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Reviews
Gyeongseong Keuricheo (2023)
A marvel, especially Han So-hee
Another fantastic Korean production. The first thing that surprises is the great capacity for setting that they have developed in the Korean industry, recreating past eras, without effects, or if there are any, they are not noticeable. The setting is perfect, of absolute good taste, transporting you to another time, to a distant place that will never exist again.
Another key part is the actors, all brilliant, especially Han So-hee, who is simply adorable, absolutely nothing to do with the classic sexualized female protagonist that TV has accustomed us to. No, she is a sad and vulnerable but full of life, precious. It is impossible not to fall in love with her.
The story is entertaining, agile, and recreates a world that is half real and half imaginary. Safety pin.
Deo geullori (2022)
Excellent
Koreans are at their top on tv shows. This is not an exception. Without having to be gruesome and show excesses, without being literal, they create atmospheres supported by very good scripts and endearing characters. This series is simple, but so well crafted, entertaining, emotional and with a beloved protagonist, Song Hye-kyo. The story unfolds without rushing, but at the same time things are always happening. The co-leads are all excellent actors. The essence of Korean culture gives it that special touch, sometimes far from the excesses and bad taste that North American cinema has accustomed us to.
La cordillère des songes (2019)
A miserable political speech
The Andes serves as a framework to lie and tell a fake story about victimizers turned into victims. Only 1 view, left-wing extremists, fans blinded by hate, communists talking about a dream (a nightmare) that was demolished by common sense (Pinochet). Only delirious characters speaks, like Baradit, who omitted on purpose, the causes, and the disastrous project that the extreme left wanted to impose in Chile, by the force, on Allende´s rotten government. A collection on wretches.
Patricio Guzmán, has spend around 50 years only talking about Pinochet, Allende and all the communist imaginary that collides with reality.
It's incredible, how the extreme left, sees the sins of others without even mentioning his own atrocities, a disgusting director, a miserable being, a story full of lies.