‘Orphan: First Kill’, ‘Dragon Ball Super: Super Hero’ also out.
Entertainment Film Distributors’ seafaring sequel Fisherman’s Friends: One And All receives the widest opening of any title at the UK-Ireland box office this weekend, starting in 645 locations.
Directed by Meg Leonard and Nick Moorcroft, One And All is a sequel to Chris Foggin’s Fisherman’s Friends, about 10 Cornish fisherman who gain a record deal with their album of sea shanties.
The sequel sees the group struggle with their second album after the highs of performing on the Pyramid Stage at Glastonbury.
Fisherman’s Friends opened to £1.2m from 506 locations in March...
Entertainment Film Distributors’ seafaring sequel Fisherman’s Friends: One And All receives the widest opening of any title at the UK-Ireland box office this weekend, starting in 645 locations.
Directed by Meg Leonard and Nick Moorcroft, One And All is a sequel to Chris Foggin’s Fisherman’s Friends, about 10 Cornish fisherman who gain a record deal with their album of sea shanties.
The sequel sees the group struggle with their second album after the highs of performing on the Pyramid Stage at Glastonbury.
Fisherman’s Friends opened to £1.2m from 506 locations in March...
- 8/19/2022
- by Ben Dalton
- ScreenDaily
A smart group of surfers reveal the sewage-grade misogyny prevalent in the sport in the 80s and 90s
Surfing trades on its spirit of barefoot outsider cool. So it’s doubly depressing to discover that sewage-grade misogyny stank out the sport for decades. This documentary is the untold story of female professional surfers in the 80s and 90s. They were paid less than the men and struggled to get sponsorship. Their sport treated women like second-class athletes: competition organisers saved the best waves for the boys, often scheduling women’s heats during the lunch break. Not to mention the chauvinist-pig arrogance of many male surfers, who saw themselves as bronzed gods – and the role of women to worship at their feet.
Needless to say, Girls Can’t Surf has its fair share blood-boiling moments. But it’s still an enormously enjoyable adrenaline rush of a film. The director is Christopher Nelius,...
Surfing trades on its spirit of barefoot outsider cool. So it’s doubly depressing to discover that sewage-grade misogyny stank out the sport for decades. This documentary is the untold story of female professional surfers in the 80s and 90s. They were paid less than the men and struggled to get sponsorship. Their sport treated women like second-class athletes: competition organisers saved the best waves for the boys, often scheduling women’s heats during the lunch break. Not to mention the chauvinist-pig arrogance of many male surfers, who saw themselves as bronzed gods – and the role of women to worship at their feet.
Needless to say, Girls Can’t Surf has its fair share blood-boiling moments. But it’s still an enormously enjoyable adrenaline rush of a film. The director is Christopher Nelius,...
- 8/17/2022
- by Cath Clarke
- The Guardian - Film News
Universal’s “Nope,” directed by Jordan Peele and starring Daniel Kaluuya, debuted atop the U.K. and Ireland box office with £1.8 million (2.2 million), according to numbers released by Comscore.
In second position, Sony’s Brad Pitt vehicle “Bullet Train” sped to £909,264 and now has £5.06 million after two weekends. In third place, in its third weekend, Warner Bros.’ “DC League Of Super-Pets” collected £831,799 for a total of £8.2 million.
In fourth, in its seventh weekend, Universal’s “Minions: The Rise Of Gru” took £755,042 and now has a total of £38.5 million. Rounding off the top five was Disney’s “Thor: Love And Thunder,” which earned £535,839 in its sixth weekend for a total of £34.5 million.
The week’s other debut, Paramount’s “Forrest Gump” Bollywood remake “Laal Singh Chaddha,” starring Aamir Khan, released wide across 350 screens and bowed in seventh position with £411,189.
Paramount’s Tom Cruise film “Top Gun: Maverick” continued to chart and...
In second position, Sony’s Brad Pitt vehicle “Bullet Train” sped to £909,264 and now has £5.06 million after two weekends. In third place, in its third weekend, Warner Bros.’ “DC League Of Super-Pets” collected £831,799 for a total of £8.2 million.
In fourth, in its seventh weekend, Universal’s “Minions: The Rise Of Gru” took £755,042 and now has a total of £38.5 million. Rounding off the top five was Disney’s “Thor: Love And Thunder,” which earned £535,839 in its sixth weekend for a total of £34.5 million.
The week’s other debut, Paramount’s “Forrest Gump” Bollywood remake “Laal Singh Chaddha,” starring Aamir Khan, released wide across 350 screens and bowed in seventh position with £411,189.
Paramount’s Tom Cruise film “Top Gun: Maverick” continued to chart and...
- 8/16/2022
- by Naman Ramachandran
- Variety Film + TV
A new documentary film Girls Can’t Surf tells the compelling story of the female surfers who battled misogyny and inequality in the sport in the 80s and 90s
In 1993, the 23-year-old Australian Pauline Menczer was the best in the world at her sport: the newly crowned world surfing champion. But that year there was no prize money for the women’s title. To add insult to injury, the trophy she was handed on the podium in Honolulu rattled; the metal cup wasn’t fixed properly to the wooden base. “For years I thought they’d just not screwed it on tightly,” says Menczer on a video call from her home in Byron Bay.
One day she took the trophy down from the shelf to fix. “I thought it just needed tightening.” But it was broken. “I couldn’t believe they gave me a trophy like that!” says Menczer. No cash.
In 1993, the 23-year-old Australian Pauline Menczer was the best in the world at her sport: the newly crowned world surfing champion. But that year there was no prize money for the women’s title. To add insult to injury, the trophy she was handed on the podium in Honolulu rattled; the metal cup wasn’t fixed properly to the wooden base. “For years I thought they’d just not screwed it on tightly,” says Menczer on a video call from her home in Byron Bay.
One day she took the trophy down from the shelf to fix. “I thought it just needed tightening.” But it was broken. “I couldn’t believe they gave me a trophy like that!” says Menczer. No cash.
- 8/4/2022
- by Cath Clarke
- The Guardian - Film News
Six films are set to vie for this year’s Aacta Award for Best Documentary, with voting for the winner open from today until August 2.
For consideration are Christopher Nelius’ Girls Can’t Surf, the highest grossing feature doc of the year so far; Sally Aitken’s Sundance-selected Playing With Sharks, and Molly Reynold’s My Name Is Gulpilil, a portrait of one of Australia’s leading actors, David Gulpilil.
They will compete against Matthew Walker’s I’m Wanita, about to premiere at the Melbourne International Film Festival following a HotDocs bow; Tosca Looby’s examination of the attacks that faced Julia Gillard in office, Strong Female Lead; and Jane Castle’s portrait of her mother, filmmaker Lilias Fraser, When The Camera Stopped Rolling.
‘Strong Female Lead’.
As If has reported, Aacta has adjusted its voting framework this year, with rounds per category staggered throughout the year.
The Best Documentary...
For consideration are Christopher Nelius’ Girls Can’t Surf, the highest grossing feature doc of the year so far; Sally Aitken’s Sundance-selected Playing With Sharks, and Molly Reynold’s My Name Is Gulpilil, a portrait of one of Australia’s leading actors, David Gulpilil.
They will compete against Matthew Walker’s I’m Wanita, about to premiere at the Melbourne International Film Festival following a HotDocs bow; Tosca Looby’s examination of the attacks that faced Julia Gillard in office, Strong Female Lead; and Jane Castle’s portrait of her mother, filmmaker Lilias Fraser, When The Camera Stopped Rolling.
‘Strong Female Lead’.
As If has reported, Aacta has adjusted its voting framework this year, with rounds per category staggered throughout the year.
The Best Documentary...
- 7/26/2021
- by Jackie Keast
- IF.com.au
London-based production, finance and sales outfit Film Constellation has inked the key first deals on psychological thriller “John and the Hole,” directed by Pascual Sisto, on the back of the film’s virtual market premiere at Cannes. The film was written by Nicolás Giacobone, an Oscar-winner with “Birdman,” who adapted his short story “El Pozo.”
“John and the Hole” sold in the U.K./Ireland to Vertigo Releasing, in Australia and New Zealand to Rialto Distribution, and in South Korea to the Coup Corporation. As previously reported, IFC Midnight will release the film in the U.S. later this summer.
Following the film’s selection for the Cannes 2020 Label, and on the back of its Sundance 2021 competition selection, a physical market premiere will be staged for international buyers on Sunday in Cannes, with Sisto in attendance.
Described by Variety’s Peter Debruge as “calculated and precise [with] director Pascual Sisto weaving...
“John and the Hole” sold in the U.K./Ireland to Vertigo Releasing, in Australia and New Zealand to Rialto Distribution, and in South Korea to the Coup Corporation. As previously reported, IFC Midnight will release the film in the U.S. later this summer.
Following the film’s selection for the Cannes 2020 Label, and on the back of its Sundance 2021 competition selection, a physical market premiere will be staged for international buyers on Sunday in Cannes, with Sisto in attendance.
Described by Variety’s Peter Debruge as “calculated and precise [with] director Pascual Sisto weaving...
- 7/8/2021
- by Leo Barraclough
- Variety Film + TV
Exclusive: Abacus Media Rights has boarded international distribution on Savage Waters, the feature documentary about a mission to find and surf a spectacular big wave in the Atlantic Ocean.
The pic follows renowned skipper Matt Knight, who teams up with world-class big wave surfer Andrew Cotton to adventure into the most dangerous waters of the Atlantic. Their journey is inspired by a passage in a 19th century treasure hunter’s journal. Joined by family and friends, the pair are faced with life-threatening challenges on their quest.
Doc is directed by Mikey Corker (Beneath The Surface), produced by Ghislaine Couvillat (Girls Can’t Surf) of Whipped Sea and edited by Emmy winner Jordan Montminy (The 8th), with story consultation from BAFTA-winning Nic Guttridge (The Spy Who Fell To Earth).
The project will have its post-production at Dublin-based Play House Studios, with Kathleen Glynn (Bowling For Columbine), Peggy Cafferty and Lorcan Kavanagh from...
The pic follows renowned skipper Matt Knight, who teams up with world-class big wave surfer Andrew Cotton to adventure into the most dangerous waters of the Atlantic. Their journey is inspired by a passage in a 19th century treasure hunter’s journal. Joined by family and friends, the pair are faced with life-threatening challenges on their quest.
Doc is directed by Mikey Corker (Beneath The Surface), produced by Ghislaine Couvillat (Girls Can’t Surf) of Whipped Sea and edited by Emmy winner Jordan Montminy (The 8th), with story consultation from BAFTA-winning Nic Guttridge (The Spy Who Fell To Earth).
The project will have its post-production at Dublin-based Play House Studios, with Kathleen Glynn (Bowling For Columbine), Peggy Cafferty and Lorcan Kavanagh from...
- 6/23/2021
- by Tom Grater
- Deadline Film + TV
Chloe Tai, Edward Parodi, Anisha Kasozi and Léo Teste take on new roles.
Film Constellation has promoted four staff to executive level, in a change to the leadership structure at the UK-based production, finance and sales firm.
Chloe Tai becomes director of marketing, general manager, with broadened management responsibilities and a focus on team leadership and corporate impact work. Based in London, Tai will report directly to Film Constellation founder and CEO Fabien Westerhoff, who is based in Amsterdam.
Tai joined Film Constellation in 2017 following a career in marketing at L’Oreal, and has since worked on international distribution campaigns for...
Film Constellation has promoted four staff to executive level, in a change to the leadership structure at the UK-based production, finance and sales firm.
Chloe Tai becomes director of marketing, general manager, with broadened management responsibilities and a focus on team leadership and corporate impact work. Based in London, Tai will report directly to Film Constellation founder and CEO Fabien Westerhoff, who is based in Amsterdam.
Tai joined Film Constellation in 2017 following a career in marketing at L’Oreal, and has since worked on international distribution campaigns for...
- 6/22/2021
- by Ben Dalton
- ScreenDaily
Voting for this year’s Australian Academy of Cinema and Television Arts (Aacta) Awards will look a little different, with the organisation to broaden the voting powers of general members and stagger voting rounds by category throughout the year.
As of this year, round one voting will determine nominees, and round two the winners.
For the first time, general members – i.e. members of Aacta from the general public – are invited to have their say in both for the major awards. However, their votes are weighted at 0.5, compared to a professional member vote, which is weighted at 1.
The primary change is in the TV categories; general members have actually been able to vote for both nominees and winners in film, documentary and short-form for some time.
Voting on technical craft awards remains restricted to professional branch members. This in reflection that a level of technical understanding informs voting in craft categories,...
As of this year, round one voting will determine nominees, and round two the winners.
For the first time, general members – i.e. members of Aacta from the general public – are invited to have their say in both for the major awards. However, their votes are weighted at 0.5, compared to a professional member vote, which is weighted at 1.
The primary change is in the TV categories; general members have actually been able to vote for both nominees and winners in film, documentary and short-form for some time.
Voting on technical craft awards remains restricted to professional branch members. This in reflection that a level of technical understanding informs voting in craft categories,...
- 6/21/2021
- by Jackie Keast
- IF.com.au
Sydney Film Festival has revealed the first 22 titles on its line-up for this year, which will see the festival return to cinemas around the city after 2020’s virtual iteration.
Leading the pack are a contingent of local docos including Philippa Bateman’s Wash My Soul in the River’s Flow; Amanda Blue’s Step into Paradise and Eddie Martin’s The Kids, recently selected for Tribeca.
Sff will also boast the Nsw premiere of Kiwi film The Justice of Bunny King, Gaysorn Thavat’s debut feature led by Essie Davis and Thomasin McKenzie; and Nz-Canadian co-production, NIght Raiders, directed by Danis Goulet and executive produced by Taika Waititi.
Festival director Nashen Moodley is excited to return to an in-person event come August, noting the festival already had a “incredible” response to its summer season in January at the State Theatre, when it screened High Ground, Firestarter, Girls Can’t Surf, Minari and Another Round.
Leading the pack are a contingent of local docos including Philippa Bateman’s Wash My Soul in the River’s Flow; Amanda Blue’s Step into Paradise and Eddie Martin’s The Kids, recently selected for Tribeca.
Sff will also boast the Nsw premiere of Kiwi film The Justice of Bunny King, Gaysorn Thavat’s debut feature led by Essie Davis and Thomasin McKenzie; and Nz-Canadian co-production, NIght Raiders, directed by Danis Goulet and executive produced by Taika Waititi.
Festival director Nashen Moodley is excited to return to an in-person event come August, noting the festival already had a “incredible” response to its summer season in January at the State Theatre, when it screened High Ground, Firestarter, Girls Can’t Surf, Minari and Another Round.
- 6/8/2021
- by Jackie Keast
- IF.com.au
London-based production, finance and sales outfit “Film Constellation” has boarded international sales on dystopian sci-fi thriller “Settlers,” directed by Wyatt Rockefeller, and starring Sofia Boutella, whose credits include “Atomic Blonde,” “The Mummy,” the “Kingsman” franchise and “Star Trek: Beyond.”
Boutella plays Ilsa, a refugee from Earth, who has settled with her husband and daughter on the harsh and arid terrain of a Martian outpost. With nothing but a few crops and a domesticated robot, the family clings to hope for a better life, but everything is turned upside down when a group of armed assailants appear on the surrounding hills. Mother and daughter must then adapt at all cost to survive until it’s time to finally strike back.
The movie, which was shot on the remote border of South Africa and Namibia, is now in post-production.
The cast also includes Brooklynn Prince, Ismael Cruz Cordova, Nell Tiger Free, and Jonny Lee Miller.
Boutella plays Ilsa, a refugee from Earth, who has settled with her husband and daughter on the harsh and arid terrain of a Martian outpost. With nothing but a few crops and a domesticated robot, the family clings to hope for a better life, but everything is turned upside down when a group of armed assailants appear on the surrounding hills. Mother and daughter must then adapt at all cost to survive until it’s time to finally strike back.
The movie, which was shot on the remote border of South Africa and Namibia, is now in post-production.
The cast also includes Brooklynn Prince, Ismael Cruz Cordova, Nell Tiger Free, and Jonny Lee Miller.
- 4/12/2021
- by Leo Barraclough
- Variety Film + TV
While Disney’s Raya and the Last Dragon could hardly be accused of setting the box office on fire, the animated film held over the weekend and easily outstripped the competition.
Indeed, the box office office rankings look little different than last week, as new releases Cosmic Sin, Then Came You, Judas and the Black Messiah did middling numbers.
Overall, the top 20 films made $5 million, or 13 per down on the previous, with the box office sluggish ahead of new releases such as Godzilla Vs. Kong and Peter Rabbit 2 later this month.
Local feature doc Girls Can’t Surf, from Madman, bowed shy of the top 10 on $103,818 from 113 screens, taking it to a respectable $344,961 with previews.
Directed by Christopher Nelius, the film tells the story of how a “ragtag bunch of inspired, punk girls” took on the male-dominated sport of professional surfing in order to achieve equality. Featured are surfing greats Jodie Cooper,...
Indeed, the box office office rankings look little different than last week, as new releases Cosmic Sin, Then Came You, Judas and the Black Messiah did middling numbers.
Overall, the top 20 films made $5 million, or 13 per down on the previous, with the box office sluggish ahead of new releases such as Godzilla Vs. Kong and Peter Rabbit 2 later this month.
Local feature doc Girls Can’t Surf, from Madman, bowed shy of the top 10 on $103,818 from 113 screens, taking it to a respectable $344,961 with previews.
Directed by Christopher Nelius, the film tells the story of how a “ragtag bunch of inspired, punk girls” took on the male-dominated sport of professional surfing in order to achieve equality. Featured are surfing greats Jodie Cooper,...
- 3/15/2021
- by Jackie Keast
- IF.com.au
Two distinctly Australian stories have taken out the top prizes at the inaugural Aidc Awards, with Daniel Gordon’s The Australian Dream and Southern Pictures’ Miriam Margolyes: Almost Australian awarded Best Feature Documentary and Best Documentary/Factual Series, respectively.
Held as a conclusion to this year’s Aidc, the awards ceremony crowned winners across six categories and distributed more than $200,000 of development funding and prizes.
The event was was broadcast live from Acmi in Melbourne to six cities around Australia.
It caps of this year’s online conference, which comprised more than 40 sessions across four days, and came with contributions from a diverse range of speakers and decision-makers.
The winners of the inaugural Aidc Awards are:
Best Feature Documentary
The Australian Dream
Daniel Gordon, Good Thing Productions & Passion Pictures.
Jury Statement: “In collaboration with Stan Grant, what Gordon finds in the story of Adam Goodes’ disgraceful public discrimination is potent,...
Held as a conclusion to this year’s Aidc, the awards ceremony crowned winners across six categories and distributed more than $200,000 of development funding and prizes.
The event was was broadcast live from Acmi in Melbourne to six cities around Australia.
It caps of this year’s online conference, which comprised more than 40 sessions across four days, and came with contributions from a diverse range of speakers and decision-makers.
The winners of the inaugural Aidc Awards are:
Best Feature Documentary
The Australian Dream
Daniel Gordon, Good Thing Productions & Passion Pictures.
Jury Statement: “In collaboration with Stan Grant, what Gordon finds in the story of Adam Goodes’ disgraceful public discrimination is potent,...
- 3/3/2021
- by Sean Slatter
- IF.com.au
Pursekey Productions director and principal producer Michaela Perske is the Australian International Documentary Conference (Aidc) Stanley Hawes Award recipient for 2021.
Perske’s recognition was announced today alongside the 20 nominees for the inaugural Aidc awards.
Designed to recognise the “outstanding completed works of new Australian documentary and factual content”, the awards will be presented in person across eight cities, as well as livestreamed to Aidc delegates.
Originally trained as a journalist, Perske has over 20 years of media experience across radio, print and TV.
Since turning her hand to factual content, she has produced films including Girls Can’t Surf, Black Divaz, After the Apology, and Destination Arnold.
In announcing the award, the Aidc said it wanted to acknowledge “her outstanding contribution to the Australian documentary and factual sector”.
Australian practitioners had the opportunity to submit across six categories for the Aidc Awards: Best Feature Documentary, with a $5,000 cash prize presented by Doc...
Perske’s recognition was announced today alongside the 20 nominees for the inaugural Aidc awards.
Designed to recognise the “outstanding completed works of new Australian documentary and factual content”, the awards will be presented in person across eight cities, as well as livestreamed to Aidc delegates.
Originally trained as a journalist, Perske has over 20 years of media experience across radio, print and TV.
Since turning her hand to factual content, she has produced films including Girls Can’t Surf, Black Divaz, After the Apology, and Destination Arnold.
In announcing the award, the Aidc said it wanted to acknowledge “her outstanding contribution to the Australian documentary and factual sector”.
Australian practitioners had the opportunity to submit across six categories for the Aidc Awards: Best Feature Documentary, with a $5,000 cash prize presented by Doc...
- 2/10/2021
- by Sean Slatter
- IF.com.au
"That's where we had to take a stand." Madman Films in Australia has debuted the first official trailer for Girls Can't Surf (also known as The Side Show), a fantastic surfing documentary from filmmaker / surfer Christopher Nelius (Storm Surfers 3D). It's the 1980s and the world of professional surfing is a circus of fluro colours, peroxide hair and radical male egos. Girls Can't Surf follows the journey of a band of renegade surfer girls who took on the male-dominated professional surfing world to achieve equality and change the sport forever. Featuring surfing greats Jodie Cooper, Frieda Zamba, Pauline Menczer, Lisa Andersen, Pam Burridge, Wendy Botha, Layne Beachley and others. The untold story of how a band of renegade surfer girls in the 1980s fought to create their own professional sport, changing surf culture forever; with each woman fighting against the odds to make their dreams of competing a reality. This looks totally rad!
- 12/6/2020
- by Alex Billington
- firstshowing.net
Exclusive: Film Constellation has boarded sales on Girls Can’t Surf, a feature doc from Christopher Nelius.
Set during the 1980s in the world of professional surfing, it tracks a band of renegade female surfers who took on the male-dominated sport to achieve equality.
Surf greats featuring include Jodie Cooper, Frieda Zamba, Pauline Menczer, Lisa Andersen, Pam Burridge, Wendy Botha, and Layne Beachley.
Director Nelius co-wrote the pic with Anne De Ruvo. It is produced by Michaela Perske of Pursekey Productions with Nelius. Executive producers are Chef’s Table, Rob Galluzzo and Michael Hilliard of Finch, and Paul Wiegard of Madman Entertainment with Ghislaine Couvillat from Whipped Sea acting as a co-producer.
The film was developed and financed by Screen Australia, Screen Nsw and is being distributed in Australia and New Zealand by Madman Entertainment.
“Now a billion-dollar global sport that has spread to all shores of the world,...
Set during the 1980s in the world of professional surfing, it tracks a band of renegade female surfers who took on the male-dominated sport to achieve equality.
Surf greats featuring include Jodie Cooper, Frieda Zamba, Pauline Menczer, Lisa Andersen, Pam Burridge, Wendy Botha, and Layne Beachley.
Director Nelius co-wrote the pic with Anne De Ruvo. It is produced by Michaela Perske of Pursekey Productions with Nelius. Executive producers are Chef’s Table, Rob Galluzzo and Michael Hilliard of Finch, and Paul Wiegard of Madman Entertainment with Ghislaine Couvillat from Whipped Sea acting as a co-producer.
The film was developed and financed by Screen Australia, Screen Nsw and is being distributed in Australia and New Zealand by Madman Entertainment.
“Now a billion-dollar global sport that has spread to all shores of the world,...
- 6/19/2020
- by Tom Grater
- Deadline Film + TV
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