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Popcorn42
Reviews
Villmark (2003)
A Different Type of Horror Film
I'm going to add my two cents. There seems to be a divided response to this film depending on whether you're used to European film-making or Hollywood gore and special effects. Villmark is more akin to a suspense film than most American horror movies, so I can understand that some viewers felt disappointed (not me, I enjoy trying to figure a movie out and not always knowing what to expect).
The movie starts out with a group of young people joining Gunnar, who runs a successful outdoor adventure TV program. He invites the four of them on a trip where they'll be exposed to the same hardships the show subjects its contestants to as a type of proving ground to see if they have what it takes for the job. They drive into the wilderness (filmed in a beautiful, remote part of Norway called Sogndal) and Gunnar turns out to be a control freak, obsessed with the idea of forcing the four young recruits to prove their mettle surviving in the wilderness. The director, Pål Øie, does an excellent job keeping the viewer on edge and recreating the sense of isolation and unease that comes from being alone in a dark, overgrown forest far from civilization. The soundtrack is excellent and contributes to the suspense of the film. The acting is very good - Kristoffer Joner (Lasse) does an outstanding job as the headstrong film-maker who butts heads with Gunnar and challenges his authority and Eva Röse (Elin) puts in a great performance as the gorgeous, loyal confidante to Gunnar.
The movie builds to a climax but ultimately the viewer is let down by an irrational and hastily-conceived plot. The twist at the end should have made it more interesting but no explanation is ever given as to who the gate-keeper really is, why he killed the German couple or why he would try to kill Per, Gunnar, Elin and Sara. We're only treated to a fleeting glimpse of him at the outset of the film and the director makes no attempt to develop the character.
I would have preferred an oh-so-predictable ending with a ghost or some kind of evil creature instead of being served this nonsense. Really, that the police would think a German tourist could survive for 30 years alone in the Norwegian woods without a big RV or a GPS tracker, amazes me!
The Viking Sagas (1995)
The Anglo/German Version of the Sagas
I was stunned to read some of the positive reviews about this movie. Not to be a fly in the ointment but this movie was absolutely horrendous. The director, Michael Chapman, tries to follow the script of the Icelandic sagas, which is an impossible task to achieve without thoroughly boring an audience, so the characters are left spouting meaningless lines like "I am..(pause for dramatic effect) Gunnar" instead of the more realistic (but infinitely more boring) "I am so-and-so, son of Eilif, grandson of Torkjell, 2nd cousin to Hallgeir Bloody Tooth, 4th brother-in-law twice removed to Helgi the Red, who defeated your great-grandmother in battle." Chapman goes out of his way to employ a largely Icelandic cast but then fails to get any advice from them on how to pronounce the character's names, which doesn't help the intended realism.
Okay, so maybe sticking to the Eddas and the Sagas wouldn't make for exciting cinema but instead of fleshing out the characters and making them people we can relate to Chapman makes them stereotypical and one-dimensional. The audience is led to believe the Vikings are overly macho brutes who take killing very lightly and seldom think of anything other than upholding their honor and obtaining bloody revenge.
The hero, Kjartan (Ralf "Terminator" Moeller), mostly grunts, flexes his muscles and speaks in a strong German accent about how he's going to "awenge his fatter". The training scene with Gunnar is another perfect example of the hideous dialogue throughout the movie. "Go ahead and kill me," is Gunnar's introduction to their first swordfighting lesson. "I don't vant to kill you," answers Arnold (er, Kjartan) and the two predictably end up bonding after Gunnar's spear nearly shaves several inches off our hero's manhood.
There are some redeeming moments in the film: the Icelandic scenery is stunning and there are several scenes where the characters chase each other over raging streams on 5-ft. tall Shetland ponies. Ingebjorg Stefansdottir's breasts are stunning and for a "virgin" she wastes no time in showing our hero how grateful she is by climbing on top of him, which she does frequently and gratuitously throughout the movie. The two have sex wherever they can find a warm, hot spring and manage to fall deeply in love without ever having to enter into any conversation.
The final battle scene though is the movie's shining moment in time: the Icelandic minstrels start playing Scottish bagpipe brogues and Kjartan mistakenly grabs the wrong prop - a circular Roman shield from the "Gladiator" set and embraces Ketil in a struggle to the death. Our hero emerges victorious when the evil villain's axe bounces off his chest and he shouts out the memorable and oft-repeated line "Vatter, I have awenged you!" Not to be outdone (his union contract called for him to have the final say), Ketil continues to egg on his enemy for a full 5 seconds after being decapitated before realizing he lacks vocal cords.