The Thing (1982)

Director:

John Carpenter

Writers:

John W. Campbell Jr. (story)
Bill Lancaster (screenplay)

Release Date:

25 June 1982 (USA)

Genre:

Horror | Mystery | Sci-Fi | Thriller

Tagline:

Man is The Warmest Place to Hide.

Plot:

Scientists in the Antarctic are confronted by a shape-shifting alien that assumes the appearance of the people that it kills.

Plot Keywords:

Part Stop Motion | Disturbing | Hypodermic Needle | Computer | Extreme Violence

Awards:

3 nominations

US TV Schedule:

Thur. May 22

1:15 PM

AMC

Cast

Kurt Russell	...	R.J. MacReady
Wilford Brimley	...	Dr. Blair (as A. Wilford Brimley)
T.K. Carter	...	Nauls
David Clennon	...	Palmer
Keith David	...	Childs
Richard Dysart	...	Dr. Copper
Charles Hallahan	...	Vance Norris
Peter Maloney	...	George Bennings
Richard Masur	...	Clark
Donald Moffat	...	Garry
Joel Polis	...	Fuchs
Thomas G. Waites	...	Windows (as Thomas Waites)
Norbert Weisser	...	Norwegian
Larry J. Franco	...	Norwegian Passenger with Rifle (as Larry Franco)
Nate Irwin	...	Helicopter Pilot

Also Known As:

John Carpenter's The Thing (USA) (complete title)

Runtime:

109 min

Country:

USA

Language:

English | Norwegian

Colour:

Colour (Technicolor)

Aspect Ratio:

2.20 : 1

Sound Mix:

Dolby (35 mm prints) | 70 mm 6-Track (70 mm prints)

Certification:

Finland:(Banned) (original rating) | Iceland:16 | Germany:18 (SPIO/JK) | Argentina:18 | Finland:K-18 (1982) (cut) | Portugal:M/16 | Germany:16 (original rating) | Finland:K-16 (1989) (cut) | Australia:M (TV rating) | Finland:K-15 (DVD rating) (2004) | Finland:K-16 (1999) (uncut) | Australia:MA (re-rating) | Australia:R (original rating) | France:-12 | Hong Kong:III | Ireland:18 | Italy:VM18 | Norway:18 | Singapore:M18 | South Korea:(Banned) (original rating) | South Korea:18 (re-rating) | Spain:13 | Sweden:15 | UK:18 (video rating) (1987) | UK:X (original rating) | USA:R

Filming Locations:

Kimberley, British Columbia, Canada

Company:

David Foster Productions

Trivia:

This film is considered a benchmark in the field of special makeup effects. These effects were created by Rob Bottin, who was only 22 when he started the project.

Goofs:

Continuity: Right after MacReady and Copper bring the burned body from the Norweigian base. When they uncover the body on the table you see Blair and Norris standing directly in front of a series of cabinets on the wall. In the next shot, you can see there is an entire room behind them.

Quotes:

Garry: My god, what was happening to him?
MacReady: If it had more time to finish it would have looked and sounded and acted just like Bennings!
Garry: I don't know what you're saying.
MacReady: That was one of those things out there, trying to imitate him, Garry. Come on.
Garry: MacReady, I know Bennings, I've known him for ten years. He's my friend.
MacReady: We've gotta burn the rest of him.

Movie Connections:

Spoofed in Knight of the Living Dead (2005) (V)

Soundtrack:

SUPERSTITION

Good things come to those who wait

* * * * ½ (4½ out of 5)

The Thing

Directed by: John Carpenter, 1982

Looking back on John Carpenter's The Thing – today a highly treasured cult favourite – one has to wonder why it was dismissed by both the audience and critics when it first came out in 1982.

Steven Spielberg's extra terrestrial adventure about a sweet alien that phoned home (that stole the hearts of both children and adults world wide) had opened just two weeks before and was on its historic box office rampage. Bad scheduling may have had a greater impact than anything else on the fate of Carpenter's first big studio effort for Universal Pictures. Nobody was prepared – moreover wanted anything so dark, gory and scary as this genuine remake of the famous 1951 original. This was the time of E.T.: The Extra-Terrestrial.

It then makes for great movie history trivia, that The Thing has gained such a remarkable afterlife on video, DVD and television. Both financially and critically. Carpenter's version is less a remake of the Howard Hawks' version than a more faithful adaptation of John W. Campbell's short story "Who Goes There?' (on which both were based), and critics today point out how well Carpenter plays his characters against each other. Kurt Russell will never top this one, and he gets a brilliant sparring from the entire cast.

It opens in Antarctica with a sled husky running from a pair of crazed and armed Norwegian men in a helicopter. The scene is long, slow and uneasy. It feels like the Apocalypse. It oozes doomsday.

This scene comprises one of the greatest opening sequences in film history.

Ennio Morricone's moody synth score (heavy on naked thumping bass lines in classic Carpenter style), the windswept massive white of the desolate polar ice and the majestic husky running across the tundra chased by the chopper, compromises a completely mesmerizing piece of scenery.

A satisfying example of a movie that today – 18 years after – looks downright muscular in its simplicity.

The budget was big ($14 mill), yet it allowed Carpenter to visualize his ideas better than ever before. There's a brooding darkness to this film, making the whites and blues of the icy Antarctic claustrophobia seem poetic and almost angelic. Dean Cundey's extraordinary photography created a palpable chill to every shot. The careful preparation (the crew went into a record 11-month pre-production) paid off immensely.

Horror specialist Rob Bottin was handpicked for the many gory and grotesque special effects. Be warned – there's a lot of splatter and gore here. The Thing is actually notorious for its creature morphing scenes. Some find them disgusting, some mere cult.

An argument could be made against The Thing being an Alien rip-off; it has its origins in an old sci-fi story and it creates tension by popping a crowd of people (note: all-male) on an isolated outpost (an Antarctic research facility) terrorized by an alien life form.

Where Carpenter was clearly inspired by Ridley Scott's 1979 masterpiece, his own alien movie is original and intriguing in its own right. There's a rhythm and an environment that equals Scott's in every way.

The husky was in fact half-wolf and half-dog, and it was noted that it never barked or growled on or off the set (Horror Takes Shape, the making of - DVD version).

Watch in awe at the scene where it walks through the hallway and stares at a human shadow, slightly tilting its head forward in stalking position like a wild wolf. This is a fine piece of animal training, sure, but that's not the point. This is as spooky as anything ever made in a horror movie.

Carpenter had all the right tools here, and he utilized them to perfection, making The Thing his best movie alongside Halloween.