Multiple lives intersect in the aftermath of the violent mugging of a Columbia University philosophy professor.Multiple lives intersect in the aftermath of the violent mugging of a Columbia University philosophy professor.Multiple lives intersect in the aftermath of the violent mugging of a Columbia University philosophy professor.
- Roger
- (as Phil Ettinger)
- Jeffrey
- (as Michael K. Williams)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe film wasn't announced by trade publications until after college students spotted Kristen Stewart filming on their campus in New York City.
- Quotes
Prof. Walter Zarrow: But then, what do all these thinkers we've examined this semester have in common? If we truly explore to find a common thread? At the outset of a century that would constitute the bloodiest in human history. Along with scientific and technological advancements that would literally make us like Gods. Even as we began to dismantle the very meaning of God. They ask, what is a life? Does to live any longer have a how? Does it any longer have a why? Against a backdrop of industrialization, people will contend with alienation, dislocation, population on a mass scale, and murder on a mass scale. They'll consider the constraints of truth. Whether metaphor or paradigm, with many concluding actual truth has never existed. A nexus in the great human saga, when we dared to trade the organizing bliss, of good and evil, right and wrong, as determined by a creator for other opiates: communism, socialism, capitalism, psychology, technology, any learnable system to replace what had begun to evaporate: the 20th century. My own. But also the one into which each of you was born. For many, an era of hope liberation, possibility. For others of abandonment and despair. A most human century in which we begin really to understand that Nietzsche was right: we are beautifully, finally, achingly, alone. In this void, philosophy at its worst becomes self-reflective, linguistic, semantic, relativism having rendered any discussion of right and wrong, good and evil, to be the quaint concerns of another age. At its most provocative, it asks other questions. Those concerned with locating our stranded selves, when meaning seems to have died, nothing less, in short, then 'why do we live at all?' and 'what makes us who we are?' They ask, 'what now?' And we're still asking it. What will fortify us as another century, your century, commences? Do we abandon finally the search for truths that seem ever more elusive, even silly to some? The ethical? The moral? The good? Principles that by definition can never be prove when so much now can be proved? Or is all this finally and forever pointless? Are we done? We can destroy cities, alter the planet irreversibly, speak instantaneously face-to-face from across the globe, create life where there was to be none, even while intoxicating ourselves with it all. And yet, how do we still seek purpose? And where do we hope to find it if we're so busy convincing ourselves there needn't be any? And so we wander, eyes closed to the dark, while technology, science, medicine and godlessness blaze illusions around us, with less to guide us now than ever, seemingly omnipotent, but more human and just as afraid. These quandaries do not end with this course in a week from today. They begin. And I certainly haven't taught these writers for 30 years just so you can drop references to existential thinkers and their antecedents at dinner parties. The crowd is untruth. In an era darkened by the false shade of imperviousness, you and those who pause to question, carry the light. It's been a wonderful 34 years. Let's not be strangers, either to one another, or more importantly, to everything we've learned from one another. May your best years be yet to come. And so for us all.
[all applauding]
Prof. Walter Zarrow: [all cheering] Thank you, thank you, thank you.
- SoundtracksTenderly
Performed by Bill Evans
Written By Walter Gross and Jack Lawrence
Used by Permission of Edwin H. Morris & Company,
A Division of MPL Music Publishing, Inc.,
and Range Road Music, Inc.
Couple of comments: this movie is nothing short of being a labor of love from Tim Blake Nelson, who wrote, directed, co-produced and for good measure also stars as one of the characters in the large ensemble (playing the son of the older guy). Here Nelson (best known for his acting work) brings us a complicated character study of mostly flawed characters who are dealing with demons of various kinds. Because of the strong story-telling and plot-driven context, it would be inappropriate for me to say much more than that. The movie features a number of noteworthy performances, none more so than Sam "Law & Order" Waterston as the philosophy professor who is pondering his options as his long and distinguished academic career is winding down. What an acting talent this is, a crisp mid-70 years young when this was filmed. Kristen Stewart (as the troubled philosophy masters student) is 180 degrees away from her "Twilight" franchise role, and makes the most of her brief screen time in this. Canadian composer Jeff Danna provides a lovely orchestra score.
This movie was filmed in 2013, and premiered to positive acclaim at the 2015 Tribeca Film Festival, but it sank like a stone upon its brief theatrical release in early 2016 (it never even made it to my art-house theater here in Cincinnati). A darn shame. But the movie seems to have found a second wind with the subsequent VOD, TV and DVD releases. I happen to catch it on SHO the other night, and I absolutely loved this movie. No, this isn't a 'jolly good time' as the movie is serious and complicated, but I loved spending time with these characters and wasn't ready to say goodbye when the movie's end credits started rolling. "Anesthesia" is HIGHLY RECOMMENDED!
- paul-allaer
- Apr 7, 2017
- How long is Anesthesia?Powered by Alexa
Details
Box office
- Gross US & Canada
- $32,163
- Opening weekend US & Canada
- $6,747
- Jan 10, 2016
- Gross worldwide
- $78,270
- Runtime1 hour 30 minutes
- Color
- Aspect ratio
- 1.85 : 1