This idealistic feature draws parallels between the struggles of immigrant Polish workers in Norway and the homophobia faced by two young lovers, but can’t quite sew up the two seams
Director Leiv Igor Devold makes an unexpected link-up between Norway, the country where he grew up, and Poland, where he attended film school, in this idealistic but sometimes heavy-handed second feature. He also finds invigorating cross-currents in contrasting the collectivist struggles of immigrant Polish fish-processing workers with another oppressed minority: the stuttering romance, in the face of homophobia, between young wage slave Robert (Hubert Miłkowski) and his supervisor Ivar (Karl Bekele Steinland).
Robert finds himself gutting salmon in a factory on a Norwegian island in order to send money back home. But it is Ivar – the black adopted son of the factory owner Bjorn (Øyvind Brandtzæg) – who gets under his skin. A wannabe actor slumming it courtesy of dad,...
Director Leiv Igor Devold makes an unexpected link-up between Norway, the country where he grew up, and Poland, where he attended film school, in this idealistic but sometimes heavy-handed second feature. He also finds invigorating cross-currents in contrasting the collectivist struggles of immigrant Polish fish-processing workers with another oppressed minority: the stuttering romance, in the face of homophobia, between young wage slave Robert (Hubert Miłkowski) and his supervisor Ivar (Karl Bekele Steinland).
Robert finds himself gutting salmon in a factory on a Norwegian island in order to send money back home. But it is Ivar – the black adopted son of the factory owner Bjorn (Øyvind Brandtzæg) – who gets under his skin. A wannabe actor slumming it courtesy of dad,...
- 4/29/2024
- by Phil Hoad
- The Guardian - Film News
The queer love story is a Norway-Poland co-production.
Rome-based True Colours has taken international sales rights to Norwegian-Polish director Leiv Igor Devold’s fiction feature debut Norwegian Dream, the winner of the Screen International Best Pitch Award at this year’s Polish Days in Wroclaw. The film is now in post-production and True Colours will start talking to buyers at the upcoming Ventana Sur in Buenos Aires.
Norwegian Dream is about a 19-year-old Polish immigrant working in a fish factory in Norway to pay off his mother’s debts. He begins to develop feelings for a colleague who is very...
Rome-based True Colours has taken international sales rights to Norwegian-Polish director Leiv Igor Devold’s fiction feature debut Norwegian Dream, the winner of the Screen International Best Pitch Award at this year’s Polish Days in Wroclaw. The film is now in post-production and True Colours will start talking to buyers at the upcoming Ventana Sur in Buenos Aires.
Norwegian Dream is about a 19-year-old Polish immigrant working in a fish factory in Norway to pay off his mother’s debts. He begins to develop feelings for a colleague who is very...
- 11/18/2022
- by Martin Blaney
- ScreenDaily
The queer love story is a Norway-Poland co-production.
Rome-based True Colours has taken international sales rights to Norwegian-Polish director Leiv Igor Devold’s fiction feature debut Norwegian Dream, the winner of the Screen International Best Pitch Award at this year’s Polish Days in Wroclaw. The film is now in post-production.
Norwegian Dream is about a 19-year-old Polish immigrant working in a fish factory in Norway to pay off his mother’s debts. He begins to develop feelings for a colleague who is very confident in his own sexuality in a way he is not.
First footage from the film...
Rome-based True Colours has taken international sales rights to Norwegian-Polish director Leiv Igor Devold’s fiction feature debut Norwegian Dream, the winner of the Screen International Best Pitch Award at this year’s Polish Days in Wroclaw. The film is now in post-production.
Norwegian Dream is about a 19-year-old Polish immigrant working in a fish factory in Norway to pay off his mother’s debts. He begins to develop feelings for a colleague who is very confident in his own sexuality in a way he is not.
First footage from the film...
- 11/18/2022
- by Martin Blaney
- ScreenDaily
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