The only thing better than a free thing is more of that free thing. This month, Amazon’s ad-supported streamer Freevee is adding dozens of new titles to its existing library of thousands, and no matter your choice (or choices), Freevee titles are available for free on the platform with no additional membership required, so you can watch without an additional hit to the bank account this holiday season!
Take a tour through both the classic and current this December, including the 1950s classic film noir “The Night of the Hunter,” the queer history classic “The Adventures of Priscilla, Queen of the Desert,” and the complete series collection of “Night Court,” “The Waltons,” and more.
Once you brush up on your history, catch up with the contemporaries, such as the beloved sci-fi series “Fringe”, the animated hit “Hotel Transylvania,” and the superhero black comedy “Kick-Ass.”
Check out The Streamable’s...
Take a tour through both the classic and current this December, including the 1950s classic film noir “The Night of the Hunter,” the queer history classic “The Adventures of Priscilla, Queen of the Desert,” and the complete series collection of “Night Court,” “The Waltons,” and more.
Once you brush up on your history, catch up with the contemporaries, such as the beloved sci-fi series “Fringe”, the animated hit “Hotel Transylvania,” and the superhero black comedy “Kick-Ass.”
Check out The Streamable’s...
- 11/29/2023
- by Ashley Steves
- The Streamable
Charles Laughton’s The Night of the Hunter is so loaded with neurotic symbology that you can attach nearly any meaning to it, and that’s the source of its uneasy, primordial power. In 1955, it might’ve been logical to assume that Laughton and critic turned screenwriter James Agee, working from David Grubb’s novel, were intending the film as an allegory for McCarthyism. After all, the villain, Reverend Harry Powell (Robert Mitchum), cannily exploits people’s panic in order to line his pockets, turning them on one another so as to distract them from the true evildoings being committed.
Like those in the grip of the second Red Scare, most of Harry’s victims are easily exploited because they willingly forfeit individual judgment in the presence of reassuringly unquestioned leadership. As in other McCarthyism parables (most obviously Don Siegel’s Invasion of the Body Snatchers), only the children and...
Like those in the grip of the second Red Scare, most of Harry’s victims are easily exploited because they willingly forfeit individual judgment in the presence of reassuringly unquestioned leadership. As in other McCarthyism parables (most obviously Don Siegel’s Invasion of the Body Snatchers), only the children and...
- 6/23/2023
- by Chuck Bowen
- Slant Magazine
There are fewer joys in filmmaking than successfully pulling off an ambitious movie trick. For example, in his sci-fi classic "The Thing," director John Carpenter hired a double-amputee actor to stand in during the famous defibrillation scene, convincing viewers that Richard Dysart's character had his arms bitten off. The CGI-averse Christopher Nolan similarly orchestrated the zero-gravity hallway fight in "Inception" via massive centrifuge-style rotating sets, earning the film a Best Visual Effects Oscar. But some of the most marvelous movie illusions didn't require elaborate constructions. In fact, one of the most exemplary images of classic cinema was nothing more than a trick of the eye.
Shamefully, "The Night of the Hunter" is Charles Laughton's only feature film as director due to its poor reception at the time. A noir thriller based on the novel of the same name by Davis Grubb, the 1955 movie is now widely considered a true classic.
Shamefully, "The Night of the Hunter" is Charles Laughton's only feature film as director due to its poor reception at the time. A noir thriller based on the novel of the same name by Davis Grubb, the 1955 movie is now widely considered a true classic.
- 12/9/2022
- by Anya Stanley
- Slash Film
When it comes to movies by one-and-done directors, there is no greater achievement than Charles Laughton's "The Night of the Hunter," one of the most singular American films ever made. Nowadays, we'd probably pitch it as somewhere between a pastoral fable and a proto-slasher, but when it was released in 1955 it was a vision so unique that neither critics nor audiences knew what to make of it. It became such a monstrous flop that Laughton never directed another film.
Thankfully, time has been extremely kind to "The Night of the Hunter," and Laughton's neglected masterpiece is now receiving the recognition it deserves. In this year's Sight and Sound Top 100 list of the greatest films of all time, it vaulted 38 places from 63rd in the 2012 edition to joint 25th alongside "Au Hasard Balthazar." It didn't even make the list in the previous decade's poll, so at this rate of critical reappraisal,...
Thankfully, time has been extremely kind to "The Night of the Hunter," and Laughton's neglected masterpiece is now receiving the recognition it deserves. In this year's Sight and Sound Top 100 list of the greatest films of all time, it vaulted 38 places from 63rd in the 2012 edition to joint 25th alongside "Au Hasard Balthazar." It didn't even make the list in the previous decade's poll, so at this rate of critical reappraisal,...
- 12/8/2022
- by Lee Adams
- Slash Film
The murky, decrepit Deep South setting has worked as a wonderful backdrop to a series of compelling thrillers in the past couple of years, with the likes of Killer Joe, The Paperboy and Mud all playing on the sensibilities of the environment to great effect. However it is one of the originators of the sub-genre that now makes its way back into cinemas across Britain; Charles Laughton’s timeless cult classic, The Night of the Hunter.
Originally released in 1955, Robert Mitchum turns in a chilling performance as Harry Powell, a crook who lands himself a short-term prison sentence for auto theft. In his cell he meets a man who claims to have robbed a bank, leaving behind 10 thousand dollars before being condemned to the death penalty. Upon Powell’s release, he heads straight for the man’s widow (Shelley Winters), however it is her two young children, John (Billy Chapin...
Originally released in 1955, Robert Mitchum turns in a chilling performance as Harry Powell, a crook who lands himself a short-term prison sentence for auto theft. In his cell he meets a man who claims to have robbed a bank, leaving behind 10 thousand dollars before being condemned to the death penalty. Upon Powell’s release, he heads straight for the man’s widow (Shelley Winters), however it is her two young children, John (Billy Chapin...
- 1/15/2014
- by Stefan Pape
- HeyUGuys.co.uk
The Night of the Hunter: Criterion Collection [Blu-Ray]
The Film
While researching the aspect ratio of Charles Laughton's The Night of the Hunter (1955) on DVDBeaver.com, I noticed something rather telling in the review. In each DVDBeaver review, there are links to books related to the film. For instance, if you look at the review of 2001: A Space Odyssey (1968), you'll find links to books on Kubrick. For the review of Night of the Hunter, DVDBeaver supplied a list of film noir book titles including Alain Silver's appropriately titled Film Noir, which features Hunter's antagonist Rev. Harry Powell (Robert Mitchum) on the cover. Re-watching the film, I couldn't help but wonder what classified it as noir (for my classical noir retrospective, click here).
Sure, I can see on the surface where one might brand the film a noir. The film owes its aesthetic to German Expressionism, is shot in black and white,...
The Film
While researching the aspect ratio of Charles Laughton's The Night of the Hunter (1955) on DVDBeaver.com, I noticed something rather telling in the review. In each DVDBeaver review, there are links to books related to the film. For instance, if you look at the review of 2001: A Space Odyssey (1968), you'll find links to books on Kubrick. For the review of Night of the Hunter, DVDBeaver supplied a list of film noir book titles including Alain Silver's appropriately titled Film Noir, which features Hunter's antagonist Rev. Harry Powell (Robert Mitchum) on the cover. Re-watching the film, I couldn't help but wonder what classified it as noir (for my classical noir retrospective, click here).
Sure, I can see on the surface where one might brand the film a noir. The film owes its aesthetic to German Expressionism, is shot in black and white,...
- 11/17/2010
- by Drew Morton
It’s a strange, post-modern conundrum I experienced this morning, I’ll set the scene: I wake up, check Twitter Before I check my e-mail, only to discover that Criterion has finally sent out their June e-mail newsletter (after announcing on Twitter that it might be a little late due to some revamping), and that apparently they’ve either announced Do the Right Thing on Blu-ray, or Charles Laughton’s The Night of the Hunter. Clearly it was the latter.
Having not seen the movie before, but heard many people talk up how intense Robert Mitchum is as the murderer Robert Powell (specifically the Battleship Pretension, but I cannot remember the episode), I cannot wait for this release. Apparently this is an MGM title that Criterion has licensed (MGM is not doing too well these day’s financially, and it is rumored that Criterion has a nice long list of...
Having not seen the movie before, but heard many people talk up how intense Robert Mitchum is as the murderer Robert Powell (specifically the Battleship Pretension, but I cannot remember the episode), I cannot wait for this release. Apparently this is an MGM title that Criterion has licensed (MGM is not doing too well these day’s financially, and it is rumored that Criterion has a nice long list of...
- 6/18/2010
- by Ryan Gallagher
- CriterionCast
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