Niu Chao’s ’Stories Of Our Youth’ among first titles.
China’s Blossoms Entertainment is presenting three upcoming TV shows from Cosmic Bliss Culture and Media at Hong Kong Filmart, marking the Beijing-based sales company’s first foray into TV series sales.
Stories Of Our Youth, directed by Niu Chao and Ma Chengcheng, stars popular actress Yang Zi (Immortal Samsara), Fan Chengcheng (Time Seems To Have Forgotten) and Jin Shijia (Under The Skin) in a 35-episode nostalgic coming-of-age drama about the bond between six best friends who live in the same neighbourhood in the 1990s.
The producer is Yang Chao,...
China’s Blossoms Entertainment is presenting three upcoming TV shows from Cosmic Bliss Culture and Media at Hong Kong Filmart, marking the Beijing-based sales company’s first foray into TV series sales.
Stories Of Our Youth, directed by Niu Chao and Ma Chengcheng, stars popular actress Yang Zi (Immortal Samsara), Fan Chengcheng (Time Seems To Have Forgotten) and Jin Shijia (Under The Skin) in a 35-episode nostalgic coming-of-age drama about the bond between six best friends who live in the same neighbourhood in the 1990s.
The producer is Yang Chao,...
- 3/14/2023
- by Silvia Wong
- ScreenDaily
Iqiyi’s drama series “The Bad Kids” has landed a slot on Japanese pay-tv platform Wowow, a first for a contemporary, mainland Chinese show. It is expected to play out from early 2021.
Where many Chinese dramas run for between 40 and 80 episodes, “The Bad Kids” comprises 12 50-minute episodes, structred as a suspense series that tells the story of three youngsters in a small coastal town. They accidentally witness a murder and then become involved in blackmail plot. Its starry cast includes Qin Hao and Wang Jingchun.
The series is presented by iQIYI and co-produced by Eternity Pictures, with Han Sanping, former head of China Film Group, as the lead producer. It was directed by Xin Shuang.
“The Bad Kids” played on iQIYI from June under its Mist Theater label and has earned a strong critical reception. On Chinese entertainment review site Douban, it attracted some 800,000 reviews, with an average score of 9.2 out of ten.
Where many Chinese dramas run for between 40 and 80 episodes, “The Bad Kids” comprises 12 50-minute episodes, structred as a suspense series that tells the story of three youngsters in a small coastal town. They accidentally witness a murder and then become involved in blackmail plot. Its starry cast includes Qin Hao and Wang Jingchun.
The series is presented by iQIYI and co-produced by Eternity Pictures, with Han Sanping, former head of China Film Group, as the lead producer. It was directed by Xin Shuang.
“The Bad Kids” played on iQIYI from June under its Mist Theater label and has earned a strong critical reception. On Chinese entertainment review site Douban, it attracted some 800,000 reviews, with an average score of 9.2 out of ten.
- 10/12/2020
- by Patrick Frater
- Variety Film + TV
I Am Not Madame Bovary’s Feng Xiaogang took the best director prize.Scroll down for full list of winners
The jury of the 10th Asia Pacific Screen Awards (Apsa) has awarded the best film prize to Mustafa Kara’s Turkish drama Cold Of Kalandar. The film won a total of three prizes at the regional film awards, which took place tonight (Nov 24) in Brisbane, Australia.
The best director prize went to Chinese director Feng Xiaogang for his satirical critique of bureaucratic indifference to the populace of mainland China, I Am Not Madame Bovary.
Cold of Kalandar’s Apsa best film win comes after similar honours at the Tokyo Film Festival, and Turkey’s Istanbul and Antalya film festivals.
In September it was selected as Turkey’s candidate for the foreign language Oscar.
The film depicts an impoverished family’s attempt to make a living through farming in Turkey’s mountainous northern region. Tensions between...
The jury of the 10th Asia Pacific Screen Awards (Apsa) has awarded the best film prize to Mustafa Kara’s Turkish drama Cold Of Kalandar. The film won a total of three prizes at the regional film awards, which took place tonight (Nov 24) in Brisbane, Australia.
The best director prize went to Chinese director Feng Xiaogang for his satirical critique of bureaucratic indifference to the populace of mainland China, I Am Not Madame Bovary.
Cold of Kalandar’s Apsa best film win comes after similar honours at the Tokyo Film Festival, and Turkey’s Istanbul and Antalya film festivals.
In September it was selected as Turkey’s candidate for the foreign language Oscar.
The film depicts an impoverished family’s attempt to make a living through farming in Turkey’s mountainous northern region. Tensions between...
- 11/24/2016
- ScreenDaily
International Jury
Silver Bear “Alfred Bauer” Prize
Hele sa Hiwagang Hapis (A Lullaby to the Sorrowful Mystery) by Lav Diaz
Philippines | 2016 – 485 min.
Andrés Bonifacio y de Castro is considered to be one of the most influential proponents in the struggle against Spanish colonial rule in the Philippines during the late nineteenth century. Today, he is still celebrated as the father of the Philippine Revolution. Director Lav Diaz examines this myth and undertakes another expedition into the eventful history of his native land. The film’s various loosely interwoven narrative threads are held together by an exploration of the role of the individual in history and their involvement in political and social developments. Bonifacio’s widow is searching for her husband’s missing dead body; as she and her followers stumble deeper into the jungle, they become entangled in the dense thicket of their own guilt and responsibility. The Spanish governor...
Silver Bear “Alfred Bauer” Prize
Hele sa Hiwagang Hapis (A Lullaby to the Sorrowful Mystery) by Lav Diaz
Philippines | 2016 – 485 min.
Andrés Bonifacio y de Castro is considered to be one of the most influential proponents in the struggle against Spanish colonial rule in the Philippines during the late nineteenth century. Today, he is still celebrated as the father of the Philippine Revolution. Director Lav Diaz examines this myth and undertakes another expedition into the eventful history of his native land. The film’s various loosely interwoven narrative threads are held together by an exploration of the role of the individual in history and their involvement in political and social developments. Bonifacio’s widow is searching for her husband’s missing dead body; as she and her followers stumble deeper into the jungle, they become entangled in the dense thicket of their own guilt and responsibility. The Spanish governor...
- 2/21/2016
- by Sebastian Nadilo
- AsianMoviePulse
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