The films of Alice Rohrwacher have always been rich with the sensory magic of growing up, but that atmosphere has, up to this point, been enhanced with the knowledge that puberty was approaching, just out of sight, with all the subtlety of a B52 bomber. With her newest, Lazarro Felice, she has largely forgone that period of adolescence, while somehow not forgoing that sense of everyday magic. What emerges is not simply a next step in her oeuvre and creative growth but a fully formed expression of her virtuosic talents.
We shouldn’t make such grand gestures, however, without clarifying that none of this would have been possible — at least not in such a realized way — without the symbiotic artistic partnership she has shared with Hélène Louvart, cinematographer on all of her features to date. Working with gorgeous super 16 (complete with rounded screen corners and glorious imperfections on the peripheries...
We shouldn’t make such grand gestures, however, without clarifying that none of this would have been possible — at least not in such a realized way — without the symbiotic artistic partnership she has shared with Hélène Louvart, cinematographer on all of her features to date. Working with gorgeous super 16 (complete with rounded screen corners and glorious imperfections on the peripheries...
- 5/17/2018
- by Rory O'Connor
- The Film Stage
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