What an astonishing feast for the senses! While this coming of age story doesn't necessarily break any new grounds, it's a journey filled with striking visuals, surrealism and many allegories that show a teenager forced to enter adulthood way too prematurely. Despite the very low budget, I was astounded by how much care was put not only into the gorgeous juxtaposition of some wildly inventive sequences but also in regard to the unnerving and powerful score by Leo Henkin, which reminded me of what I experienced in Eraserhead as well as Under the Skin at times. Director José Pedro Goulart might be a newcomer, but Ponto Zero is one of the most unique and beautifully crafted films I've seen from my country and definitely a breath of fresh air! The anecdote in the beginning meshed with a formidable opening scene connects with the ending in truly profound ways that you would not expect for this type of story. Kudos to all the cast and team behind Ponto Zero and I sincerely hope seeing more experimental films like it as they're usually the ones that fascinate me the most!
3 Reviews
A masterpiece of Brazilian cinema
guisreis18 November 2016
Beautiful, sensitive, distressing. The very first feature-length film of José Pedro Goulart is a masterpiece of Brazilian cinema. Cinematography, edition, acting, screenplay, everything is perfect and above the ordinary. The images and camera angles captured for this film are amazingly innovative and audacious. The alternation between reality and his mind also worth being mentioned. The movie subject may be described as the difficulties and challenges faced by a boy with psychological problems and very dysfunctional parents. He finds in driving his father's car the path to freedom he does not have in his life. Though, the hardest challenge will come, and he lacks maturity to deal with. The only person who may make he goes on is himself.
A moving coming of age movie
ccfransozy13 March 2023
Parents deceive their children throughout childhood, and it's not out of harm, but it doesn't make sense to haunt such a small being with the insignificance of life. However, it is the abandonment of the illusion, and the independent look at the world that torments them in adolescence.
Growing up is really like kissing death, the veil that separates these two worlds breaks; childhood and adult life, separated by such a small distance, that we never know what twist of fate will throw us far from home and force us to exist in a wild world.
Ponto Zero talks about that moment, and makes us spectators of an intimate account of the life of Ênio, a 14-year-old boy, misfit at home and in the world. Ênio has to be the man of the house, since his father is always absent, and also the support of his mother, who is very present. There Ênio is not a son, he has no protection. He is a father, he is a man, he is an invisible being forced to save a house that is in ruins.
Everyone used to be Ênio, he already had to be the father of his own parents, be strong and understand that at some point the roles are reversed; parents see children, and children see guilt for having to take care of their own parents.
But that night there will be no god, there will be no devil to stop Ênio from trying to break free and run in search of his own salvation.
Growing up is really like kissing death, the veil that separates these two worlds breaks; childhood and adult life, separated by such a small distance, that we never know what twist of fate will throw us far from home and force us to exist in a wild world.
Ponto Zero talks about that moment, and makes us spectators of an intimate account of the life of Ênio, a 14-year-old boy, misfit at home and in the world. Ênio has to be the man of the house, since his father is always absent, and also the support of his mother, who is very present. There Ênio is not a son, he has no protection. He is a father, he is a man, he is an invisible being forced to save a house that is in ruins.
Everyone used to be Ênio, he already had to be the father of his own parents, be strong and understand that at some point the roles are reversed; parents see children, and children see guilt for having to take care of their own parents.
But that night there will be no god, there will be no devil to stop Ênio from trying to break free and run in search of his own salvation.
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