Gorgeous scenery and decent child actors (at least for Nello) make this better than a lot of live action children's movies, but it's no Old Yeller or even a Fly Away Home. It doesn't have the period depth that the book had, and at times the characters seem to have societal views out of the 1990's (such as Alois saying that "Money doesn't make people happy," even though at that time people without money (to summarize one of Samuel Johnson's essays) had no leisure time to find happiness, as they were too busy furnishing themselves with what they needed merely to survive). I would have preferred they kept a little truer--allowing children to make comparisons between their society and past societies lets them use their minds to make their own decisions, something a lot of children's movies don't allow (you listening, Eisner?).
There are some good things, though. The relationship between Alois and Nello is less platonic than any of the other versions, making the father's reaction (fear that Alois will end up marrying Nello) more realistic--in the dubbed Japanese anime version released a year or so ago, I couldn't help thinking they seemed more like brother and sister than potential lovers. In this version, they seem only a few couple years away from sexual awakening--they finally seem like the young adolescents they're supposed to be.
Spoilers: Probably the biggest change in this version is the ending. Oh, sure, they still go through the motions of Nello's death, but he has a new age vision of his funeral and then returns to his body. Now here's the quandary--is it okay to do something like that? Sure, many literary and film critics have panned Oui'da's story and its ending as being fundamentally flawed--basically, just a glorified tear-jerker that is a sort of children's version of Dicken's A Christmas Carol. But it is also a religious story (in some way Nello and/or Patrasche are supposed to represent Jesus (the dog was whipped, after all), and Reuben's was famous for his religious paintings), so removing the death sort of removes the soul of the piece and renders it more palpable to our current PC/ACLU/Amnesty International public consciousness. It should be noted, though, that Kevin Brodie hints at the ending during the lovely Gypsy scene: when the fortune teller reveals that they have known each other in past lives (i.e. the earlier movie incarnations that were true to the original ending), she says something like, "You will finally find happiness in this life."
There are some good things, though. The relationship between Alois and Nello is less platonic than any of the other versions, making the father's reaction (fear that Alois will end up marrying Nello) more realistic--in the dubbed Japanese anime version released a year or so ago, I couldn't help thinking they seemed more like brother and sister than potential lovers. In this version, they seem only a few couple years away from sexual awakening--they finally seem like the young adolescents they're supposed to be.
Spoilers: Probably the biggest change in this version is the ending. Oh, sure, they still go through the motions of Nello's death, but he has a new age vision of his funeral and then returns to his body. Now here's the quandary--is it okay to do something like that? Sure, many literary and film critics have panned Oui'da's story and its ending as being fundamentally flawed--basically, just a glorified tear-jerker that is a sort of children's version of Dicken's A Christmas Carol. But it is also a religious story (in some way Nello and/or Patrasche are supposed to represent Jesus (the dog was whipped, after all), and Reuben's was famous for his religious paintings), so removing the death sort of removes the soul of the piece and renders it more palpable to our current PC/ACLU/Amnesty International public consciousness. It should be noted, though, that Kevin Brodie hints at the ending during the lovely Gypsy scene: when the fortune teller reveals that they have known each other in past lives (i.e. the earlier movie incarnations that were true to the original ending), she says something like, "You will finally find happiness in this life."