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Reviews
Edge of Darkness (2010)
Edge of Darkness
For a long time in Hollywood there was an unspoken convention that when faced with an opportunity to kill the bad guy, good guys always showed admirable moral restraint, arrested the evildoer, and let the proper authorities dispatch justice. No more. Movies like Taken and Edge of Darkness have capsized the convention, permitting their protagonists to administer their own lawless and deeply satisfying vengeance.
In Edge of Darkness, Gibson avenges his daughter's death at the hands of the nefarious corporate underworld. Almost all of the characters are richly drawn, bizarre and engaging, and the bloodletting never leaves the screen for long. Ray Winstone is especially good and comical as the corporate world's human silencer. And Danny Huston is terrifically slimy as the egomaniacal CEO who must inevitably cross paths with Gibson's rough and proletariat detective. Damian Young also gives a nice turn as the slick and morally vacuous senator who Gibson's noble warrior shames along the way...
La Ciénaga (2001)
La Cienaga
Argentine filmmaker Lucrecia Martel wrote and directed this impressively rich and atmospheric look at moral dissipation among Argentina's upper classes. Set in northwestern Argentina, on a dilapidated country estate, the movie chronicles the quotidian malaise of an Argentine family, their cousins, servants, and the nearby town.
Lushly and patiently filmed, the story follows the elder adults as they drink themselves into a stupor alongside their decrepit pool while their children cavort through the gloomy rooms of the country manor, killing off the idle hours of their summer holiday. Ignored by their parents, who are anxious to drown their own withered and broken relationships in alcohol, the children drive without licenses, race through the forest with shotguns, drink and dance at town parties.
Martel's effortless style captures the aimlessness of their lives and casts an especially harsh light on the conflicted relationship between a small moneyed population with European ancestry and the indigent servant class of indigenous locals. The movie's languorous pace beautifully matches the hot and muggy atmosphere that lays like a blanket over the estate and its bored inhabitants...