Change Your Image
marshalljune
Reviews
Celle que vous croyez (2019)
Ageism and Outer Appearances Overwhelm
It is difficult to like the main character, whose inner development is that of a teen. She is afraid of getting old. She's afraid of abandonment. She's afraid because her husband that she claims to have been the center of her life, left her for a much younger woman.
But this shallow and silly attitude is hard to reconcile with the fact that she is supposed to be an acclaimed professor of French literature and an author. Her pompous expositions while teaching show the French's love of their culture but we see nothing beneath the surface of this display. There is no real understanding of the soul.
And so she pursues an online catfish scam to create a young, pretty character that is lovable the way she thinks she is not. She is intellectual without being even slightly emotionally intelligent. Surface, beauty, sex without love, and cliched flattery make her feel "alive." Just like the poor catfished widows that are the victims of romance scams and send hundreds of thousands of dollars to people they never met. They are paying for the fantasy and live for love notes from Nigerian teens calling them "my Queen."
Therefore I have no sympathy for her character, nor do I even like her. I find her to be a dangerous liar with her smirk as she tries to outsmart her shrink. And if I can't like the main character for even a minute, why do I care what happens to her except that she gets her comeuppance?
She had crossed so many lines, such as having an affair with a student. Since she is responsible for his grades and evaluations, it is not commendable of her to stalk him through his roommate after the brief and pointless encounter was over. Lying to family and friends, not taking care of her kids, being intensely preoccupied with every incoming phone call from her fantasy lover--it became cringe-worthy.
If she thought phone sex approximated real intimacy, that was another marker for her lack of emotional intelligence. So she can expostulate about Moliere and Duras all she wants, I am not buying that she has any understanding of these great minds or artists. She is pretentious and this material is thrown in to show that she is learned but still subject to the narcissistic tendencies of social media and youth worship.
Fake stuff makes her feel better about herself. And mental illness is too easy an excuse and and unsatisfying answer for what is her motivation. It is facile to say that she did all this because she was a sick puppy. The antics of an insane person are not enough to supply a satisfying movie experience.
Borderline (2023)
Reptilian Brain Run Amok
This is beautifully and artistically filmed with painterly backgrounds and color schemes. And excellent acting from the main characters. But Charli is impossible to like or even care about. She is a survival machine, fueled by drugs. She treats everybody equally badly and uses them, making me wonder why anyone stuck around for as long as they did.
It helps that she is gorgeous, with a stunning body. If she were the average, lumpen proletariat, would we care even less what happens to her as a person who mistreats others, lies, cheats, steals, and sells herself to get some pills? There has to be some point where we like the main character enough to root for her to at least reach some understanding and insight into life. But alas, I couldn't tolerate her constant disrespect and mood swings, even if I understood it was caused by mental illness.
We are first introduced to her emotionally blackmailing her mother. Behaving like "queen-baby" furiously demanding money one moment and sobbing and acting helpless the next. Threatening that she will die and laying a heavy guilt trip on mom. Mom is another enabler she surrounds herself with, that finally gives into Charli's raw passion to get more drugs for herself.
Knowing that she has borderline personality disorder is not enough for me to feel sympathy for her. And that is the dilemma of personality disorders. We know the people are sick and suffering but their behavior is impossible to deal with after a while. They have very little insight into themselves and are considered difficult to treat because of this.
At one point Charli yells at a cat that never shows up to be fed, calling it an "ungrateful ---- cat!" That is what I feel about Charli. She is gorgeous, has friends that have stuck with her, a job where she can be of some help to others--but there's no gratitude for any of it.
Another time, she screams over the phone at her roommate Zee, "You selfish, entitled b!" Again, she could be looking in the mirror as she yells this, because that is exactly how she portrays herself. In this sense, the acting is excellent and real--it's just how much unrelievedly horrible, nasty behavior can we take as we see that her entire reason for living is to get more drugs?
It's not enough to treat everyone like trash so you can survive another day to take more drugs and to go to empty parties and get even more wasted. "Wasted lives looking to get more wasted," could be a summary for the plot. It shows the pointless, empty life of someone who has many privileges yet can only sit in the corner furiously licking her wounds because the world didn't cater to her needs.
The fact that Charli works in the healthcare industry is a wry commentary on organized medicine and some of its participants. All of society is under indictment for producing people whose reptilian brains run them, even if they try to numb them out through substances--many of which were prescribed by the healthcare industry, to "help" initially, but ended up enslaving people.
The reptilian brain finds its way through this film over and over again and it's not pretty to watch. To some extent, it describes a world of people who are driven by the mechanical need to survive at all costs, sometimes preferring absolute fury and desperation to the supposed oblivion of death. Being furiously miserable is a better alternative to the unreflecting lizard than not living at all.
The physical closeness in this film is also not sensuous or loving. Love is totally lacking in this film except for as portrayed by the roommate Zee, who shows great latitude in accepting Charli's moody, hostile behavior. "Borderline" shows what it is to live all day long without love, mistaking carnality for it at times, but love doesn't show up. Reptiles don't love and neither do people who are so into themselves they've forgotten how to treat others.
Even though this is a fascinating portrayal of manipulation and fakery to gain one's ends, it is not an easy film to watch in terms of character. Yet the director shows enormous talent in how the shots are set up as well as portraying a very real problem in our society today.