Body Electric is hypnotic to the point of somnolence. It gazes at the life of a young gay man, seemingly aimless as he floats through the working day, which then blends into late nights of sex and parties. Many of the scenes feel improvised, which give the film an edgy and authentic feel. However, overall it's very repetitive with little plot or character development. You'll need to care about the protagonist to keep engaged. And if you don't, the whole thing may put you to sleep.
9 Reviews
So-so
Sebastien022 June 2018
This film follows the daily life of Elias, a young and attractive gay man. He lives in Sao Paulo and works as an assistant designer in a textile factory. During his free time, he enjoys going out with friends and having sex with other boys. The acting is good, but the story lacks consistency. So I got bored after an hour.
A slice of life
laduqesa16 September 2020
That's all the film is. It's about the lives of a group of guys and girls who work in a garment-making factory, some straight and some gay. The central character is an attractive gay man who has several relationships on the go and has one-night-stands whenever possible. He also has an ambiguous relationship with an older rich guy.
His immediate boss gives him a great deal of responsibility in his work and he seems to enjoy his job but he is easily distracted, something noticed by the big boss who advises him to tone down relationships with the workers as he is supervisory staff.
The film shows several relationships that are developing or established amongst his friends. One nice touch is how virtually all of the crowd accepts the gay contingent.
There's no plot at all. It's just a progression through several lives and events leading up to and during Xmas and New Year. Some might think this is pointless and have said so in their reviews but I found it fascinating and refreshing.
No one can say this film is a cliché - most people complain that "gay" films end up in tragedy. This ends as the film has proceeded, as it might in real life, just carrying on as it has to that point. There can't be a "resolution", as some reviewers are complaining, as there is no plot as such.
It's a different type of film and I liked it.
His immediate boss gives him a great deal of responsibility in his work and he seems to enjoy his job but he is easily distracted, something noticed by the big boss who advises him to tone down relationships with the workers as he is supervisory staff.
The film shows several relationships that are developing or established amongst his friends. One nice touch is how virtually all of the crowd accepts the gay contingent.
There's no plot at all. It's just a progression through several lives and events leading up to and during Xmas and New Year. Some might think this is pointless and have said so in their reviews but I found it fascinating and refreshing.
No one can say this film is a cliché - most people complain that "gay" films end up in tragedy. This ends as the film has proceeded, as it might in real life, just carrying on as it has to that point. There can't be a "resolution", as some reviewers are complaining, as there is no plot as such.
It's a different type of film and I liked it.
A disappointing film that lacks a story
Gordon-1117 September 2017
This film tells the story of a 23 years old Brazilian man, who works in a garment factory. He is good at his work, and his boss gives him more responsibilities. However, his heart does not lie in his career, but in carnal relationships with the people around him.
"Body Electric" appears to have a very exciting synopsis, so I watched it in a film festival. The film ends up being very mundane, and has no actual plot. It shows Elias working in the factory, or hanging clothes at home, or hanging out with his colleagues. The problem is that there is no clear starting line, no clear journey and no clear destination for the characters. Elias spends a lot of time in bed, but so what? From the way they introduce the characters, I really don't care about them or feel anything towards them.
The camera work is an aspect that I was disappointed with. There are many long static shots, which makes the film lethargic. Sometimes the camera moves so little, even at the expense of the character talking not being in the centre of the frame. For example, the scene where the pink hair guy talks loads in the toilet, he is way off centre. He should be the focal point, but he is relegated to the side.
When the film ends abruptly, there is no sense of the story having achieved or conveyed anything. It is not a drama because there is almost no story. It is not an erotic film because you can hardly see anything. It is not funny or thrilling either. There is little to keep me interested in the story, if there was a story at all.
"Body Electric" appears to have a very exciting synopsis, so I watched it in a film festival. The film ends up being very mundane, and has no actual plot. It shows Elias working in the factory, or hanging clothes at home, or hanging out with his colleagues. The problem is that there is no clear starting line, no clear journey and no clear destination for the characters. Elias spends a lot of time in bed, but so what? From the way they introduce the characters, I really don't care about them or feel anything towards them.
The camera work is an aspect that I was disappointed with. There are many long static shots, which makes the film lethargic. Sometimes the camera moves so little, even at the expense of the character talking not being in the centre of the frame. For example, the scene where the pink hair guy talks loads in the toilet, he is way off centre. He should be the focal point, but he is relegated to the side.
When the film ends abruptly, there is no sense of the story having achieved or conveyed anything. It is not a drama because there is almost no story. It is not an erotic film because you can hardly see anything. It is not funny or thrilling either. There is little to keep me interested in the story, if there was a story at all.
No Place To Go
CityguyUSA9 July 2022
Warning: Spoilers
For what was there it kept me interested following avery sexy young Elias in Sao Paulo. But it never arrived. It just stopoed after a bachelor party and I had no clue why I had watched it. There were several conflicts but not one of them was really addressed nor did any become a thread that would become something more.
What's the point?
BILLYBOY-1026 March 2018
Warning: Spoilers
Excuse me but a 6.5 rating for this rambling mess is absurd. There is no basic plot except the gorgeous central character is gay and mostly hooks up with a future drag queen and wants to hook up with the new hire. There are very long overhead scenes of people walking down the street in the rain with umbrellas up. Why? I guess because the director thought it was really great altho it had absolutely nothing to do with the non-plot of the movie. If the main character of the film was suppose to elicit some sort of sympathetic response from the viewer, then he failed completely. I kept pausing to see how much time was left but didn't bail because I had too much time invested in it, so I kept watching it and then it just simply ended. Awful.
Gorgeous, Flowing Movie to Nowhere
greening27 May 2018
If the world, our actions in it, our ambitions, and our friendly encounters amuse you, you will likely love this movie. The acting is incredibly fluid, the cinematography great, the characters real. But, as some have pointed out, the plot, it exists at all, is existential. It is about a talented, directionless fellow in Brownian motion with other talented directionless people, living their lives in very amusing ways. I am a 50-ish American, saw this film in Mumbai with a 50-ish Indian buddy, and we both laughed throughout, recognizing ourselves and our zanny friends everywhere. Albert Camus and Salvador Dali, I think, would have loved it. Tom Cruze, not so much.
Road picture
earl-rose14 August 2019
There is not a lot of plot in this smart and attractive movie. The people work in a garment factory. They hang out. The hero is a supervisor there and has friends from work and his own neighborhood. One theme is the mixing of work and one's social life. Our guy mixes. He is warned that this is not a good thing for his professional future but he likes people and is not about to give up his personal life for some business norm. The title is from Whitman. Most of the characters are gay but that is less the point than seeing one man's journey through early adulthood and seeing the choices he makes. The cast is very attractive and the erotic quotient rates very high. Very sexy. More great gay themed films are coming from South America. This would be one of them.
The most authentic film of the year
Rodrigo_Amaro26 July 2017
"Corpo Elétrico" ("Electric Body") was the opening film of the Latin America Film Festival here in São Paulo, almost a month prior to its official release and that's where I had the opportunity to see it and love it. Despite our current crisis in several sectors, at least in film business we are getting stronger and daring each year goes by despite some say we aren't. Marcelo Caetano's first feature is an outstanding character study that seems to mirror the magic touches of "Moonlight", where we follow the life of a Northeast, gay, poor and hard-working character going through the motions of life trying to find his place in the world while living in a chaotic and troubled city while working on a clothes factory and the way he deals with colleagues, friends and sexual relationships that doesn't turn into a more substantial relation. "Electric Body" injects realism, life as it is even though it's not an everybody's reality but it certainly feels and looks true to life, and Mr. Caetano makes an inspired film that grabs the audience with its humor, sensibility and great storytelling.
According to the director, whose film title comes from a Walt Whitman poem which elevates the notion of celebrating and finding beauty in bodies, whatever the color, age and shapes, this is exactly what Elias is (the main character played by Kelner Macêdo). Someone who strives for something that holds meaning to him, even though he doesn't necessarily analyzes it. He has a certain satisfaction with his job but doesn't know exactly if he wants to reach something better or higher than that; he only finds some meaning in having pleasure and sex with other guys but a deeper commitment is out of the question; it's like he's discovering life and taking the chances that comes his way without thinking too much or feeling different about it. It's just how it goes. So, here's a daring film that avoids the usual clichéd path of creating a scenario where a LGBTQ character has to find a partner, and romance becomes the big issue. Clear and simple, Elias isn't meant for that, he lives, works, has companies like him and finds a relevance to everything. And the film never gets judgmental in saying that he's a promiscuous guy, unworthy of love and care; he's just a human being, experimenting, living and breathing the world around him, going like the waves he loves to admire back in his hometown and later on during a new year's holiday. That's what most of youth feels like: uncertain, slightly lost, trying to find a way through life, experimenting variations from a similar theme or not.
Here's a masterful picture that left me and the huge audience present in awe, marveled as each frame went by. Mr. Caetano makes a decisive character study with fascinating character development; using of long elaborated sequences, some realistic overlapped dialogues in the Robert Altman style, with balance and precision; with high artistic merits - which includes the sensual, loving sex scenes that create a perfect atmosphere for the characters without excessive appeal. Kudos for his way of telling a story where the majority of characters aren't status-quo gay types from many films out there: he gives voice and presence to queer POC, trans people, the Northeast people, those who go through a lot of prejudice here and elsewhere. He takes risks in going with mostly unknown actors but people of the highest talent, and Kelner Macêdo as the lead was a delight to watch. Convincing, dynamic and poignant, his performance is the highlight of the film with a character that knows exactly where he's standing, slightly shifting his persona or traits depending on whom he encounters or deals but never denying his identity, who he truly is. And it's so subtle you almost don't notice.
Through the years I thought gay-themed films were getting repetitive with its notions of love, relationships and commitment, and I think "Body Electric" was a breath of fresh air with a challenging view of life because in a way that's what all the colors of the rainbow represent. Variations from a same theme, no life is equal from one another but respect in the diversity is the main achieving goal we must make equal. I completely identified myself with Elias, his mode, way of being and his involvements, it reflected much of my experiences; and for those outside of the bubble, a reflection must be thought of with care.
For being brave, honest and open, I truly respect everyone involved with this amazing film. It was really something more than special, it was divine and I can't wait to see it again. 10/10
According to the director, whose film title comes from a Walt Whitman poem which elevates the notion of celebrating and finding beauty in bodies, whatever the color, age and shapes, this is exactly what Elias is (the main character played by Kelner Macêdo). Someone who strives for something that holds meaning to him, even though he doesn't necessarily analyzes it. He has a certain satisfaction with his job but doesn't know exactly if he wants to reach something better or higher than that; he only finds some meaning in having pleasure and sex with other guys but a deeper commitment is out of the question; it's like he's discovering life and taking the chances that comes his way without thinking too much or feeling different about it. It's just how it goes. So, here's a daring film that avoids the usual clichéd path of creating a scenario where a LGBTQ character has to find a partner, and romance becomes the big issue. Clear and simple, Elias isn't meant for that, he lives, works, has companies like him and finds a relevance to everything. And the film never gets judgmental in saying that he's a promiscuous guy, unworthy of love and care; he's just a human being, experimenting, living and breathing the world around him, going like the waves he loves to admire back in his hometown and later on during a new year's holiday. That's what most of youth feels like: uncertain, slightly lost, trying to find a way through life, experimenting variations from a similar theme or not.
Here's a masterful picture that left me and the huge audience present in awe, marveled as each frame went by. Mr. Caetano makes a decisive character study with fascinating character development; using of long elaborated sequences, some realistic overlapped dialogues in the Robert Altman style, with balance and precision; with high artistic merits - which includes the sensual, loving sex scenes that create a perfect atmosphere for the characters without excessive appeal. Kudos for his way of telling a story where the majority of characters aren't status-quo gay types from many films out there: he gives voice and presence to queer POC, trans people, the Northeast people, those who go through a lot of prejudice here and elsewhere. He takes risks in going with mostly unknown actors but people of the highest talent, and Kelner Macêdo as the lead was a delight to watch. Convincing, dynamic and poignant, his performance is the highlight of the film with a character that knows exactly where he's standing, slightly shifting his persona or traits depending on whom he encounters or deals but never denying his identity, who he truly is. And it's so subtle you almost don't notice.
Through the years I thought gay-themed films were getting repetitive with its notions of love, relationships and commitment, and I think "Body Electric" was a breath of fresh air with a challenging view of life because in a way that's what all the colors of the rainbow represent. Variations from a same theme, no life is equal from one another but respect in the diversity is the main achieving goal we must make equal. I completely identified myself with Elias, his mode, way of being and his involvements, it reflected much of my experiences; and for those outside of the bubble, a reflection must be thought of with care.
For being brave, honest and open, I truly respect everyone involved with this amazing film. It was really something more than special, it was divine and I can't wait to see it again. 10/10
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