The shooting scene is very beautiful, the actor's costume is also beautiful, and the heroine is very smart
10 Reviews
A gorgeous TV series
x-5431323 March 2020
Chinese Game of Thrones/Queen Elizabeth But Better
zeewonka31 March 2019
Warning: Spoilers
This has many of the tropes and styles found in GOT but without the mystical element, which in my opinion, makes this even better as it is harder to make a non-fantasy story engaging, and what makes this remarkable is how it reinterprets history with psychologically realistic characters in such a way that the reinterpretation seems like an accurate portrayal of historical characters and events.
The protagonist, the mother of the first emperor of unified China, is reviled as a lustful woman in certain historical records and has been portrayed as such in previous TV shows. But history is complicated and it is not unlikely that the historian who slandered her did so for his own political agenda. After all, how can a woman with uncontrollable urges climb the social ladder in the Zhao royal court, survive as a single mother in wartorn Zhao and solidify her power in the cutthroat Qin royal court?
Like GoT, this show has plenty of family drama, witty dialogue, tragic deaths, doomed fates but with even more intensity that makes GoT look like child's play. Although it doesn't have nudity and brutality on the level of GoT, there's more heart breaking moments in this show. But there are light hearted moments as well to balance the sadness, which is something East Asian shows do well in. Compared to GoT, this show offers more social commentary on issues such as female identity and how most people men women royalty paupers alike are the chess pieces of others. The production value is top notch. Music is great. However, be prepared for disappointment if you expect lots of action scenes like a wuxia martial arts showdown because there isn't much here. While the plot is generally fast and well-paced with little time spent on irrelevant dialogue, the downside is it leads to ridiculous scenes in which daytime suddenly becomes night time.
Two things I enjoy most: the complex character development and how various characters plot against each other. All characters even the minor ones have their moments of awesomeness. We understand their internal turmoils, the challenges they face and the sacrifices they make. There is usually an emotionally charged monologue before a death scene. We see the shades of grey in each character. There are few stock villains. Pure motivations like love and clan protection often turn characters into monsters. The other part I like is the strategizing that culminates into an Ace Attorney style debate.
The protagonist, the mother of the first emperor of unified China, is reviled as a lustful woman in certain historical records and has been portrayed as such in previous TV shows. But history is complicated and it is not unlikely that the historian who slandered her did so for his own political agenda. After all, how can a woman with uncontrollable urges climb the social ladder in the Zhao royal court, survive as a single mother in wartorn Zhao and solidify her power in the cutthroat Qin royal court?
Like GoT, this show has plenty of family drama, witty dialogue, tragic deaths, doomed fates but with even more intensity that makes GoT look like child's play. Although it doesn't have nudity and brutality on the level of GoT, there's more heart breaking moments in this show. But there are light hearted moments as well to balance the sadness, which is something East Asian shows do well in. Compared to GoT, this show offers more social commentary on issues such as female identity and how most people men women royalty paupers alike are the chess pieces of others. The production value is top notch. Music is great. However, be prepared for disappointment if you expect lots of action scenes like a wuxia martial arts showdown because there isn't much here. While the plot is generally fast and well-paced with little time spent on irrelevant dialogue, the downside is it leads to ridiculous scenes in which daytime suddenly becomes night time.
Two things I enjoy most: the complex character development and how various characters plot against each other. All characters even the minor ones have their moments of awesomeness. We understand their internal turmoils, the challenges they face and the sacrifices they make. There is usually an emotionally charged monologue before a death scene. We see the shades of grey in each character. There are few stock villains. Pure motivations like love and clan protection often turn characters into monsters. The other part I like is the strategizing that culminates into an Ace Attorney style debate.
Horrible script
maisumacontatlauncher21 February 2024
Jinyan Wu is the Kristen Stewart of China, dull, expressionless, and for some reason all the men in the series are madly in love with her. The script is terrible, full of conveniences and characters taking meaningless actions.
The series is supported by the magnificent costumes and excellent actors (except the protagonist).
Yuan Nie in many moments maintains the series with his charisma and Jing Ning created a very interesting character who is cruel and wonderful at the same time.
It had everything to be a memorable series, but the terrible script and dull protagonist ruined the series.
But in the last episodes the series becomes terrible, boring, almost unwatchable.
The series is supported by the magnificent costumes and excellent actors (except the protagonist).
Yuan Nie in many moments maintains the series with his charisma and Jing Ning created a very interesting character who is cruel and wonderful at the same time.
It had everything to be a memorable series, but the terrible script and dull protagonist ruined the series.
But in the last episodes the series becomes terrible, boring, almost unwatchable.
Love the story and intricacy of each characters and their development
graysin-0622516 February 2019
I love this cdrama-mdrama the characters show atypical love story and what it means to presevere in times of turmoil and no way out. All of the good characters they introduce all have their charm, wit and endearing quality about them. The only "evil" characters the one that last an impression on me was Empress Dowager of Zhao emperor and the Han concort showed they were more than just lovers but helped the emperor. The only sad part about this drama and ALL historical dramas is you shouldn't get yourself attached to any of the good characters like the supporting characters who helped the leads escape by sacrificing their own lives cause it just doesn't feel right. I'm 50 episodes in and they got rid of majority of the villains in the show except for one and this one is like a fester that just wont be gone! It's the Empress Dowagers daughter and her own jealousy mixed with her cold upbringing makes her an "evil" character that I find hard to feel sorry for. She just continues to mess up Hao Lan and Yiren and BuWeis life!! Her jealousy completely envelopes her and unlike the other evil characters she never leaves! The writers keep writing her in!! But overall the show in my opinion has wit, tenderness, humor and complexity. It's my favorite right now I've binged watched and I just want to find out the ending hoping the writers don't kill off my faves cause that would be heart wrenching!!
THE LEGEND OF HAO LAN: Thrilling & Addictive
Jinxxa_Wolf17 November 2020
THE LEGEND OF HAO LAN (Hao Lan Zhuan) was a rollercoaster ride from start to finish, a powerful story of one woman's rise from the ashes to the Empress seat and beyond. First of all, even though the ending felt somewhat uncertain and unsatisfying, I truly loved this show, though it certainly had its shortcomings. It is a historical reimagining full of unpredictable twists and turns, fatalistic characters and a high tension plot. Be in mind, however, this drama is more political than it is romantic and at times this series builds false hopes in that department.
Many people compare this series to Story of Yanxi Palace, mainly because of the similar casting lineup and high quality. These stories should not be compared otherwise, as they are drastically different entities featuring completely different eras, storylines and motives.
Taking place in the Warring States era not long before the gradual unification of war-torn China, this series opens up to a grand political stage in which the rising conflicts between the Qin and Zhou states become increasingly heated. The political storyline is brimming with tension and packs a hard punch, though the pacing is occasionally hindered by some pointless strife and redundancy, as well as some far fetched scenarios.
The character of Hao Lan, as played by Wu Jinyan, was such a relatable, powerful, yet deeply flawed heroine. There is so much complexity there. Li Hao Lan is a deeply tortured character who overcomes many horrible obstacles in her path, growing in strength and cunning as she climbs the political ladder. It's hard not to immediately empathize with her from the beginning as she pledges never to be used and disrespected again. Her character is full of vulnerability and boldness.
It's often tragic what Hao Lan has to face and how it inevitably changes her, for both better and for worse. I love how this series showcases her strengths and weaknesses, and never tries to convince the viewer that she is a saint, as some dramas tend to do with their leads. Wu Jin Yan is really an amazing actress, whose versatility causes her to be so compelling in her roles. She is so believably witty, bold and has such an emotional range as an actress. Brilliant to watch.
Another exceptionally brilliant aspect was the highly (overly) ambitious character of the cunning merchant-businessman Lü Buwei, acted by Yuan Nie. Lü Buwei is a very amazing character with such an overbearing ruthless personality and intense political ambition, while at the same time very charming and pitiful. Yuan Nie is awing in this role where his character is so believably complicated and conflicted. He has an amazing stage presence as well, and that is easily seen in every physical gesture, confident declaration, temperamental outburst, passionate confession, and down to his subtle calculating expressions and mannerisms. He plays an unforgettable character here.
Lü Buwei is an unwavering force of nature in this series and his character story provides a strange mixture of tragic satisfaction to see him strive, achieve and suffer loss- a character whose strengths are also his weakness. Almost self defeating. I found myself constantly rooting for him despite his almost deplorable villainous tendencies. He is an excellent depiction of an antihero in my opinion and I found him insanely compelling and charismatic, and his lifelong entanglement with Hao Lan was endlessly mesmerizing.
The relationships (partners, friendships, romances) aspect of this series is often very tragic, toxic and twisted, with many one-sided loves, vengeful partners, back stabbing, misunderstandings, betrayals, losses etc. Hao Lan and her love choices are no different, sadly. Add to that there were quite a few characters (villains) that were driven by unrealistic motives and over the top emotions, far too many to name honestly, but thankfully some had last minute epiphanies or redemptive motives revealed. At times this show felt very bleak and stressful feeling. One thing I truly loved was the unshakable friendship between Li Hao Lan and Physician Yin Xiaochun. Beautiful. I also really liked the "three musketeers vibes" between Hao Lan, Lü Buwei and Yi Ren.
Although this is a pretty dark series, there was so much to love. With an amazing memorable cast, cracking character chemistry, tense storyline, political intrigue, beautiful music scores (opening credits included), great sets, locations, costumes, and artistic design. Overall, this was a very great series and had me hooked. There are many great underlying themes as well, such as women's equality, ambition, freedom etc. In some ways this is an ode of feminism as well. And even though I still feel ambiguous about the ending, it's given me so much to think about. Loved it.
Many people compare this series to Story of Yanxi Palace, mainly because of the similar casting lineup and high quality. These stories should not be compared otherwise, as they are drastically different entities featuring completely different eras, storylines and motives.
Taking place in the Warring States era not long before the gradual unification of war-torn China, this series opens up to a grand political stage in which the rising conflicts between the Qin and Zhou states become increasingly heated. The political storyline is brimming with tension and packs a hard punch, though the pacing is occasionally hindered by some pointless strife and redundancy, as well as some far fetched scenarios.
The character of Hao Lan, as played by Wu Jinyan, was such a relatable, powerful, yet deeply flawed heroine. There is so much complexity there. Li Hao Lan is a deeply tortured character who overcomes many horrible obstacles in her path, growing in strength and cunning as she climbs the political ladder. It's hard not to immediately empathize with her from the beginning as she pledges never to be used and disrespected again. Her character is full of vulnerability and boldness.
It's often tragic what Hao Lan has to face and how it inevitably changes her, for both better and for worse. I love how this series showcases her strengths and weaknesses, and never tries to convince the viewer that she is a saint, as some dramas tend to do with their leads. Wu Jin Yan is really an amazing actress, whose versatility causes her to be so compelling in her roles. She is so believably witty, bold and has such an emotional range as an actress. Brilliant to watch.
Another exceptionally brilliant aspect was the highly (overly) ambitious character of the cunning merchant-businessman Lü Buwei, acted by Yuan Nie. Lü Buwei is a very amazing character with such an overbearing ruthless personality and intense political ambition, while at the same time very charming and pitiful. Yuan Nie is awing in this role where his character is so believably complicated and conflicted. He has an amazing stage presence as well, and that is easily seen in every physical gesture, confident declaration, temperamental outburst, passionate confession, and down to his subtle calculating expressions and mannerisms. He plays an unforgettable character here.
Lü Buwei is an unwavering force of nature in this series and his character story provides a strange mixture of tragic satisfaction to see him strive, achieve and suffer loss- a character whose strengths are also his weakness. Almost self defeating. I found myself constantly rooting for him despite his almost deplorable villainous tendencies. He is an excellent depiction of an antihero in my opinion and I found him insanely compelling and charismatic, and his lifelong entanglement with Hao Lan was endlessly mesmerizing.
The relationships (partners, friendships, romances) aspect of this series is often very tragic, toxic and twisted, with many one-sided loves, vengeful partners, back stabbing, misunderstandings, betrayals, losses etc. Hao Lan and her love choices are no different, sadly. Add to that there were quite a few characters (villains) that were driven by unrealistic motives and over the top emotions, far too many to name honestly, but thankfully some had last minute epiphanies or redemptive motives revealed. At times this show felt very bleak and stressful feeling. One thing I truly loved was the unshakable friendship between Li Hao Lan and Physician Yin Xiaochun. Beautiful. I also really liked the "three musketeers vibes" between Hao Lan, Lü Buwei and Yi Ren.
Although this is a pretty dark series, there was so much to love. With an amazing memorable cast, cracking character chemistry, tense storyline, political intrigue, beautiful music scores (opening credits included), great sets, locations, costumes, and artistic design. Overall, this was a very great series and had me hooked. There are many great underlying themes as well, such as women's equality, ambition, freedom etc. In some ways this is an ode of feminism as well. And even though I still feel ambiguous about the ending, it's given me so much to think about. Loved it.
Horrible when compared to Story of Yanxi Palace
CentralBank15 March 2019
The 3 stars:
THE BAD:
If you are a big fan of Yanxi Palace, stay away from this. You'd be sorely disappointed.
- Beautiful scenery & costumes
- Very good acting from many actors (Han Qiong Hua, a side cast did very well. Most impressed.)
- Some good moments of ingenuity and cleverness
THE BAD:
- Horrible script. The writer keeps dilly dallying and using a multitude of irrelevant filters to fill the episodes.
- Just when you think the lead male hardens his heart for a bigger cause, he weakens and falls back into her arms, and ruins his plans once again. This carries on at least 20 times. For Christs' sake. Once is fine. Twice is plenty. Thrice is stale. And they went more times than that.
- There is just no sense of a good script at all. People can walk in and out of the palace to anybody's content. The way they write this is ridiculous.
If you are a big fan of Yanxi Palace, stay away from this. You'd be sorely disappointed.
Enough for entertaint.
kosinoyoh1 March 2019
Warning: Spoilers
This drama have some unecessary scene and plot, if you are a easy going person you will accept it and it can entertaint you enough. Lubuwei is a smart man in history but in this drama he failed many times to escape from Zhao Kingdom. The only thing entertaint you in this drama is the love story I guess, but It will soon become boring too.
Boring
yanning-5514711 February 2019
Legend of Hao Lan aka Beauty Hao Lan
Bibiliography3 November 2022
I was reluctant to let go of the characters from Story of Yanxi Palace and was hoping The Legend of Haolan would sate said longing. WRONG!
I understand this was an adaptation of true events which meant the writers and creators were restricted in what could be changed, however, the plot was needlessly dragged out with each episode seemingly a reoccurrence of the previous one. Li Hao Lan, the titular character, was played by one of the best Chinese actresses yet even she couldn't breathe life into such a mundane character who was 1-D and completely inept at palace schemes. Time and time again, she's framed for some crime and is saved by either of the two male leads and obviously, this got old very quickly. The actors were hampered by the bad script and nothing could save the series from being just slightly above average.
I understand this was an adaptation of true events which meant the writers and creators were restricted in what could be changed, however, the plot was needlessly dragged out with each episode seemingly a reoccurrence of the previous one. Li Hao Lan, the titular character, was played by one of the best Chinese actresses yet even she couldn't breathe life into such a mundane character who was 1-D and completely inept at palace schemes. Time and time again, she's framed for some crime and is saved by either of the two male leads and obviously, this got old very quickly. The actors were hampered by the bad script and nothing could save the series from being just slightly above average.
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