90
Metascore
45 reviews · Provided by Metacritic.com
- 100It deftly walks the line between appropriately somber and great, sophisticated fun.
- 100CineVueJohn BleasdaleCineVueJohn BleasdaleThis is the refined work of an artist at the peak of his powers, and, dare we say it, a masterpiece.
- 100The GuardianPeter BradshawThe GuardianPeter BradshawThe crystalline black-and-white cinematography exalts its moments of intimate grimness and its dreamlike showpieces of theatrical display. It is an elliptical, episodic story of imprisonment and escape, epic in scope.
- 91The A.V. ClubA.A. DowdThe A.V. ClubA.A. DowdPawlikowski, who doesn’t waste a shot (nor compose one that isn’t a work of art on its lonesome), creates a gripping present tense from the clarity and efficiency of his storytelling: No matter how often he lurches us forward in time, we remain locked into the emotional sphere of his characters.
- 90New York Magazine (Vulture)Emily YoshidaNew York Magazine (Vulture)Emily YoshidaPawlikowski understands the mythic, destructive pull such narratives have on us — as audience members and those swept up ourselves.
- 90The Hollywood ReporterLeslie FelperinThe Hollywood ReporterLeslie FelperinCold War, Pawel Pawlikowski's latest film, is bittersweet and unbearably lovely, a sad ballad of two lovers who can't stand to stay apart but also sometimes can't stand each other either.
- 83The Film StageRory O'ConnorThe Film StageRory O'ConnorIf talk is cheap and deceptive — maybe even dangerous at times — in Cold War, music certainly is not.
- 75Slant MagazineSam C. MacSlant MagazineSam C. MacThe film is most exhilarating as a breathless vessel for mood, one that just so happens to conduct itself within reconstructed period settings that are as obsessively detailed as the reverently curated soundtrack.
- 75IndieWireDavid EhrlichIndieWireDavid EhrlichIt’s a brave thing, to tell a story by omission, but Pawlikowski almost pulls it off.
- 75The PlaylistJordan RuimyThe PlaylistJordan RuimyThe minute-to-minute detail is absolutely stunning, from the period costumes to the on-set locations, there’s a searing authenticity to the time period that is undeniably absorbing. However, the almost too tightening restraint he gives his film forces us to quickly witness its events rather than be enveloped or moved by them.