Directed by
| Ema Ryan Yamazaki | ||
Cast
 |
Kaoru Kashiwagi | ... | Self |
|
|
Yusei Kikuchi | ... | Self |
|
|
Ito Kouno | ... | Self |
|
|
Kosho Mizutani | ... | Self |
|
|
Kyoko Mizutani | ... | Self |
|
|
Tetsuya Mizutani | ... | Self |
|
|
Keishu Mukai | ... | Self |
|
|
Shohei Ohtani | ... | Self |
|
|
Mizutani Sachiko | ... | Self |
|
|
Hiroshi Sasaki | ... | Self |
|
|
Ryumon Sato | ... | Self |
|
|
Fumiya Tsuta | ... | Self |
|
|
Tatsuki Yokose | ... | Self |
Produced by
| Yusuke Itoh | ... | executive producer |
| Eric Nyari | ... | producer |
| Nicholas Trotta | ... | associate producer |
| Keiko Tsuneki | ... | executive producer |
| Shin Yasuda | ... | executive producer |
Cinematography by
| Michael Crommett | ||
Editing by
| Ema Ryan Yamazaki | ||
Sound Department
| Roman Chimienti | ... | dialogue editor |
| Nathan Hasz | ... | additional re-recording mixer |
| Ai Miyatake | ... | Foley editor / sound editor / sound recordist |
| Eiji Mori | ... | additional sound |
| Katsuichi Nozawa | ... | additional sound |
| Tom Paul | ... | sound design & re-recording mix |
| Katsuhiko Shimizu | ... | additional sound |
| Camille Thomas | ... | Foley editor / sound editor |
| Yuji Toda | ... | additional sound |
| Ken'ichi Tsujimoto | ... | additional sound (as Kenichi Tsujimoto) |
| Nakayama Yuki | ... | additional sound |
| Gibran Yusuf | ... | assistant sound effects editor (uncredited) |
Camera and Electrical Department
| Taiki Douglas Ideguchi | ... | additional camera |
| Yasushi Kaneko | ... | drone |
| Ryu Nishio | ... | drone |
| Seigo Saito | ... | drone |
| Katsuhiko Suzuki | ... | additional camera |
| Hiroki Takano | ... | additional camera |
| Toshiyuki Takei | ... | Additional Camera Assistant |
| Atsuki Tokuyama | ... | additional camera assistant |
| Tomoya Yasui | ... | additional camera |
Editorial Department
| Andrew Betzer | ... | qc & mastering |
| Danny DeVincent | ... | consulting colorist |
| Fernanda Gurgel | ... | colorist |
| Madeline Little | ... | post-production coordinator (as Madeline Lewis) |
| Fred Mushel | ... | logistics |
| Tod Orblych | ... | logistics |
| Fumiro Sato | ... | post-production supervisor |
| Chloe Smolkin | ... | colorist |
| Mizuki Toriya | ... | post-production assistant |
| Adam Wangerin | ... | qc & mastering |
Music Department
| Jason Cummings | ... | music |
| John McCullough | ... | music clearance consultant |
Additional Crew
| Jonathan G. Fisher | ... | legal counsel |
| Tommy Hikida Guilfoyle | ... | production assistant |
| Hidetoshi Hatakana | ... | opening montage |
| Masaru Ikei | ... | opening montage |
| Mitsuo Kurano | ... | opening montage |
| Tetsuya Mizutani | ... | additional archival materials |
| Madoka Nagao | ... | archival research |
| Chris Perez | ... | legal counsel |
| Cpa Rich Meltzer | ... | accountant |
| Naoko Saitô | ... | title design & graphics |
| Hiroshi Sasaki | ... | additional archival materials |
| Mieko Takano | ... | Office Coordinator: 104 |
| Tetsuya Toyama | ... | opening montage |
