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6/10
Doesn't deserve to be dismissed as harshly as it has been
27 June 2006
Always curious about The Black Cauldron, I finally got around to it after seeing a DVD at the rental store. Despite a lot of grating elements, I ended up liking it overall.

The movie starts off on the wrong foot. The voices come across as recorded at low fidelity, and when combined with the sometimes hard-to-understand British accents, can be somewhat off-putting. Issues with voice and script become even more pronounced with characters such as Gurgi and his Gollum-esquire speech patterns. Indeed, the second time I watched the DVD I threw the English subtitles on, and not just for Gurgi.

Other problems with voicing include an exceedingly dull lead actor for Taran (he simply can't emote), and an overly chirpy female lead for Eilonwy.

Most other elements of the film proved passable if predictable in the Disney mold of plot, hero design, sidekicks, etc. Where it branches out for the better is in avoiding any and all musical interludes and along the way offering some scenarios and graphic effects that are more mature than most other Disney animated feature films (though later in the '90s the likes of The Lion King, Hunchback, and Tarzan would also tangle with mature themes).

Animation is also spectacularly mixed in quality, an odd distinction among Disney films but a distinction nonetheless. Usually solid, there are high points such as external shots of a dark castle or a visceral chase sequence. There are also low points such as unnatural shifts in hair color that overemphasize different environments, or obvious spots where animation was rushed (a rock slide sequence).

Yet for all these lows and highs, as an animation fan I ended up siding with the high points. Many sequences are inviting to re-watch, even if the entirety of the movie may not be. For all the talk of failure that continues to surround this movie, one can see in the film itself elements of a more mature Disney that could have been extremely promising with a more seasoned batch of animators and a world less hostile to PG animated fare.
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4/10
Worth sitting through only due to surprisingly good Jennifer Love Hewitt as Madellaine
23 June 2006
Leave it to Disney to remind us how stupendously well-animated their theatrical films have been by creating sub-par direct-to-video silliness such as this. The difference in animation quality, color (and color consistency), depth, backgrounds...everything is far too obviously dumbed down to low budget and possibly low talent levels.

Characterization and tone of story have also taken their own serious hits, and largely being inconsistent with the 1996 feature film. Phoebus has been turned into a goof-ball buffoon as opposed to the smart-aleck but intelligent and competent soldier he was. And Esmeralda has lost her spark both in character and visually, morphing in scenes through various shades of ash (and often too dark).

There is one relative high-point with Jennifer Love Hewitt as Madellaine. She sounded honestly excited to be doing the part, and the character itself had an every-girl cuteness to her.

Overall, worthy only of a cheap rent (not Blockbuster, more like $2 at the local supermarket) for fans of the 1996 classic who must satiate their curiosity and see how this new character Madellaine works out.

Then forget it and return to the true majesty of The Hunchback of Notre Dame I.
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10/10
Brainy yet also hard-hitting action thriller
25 July 2004
Warning: Spoilers
The Bourne Supremacy is a sequel that both manages to retain a certain tightly-edited/European/no-nonsense feel from its predecessor and yet move in a very different direction in story, emotional outlook, and style of action. Supremacy is darker, faster, more serious, and even leaner than The Bourne Identity, which is quite a feat.

Many of those strong elements (emotion, style, leanness) are helped by the deliberate use of a "you are there" hand-held camera. I and those around me felt like we were IN the fight in the townhouse, we all felt like WE were getting bashed about in the car-chases, we all felt we were there. And the movie almost literally hits hard...much of the audience all looked around at each other with wide eyes after the car chase, just as people do after an especially rough wooden-build roller-coaster ride.

This camera also puts an even finer point on the lethality of Jason Bourne. By making it feel like you are right there, it at times almost makes you feel like a helpless witness, trusting Bourne not to completely destroy what are sometimes relative innocents around him while at the same time you can't (and could never) do a thing about it. One such intense scene with Julia Stiles even manages to bring out evidence of honest acting ability on Stiles' part.

The Bourne/Damon combo proves yet again to be the best thing to hit action/thriller movies in a very long time. Damon exudes intelligence as usual but also now provides a believable example of a fit yet average-sized "everyman" character that is neither an obvious martial artist or a hulking weight-lifting brute, yet can stealthily erupt from the quiet and devastate them both...maybe even at once. Matt Damon seems perfect for this, as many have come to agree.

There are also the scarce but important moments of humanity that only a potent actor can pull off for the Bourne character, and here Damon is even more successful. To say much more about any part of this story would be spoilers, but safe to say the movie begins and ends with a requirement for emotional acting that someone who is ONLY an action star simply could not pull off.

Adding to the excellence are strong performances from critical favorites such as Joan Allen and Brian Cox. Franka Potente also returns as Marie, Bourne's German girlfriend from the first movie, though her role takes on a new significance here.

Very highly recommended movie that will make you think, beat you up as though you're there, and leave you exiting the theater quietly wide-eyed after not only absorbing the spectacle but also the well-crafted quiet emotional moment bookending it. And then you'll want more.
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Excellent Light-Hearted Fun
16 July 2003
Shanghai Knights is simply one of Jackie Chan's best overall films, and certainly tops of his American produced films.

He was given a lot of time to craft excellent fight sequences that he himself considers some of his best, most-creative work...and it is. Additionally, he and Owen Wilson work very well together, and even though JC himself has stated he prefers working with Wilson over Chris Tucker you needn't be explicitly told so. It is very obvious in almost every scene that the two want to have fun and improvise beyond the scope of the film if they could.

With Jackie Chan engaging in surprisingly lengthy action scenes (as he hoped to do), Wilson providing some really funny lines, and Fann Wong providing charm and some action of her own as sister to JC's character, you have an excellent and eminently re-viewable light-hearted good time.
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