In his Variety review, Jay Weissberg gave this movie a passing comparison to Andrew Haigh's "Weekend," which is easily my favorite homo flick, so I had to give this one a go.
I see the similarity: a first-time encounter leads to sometime more, along, of course, with some inevitable bumps in the relationship road.
The premise of having events unfold in 'real' time is an interesting angle, almost a gimmick, that somehow works, despite a few scenes that seem to last forever: eating a twinkie ("cake") at the ER visit; a much-too-forced conversation with a fellow Metro passenger who can't afford to retire, so she commutes to a hotel housekeeping job every day; the first 18 minutes of orgy at a sex club.
The casting is another interesting angle: the leads aren't typical drop-dead-gorgeous hunks: their bodies, their faces, their *ahem* packages aren't classic attention-getters, but they're real enough, handsome enough, and equipped enough to deliver a "real man in Paris" feel. And Paris, too, certainly feels real enough, despite the early-morning setting which makes the city feel almost deserted. And almost safe to be in, public displays of affection and all.
I was surprised at how well this movie worked.
It will never win awards but it wormed its way into my heart and psyche in a way that not many others have.
Good job, co-directors Ducastel and Martineau.
It works.
I see the similarity: a first-time encounter leads to sometime more, along, of course, with some inevitable bumps in the relationship road.
The premise of having events unfold in 'real' time is an interesting angle, almost a gimmick, that somehow works, despite a few scenes that seem to last forever: eating a twinkie ("cake") at the ER visit; a much-too-forced conversation with a fellow Metro passenger who can't afford to retire, so she commutes to a hotel housekeeping job every day; the first 18 minutes of orgy at a sex club.
The casting is another interesting angle: the leads aren't typical drop-dead-gorgeous hunks: their bodies, their faces, their *ahem* packages aren't classic attention-getters, but they're real enough, handsome enough, and equipped enough to deliver a "real man in Paris" feel. And Paris, too, certainly feels real enough, despite the early-morning setting which makes the city feel almost deserted. And almost safe to be in, public displays of affection and all.
I was surprised at how well this movie worked.
It will never win awards but it wormed its way into my heart and psyche in a way that not many others have.
Good job, co-directors Ducastel and Martineau.
It works.
Tell Your Friends