As summer turned to fall in 2020, Interpol’s Paul Banks was laying low in Edinburgh, sitting by a window in “a comfy chair,” watching the leaves change outside. He sang quietly, trying not to disturb the neighbors as he worked on new songs he describes as “very relaxed,” “intimate,” “positive-feeling,” and “a bit more uplifting.”
These aren’t words that your average person with vivid memories of the early 2000s would expect to hear from anyone in Interpol. Back then they were Manhattan’s kings of moody style, the guys...
These aren’t words that your average person with vivid memories of the early 2000s would expect to hear from anyone in Interpol. Back then they were Manhattan’s kings of moody style, the guys...
- 11/11/2021
- by Simon Vozick-Levinson
- Rollingstone.com
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