Picturesinflow Reviews

Pain Hustlers (2023)

Emily Blunt Shines in This Gritty Tale of Desperation and Deception

[6 November 2023]

"Pain Hustlers" is a story that strikes a chord with audiences, a narrative that we often find both compelling and unfortunately, all too familiar. It begins with the portrayal of a struggling mother named Liza Drake (played by Emily Blunt), who is grappling with dire financial straits to fund her daughter's crucial operation and secure a better future for them both.

We're then introduced to our second central character, Brenner (played by Chris Evans), a character steeped in the typical shades of ambiguity that come to define a world where donning a suit often signifies either massive success or nefarious intent. This is where the main plot unfolds, revolving around an almost insolvent pharmaceutical company's ambitious endeavour to penetrate an industry notorious for its resistance to change. Developing a drug or miracle pills capable of treating ailments already addressed by established prescription medication, but in a faster and safer manner, proves to be an arduous challenge. However, even the prescription of this cure by just one doctor could catapult them closer to their ultimate goal. It's a story of rapid growth, the loss of the original vision, and the descent into something entirely different.

Emily Blunt carries the film with remarkable finesse. Watching a character grapple with their moral compass, pushing it to the brink where the distinction between good and bad hangs by a thread, is consistently intriguing. This internal conflict is evident from the outset, as she questions the feasibility and legality of the entire endeavour. Regrettably, if not for the dire circumstances she faces, the outcome might have been different. Money, particularly a substantial sum, exerts a transformative influence on those who have never experienced such wealth. To be clear, "Pain Hustlers" is the kind of movie you watch for casual entertainment, typically at night with a snack in hand. It doesn't aspire to profound depth, and it doesn't need to. What sets it apart is Emily Blunt's exceptional performance, embodying a character type we rarely encounter in such films.

Tetris (2023)

A Blockbuster Tale of Battles, Innovation, and Balance

[30 October 2023]

"Tetris" stars Taron Egerton in the role of Henk Rogers, an eccentric businessman who risks it all to initiate a worldwide battle for the rights to Tetris and its distribution, all the while attempting to maintain a work-life balance. His journey takes him across the globe, from Japan and the USA to England and the unforgiving USSR, where we encounter the creator of Tetris, Nikita Efremov, portraying Alexey Pajitnov, a programmer by day and a family man by night with a side hobby. It's from this simple hobby that one of the best-selling games of all time emerged. The story continues with a plethora of document signings, corporate betrayals, individuals trying to outdo one another, and numerous run-ins with the law in the rather unforgiving climate of the USSR.

The story behind the creation and the battle for publishing rights for Tetris is bizarre enough even before watching the movie; a quick Google search is proof of that. "Tetris" (the film) does justice to that story while taking liberties to enhance the drama for the screen, a common practice in most stories based on true events, with varying degrees of success.

At its core, "Tetris" is an uplifting tale filled with highs and lows. It illustrates how a single individual with an idea can create something of such magnitude that global corporations find themselves in fierce competition to control it, originating in a country that values strict control.

I appreciated the stark contrast in how the USSR is portrayed compared to the other visited locations. It captures the dry atmosphere at all levels, from the reserved nature of the people to the buildings and interiors. Well executed indeed. However, appearances can be deceiving; even amidst the apparent disarray, everyone is closely monitored and subject to almost constant surveillance.

Given that "Tetris" is based on a video game, I was keen to see how they would incorporate sound and visual effects reminiscent of the game. The film includes several scene transitions with a pixelated visual style that merges seamlessly with real life. Traditional film acts are scraped rather they are replaced with levels titled by our main characters travels. These effects contribute to the playful nature of the film, even when the content being portrayed is quite intense.

"Tetris" is a well-crafted film that follows an already fascinating story with intriguing characters. It's also relatively concise, barely two hours long. If you're already interested in the story or want to learn more about Tetris, it's a worthwhile watch. On the other hand, if you're more interested in the technical aspects of the game's development, "Tetris" may not be the ideal choice, although it can still be compelling in a different way.

Apple TV continues to produce high-quality content from start to finish. While each streaming service has its unique offerings, Apple is deeply committed to creating original films and shows, and, from what I've seen, they're excelling in their efforts.

The Art of Self-Defense (2019)

The Best Offense is a Good Defence

[15 October 2023]

"The Art of Self-Defense" is another unconventional dark comedy, initially presenting itself as a comedy and a heartwarming story but gradually evolving into a thriller. It chronicles the journey of a man who, following a violent attack, seeks to boost his self-confidence by enrolling in a local dojo.

It swiftly earned a place on my list of "must-shows" when friends ask for something unique, and it unquestionably deserves that recognition. This film is a rollercoaster ride from start to finish. It commences at a deliberate pace, providing just enough context for understanding, and then steadily accelerates from the middle to the end.

Jesse Eisenberg delivers a career-best performance as the deeply troubled 'Casey,' trying to balance his corporate job with his newfound dojo pursuit. Imogen Poots charms as 'Anna,' and Alessandro Nivola captivates as the enigmatic 'Sensei.' These two actors complement the film brilliantly and provide essential counterbalances to the main character. The movie grapples with weighty subjects, particularly the concept of masculinity in both males and females, and does so in an intriguing manner.

This martial arts film doesn't hold back and unflinchingly portrays the depths of human malevolence when society's constraints are absent. It's a definite must-watch, earning a spot on my recommendation list and my list of favorites. However, it's essential to note that this movie isn't for everyone and includes some particularly intense and graphic scenes.

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Black Crab (2022)

Human Psyche in Unfavourable Conditions

[15 October 2023]

"Black Crab" (Svart Krabba) is a Swedish action thriller film depicting a war-torn country on the brink of defeat, with their last hope deployed. As I discovered it tucked away in Netflix's rich collection of foreign films, I found that such films often offer more captivating narratives than their popular American counterparts. "Black Crab" excels in almost every aspect. It boasts exquisite cinematography, a palpable atmosphere, intriguing characters, and much more. With little to no expectations, it doesn't need to achieve grandeur. One minor drawback is that the plot overextends itself, a common mistake that, while understandable, is better left undone if executed poorly.

Let's begin with the film's strengths: atmosphere and cinematography. Set in the bitterly cold Swedish landscape, cast in a subtle but noticeable blue hue, it accentuates the dire situation. The frozen ocean adds to the tension, a serene yet perilous expanse where every light source could reveal your location. This sense of concealment, akin to "Wind River" with Jeremy Renner and Elizabeth Olsen, instills unease. In "Black Crab," one must be cautious while hoping nothing watches back.

The overarching story is well-constructed and capitalizes on a divisive main plot point. Amid an onslaught from enemy forces, a team of highly skilled soldiers embarks on a mission to deliver a package to a distant location. Navigating not just forests and villages but also skiing across the fragile ice amplifies the risks. Vulnerability in the open, with sounds carrying far, heightens the tension, testing each character's resolve.

The film's deliberate pacing and a small ensemble cast allow us to understand their thoughts and reactions in the face of adversity. Their psyches disintegrate, revealing primal instincts - the unwavering will to survive, even if it means sacrificing someone. The urgency perpetuates, forcing them to remain on the run, with only fleeting moments of respite before the next life-or-death decision. As time runs short, clear thinking becomes increasingly challenging.

"Black Crab" is a remarkable film in nearly every aspect, although it takes an unexpected turn in its final half-hour. The stakes are already high, the tension is riveting, and the sense of urgency is palpable. It offers an intense, two-hour journey through the frigid Swedish landscapes, despite my reservations about the ending. I recommend it, as it remains an engaging ride."

Gran Turismo (2023)

Respectable Video Game Adaptation

[15 October 2023]

In Gran Turismo, we follow the story of Jahn Mardenborough (portrayed by Archie Madekwe), an enthusiastic player of Gran Turismo (the video game) whose dream is to one day race like the virtual champions. Luck smiles upon him when an intriguing opportunity presents itself. Danny Moore (portrayed by Orlando Bloom) has an idea to create a competition where gamers can race real cars, with the winner earning a chance to compete professionally. Enter Jack Salter (portrayed by David Harbour), a tough but ultimately benevolent coach tasked with training and moulding our competitors into their best selves. Gran Turismo is loosely based on the true story of John Mardenborough (although the extent of creative liberties for the big screen remains uncertain). Regardless, it's a tale filled with highs and lows and a heartfelt core, notably brought to life by Archie Madekwe and Djimon Hounsou.

The only aspect that felt superfluous in this narrative was the love interest. It's not due to poor acting but because it serves the same thematic purpose as the family. The family, especially the father, plays a more effective role in emotional character development, rendering the romantic subplot unnecessary-a mere checkbox.

First and foremost, I'm not particularly a car enthusiast. Gran Turismo likely holds even greater appeal for aficionados of the automotive world. Nevertheless, Gran Turismo successfully incorporates elements directly from the game, which, in turn, were inspired by our real world. A racing-focused film must deliver intense racing sequences, not just passable shots. Gran Turismo accomplishes this through cinematic shots with quick cuts, shifting to third-person perspectives, attaching GoPro cameras to various cars, and more. Each of these techniques effectively captures the essence of the game and is commendable. I must highlight the subtle touches, such as incorporating specific sound bites (from the PS5 menus) in certain scenes or replicating the list of racers exactly as it appears in the game. These are minor yet praiseworthy details.

Regarding video game adaptations, Gran Turismo stands as another commendable example of what happens when the source material is respected rather than creating an entirely new story within a familiar setting. It may not claim awards or widespread recognition, but it tells a substantial story in a modest yet impactful way.

Slumberland (2022)

A Heartwarming Dream for Kids

[21 September 2023]

"Slumberland" is a Netflix original film tailored for young audiences, offering a delightful visual spectacle, whimsical humour, heartwarming moments, and a poignant message about dealing with life's inevitable challenges. It unfolds the tale of a young child who receives news that no one, regardless of age, wants to hear. We follow how this life-altering event shapes her world.

The film employs exaggerated facial expressions, designed to tickle the funny bones of its target audience. While it might not elicit laughter from adults, it's bound to have the little ones giggling or bursting into full-fledged laughter. Nevertheless, "Slumberland" is a satisfying family film, perfect for a cozy evening with a cup of hot chocolate.

The story, while straightforward, is profoundly meaningful. As mentioned, it delivers a heartfelt message about learning to move forward after a tragic loss. We accompany the main character, Nemo (portrayed by Marlow Barkley), as she navigates a new life after the devastating loss of her father, forcing her to relocate to an unfamiliar place with her uncle. However, as night falls, her dreams become vivid, offering her guidance in an indirect yet profound manner. Amidst these dreams, we encounter Flip (played by Jason Momoa), another key character, who revels in carefree amusement without any apparent purpose.

"Slumberland" is a film crafted especially for children, and its primary goal is to captivate their attention throughout its duration. It achieves this with exaggerated expressions, a straightforward storyline, and relatability for today's young audience. If it doesn't captivate with its acting, story, or music, it undoubtedly excels in delivering stunning visual effects. While there may be occasional instances of slightly lower quality or rushed effects, they swiftly give way to the next impressive scene. It's a visual delight best enjoyed at the highest resolution available.

In terms of humour, it embraces quirkiness, recognizing that comedy is inherently subjective. "Slumberland" maintains a cheerful tone, even while addressing a somber theme. The actors visibly enjoy their roles and refrain from taking themselves too seriously, inviting viewers to adopt the same carefree attitude.

This film doesn't demand deep contemplation, and those who seek profound meaning might be pursuing a personal agenda. "Slumberland" is a movie tailor-made for children, start to finish, making it an enjoyable watch for audiences of all ages.

Moneyball (2011)

A Hard-Hitting Sport Film

[21 September 2023]

"Moneyball" is a sports film that revolves around the efforts of Oakland A's general manager Billy Beane, portrayed by Brad Pitt. Beane attempts to build a competitive baseball team while working with a tight budget. He employs innovative methods to acquire new players. Now, after this brief introduction, "Moneyball" firmly falls into the 'Sports' genre, a genre well-known for its predictable narrative arc. In such stories, underdog teams must struggle relentlessly to achieve what nobody believes they can. This formula has a long history of success because everyone enjoys a compelling comeback story from time to time.

The film shines primarily due to its exceptional ensemble cast, featuring outstanding performances by Brad Pitt, Jonah Hill, and the legendary Philip Seymour Hoffman. They are the driving force behind this film, making it worth a watch.

"Moneyball" is a deliberately paced and grounded film. It maintains a clear sense of identity, avoiding the grandiose moments that some might expect. It stands as a well-acted film with an ideal pace and tone, emphasizing its strengths while leaving behind the repetitive elements often associated with the 'Sports' genre.

Secret Invasion (2023)

Strong start and fast downfall

[2 August 2023]

Secret Invasion is the newest addition to the MCU, focusing on events from the Captain Marvel movie (from 2019) and taking a more 'grounded' approach compared to previous series. After the events of Captain Marvel, the Skrulls are left stranded without a home near Earth. The series picks up right after that film, with Nick Fury on a mission to find a suitable planet for the Skrulls. However, finding such a planet proves to be a challenging task, leading to questions about morality, politics, betrayals, relationships, and more.

Samuel L. Jackson as Nick Fury and Ben Mendelsohn as Talos shine in their roles, delivering captivating performances despite the script. Nick Fury shows signs of aging, becoming slower and weaker, and losing touch with global events. In the old days, he used to employ the Skrulls as spies to gather information for personal and Shield-related purposes (at this point Shield no longer exists). The situation becomes complicated when a Skrull named Gravik (played by Kingsley Ben-Adir) becomes exhausted from years of working for Nick without any resolution in sight. He goes rogue, gathering other Skrulls to form an undercover army, infiltrating high-ranking positions worldwide. Nick faces a personal enemy and must regain his lost skills to resolve the situation with minimal bloodshed. On the other hand, Talos, self-proclaimed Skrull leader and Nick's friend, seeks to integrate his species more tactically into Earth's affairs to avoid suspicion of an alien takeover.

Secret Invasion draws inspiration from its original comic series, filled with mystery and conspiracy while delivering a compelling and complete story. However, the series misses the opportunity to add mystery to characters who won't see significant character growth for a while (a common Marvel practice). The only character to be 'replaced' was an interesting decision if they had done it well and would have brought upon a bigger reaction if it wasn't obvious who it was or if the reveal wasn't just a simple brush off. That aforementioned character (which I can't spoil) is even one of their original characters from Phase 1 and that still didn't matter with how they treated them.

Surprisingly, the VFX in Secret Invasion generally holds up well, though there were noticeable blunders in the last episode during the big CGI battle, which could have been avoided to break away from the typical Marvel series formula.

This latest Marvel series, like many others, faces challenges in creating a compelling narrative from start to finish. While it started strong, the series gradually declined in quality with each episode, ending up as mediocre and, ultimately, disappointing. Despite that, it still manages to surpass the low bar set by some of Marvel's previous series.

Barbie (I) (2023)

Barbie - A Comedy Film with Something to Say

[28 July 2023]

Barbie is a film that revolves around fun and enjoyment. The story centers on our titular character, Barbie, in her world full of pink, numerous other Barbies and Kens, unique rules, and a repetitive daily routine. The movie overflows with laughter, clever remarks, musical numbers, dazzling sets, existential crises, and much more.

Margot Robbie, portraying Barbie, and Ryan Gosling, playing Ken, thoroughly embodied their roles to the fullest. As the main character in her world, Barbie is admired by everyone and sought after for attention. She must adhere to the "Stereotypical Barbie" image with flawless perfection, which can become exhausting over time. On the other hand, Ken serves as the placeholder character for the public, and with his dry humor, he delivers the majority of laughs throughout the film, showcasing his unwavering adoration for Barbie.

Director Greta Gerwig, known for her unique storytelling, showcases her creativity once again in Barbie. The dialogue is woven in a way that allows for multiple interpretations, enabling Barbie to discuss her own world and even extend beyond it. The movie transcends the boundaries of a typical comedy at times and addresses issues that resonate in our own world.

The bold choice of including a reference to '2001: A Space Odyssey' before the actual start sets an enthralling mood. The film initially feels like an episode from the Twilight Zone, with the repeating day trope, but gradually reveals something amiss. These daring choices elevate Barbie from being just another comedy movie to a film with a deliberate vision.

Barbie slightly teeters on the edge of delivering patriarchal messages, especially towards the end, but it manages to steer clear of crossing the line. As one of the original feminist icons since her creation in 1959, certain types of comments were inevitable. The movie addresses these issues with eloquence, all while remembering its primary purpose is to entertain and offer an escape to a fictional world.

The marketing strategy for Barbie is nothing short of brilliant. Pairing it with Oppenheimer, a drastically different film, for a double feature is a stroke of genius. Viewers have the choice to immerse themselves first in the bubbly and joyful world of Barbie, followed by the thought-provoking story of Oppenheimer. The success of this marketing approach is evident in the box office results, as many attendees opted for both screenings, turning it into a global film festival with two back-to-back films.

The production design, as showcased in the dazzling trailers, is impeccable, packed with intricate details, easter eggs, various era Barbies and Kens, and more. The commitment put into curating these elements from different years and presenting them in an engaging manner is commendable.

Barbie arrives at an interesting time, with both writers and actors on strike, and Hollywood on the verge of temporary closure. However, the combination of Barbie and Oppenheimer offers audiences a choice and a break from the usual superhero or unnecessary sequel movies. Barbie delivers abundant laughter, lively music, outstanding performances, and takes viewers on an immensely enjoyable journey.

The Last of Us (2023– )

How Video Game Adaptions Should Be Made

[26 July 2023]

Movies/Series and Video Games are entirely different realms, so what works in a game cannot be translated 100% to the screen, as certain aspects are too rooted in gaming. However, "The Last of Us" managed to translate the story almost fully while adding some additional elements to enhance the gaming experience, even including nods to the players through visuals and dialogue.

Video game adaptations have generally not been well-received, partially due to creators not fully respecting the original source material and only adapting the most compelling parts without proper build-up. On the other hand, gamers are a challenging audience to please; even if a video game is well-made and captivating, they may still find something to criticize or nitpick, as perfection is hard to achieve.

Character portrayal is another critical aspect when transitioning from game to screen, and "The Last of Us" excelled in seamlessly bringing the characters to life, albeit with a slightly different approach. The main leads, Joel (played by Pedro Pascal) and Ellie (played by Bella Ramsey), did an outstanding job embodying their personalities while adding their unique touch. Joel is portrayed with less roughness compared to the game, yet his sense of distrust is evident when facing unfamiliar situations. Through Ellie, he begins to ease up and understands the importance of trust on their journey. Ellie, closer to her game counterpart, expresses heightened emotions throughout the episodes, although some game scenes were omitted either due to time constraints or their incompatibility with the show's narrative, leading to a partial loss of character depth.

Regarding pacing, certain episodes could have been improved by adding a midpoint episode for deeper explanations and another at the finale, possibly extending to two episodes. The "infected" were introduced at exactly the right time, and although their portrayal differed from the game, it worked well in the context of the show. However, it might have been more beneficial to maintain them as a continuous focal point throughout the series, as they added an element of dread and uncertainty to each conversation, even in seemingly safe environments.

"The Last of Us" proves that adaptations can be successful and serve as an entry point for new audiences to fall in love with this universe, while still catering to long-time fans since 2013. The infamous "video game curse" has plagued many potential franchise starters, causing them to falter without much consideration. While it may exist for some, others have seen success with adaptations like "Castlevania" or "Arcane" (based on League of Legends) and more. Let's break free from this curse and create more sophisticated stories based on video games, even if it means altering gameplay mechanics to suit the narrative.

In light of this, most first-party games on the PS4 and now PS5 could be adapted for the big or small screen, as they often resemble long action films in their structure, providing ample potential for adaptation.

Looking ahead, we anticipate upcoming video game adaptations such as "Fallout" and "God of War," with more constantly being greenlit. However, it is crucial not to over-saturate the genre and risk it becoming the next Western movie genre fiasco.

The Flash (I) (2023)

Emotional Core and Nothing Else

[24 July 2023]

The Flash is the latest instalment in DC's ever-troubled movie franchise. While the film has its heart in the right place, it falls short with lacklustre (bordering on laughable) CGI, forced jokes, a significantly smaller scale compared to the comics, and various other shortcomings. Despite several years of development, The Flash feels rushed and fails to deliver on its potential.

The main plot revolves around Barry (played by Ezra Miller) going back in time to save his mother, a decision he couldn't make when he was younger. As expected, altering the past comes with consequences, especially when time travel is involved. Things take a turn for the worse, leading to a new dimension where Superman is absent, but Supergirl (Sasha Calle) takes on the mantle. Batman is portrayed by Michael Keaton, reprising his role from the past, and the Justice League is nowhere to be found. The film now features a revamped team of two speedsters, a Kryptonian, and a different version of Batman.

Ezra Miller's portrayal of The Flash has been a wild card pick from the beginning, depicting a young Barry struggling to master his powers and find friendship along the way, which isn't easy. In this film, he has grown significantly, especially when he encounters the second Barry, who hasn't faced the same struggles. We witness how much he has matured. While no one can replace Henry Cavill as Superman, introducing Supergirl is a different story. Sasha Calle brings raw emotion, stoicism, and a no-nonsense attitude to her portrayal. Michael Keaton, reprising his role as Batman, slips back into the character effortlessly, as if he never stopped playing the Dark Knight. His revamped suit, new technology tricks, and seasoned experience make him a formidable and successful protector of Gotham.

The Flash suffers from egregious CGI, severely hampering the overall experience. While it's usually better to have no CGI at all for grounded heroes, those with even minimal powers require proper CGI execution. With the film's extensive development time and a budget of around $220 million, there's no excuse for such subpar visual effects. The Flash becomes the latest addition to DC's franchise blunders. One can only hope that under the direction of James Gunn, future DC films will be crafted with more care and a genuine appreciation for the original comics, featuring a broader array of characters, rather than barely a handful.

Shrinking (2023– )

A Relaxing Series Filled with Character

[17 July 2023]

Shrinking is an Apple TV series that delves into the everyday lives of a group of psychologists and their diverse range of troubled clients. In a streaming landscape dominated by apocalyptic scenarios, sci-fi fantasies, and horror tales, a series that focuses on the simple act of living might not immediately catch your attention. However, Shrinking firmly establishes itself in the slice-of-life genre, offering viewers a refreshing and easy-going experience without attempting to redefine or innovate the genre.

The series follows three main psychologists: Jimmy (played by Jason Segel), Gaby (played by Jessica Williams), and Paul (played by Harrison Ford). Each character employs unique methods to connect with their clients and frequently seeks advice from one another. Jimmy, a widower struggling to let go of his late wife, often finds his personal emotions clouding his judgment with both his clients and his own daughter. Gaby navigates the challenges of balancing her professional life with the aftermath of a harsh breakup, determined not to let it interfere with her personal and professional growth. Meanwhile, Paul, on the brink of retirement, discovers the emptiness of his life outside of work as his daughter and grandson live far away, leaving him with only the heartwarming companionship of Jimmy's daughter (played by Lukita Maxwell).

Shrinking offers a safe and reliable viewing experience from Apple TV, and this isn't meant as a criticism. It simply diverges from the unconventional narratives I have come to expect from the platform. Whether or not it aligns with my personal preferences, it doesn't diminish the fact that it may resonate with a different audience. Focusing on a particular market segment can be a viable strategy, but exploring diverse themes allows for a broader comparison of what works and what doesn't. On a positive note, Apple TV continues to provide its audience with original series and movies that cover a wide range of topics, steadily expanding its original catalogue and capturing the attention of viewers.

Beast (I) (2022)

Stupid Decisions in Dire Times

[24 June 2023]

Beast attempts to captivate its audience with sweeping shots of the African landscape, a familiar story of a father protecting his children, and numerous long takes. However, it ultimately falls short due to its weak storyline. Idris Elba certainly has a busy year, starring in two consecutive films, and he carries the lead role in Beast. This film revolves around survival in an African resort, where everything progressively goes wrong for the protagonists. The African setting is portrayed as a hostile land teeming with wild animals and groups of poachers, particularly treacherous at night when darkness prevails.

The narrative of Beast follows a family on a trip to an African resort, where they encounter a mutual friend who offers them a tour of the land. Unfortunately, circumstances lead to their isolation in a foreign territory, pursued by a menacing lion. Their survival becomes the central focus as they desperately seek a way to overcome this bloody encounter.

Let's now shift our attention to the positive aspects of the film, namely the long takes. Although films that employ this technique are subject to rigorous scrutiny, Beast manages to incorporate extended sequences of actors engaging in various activities such as moving, conversing, handling objects, engaging in shootouts, and driving cars. However, the effectiveness of these scenes is hindered by shaky camera work, detracting from their impact. Furthermore, the excessive reliance on this technique throughout the entire runtime becomes repetitive, diminishing its overall impact.

Beast can be considered, in a somewhat unconventional way, a teenage horror/slasher film. Allow me to elaborate. The characters consistently make foolish decisions, putting themselves in harm's way and seemingly inviting their own demise. Our main villain possesses an unstoppable nature, sporting visible wounds and scars that momentarily slow him down, but fail to halt his pursuit. These elements are introduced early on, and the survival of our characters becomes uncertain, thanks to the unpredictability of the film.

Black Panther: Wakanda Forever (2022)

Average When It Should Have Been Great

[24 June 2023]

Black Panther: Wakanda Forever serves as the emotional farewell to its main character and actor, marking the end of Phase 4 in the MCU. However, as a superhero movie, it falls short. The film feels more like a memorial tribute disguised as a Marvel film, which could have worked given its lengthy runtime, but it ends up dragging on throughout. The CGI quality varies from scene to scene, the acting is great, the soundtrack is solid, the fight scenes are mediocre, and the standout aspect is the main villain.

As many have already mentioned, the actors truly elevate their performances in this film, but not quite to Oscar-worthy levels. Notably, Tenoch Huerta shines as Namor, portraying a character with clearly defined morals and a willingness to do anything for the betterment of his people. His nuanced acting, especially through his expressive eyes, adds depth to his character, leaving audiences uncertain of his true intentions. Similar to the first Black Panther film, the villain outshines the hero.

While the slower pace of the film works against it at times, the lack of substantial connections to the wider MCU is a disappointment. It becomes too focused on the tragedy of the passing of the main character, neglecting the fact that it should still be a Marvel film at its core. While the tragedy is understandable, it would have been more appropriate to explore it in a separate documentary or biography film rather than under the "Marvel" label.

Once again, the film suffers from inconsistent CGI, although not to the extent of the final fight scene in the first movie. The standout element in terms of costumes is the hero attire, particularly the new and improved Dora Milaje costumes and the Ironheart suit, which appear disconnected from the overall visual style.

In contrast to the underwhelming final fight, most of the other fight scenes are better, particularly the nighttime bridge scene. The absence of superpowers and flashy CGI allows for clear visibility and a better understanding of each hit. The bar fight scene in the first Black Panther film surpasses any fight scene in this sequel in terms of cinematography and choreography.

One aspect where the film excels is its soundtrack, featuring a bombastic mix of new and old tracks to announce the entrance of each character. Some familiar songs from the previous film make a return with notable improvements. The mesmerizing song that accompanies the entrance to Namor's underground city and the new and improved Dora Milaje theme are particularly impressive.

Black Panther: Wakanda Forever has its merits and some debatable aspects. It can be an enjoyable cinematic experience and surpasses Love and Thunder (although the bar was set low). Managing expectations is crucial for a more satisfying viewing experience. Marvel has had a disappointing year for me, with both films and series lacking a clear vision, relying too heavily on comedic scenes, excusing heroes-turned-villains due to tragedy, and delivering underwhelming third acts. It's time for Marvel to regroup and reclaim the franchise's former glory, moving away from these disappointing failures.

Hello Tomorrow! (2023)

Better Life Based on Promises

[20 June 2023]

Hello Tomorrow! Is a sci-fi series set in a retro-futuristic world, where seemingly machinery is stuck in time. We follow Jack Billings (played by Billy Crudup) and his team of phone and door-to-door sellers as they try to sell timeshares on the moon. The central question revolves around their effectiveness in securing sign-ups and whether there is actually anything on the moon.

The series excels in production design, showcasing a captivating retro-futuristic style. From functioning computers, self-preparing popcorn cups, video-integrated telephones, levitating cars, and robot assistants, the technology is an intriguing blend of existing, partially existing, and newly adapted concepts. It's refreshing to see a different vision of the future compared to what we have today. While retro-futuristic aesthetics can grow stale if they lack substance, Hello Tomorrow introduces new and innovative uses of technology in each episode, gradually unfolding its possibilities. Fans of the video game series "Fallout" will find similarities in the atmosphere, albeit without the post-apocalyptic theme and dark humour.

The biggest drawback of Hello Tomorrow lies in its pacing, which hampers the series' immense potential. Each episode follows the lives of the established characters, filled with work and personal troubles. However, it struggles to strike the right balance between the two. Some characters were frustrating to watch, engaging in manipulation and getting away with it, further exacerbating the issue. The central question that drives the series is repeatedly pushed aside, leaving viewers feeling like the people who signed up for the moon trip.

Hello Tomorrow! Is not a show for everyone, and it doesn't attempt to be. It tells its story, explores and affects the relationships of its characters, and concludes on a melancholic note. The ending is open-ended, offering various interpretations a potential blessing, as it allows each viewer to perceive it differently.

Apple TV has delivered respectable series and films, covering a range of themes with unique execution. While Hello Tomorrow! May not reach the heights of previous series, it still surpasses the majority of original Netflix productions.

Although the series is unlikely to receive a second season due to negative word-of-mouth, low viewership, middling ratings (which can deter potential viewers), a slow-paced story, and a time period that may not be as popular, I find Hello Tomorrow! To be a distinct and stylish show that sets Apple TV apart from other streaming services.

Windfall (2022)

Big Thrills in Unhappy Lives

[5 April 2023]

Windfall is one of those films where people would say 'they don't make 'em like they used to.' It combines elements from different genres and draws inspiration from specific sources. It features a slow and meticulous visual style, grounded performances by the three main leads, and a dash of Tarantino-esque action.

The film revolves around a theft gone horribly wrong. Our main protagonist, portrayed by Jason Segel, is facing a tough time after losing his job and decides to remedy his situation through theft. After conducting his research, he targets the house of a tech billionaire, which coincidentally happens to be empty at that particular time. However, luck takes an unfortunate turn as the CEO and his wife, played by Jesse Plemons and Lily Collins respectively, unexpectedly return home, leading to absolute disarray.

Story-wise, it remains grounded-a simple story told in an intriguing manner. With each passing moment, more is revealed about each character and the state of their lives. The constant tension and unease are palpable, as one would expect with a robber in their home, and they must find a way to coexist until he retrieves his money the following evening. This sudden race against time is quickly disrupted by various incidents within the estate, such as discovering cameras in unexpected places and unexpected visitors.

The estate itself shines through its captivating design and set decor, which provide subtle hints about the items that may or may not come into play.

Furthermore, Windfall has a runtime of about an hour and a half, but due to its old-fashioned structure, it can feel much longer. The main plot kicks off almost immediately, establishing ground rules, pointing guns, and building tension. However, if you fail to engage with it from the start or find it uninteresting, there is no saving this one.

In conclusion, I had few issues with this film, except for a couple of decisions made by the characters. It knew its identity, stayed true to its vision, and delivered within its boundaries without going over the top. Windfall is a solid one-time watch, but it doesn't reach the level of something exceptional.

Irresistible (I) (2020)

A Political Satirical Comedy

[5 April 2023]

Irresistible is a satirical film about politics and the various forms it can take. Whether it's offering hope for a better future, utilizing exaggerated commercials to convey a specific message, or wastefully deploying resources for something of little value, the film explores it all. The main draw here is, of course, Steve Carell's performance, and to some extent, Rose Byrne's. The supporting cast primarily exists to create comedic opportunities and doesn't contribute much else.

We follow Gary Zimmer (played by Steve Carell), a 'democratic strategist' who aims to prove himself by helping a retired veteran become the mayor of a small Midwest town. Using any means necessary to reach as many people as possible, he strives to win the upcoming elections. However, things never go as smoothly as anticipated, and if they do, something unexpected is bound to happen-enter the opposing party, AKA the villains. On the other side, we have Faith Brewster (played by Rose Byrne), who takes a more cutthroat approach to manipulate the opposition and gain an advantage. Essentially, that's what Irresistible is about: two parties battling it out to secure their chosen representative as the town's mayor. Given its heavy focus on politics, albeit in a satirical/comedic manner, this film may repel a portion of its potential audience.

Irresistible struggles with its tone as it attempts to juggle political themes with comedic elements. On one hand, Steve Carell shines throughout the entire runtime with his witty and endearing demeanor. On the other hand, the film about politics often tries too hard to be funny, ultimately straying further from the message it intends to convey.

In the end, Irresistible is a perfectly average film tackling the controversial topic of politics. However, it presents it in a digestible way to avoid alienating potential viewers. There are some minor hiccups and moments that drag heavily, but Steve Carell more than compensates for them.

Welcome to Wrexham (2022– )

One Town One Team

[5 April 2023]

'Welcome to Wrexham' can be summarized with one word, and that word would be 'heart.' Not once did it cross my mind that I would be entranced by a series about football, but with the two leads being Ryan Reynolds and, as a big fan of 'It's Always Sunny in Philadelphia,' of course, Rob McElhenney, it offered a glimpse into a world that has been going strong for over 100 years but has fallen heavily in popularity with people under 30 and even older, or at least that is my observation.

'Welcome to Wrexham' is about how our two leading men (Ryan and Rob) decided to buy a football club in Wrexham, Wales. By generously investing a lot of capital to upgrade existing facilities and acquiring new talent, they witness how much Wrexham supports their team and just how much it means to them. Things change drastically, and now with a rejuvenated spirit and even more invested money, they are on a quest to bring endless success to the club and overwhelming joy to the town.

What sets it apart from a normal series/film about football or sports, in general, is the 'Hollywood' feel. In most cases, one team (normally the underdog) starts from almost last place and, against all odds, manages to beat the opposition and ultimately earn its place in first or at least near the top. This might sound rather harsh, but the truth is that it's a tested formula that has worked time and time again because people really like watching the underdog win, and that's why so many stories are done that way. 'Welcome to Wrexham' diverts from that path from the very start. It offers a glimpse into the team and football as a whole, but focuses more on how each player manages to work around their specific work/life balance and how the town, through football, becomes one. This change makes it utterly unique and made it stand out from all the rest.

We get glimpses into the lives of different people from Wrexham, about how the league is going, how they are helping in each and every way they can, and lastly, how much it means to them. These tiny interactions are specifically what makes 'Welcome to Wrexham' stray further from the traditional underdog story. Each respective person shows how much this club means to them and in their own specific way, whether it's supporting them through fundraisers, making the stadium wheelchair accessible, providing a dedicated place to drink after the match, and much more. Some stories are very wholesome, such as the strengthening connection between a child and a father through football, as the club means a lot to him and he wishes to pass that down to his child. So that in the future, when that child watches the club perform and hears the public roaring with excitement, he can always associate that feeling with his father. One thing I appreciated even more was that it would have been so easy to focus on the leading men and have the club take a backseat, but both Ryan and Rob are constantly there, albeit more in the background, never forgetting that the team and town should be at the forefront and should shine.

As someone who is not at all interested in football and, moreover, all the specific players, different leagues, rules, and much more, getting a recommendation after all that means they did something special. There probably won't be a second season, or if there is, it won't be soon. But even if this is all they had to show, 'Welcome to Wrexham' is still worth watching.

Ant-Man and the Wasp: Quantumania (2023)

Big Ideas small executions

[5 April 2023]

Another year has begun, and once again, we find ourselves on the Marvel train. Phase 4 started early in 2021 with WandaVision and concluded with Black Panther: Wakanda Forever. That phase had its ups and downs. Now, with Phase 5, hopefully Marvel can prioritize quality over quantity and offer a better experience for both new fans and those who have been following them since the beginning. Kicking off Phase 5 is the third Ant-Man film called Ant-Man and the Wasp: Quantumania. With a larger cast and a higher budget, it aims to break the norm of Phase 4 and deliver a quality similar to that of Phase 1-3.

Scott (played by Paul Rudd) and the gang continue their lives after the events of Endgame. Scott is now an author, sharing his life experiences in a book. Hope Van Dyne (played by Evangeline Lilly) establishes the Pym Van Dyne Foundation, which utilizes Pym Particles for humanitarian advancements (this is the most interesting aspect of her character in the film). Cassie Lang (now played by Kathryn Newton) has grown up and unfortunately follows in her father's footsteps, burdened by his absence and other responsibilities. When Cassie creates a machine to communicate with the Quantum Realm (it's becoming repetitive how each younger character in the MCU is portrayed as a genius), things quickly go awry. Once again, they must find a way out of the realm and, preferably, survive. After that, you have your standard MCU fare, with an above-average villain and occasional scenes showcasing impressive CGI.

One major disappointment is MODOK, whose entire story was rewritten to fit into the MCU canon. However, in the end, he turns out to be a completely different character. The decision to make him the primary antagonist of the first Ant-Man film was intriguing, but unfortunately, it didn't work out as well as anticipated. It would have been much better if he had never removed his helmet, as many fans love to see iconic villains maintain their mysterious appearance. Instead, we were constantly subjected to rushed and poorly executed CGI, making it difficult to understand how such visual quality passed quality assurance. This is one of the reasons why people are increasingly unsure about the direction of the MCU and whether it can reach the same heights it once did.

Another weak point is the Wasp, who shares the title with the titular character but has very little to do throughout the film. Occasionally, they remember her presence and give her something to do. Everything about her character felt lackluster compared to the previous two films, and she ended up being the most forgettable aspect of the entire movie. We don't even need to discuss how she shoots her arm lasers/cannons at the bad guys, especially in the final fight scene. It simply didn't work.

On the other hand, out of all three Ant-Man films, this one does have the best villain, Kang (who honestly deserved a better film treatment). Jonathan Majors portrayed Kang with a calm demeanor, implementing different strategies to achieve his goals without wasting words or actions. This version of Kang is quite distinct from He Who Remains (from the Loki series) and the other incarnations shown in the end-credit scene. I'm looking forward to seeing how his next incarnation will differ from the previous ones.

Another significant positive point is the Probability Storm. The concept is fascinating from beginning to end, existing in a realm where rules cease to exist. Each possible decision creates an entirely new multiverse, allowing you to see the outcomes of different choices. The overall notion is intriguing, complemented by atmospheric sound design and captivating visuals, making the scene well-executed.

At the end of the day, Ant-Man and the Wasp: Quantumania is another MCU film that does just enough to be considered a standalone movie but falls short in striving to do something more. As the start of a new phase and an introduction to the major threat of this saga (Phase 4-6), it should have been better, and ultimately, it needed to be better. It simply exists without leaving a lasting impression. I am confident that the MCU will eventually connect the dots between the various films and series, as it did in the previous saga. However, so far, the previous saga handled it better.

Shazam! Fury of the Gods (2023)

The Magic is Weakening

[24 March 2023]

Shazam! Fury of the Gods is the latest entry in the twilight years of the DCEU or whatever they are attempting to rebrand themselves as. Their rebranding attempts have become rather sad at this point. While the first Shazam had its fair share of flaws, it made up for them with a lot of heart. It was a superhero story rooted in tragedy and showcased how a few people with open arms could bring about drastic change. Now, let's see how the new Shazam movie holds up. Can it drive the story forward in the ever-growing dire existence of the DC universe? Will it make the characters even more likable or simply be a passable experience?

As mentioned earlier, Shazam is not just about one person but rather the entire family, and that worked in favor of the first film. However, it stumbles in the second installment. Since Fury of the Gods takes place a few years later and we already know each family member, it's time to inject some more character development and make them truly unique. Unfortunately, while some characters receive that treatment, others remain almost nonexistent. For example, one character possesses superpowers similar to Shazam's, so what sets him apart and makes him truly stand out? Well, aside from being gay and not being good at dodgeball (not to offend anyone), those aspects alone are far from enough.

Shazam! Fury of the Gods offers plenty of laughs throughout its runtime, and it is understandable that it has a childish tone, as its characters are children. Personally, it worked for me only occasionally, especially when it tries to emulate the humor of Marvel films. However, for every joke of that kind, there is a childlike moment of curiosity and wonder that works perfectly.

One standout element is the Dragon (which was heavily featured in trailers and promotional material). Its concept is intriguing, as it serves as a protector of a realm with a specific power that induces tremendous fear in those it chooses. The visual choice to keep it obscured by shadows, revealing only its bright blue eyes and mouth, is captivating. However, once its true scale is shown and it is fully revealed in sunlight, all the mystery dissipates, and you are left with a disappointing-looking dragon.

One of the main questions about this film is, 'Does it really matter?' considering that DC is starting over yet again, and whether the connections established by Shazam even hold any significance. The film makes several references to other characters, and we even catch glimpses of some of them (not counting the body stand-in for Superman from the first film). DC has been treading shallow ground for a few years now, and they continue to do so. Hopefully, James Gunn can make a difference.

Ultimately, Shazam! Fury of the Gods is a forgettable experience with too many characters, an overdependence on several MacGuffins, a lower number of successful jokes compared to the first film, and an overall weaker narrative. On the positive side, it does have humor (even if it didn't resonate with me), likable characters, and will likely provide an enjoyable experience for children.