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9/10
A Time-warp to Retro Computer Bliss
14 October 2014
As you can see from my score, this movie is not just perfect, it is mind blowing. (I give it 9.5 but the rating system doesn't do .5). Compared to the AVGN movie you may have seen put about these days, this movie is actually AWESOME. Let me explain.

In order to get an idea of the history of retro machines, first you must present the story from the eyes of the kids and teens who made the games, and why they made them. Then you must bring in the story of the UK games industry, moving through the BBC and ZX spectrum range, and the frontier of Memory Vs the imagination. Then the Commodore C64, and the frontier of audio. Finally the Amiga, as the final frontier of game-play and graphics. Then 'the console gap' which lead to the modern day; where games are now versions of revisions. In short, this documentary covers it all, from the eyes of the makers who made it happen. Rather than an emotional roller-coaster, instead this is a soft and gentle deep thread of fascination from end to end. Everything about Crash and Zzap64! is in there; which was written by young adults of my own age-group (something I didn't realise at the time!), and even though every topic is here, we as an audience get the feeling of only just skimming the surface.

The games are far and wide (I recognised about half), and include many hits from the three big machines, ZX, C64, Amiga. (NES and SEGA also feature, as well as PS4). In the Amiga section they feature many 3D games: such as Stunt Car Racer, Midwinter and Mercenary III. I thought the Amiga content flew by quite quickly, but there were a lot of Amiga guys throughout the whole movie, talking about the general idea and logistics of producing games.

The whole production feels like it was produced with so much love and affection, the homage to the period so vivid it's almost as though its still here with us. A time when we could all be friends, together as gamers, having fun, living a dream. If you are reading this message, YOU were there; now you can relive those times again and again forever.

The extra material in the Special Edition is also worth a look for C64 and Amiga fans, with Jon Hare on Sensi Soccer (5mins), Mike Montgomtery on creating Speedball 2 (almost 6mins). The making of Shadow of the Beast (8mins), Peter Molyneux on Populous (15mins). David Braben talks about the original Elite (31mins), plus there are a rake of C64 related materials, including 17mins of Geoff Crammond talking about The Sentinel, and his time on the BBC Micro with games like Super Space Invaders and Revs. And even an extended interview with the legend Matthew Smith and his days with Manic Miner (6mins). Plus more! As you can tell, I think this is the most glorious tribute to that whole period, period! So gather all your friends around and make this a celebration. This one is definitely worth watching.
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6/10
Some laughs to be had at the butlers expense
21 July 2013
Warning: Spoilers
I watched this last night and I thought it was a good movie, and had some funny moments. This movie is very much 'Nick and Nora Charles' Thin Man material, which was very popular at the time, which it seems Britain was glad to copy it. The banter is rapid and often amusing once the audience gets into the movie. By far the best character is Everett Horton as the Butler, and he has a gag which runs through the whole picture, to much hilarity I thought. I got two or three good belly laughs, and is a good reason to watch it. Withers is not Nora Charles and is underused. The stage makeup of the lead and his stiffness for some of the movie is not so great; but becomes part of the lead character after a while and becomes unnoticeable. The drama is hokey to OK - but never fierce or madcap. The plot is very easy to follow thanks to a series of clues in a vain similar to the Pink Panther, and certainly Buchanans relationship with butler Treadwell is akin to Sellars and Burt Kwok. There are a couple of small Monty Python moments too. The rest of the movie is so-so, sometimes amusing and sometimes not so much, but still what I'd call a Good movie.

I'd say this is not as good as The Thin Man 1 or 2, but is better than some of it's later sequels, and is actually a must-see for all Horton fans.
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7/10
Stanwyck's Intense Talkie Debut
15 November 2012
Warning: Spoilers
Last night I watched The Locked Door from 1929 - Barbara Stanwyck's talkie debut. The acting by the rest of cast is a bit hammy to begin with, but the beautiful Barbara elegantly commands every scene and effervescently steals the camera every time she appears. The story is very slow to draw itself out, starting with some merriment, but slowly and mercilessly coils itself into high tension and drama by the second act. The plot is very simple but highly believable, and all the motives for a great murder are laid out on the table. As fate would have it, the boys in blue find out soon after, and their keenly sensitive detective minds turn a string of lies into an incisive murder hunt.

The thing that got me, apart from Barbara's grace, depth and charm, is the way she deals with all the emotions which play out across her face and features; highlighting gestures and silent feelings never written down in the script. Indeed, after the murder the screen goes silent for a whole 10mins as the murderer silently haunts the area, cleaning up, all while the lady watches him secretly from above.

I have to say this early talkie got a lot of negative press on IMDb and movie perfectionists were quick to point out it's flaws. Yet it slowly coiled itself around my brain until I was transfixed right up to the very sobering ending. :
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