision by the AFI/Aacta to maintain seven awards for non-Australian films while combining the best TV comedy and best light entertainment series into one category has been challenged by several producers.
They question why money and resources are being poured into the Aacta International Awards in Los Angeles when the AFI/Aacta is struggling financially due to lack of sponsorship and screen industry support.
Other producers defend the International Awards as a way for the organisation to build the brand and strive to make the awards more valuable to private and government sponsors
AFI/Aacta CEO Damian Trewhella tells If it is simplistic and wrong to believe that ditching the international categories would free up more money for the Australian awards. He says the international awards subsidise the Oz awards.
Producer Anthony Buckley decries .the absurd pomposity of seven international awards. while financial constraints forced the organisation to...
They question why money and resources are being poured into the Aacta International Awards in Los Angeles when the AFI/Aacta is struggling financially due to lack of sponsorship and screen industry support.
Other producers defend the International Awards as a way for the organisation to build the brand and strive to make the awards more valuable to private and government sponsors
AFI/Aacta CEO Damian Trewhella tells If it is simplistic and wrong to believe that ditching the international categories would free up more money for the Australian awards. He says the international awards subsidise the Oz awards.
Producer Anthony Buckley decries .the absurd pomposity of seven international awards. while financial constraints forced the organisation to...
- 12/16/2013
- by Don Groves
- IF.com.au
Phase 4 Films is partnering with Uncork’d Entertainment’s Keith Leopard to acquire all U.S. and Canadian rights to director Mark Hartley’s horror-thriller “Patrick,” which made its U.S. premiere last month at Fantastic Fest. Phase 4 will release the film in theaters and on demand in the spring of 2014. Produced by Antony I. Ginnane, the film stars Charles Dance, Rachel Griffiths and Sharni Vinson. Also Read: Phase 4 Films Seals Financing Deal With Aver Media Finance (Exclusive) Based on the classic Australian 1978 horror film of the same name, “Patrick” follows a former killer who is now a comatose patient in a small.
- 10/15/2013
- by Jeff Sneider
- The Wrap
Co-financing with Us production companies and selling Australian formats internationally will be among the key topics on the agenda at Spaa.s Screen Forever conference.
Among the other sessions at the November 18-21 event in Melbourne will be a focus on deal making in the broadcast, theatrical and online sectors amid fast-changing release windows; an update on international digital distribution and Video-on-Demand; and ABC TV Director Richard Finlayson outlining his vision for the network.
A panel of Hollywood-based executives will explore ways of using the producer offset to raise finance in the Us via equity, distribution guarantees, P&A and debt in the session entitled Working with the USA: The Eagle and The Kangaroo . Co-financing Across The Pacific.
It will also focus on the issues of significant Australian content, copyright and the extent to which the offset can or should be considered equity. Speaking will be Tracey Vieira, Executive Vice President,...
Among the other sessions at the November 18-21 event in Melbourne will be a focus on deal making in the broadcast, theatrical and online sectors amid fast-changing release windows; an update on international digital distribution and Video-on-Demand; and ABC TV Director Richard Finlayson outlining his vision for the network.
A panel of Hollywood-based executives will explore ways of using the producer offset to raise finance in the Us via equity, distribution guarantees, P&A and debt in the session entitled Working with the USA: The Eagle and The Kangaroo . Co-financing Across The Pacific.
It will also focus on the issues of significant Australian content, copyright and the extent to which the offset can or should be considered equity. Speaking will be Tracey Vieira, Executive Vice President,...
- 10/11/2013
- by Staff writer
- IF.com.au
The producers of horror/thriller feature Patrick and documentary In Bob We Trust are finalising Australian release plans after their well-received world premieres last Saturday at the Melbourne International Film Festival.
Patrick, Mark Hartley.s re-imagining of Richard Franklin.s 1978 psychological thriller, will open in Australia in October. Producer Antony I. Ginnane said distributor Umbrella Entertainment is tossing up between October 17 and October 24.
.A skilfully made genre piece, Patrick is a very satisfying movie meal, well done with a garnish of dark humour,. opined Radio 3Aw.s Jim Schembri.
The Guardian.s Luke Buckmaster sparked to a .high-powered genre film that works fiendishly hard to satisfy its target demographic of squealers, thrill seekers and horror buffs. They won.t leave disappointed..
The film, which got an Ma rating last week, stars Sharni Vinson as Kathy, a nurse who takes a job at a private hospital for the clinically comatose in...
Patrick, Mark Hartley.s re-imagining of Richard Franklin.s 1978 psychological thriller, will open in Australia in October. Producer Antony I. Ginnane said distributor Umbrella Entertainment is tossing up between October 17 and October 24.
.A skilfully made genre piece, Patrick is a very satisfying movie meal, well done with a garnish of dark humour,. opined Radio 3Aw.s Jim Schembri.
The Guardian.s Luke Buckmaster sparked to a .high-powered genre film that works fiendishly hard to satisfy its target demographic of squealers, thrill seekers and horror buffs. They won.t leave disappointed..
The film, which got an Ma rating last week, stars Sharni Vinson as Kathy, a nurse who takes a job at a private hospital for the clinically comatose in...
- 7/29/2013
- by Don Groves
- IF.com.au
Some 20 minutes of Patrick, director Mark Hartley.s re-imagining of Richard Franklin.s 1978 Australian psychological thriller, was screened for Us and international distributors at the Cannes Film Market.
Producer Antony I. Ginnane was pleased with the feedback and is hoping the film will be selected for the Toronto International Film Festival in October, which he believes would be the launch pad for a raft of sales.
In Cannes the international sales agent Bankside Films sold the pic, which stars Charles Dance, Sharni Vinson and Rachel Griffiths, to distributors in Turkey and the Middle East. Patrick will premiere at the Melbourne International Film Festival in July and will open in cinemas in October via Umbrella Entertainment.
Ginnane produced the original, which starred Robert Helpmann, Susan Penhaligon and Robert Thompson. It was a breakthrough for the producer as it was snapped up by theatrical distributors worldwide. It made a ton of money...
Producer Antony I. Ginnane was pleased with the feedback and is hoping the film will be selected for the Toronto International Film Festival in October, which he believes would be the launch pad for a raft of sales.
In Cannes the international sales agent Bankside Films sold the pic, which stars Charles Dance, Sharni Vinson and Rachel Griffiths, to distributors in Turkey and the Middle East. Patrick will premiere at the Melbourne International Film Festival in July and will open in cinemas in October via Umbrella Entertainment.
Ginnane produced the original, which starred Robert Helpmann, Susan Penhaligon and Robert Thompson. It was a breakthrough for the producer as it was snapped up by theatrical distributors worldwide. It made a ton of money...
- 5/29/2013
- by Don Groves
- IF.com.au
Cruel. Controlling. Commatose. Wow, this looks pretty cool. As you already see from our title, we’re here to share some interesting stuff from Mark Hartley‘s upcoming remake of the well-known 1978 Australian horror movie Patrick! So let us all take a deep breath and check out the first poster for the movie, and a very first image of Sharni Vinson who stars as nurse Kathy in the whole thing!
Mark Hartley is in charge for the remake, while a newcomer Justin King stands behind the movie script . While we’re still here at the official part of the story, let us just mention that the original Patrick was directed by Richard Franklin, but the good thing is that this new version is being overseen by the film’s original producer Antony I. Ginnane. So we guess that nothing could go wrong.
As for the movie cast, things are pretty clear: the team looks awesome!
Mark Hartley is in charge for the remake, while a newcomer Justin King stands behind the movie script . While we’re still here at the official part of the story, let us just mention that the original Patrick was directed by Richard Franklin, but the good thing is that this new version is being overseen by the film’s original producer Antony I. Ginnane. So we guess that nothing could go wrong.
As for the movie cast, things are pretty clear: the team looks awesome!
- 11/22/2012
- by Jeanne Standal
- Filmofilia
The final cast of the remake of Patrick has been announced. Directed by Mark Hartley the cast includes Bait 3D’s Sharni Vinson and Game of Thrones’ Charles Dance, joining already announced Rachel Griffiths and Damon Gameau. Production began this week. The film is produced by Antony I Ginnane.
The announcement:
A re-working of the 1978 Australian cult horror film Patrick, starring Rachel Griffiths, Sharni Vinson and Charles Dance, has commenced production at Melbourne’s Docklands Studios.
Patrick is a sophisticated thriller that begins with the mysterious disappearance of a nurse at a remote private clinic. Kathy (rising star Sharni Vinson – Step Up 3D, Bait 3D, You’re Next) takes up the vacant position and is thrust into the formidable company of Matron Cassidy (Academy Award nominee Rachel Griffiths – Hilary and Jackie, Six Feet Under, Muriel’s Wedding) and Dr. Sebastian Roget (Charles Dance – Game Of Thrones, Gosford Park, Alien 3...
The announcement:
A re-working of the 1978 Australian cult horror film Patrick, starring Rachel Griffiths, Sharni Vinson and Charles Dance, has commenced production at Melbourne’s Docklands Studios.
Patrick is a sophisticated thriller that begins with the mysterious disappearance of a nurse at a remote private clinic. Kathy (rising star Sharni Vinson – Step Up 3D, Bait 3D, You’re Next) takes up the vacant position and is thrust into the formidable company of Matron Cassidy (Academy Award nominee Rachel Griffiths – Hilary and Jackie, Six Feet Under, Muriel’s Wedding) and Dr. Sebastian Roget (Charles Dance – Game Of Thrones, Gosford Park, Alien 3...
- 11/22/2012
- by Colin Delaney
- Encore Magazine
The.final cast of the 1978 Australian cult horror remake Patrick has been announced. Starring Academy Award nominee Rachel Griffiths (Six Feet Under, Muriel.s Wedding), up-and-comer Sharni Vinson (Bait 3D) and Charles Dance, (Game of Thrones, Gosford Park) the project has commenced production at Melbourne.s Docklands Studios. Damon Gameau (Balibo, Underbelly), Peta Sergeant (Iron Sky) and Martin Crewes (Crownies, Resident Evil) have also been cast in supporting roles. Patrick is a thriller which examines the burgeoning psychic powers of a mysterious coma patient, Patrick, and his obsession with new nurse Kathy (Vinson). Set in a remote clinic, Kathy is hired after the mysterious disappearance of the nurse before her. Here she finds herself thrust into the formidable company of Matron Cassidy (Griffiths) and renegade neurologist Dr Sebastian Roget (Dance). Tasked with caring for Patrick, it is not long before Kathy becomes the subject of his bloody and dangerous obsession.
- 11/20/2012
- by Emily Blatchford
- IF.com.au
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