Directed by
| Brett Morgen | ||
Writing Credits (WGA)
| Brett Morgen | ... | (written by) |
| Jane Goodall | ... | (based on the writings of) |
Cast
| Jane Goodall | ... | Self | |
| Hugo Van Lawick | ... | Self (archive footage) | |
 |
Hugo Eric Louis van Lawick | ... | Self (archive footage) |
Produced by
| Bryan Burk | ... | producer |
| Debra Eisenstadt | ... | co-executive producer |
| Tony Gerber | ... | producer |
| Jeff Hasler | ... | executive producer |
| Jared Lipworth | ... | production executive |
| Brett Morgen | ... | producer |
| Elinyisia Mosha | ... | producer: Tanzania unit |
| Tim Pastore | ... | executive producer |
| James A. Smith | ... | producer (as James Smith) |
Music by
| Philip Glass | ... | (original score) |
Cinematography by
| Ellen Kuras | ||
Editing by
| Joe Beshenkovsky | ||
Production Design by
| Elmi Badenhorst | ||
Sound Department
| Peter Bawiec | ... | additional re-recording mixer |
| Odin Benitez | ... | sound designer |
| Tara Blume | ... | foley artist |
| Will Digby | ... | dialogue editor |
| David E. Fluhr | ... | re-recording mixer |
| Detlef Halaski | ... | re-recording mixer |
| Joshua Paul Johnson | ... | Associate Supervising Sound Editor |
| Ryan Maguire | ... | foley mixer |
| Jared Marshack | ... | mix technician |
| Chris Navarro | ... | adr mixer |
| Warren Shaw | ... | re-recording mixer / supervising sound editor |
| Lee Smith | ... | production mixer |
| Peter Staubli | ... | sound designer |
| Rob Young | ... | re-recording mix technician |
| Marc Fishman | ... | re-recording mixer (uncredited) |
Camera and Electrical Department
| Matt Baker | ... | camera operator |
| Hugo Van Lawick | ... | archival photography |
Animation Department
| Stefan Nadelman | ... | animation director |
Editorial Department
| Antonia de Barros | ... | assistant editor |
| Joe Guzman | ... | digital intermediate producer |
| Clark Harris | ... | first assistant editor |
| Kayla Hashimoto | ... | post-production assistant |
| Adam Leier | ... | editorial assistant |
| Mary Noelle Lynch | ... | Post Production Intern |
| Brett Morgen | ... | additional editor |
| Alex Morse | ... | post-production intern |
| Brian Paison | ... | assistant editor |
| Wendy Sit | ... | post-production assistant |
| Tim Stipan | ... | digital intermediate colorist |
| Erica Tavera | ... | Ephemera Coordinator |
| Sara Joe Wolansky | ... | assistant editor |
| Christopher Young | ... | assistant editor |
| Will Znidaric | ... | additional editor |
| Jordan Schulz | ... | assistant colorist: company 3 (uncredited) |
Music Department
| Emad Borjian | ... | scoring stage crew |
| The City of Prague Philharmonic Orchestra | ... | orchestra |
| James Fitzpatrick | ... | Orchestral Music Contractor |
| Jan Holzner | ... | orchestra recording engineer |
| Vitek Kral | ... | music recording assistant |
| Derik Lee | ... | scoring mixer (as Derek Lee) |
| Suzana Peric | ... | music editor |
| Benjamin Louis Brody | ... | music preparation (uncredited) |
Additional Crew
| Jessica Berman Bogdan | ... | archival producer |
| Alex Friend | ... | intern |
| Andy Goldman | ... | title design |
| Kaustubh Singh | ... | production assistant |
| Alexis Tucker | ... | production legal services |
| Bill Wallauer | ... | Scientific Advisor |
Thanks
| Jill Greenblatt | ... | special thanks |
| Shannon Livingston | ... | special thanks |
| Melissa Matchett | ... | special thanks |
| Judy Meschel | ... | special thanks |
| Jorge Santoscoy | ... | special thanks |
| Jochem van Rijs | ... | special thanks |
| Amel Ziad | ... | special thanks |
