sav-982-72544 Reviews

A Date for Mad Mary (2016)

A Date for Mad Mary has bags of Irish charm and is a terrific life affirming movie experience.

[10/10 · 19 November 2016]

A Date for Mad Mary feels like the kind of film that if it had a French director and suitable name with a rhetorical flourish it would probably get a standing ovation and walk away with a Palme Dior. Nevertheless, it is a lovely film and very fine piece of film making.

Directing his first feature Darren Thornton does a great job adapting the film from a theatre monologue, 10 Dates with Mad Mary by Yasmine Akram. Akram for the record is best known for her role as Janine in season three of Sherlock.

The premise for the movie is the classic leading protagonist returning to their old world and life after a spell in prison. But a sharp script, elegantly shot, a neat soundtrack and with great all round performances from a largely unheralded but superb cast elevates the drama to top notch cinema.

There is plenty of pathos, laughs and romance as Mary McArdle returns to a life living with her mum and nan, with her best friend getting ready to get hitched and trying to resume the good and bad old times. In the process Mary finds herself searching for a suitable candidate of the male species as her plus one at her friend Charlene's wedding only to find a new and unexpected relationship along the way.

Much of the film's charm is its down to earth, funny and endearing nature. The straightforward but genuine Irish characters interact in a thoroughly engaging, subtly thought provoking and totally realistic manner. Snapshots of life which feel very believable.

And so we see Mary trying to reconcile her previous life and her past where she had the unfortunate mad prefix to her name. But Mary finds that the world she knew has moved on and also has to adapt to situations and new emotions when she stumbles upon part-time wedding photographer and musician Jess.

Mary is brilliantly played by Seána Kerslake as the slightly lost teenager while Charleigh Bailey as best friend Charlene and Tara Lee as the savvy and sweet Jess are also excellent.

A Date for Mad Mary has bags of Irish charm and is a terrific life affirming movie experience.

Frank (II) (2014)

Frank is a thoughtful, imaginative and amusing piece of work making for a hugely watchable and enjoyable movie.

[9/10 · 24 April 2014]

Michael Fassbender dons a huge fake head in the enjoyable Frank showing at Sundance London. The movie is a fictionalised account based on a book written by journalist Jon Ronson who also co wrote the screenplay. In the 1980s Ronson played keyboards in the Frank Sidebottom Oh Blimey Big Band in which Frank wore a big fake head and nobody outside his inner circle knew his true identity.

In a small quiet English seaside town Jon (Domhnall Gleeson) tries to pursue his passion for writing songs in between working at his humdrum day job. Even given his undoubted enthusiasm for trying to be creative Jon struggles to actually write anything even vaguely resembling a half decent couple of lyrics. On Twitter he likes to tweet his songwriting status or more the lack of it along with updates on what he is eating for lunch. But when a band comes to town and their keyboard player goes off the rails he sees opportunity knocking to join the band for an actual gig. Shortly after he finds himself travelling with the band to Ireland to record an album which ends up taking him on a pretty epic journey.

Jon's new band members are a weird, odd bunch of characters which include the slightly crazed and volatile Clara (Maggie Gyllenhaal), Don (Scoot McNairy) an ex-keyboard player of the band who now operates as a kind of manager, and then there's Frank the band's enigmatic front man played by Fassbender and who insists on wearing an over-sized fake head at all times.

Frank is a hard film to easily define and although it manages to remain on the right side of upbeat with plenty of laughs it does gently broach issues revolving around mental health. The exploits of the band trying to make a album touch on notions of artistic endeavour, originality and the sphere that songwriters and musicians have to encounter in trying to be creative.

While generally having to be the subject of suspicion and hostility enforced by most of the band Jon is encouraged by Frank's friendship and welcome remarks about his on the face of it tragically lame attempts at songwriting and starts to be become more emboldened about his actual merits and worthiness. Gleeson does a terrific job in portraying his character Jon's transformation and voyage from awkward geeky young dude trying hard to fit in, to feeling like he was the main man in charge of the band's destiny and even catalyst towards the success he so craves. Ultimately though a hard lesson in self discovery awaits him.

The movie keeps you guessing about what is going to happen next and trying to work out the main characters and how they interact with each other. In the history of bands there are lots of examples of artistic spats, personal issues and tragedies, conflicts, inner working quirks and inspiration which are all evident in Frank.

Summing up Frank is a thoughtful, imaginative and amusing piece of work making for a hugely watchable and enjoyable movie.

Hits (2014)

Hits is as much about how the media today is out of control and the type of people and society it is creating - a funny ride definitely worth catching if you can.

[9/10 · 23 April 2014]

Sundance London gets underway this weekend with a neat selection of American independent narrative and documentary films that premiered at the US Sundance in Utah. One film we would like to recommend is Hits, the directorial debut of writer, comedian and actor David Cross. Many will best know Cross as the character Tobias Fünke in the American sitcom Arrested Development.

Hits provides an amusing vehicle to satirise a number of aspects in modern US society from celebrity wannabe culture to the YouTube generation.

The movie is set in a small town in upstate New York where we find Katelyn (Meredith Hagner) a young woman, who spends a lot of time pretending that she is being interviewed by chat show host Ellen. Katelyn, who is obsessed with celebrity and fame spurred on by reading "real life" magazines and watching reality TV, is confident that she has the talent to be a famous pop singer. Katelyn has been offered the chance of having a demo made of her singing if she can find the money and sees this as a guaranteed way to getting on the singing show The Voice.

Then there is Katelyn's dad Dave whose main purpose in life outside his normal day job is to attend public council hearings arguing about poor public services and upkeep, potholes and his rights as a citizen under the Constitution. Although Dave is obviously somewhat unhinged he ridiculously becomes part of a huge media circus after a YouTube video is produced portraying him as a notable and worthy small town activist taking on the system.

Bewildered by her dad becoming the focus of national media interest Katelyn becomes even more determined to get her demo made giving in to the demands of a stoner guy who has his own studio.

It's pretty fun stuff as the laughable hipster activist crew headed by Donovan turn up to help Dave's quest for justice only to find a rival hipster activist 'think tank', news teams and others muscling in with the same idea.

Given the easy and seemingly numerous targets for critique in our internet, celebrity obsessed culture there is obviously a lot for the taking and which Cross does manage to nail. How anything stupid can become a YouTube hit, how having no talent of any kind may not be a hindrance in becoming famous, the kind of people who use social media to bluster or do "projects", without much initial fact checking or preliminary research, or undiscerning ranting citizen's who listen to or read too much extremist or hyperbolic media.

Along with the obvious targets Cross also manages to weave in little insights of dark and sad nuances of our modern world but always with a touch of humour for good measure. Like hipster Donovan's wife Maddy who seems to be more in love with a kind of consumer's passion for all things cute as much as she is about actually having a kid. There is a funny scene where Donovan and Maddy get supremely weird talking with their young weed dealer-cum-possible surrogate son, a cameo role played by Michael Cera (Juno, Arrested Development, Superbad). There is also a sweet but sad moment when Katelyn muses about how great her dad is but at the same time seemingly aware of how self centered she may be in the relationship. You get the feeling that mass media has made her that way and that the media has a lot to do with stoking the dark underlying views of her father who on the flip side does indeed seem like a stand up dad.

So all in all Hits is as much about how the media today is out of control and the type of people and society it is creating – a funny ride definitely worth catching if you can.