Jane Austen certainly wrote some plucky, sassy protagonists. Anne Elliot was not one of them. The first chapter of “Persuasion,” Austen’s final novel, describes Anne as having “an elegance of mind and sweetness of character.” Anne’s love interest, the dashing Captain Wentworth, later claims there is “no one so proper, so capable as Anne.”
The Anne illustrated in Austen’s novel sounds genteel and gracious. The Anne in Netflix’s “Persuasion,” the first straightforward film adaptation of the novel since 2007, is described similarly by her dearest friends. And yet, perhaps in an attempt to make her more relatable in our current resurgence of messy female characters, she also spends much of the film breaking the fourth wall and cracking wise.
Screenwriters Ron Bass (“My Best Friend’s Wedding”) and Alice Victoria Winslow (“Hot Spot”) have given one of Austen’s more demure heroines the “Fleabag” treatment. Luckily for them,...
The Anne illustrated in Austen’s novel sounds genteel and gracious. The Anne in Netflix’s “Persuasion,” the first straightforward film adaptation of the novel since 2007, is described similarly by her dearest friends. And yet, perhaps in an attempt to make her more relatable in our current resurgence of messy female characters, she also spends much of the film breaking the fourth wall and cracking wise.
Screenwriters Ron Bass (“My Best Friend’s Wedding”) and Alice Victoria Winslow (“Hot Spot”) have given one of Austen’s more demure heroines the “Fleabag” treatment. Luckily for them,...
- 7/11/2022
- by Lena Wilson
- The Wrap
Russell T Davies historical drama scoops three gongs at London event.
A Very English Scandal picked up three Bafta Craft Awards last night (April 28), beating Killing Eve and Patrick Melrose, which each won two awards. Meanwhile, script supervisor Emma Thomas was honoured with the Bafta Craft Special Award for her outstanding contribution to the industry.
A Very English Scandal won for Costume Design, Director: Fiction and Editing: Fiction, while Killing Eve picked up awards for Original Music and Sound: Fiction. Patrick Melrose won the Production Design and Writer: Drama awards.
The awards celebrate the best behind-the-scenes television talent of the last 12 months.
A Very English Scandal picked up three Bafta Craft Awards last night (April 28), beating Killing Eve and Patrick Melrose, which each won two awards. Meanwhile, script supervisor Emma Thomas was honoured with the Bafta Craft Special Award for her outstanding contribution to the industry.
A Very English Scandal won for Costume Design, Director: Fiction and Editing: Fiction, while Killing Eve picked up awards for Original Music and Sound: Fiction. Patrick Melrose won the Production Design and Writer: Drama awards.
The awards celebrate the best behind-the-scenes television talent of the last 12 months.
- 4/29/2019
- by Jake Bickerton Broadcast
- ScreenDaily
‘A Very English Scandal’ Pips ‘Killing Eve’ & ‘Patrick Melrose’ To The Post At BAFTA TV Craft Awards
A Very English Scandal, the BBC and Amazon co-production, scored three gongs at the BAFTA TV Craft Awards. The Hugh Grant-fronted mini-series beat two other high-profile U.S.-backed series, Killing Eve and Patrick Melrose, which both won two awards at the behind-the-scenes awards.
The event was hosted by Episodes’ Stephen Mangan in London and comes ahead of the main awards next month.
A Very English Scandal, based on the Jeremy Thorpe scandal, won in Costume Design, Director: Fiction and Editing: Fiction, while BBC America’s Killing Eve picked up the Original Music and Sound: Fiction awards and Showtime and Sky co-pro Patrick Melrose received the Production Design and Writer: Drama award with David Nicholls beating Phoebe Waller-Bridge, Russell T Davies and Lennie James to the latter.
2019 Winners
Writer: Drama
David Nicholls Patrick Melrose – Two Cities / SunnyMarch / Little Island Productions / Sky Atlantic
Lennie James Save Me – World Productions / Sky...
The event was hosted by Episodes’ Stephen Mangan in London and comes ahead of the main awards next month.
A Very English Scandal, based on the Jeremy Thorpe scandal, won in Costume Design, Director: Fiction and Editing: Fiction, while BBC America’s Killing Eve picked up the Original Music and Sound: Fiction awards and Showtime and Sky co-pro Patrick Melrose received the Production Design and Writer: Drama award with David Nicholls beating Phoebe Waller-Bridge, Russell T Davies and Lennie James to the latter.
2019 Winners
Writer: Drama
David Nicholls Patrick Melrose – Two Cities / SunnyMarch / Little Island Productions / Sky Atlantic
Lennie James Save Me – World Productions / Sky...
- 4/28/2019
- by Peter White
- Deadline Film + TV
Director Tom Shankland didn’t want his “Les Miserables” to be anything like the stage-musical version of Victor Hugo’s sweeping historical novel, nor like the 2012 Tom Hooper feature-film musical.
For the BBC limited series — a drama starring Olivia Colman, Lily Collins, David Oyelowo and Dominic West, which aired the first of its six episodes in the U.S. on PBS on April 14 — Shankland’s goal was to get back to the roots of the story, using large portions of what Hugo gave readers in his 1862 book. He worked closely with his crew to impart his vision.
Production designer Richard Bullock, whose credits include “Peaky Blinders” and “McMafia,” found a great deal of specificity in the source work. “I read the novel, and Tom and I referenced it hugely,” he says. “There is so much great description, which helped throughout the entire production. Even if the details didn’t make it directly into the script,...
For the BBC limited series — a drama starring Olivia Colman, Lily Collins, David Oyelowo and Dominic West, which aired the first of its six episodes in the U.S. on PBS on April 14 — Shankland’s goal was to get back to the roots of the story, using large portions of what Hugo gave readers in his 1862 book. He worked closely with his crew to impart his vision.
Production designer Richard Bullock, whose credits include “Peaky Blinders” and “McMafia,” found a great deal of specificity in the source work. “I read the novel, and Tom and I referenced it hugely,” he says. “There is so much great description, which helped throughout the entire production. Even if the details didn’t make it directly into the script,...
- 4/18/2019
- by Valentina I. Valentini
- Variety Film + TV
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