When they were first released, I remember loving La Femme Nikita and thinking that the American remake wasn't so bad. I watched Point Of No Return again, last night. It's bad. The director, John Badham was obviously a studio hack with no discernible style while Luc Besson is nothing BUT style. Bridget Fonda is the sole reason for watching this film. She transcends everything, including major hair transformations. 1993 wasn't that long ago but this movie looks strangely quaint. It's always great to see Anne Bancroft do one of her brilliant, scary, regal, creepy, icy scary ladies but she ain't no Jeanne Moreau. And what's happened to Bridget? She hasn't worked in years. I hope she's not sitting at home alone waiting for the phone to ring. Please, Bridget, tell me that you just walked away when the offers got too stupid. If it's a bad face lift or an addiction or mental imbalance, I don't want to know. Tell me that you married well and are living out your dream in a canyon somewhere.
Reviews
2 Reviews
Donkey Skin
(1970)
This is a classic!
6 August 2006
Being a university student in the 60's, in Toronto, it was a given that one saw as many foreign films as possible. The French New Wave was happening so we all trudged off to see the latest incomprehensible (to me) Godard or the new, much more accessible Truffaut or the ever bleaker Bergman or the latest jaw-dropper from Fellini and woe betide you if you dared to admit that you didn't "get" Antonioni. We knew how to pronounce the names of Japanese and Czech directors and argued the merits of Bunuel. We were into it, man. Cinema (not "the movies") was our passion. So how did "Peau d'Ane pass us by? I'd seen "The Umbrellas Of Cherbourg" of course. Who hadn't? Jacques Demy and Michel Legrande were practically house-hold names and yet no one raced off to see "Peau d'Ane". I'm sure it must have had a theatrical release, here and I dimly remember being aware of it at the time but it certainly didn't have the "Oh muh God!" critical reaction and word-of-mouth that would have turned it into the cult hit that it should have been. With no CGI and, by today's standards, the simplest of special effects, this movie is utterly magical and astonishing. I suspect that, for 1970, it was just too "French". The story is an (apparently) beloved French classic by Felix Perrault but quite unknown outside French culture. The title, "Donkey's Skin" and a slightly ick-factor plot line may have put off critics and audiences at the time but I'm now convinced that every director of the spate of fantasy movies that we currently enjoy has been heavily influenced by "Peau d'Ane".
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