Directed by
| Juan Taratuto | ||
Writing Credits (in alphabetical order)
| Nazareno Obregón Nieva | ... | (collaborating writer) (as Nazareno Obregón) |
| Pablo Solarz | ||
Cast (in credits order)
Produced by
| Alejandro Cacetta | ... | producer |
| Juan Pablo Galli | ... | producer |
| Juan Lovece | ... | executive producer / production director |
| Adrián Suar | ... | producer |
| Juan Vera | ... | producer |
Music by
| Dario Eskenazi | ||
Cinematography by
| Julián Apezteguia | ||
Editing by
| Pablo Barbieri Carrera | ||
Casting By
| María Laura Berch | ||
| Julia Gesteira | ||
Art Direction by
| Vera Aricó | ||
Costume Design by
| Mónica Toschi | ||
Makeup Department
| Fernanda Cacivio | ... | assistant makeup artist |
| Jorge Palacios | ... | hair stylist |
| Magdalena Puibusqué | ... | makeup department head |
Production Management
| Gustavo Arnaudin | ... | post-production supervisor (as Gustavo Arnaudín) |
| Augusto Greco | ... | production manager |
| Verónica Lobariñas | ... | assistant production manager (as Veronica Lobarinas) |
| Tomas Morelli | ... | assistant production manager |
Second Unit Director or Assistant Director
| Fernando Alcalde | ... | assistant director |
| Sabrina García | ... | first assistant director (as Sabrina Garcia) |
Art Department
| Juan David Troncoso | ... | property master |
Sound Department
| José E. Caldararo | ... | foley artist (as José Caldararo) |
| Julián Catz | ... | boom operator |
| Leandro de Loredo | ... | re-recording mixer |
| Martin Litmanovich | ... | sound mixer |
| Martín Scaglia | ... | dialogue editor |
| Sebastián Sonzogni | ... | foley artist |
Special Effects by
| Federico Ransenberg | ... | special effects foreman |
Visual Effects by
| Daniel Calvo | ... | visual effects artist |
| Maxi Gomez | ... | digital compositor |
| Martín Larravide | ... | digital compositor |
| Juan Ignacio Menchaca | ... | vfx assistant editor: THE BOAT |
| Leonardo Quartieri | ... | digital compositor |
| Juan Pablo Rainieri | ... | visual effects supervisor |
| Santiago Svirsky | ... | visual effects supervisor |
| Sebastian Toro | ... | visual effects producer |
| Alejo Varisto | ... | digital compositor |
Camera and Electrical Department
| Pablo Bernst | ... | digital imaging technician |
| Manuel Canales | ... | additional electrician |
| Sergio Céliz | ... | genny operator |
| Martin Dotta | ... | second assistant camera |
| Juan Alejo Fernandez | ... | grip |
| Juan José Fernández | ... | key grip |
| Ivan Insausti | ... | drone operator |
| Daniel Jonathan Ring | ... | lighting technician (as Daniel Ring) |
| Miguel Rivarola | ... | best boy electric |
| Fabio Rodríguez Tappa | ... | additional electrician |
| Guillermo Saposnik | ... | gaffer |
| Martín Stoeff | ... | electrician |
| Juan Manuel Tizón | ... | electrician |
Editorial Department
| Beto Acevedo | ... | film lab supervisor |
| Juan Godoy | ... | mastering |
| Josefina Llobet | ... | assistant editor |
| Luisina Rampoldi | ... | assistant editor |
Location Management
| Diego Igartua | ... | location manager |
Music Department
| Pablo Borghi | ... | trailer music |
| Dario Eskenazi | ... | Vocals / orchestra conductor / piano |
Script and Continuity Department
| Mariana Busetto | ... | script supervisor |
Additional Crew
| Morena Fernández Quinteros | ... | lanzamiento & comercialización |
| Edgardo Sanucci | ... | legal consultant |
Thanks
| Diego Andrasnik | ... | the producers wish to thank |
| Cristina Banegas | ... | the producers wish to thank |
| Maria Soledad Concilio | ... | the producers wish to thank (as Soledad Concilio) |
| Gerardo Rozín | ... | the producers wish to thank (as Gerardo Rozin) |
