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Desperately un-funny.
24 July 2004
Then Churchill Said to Me is based upon the set up of Up Pompeii (which was based on the stage show 'A funny thing happened on the way to the forum'), and Frankie Howerd starred in all three.

Up Pompeii was written by Carry On scribe Talbot Rothwell, possibly the best writer for that genre of comedy. He wrote brilliant lines for Frankie Howerd, understanding the comedians strengths and how to get big laughs from his stuttering comedy. The show was fast paced, self-mocking, very original (how many sitcoms are set in B.C. '72?) and hilariously funny. It could have easily transferred into a Carry On film (it was made into a film by Ned Sherrin, and spawned 2 sequels).

Then Churchill Said To Me tries to live up to that standard, but fails miserably. The writers just make Howerd's stuttering hugely irritating, with the 'jokes' being woefully poor. (Most had all been said years before by Howerd, but constructed far better.) The situations are also tedious and over-long, with Howerd's stuttering used to pad out the 30 minutes. Because there isn't much of a situation or character interaction (most of them are cynical and shout/bitch at each other), none of them come off as likable. If you look at It Ain't Half Hot, Mum's Sgt. Major Williams, he was always shouting and brawling, but came off as likable thanks to the brilliant writing of Croft/Perry and the faultless performance of Windsor Davies.

Churchill Said to Me could have been very funny. It had Frankie Howerd, Nicholas Courtney in it. Its theme music was on par with 'Who Do You think you are Kidding Mr. Hitler?' from Dad's Army and the production values were spot on. Trouble is that the characters were all badly conceived and unlikable, the situations/scripts were awful (on par with Howerd's War film 'Up the Front', spun off from Up Pompeii!). Had it been more different from Up Pompeii, i.e. Howerd not talking to the audience, different characters, more period humour and warmth, then it could have been a classic. As it stands, its a terribly embarrassing sitcom, trying to be funny with 'Carry On' humour, but failing all the time. Also, when it tried to mock itself with Howerd saying 'What do you expect? Wit?', you felt like saying 'YES!'

Then Churchill Said to Me was made by the BBC in 1982 but was never broadcast because of the Falklands War. It was shown 10 years later on UK Gold, then shown for the first time on BBC2 during 2001. Obviously no one watched it, as it was never on the same time each week. Also, it was poorly re-edited by its co writer Lou Jones, making some scenes totally dis-jointed. I doubt it'll ever be shown again, or released on video/DVD. Not many writers could write jokes for Howerd like Talbot Rothwell could, and those that tried more often than not failed. And this sitcom did just that!
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Carry on Christmas (1973 TV Movie)
The funniest of the Christmas specials.
4 July 2004
Ironically, the last Carry On Christmas special is the funniest out of the four, produced from 1969-1973. This one hasn't been shown on TV since it was first broadcast, but was released on video in the early 90s. If you can get a copy - get it!

It's quite surreal at first, watching a made for TV Carry On, after growing up with all those films, but the jokes and performances are on par with any film made during this period. Strangely, Kenneth Williams and Charles Hawtrey's aren't missed from this show, as they were when they weren't in one of the films.

Carry On Christmas is a sort of sketch show, introduced by Sid James as Mr. Belcher, the local Dept. Store's Santa Clause. These little sketches are great fun, and the first with Barbara Windsor as the schoolgirl and Joan Sims as her mother 'Yes, well we had a French student living with us - she probably got it from him' - 'I wouldn't be at all surprised' are wonderful. Then Babs, who is clearly enjoying herself in this show, gives a great retort when Sid asks what her name is. 'Virginia, then Mum says we call her virgin for short, and then you say not for long, alright?'. Sid James' shocked reaction is priceless.

The first sketch is 'Carry On Caveman', and its a shame this idea was never made into a a full film (even though caveman scenes feature in Carry On Cleo). All the regulars are brilliant, and painfully shows what talented character actors they were - some of the best Britain has produced. Kenneth Connor's old man caveman is a great character - he's been asleep all year, and because of it, has nearly been buried twice. The sketch doesn't really come to life until Sid James turns up with Barbara Windsor as 'Crompet' (i.e. the Crumpet)!

The next sketch is an Elizabethan after dinner party, giving Jack Douglas his best name 'Crapper', and his best performance, when his twitching act doesn't come across as annoying. Barbara Windsor must be praised for her Fanny - Sid James' wife in this sketch. She gives it her all, and you can tell she isn't taking any of it seriously, which makes it so funny.

The last two sketches are a mixed bag. The first, a sort of 'Carry On Banging' is set in the trenches, 1917 (think Blackadder Goes Forth). Talbot Rothwell liked the situation so much, he was going to turn it into a full length Carry On after Carry On Dick (1974), but he retired after that picture, due to illness. This WW1 sketch is both hilariously funny, and touching. There's a segment where Sid James, Kenneth Connor, Bernard Bresslaw, Joan Sims and Barbara Windsor sing 'silent night', and it almost brings a tear to your eye, watching these old pro's singing a Christmas Carol with such pathos. The comedy soon returns with Sid James' Sgt. Ball 'we haven't got any Private's left, they were all cut off in the last attack', and Bernard Bresslaw's brilliantly named Captain Ffing-Burke!

The final sketch is a Carry On Robin Hood, with Kenneth Connor as Will Scarlet and the excellent Peter Butterworth as Friar Tuck. This sketch doesn't work as well as the others, and the pay-off is pretty average (Barbara gets her bosoms out again), but its funny and typical Carry On.

Watching this on Christmas Night is a must. You just don't get television like this any more. These actors and actress' were so talented, and brought so much energy to the screen. The whole atmosphere is fun, silly, naughty and above all, innocent. This is what Christmas TV should be - for the family. Forget about watching repeats of Fools and Horses, spend your Christmas with the Carry On team!
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Carry on Dick (1974)
The last of the true Carry Ons
20 August 2003
I re-watched Carry On Dick on DVD today. I usually agree that this film is a bit of a hit and miss, but i think now that is it very good, up there with Carry On Henry for historicals, not Cleo though.

Sid James is looking older, but he can still pull it off. Critics may say that James was too old to be lusting after someone of Barbara Windsor's age, but the situation the characters are put in, (two highway man/women), you can believe this girl would have a relationship with the elder man because of the work they do together. So i think they work well together in this film.

This is the only film i can think of in the series that starts of pretty dull then gets funnier towards the middle and end. Very good ending with Hattie Jacques on the organ, pumping for all she's worth.

Kenneth Williams and Jack Douglas have good chemistry, but it's really just the same characters Williams and Peter Butterworth played in Don't Lose Your Head. The premise of the film is very similar!

As for the rest of the cast, Peter Butterworth shines in the drag sequence as he ogles over Joan Sims' bosoms. Ms Sims doesn't get much to do, but she's always funny and my favourite of the team. Kenneth Connor is excellent as the ageing Constable, such a great character actor. And Hattie Jacques excells as Miss Hoggett, the nosey housekeeper. Very good in the sequence where she is listening at the door.

The Carry Ons never felt the same after Talbot Rothwell left. There was something no quite right about Behind, England, Emmannuelle or Columbus. I don't think anyone could recapture his style, he was born to write Carry On humour.

The team was also breaking up at this point. Obviously the style was getting tired, and in reality, Peter Rogers and Gerald Thomas should have called it a day after this one. The one's that followed were good in places, but never hit the mark.
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Doesn't live up to the hype.
21 June 2003
This film, when seen again, doesn't come off as bad as you originally think. But it still isn't as great as people think.

It was good to see the gunbarrel sequence updated with the bullet and the theme arrangement, but after that it was just another bang, boom title sequence. The previous film The World is Not Enough is faultless. Pity they didn't carry on with the same theme in this film.

The title sequence is the worst i've seen, only slightly better than A View to a Kill, and the title theme.....THAT THEME! I really hate it when they try to 'update' things. Ok, elements of Bond needs updating to make it relevant, but there are certain things you don't change. With a Bond film you expect a big orchestrated title theme that makes the hairs stand up on the back of your neck. This one was just noisy, geeky and dire.

As for the story, it was fine until the 2nd hour. Then it all went bad. Toby Stephens was like Rik Mayall in the film, with his sneering. Why do all Bond villains these days have to be 30 somethings? Its far more interesting to have an actor like Charles Gray or Gert Frobe in the role of villain. Rosumund Pike was a bit stuck up, and by the end she was dressed in leathers for some reason, making her look like a cheep tart.

Halle Berry was great as Jinx, but when watching her on various documentaries saying 'i think Jinx is Bond's equal', i thought 'fine'. But when you see the film, it makes Jill St. John look more of an equal to Bond. She gets rescued by Bond in the ice palace and on other occasions. Also, it would be nice to have seem them both kill of Graves, but oh no. They do a horrible split fight between Bond/Graves and Jinx/Frost, making Jinx look like she can just kill off the spoilt bints.

And those one liners. Terrible. So forced in the film. But the Q scenes are excellent, and John Cleese is great, giving the same contempt to Bond as Desmond Llewelyn - and the ending with Moneypenny and Q was hilarious and brought the house down.

The plot is rather like Diamonds Are Forever, but not as entertaining. I would have liked The World is Not Enough to have been Bond 20, rather than this boom, bang, boom film. I hope the next one will be better.
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