Debra Granik put stars like Jennifer Lawrence and Thomasin McKenzie on the map with her films Winter’s Bone and Leave No Trace respectively. After Good One premiered in Sundance and then went to Cannes’ Directors’ Fortnight, there’s a sense that India Donaldson has just done the same thing for Lily Collias. As the positive buzz has built around the movie, the attention has focused on the startlingly subtle and emotional performance given by Collias, who plays Sam, a 17-year-old who accompanies her father Chris (James Le Gros) and his best friend Matt (Danny McCarthy) on a camping trip.
Donaldson’s film offers an accessible entry on a fun weekend in the woods, as the men squabble and Sam, who seems to outwit the pair of them without even trying, attempts to mediate. But as the movie unfolds, tensions ratchet, and Collias is tasked with navigating a character who begins to feel increasingly alone.
Donaldson’s film offers an accessible entry on a fun weekend in the woods, as the men squabble and Sam, who seems to outwit the pair of them without even trying, attempts to mediate. But as the movie unfolds, tensions ratchet, and Collias is tasked with navigating a character who begins to feel increasingly alone.
- 6/7/2024
- by Joe Utichi
- Deadline Film + TV
LevelFilm has acquired a brace of festival favorite films from Metrograph Pictures for Canadian distribution.
India Donaldson’s feature directorial debut “Good One” world premiered at Sundance and screened at the Cannes Directors’ Fortnight in Cannes. In the coming-of-age drama, 17-year-old Sam (Lily Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (James Le Gros) and his oldest friend, Matt (Danny McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam attempts to mediate their disputes. But when lines are crossed and Sam’s trust is betrayed, tensions reach a fever pitch.
“Meanwhile on Earth” is the live-action debut of Jérémy Clapin who was nominated for an Academy Award for his adult animated film “I Lost My Body.” The film, which premiered at the Berlinale earlier this year, stars Meghan Northam (“The Passengers of the Night”) in her debut feature starring role.
India Donaldson’s feature directorial debut “Good One” world premiered at Sundance and screened at the Cannes Directors’ Fortnight in Cannes. In the coming-of-age drama, 17-year-old Sam (Lily Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (James Le Gros) and his oldest friend, Matt (Danny McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam attempts to mediate their disputes. But when lines are crossed and Sam’s trust is betrayed, tensions reach a fever pitch.
“Meanwhile on Earth” is the live-action debut of Jérémy Clapin who was nominated for an Academy Award for his adult animated film “I Lost My Body.” The film, which premiered at the Berlinale earlier this year, stars Meghan Northam (“The Passengers of the Night”) in her debut feature starring role.
- 5/30/2024
- by Naman Ramachandran
- Variety Film + TV
Visit Films has announced a torrent of recent deals on its slate led by a further key territory sale on Cannes Directors’ Fortnight entry Good One.
India Donaldson’s feature debut starring newcomer Lily Collias as a 17-year-old who goes on an awkward backpacking trip with her father and his best friend has gone to Cherry Pickers for Benelux after a previously reported deal with New Story for France.
Multiple territories remain in active negotiation after Cannes, and Metrograph Pictures holds North American rights.
SXSW documentary Mogwai: If The Stars Had A Sound about the cult post-rock band has been...
India Donaldson’s feature debut starring newcomer Lily Collias as a 17-year-old who goes on an awkward backpacking trip with her father and his best friend has gone to Cherry Pickers for Benelux after a previously reported deal with New Story for France.
Multiple territories remain in active negotiation after Cannes, and Metrograph Pictures holds North American rights.
SXSW documentary Mogwai: If The Stars Had A Sound about the cult post-rock band has been...
- 5/30/2024
- ScreenDaily
“I’ve been to Cannes with films that won the Palme D’or; others have done quite well, and some have really not done well. I know the A to Z of Cannes emotions — but it’s always such a pleasure to be there. And it’s very important to this art form that we all love.”
Important words from Kinds of Kindness star Willem Dafoe about how it really feels to attend the world’s most iconic film festival as a veteran who has fielded varying levels of kindness from the Cannes crowd over the years — not to mention differing durations of those much buzzed-about standing ovations.
As the 77th edition comes to a close, emotions were high and the love for the art form seemed stronger than ever as auteurs, stars, glitterati and industry insiders converged in the South of France for nearly two weeks of cinematic adventures...
Important words from Kinds of Kindness star Willem Dafoe about how it really feels to attend the world’s most iconic film festival as a veteran who has fielded varying levels of kindness from the Cannes crowd over the years — not to mention differing durations of those much buzzed-about standing ovations.
As the 77th edition comes to a close, emotions were high and the love for the art form seemed stronger than ever as auteurs, stars, glitterati and industry insiders converged in the South of France for nearly two weeks of cinematic adventures...
- 5/29/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
One of IndieWire’s favorite movies of the 2024 Cannes Film Festival has found a home. Metrograph Pictures has acquired the North American rights to “Gazer,” the neo-noir, heist thriller from director Ryan J. Sloan that premiered in the Director’s Fortnight sidebar at Cannes, IndieWire can reveal exclusively.
Metrograph is planning a theatrical release for the film with release plans to be announced at a later date. Financial details were not disclosed.
IndieWire’s review raved about “Gazer,” saying it combines “the manic paranoia of ‘After Hours‘ with a ‘Memento’-esque unreliable protagonist and touches of flesh-bending body horror that could be ripped straight from ‘Videodrome.'” It offers a new spin on neo-noir and paranoia thrillers of the ’70s and ’80s, but it resists becoming pure pastiche, as our critic Christian Zilko dubbed it.
The film tells the story of a young, single mother named Frankie who suffers from...
Metrograph is planning a theatrical release for the film with release plans to be announced at a later date. Financial details were not disclosed.
IndieWire’s review raved about “Gazer,” saying it combines “the manic paranoia of ‘After Hours‘ with a ‘Memento’-esque unreliable protagonist and touches of flesh-bending body horror that could be ripped straight from ‘Videodrome.'” It offers a new spin on neo-noir and paranoia thrillers of the ’70s and ’80s, but it resists becoming pure pastiche, as our critic Christian Zilko dubbed it.
The film tells the story of a young, single mother named Frankie who suffers from...
- 5/29/2024
- by Brian Welk
- Indiewire
The Cannes 2024 market saw a thrilling revival with nine movies — including four movies in the main competition — selling to specialized distributors in domestic deals. However, this wasn’t exactly a return to business as normal: The buyers weren’t stalwarts like A24, or Focus, or IFC. Instead Mubi, Metrograph Pictures, and Sideshow (in partnership with Janus Films) established themselves as major buyers.
Mubi bought three titles in the main competition: “The Girl With the Needle,” “The Substance,” and added North American rights on Andrea Arnold’s “Bird.” (It came to the festival with UK rights.) “The Substance” starring Demi Moore and Margaret Qualley represents a major swing for the upstart, with one source placing the deal in the low-eight figures.
Sideshow picked up Indian drama “All We Imagine As Light” in the main competition, the animated “Flow” from Un Certain Regard, and “Misericordia” and Leos Carax’s “It’s Not Me,...
Mubi bought three titles in the main competition: “The Girl With the Needle,” “The Substance,” and added North American rights on Andrea Arnold’s “Bird.” (It came to the festival with UK rights.) “The Substance” starring Demi Moore and Margaret Qualley represents a major swing for the upstart, with one source placing the deal in the low-eight figures.
Sideshow picked up Indian drama “All We Imagine As Light” in the main competition, the animated “Flow” from Un Certain Regard, and “Misericordia” and Leos Carax’s “It’s Not Me,...
- 5/29/2024
- by Brian Welk
- Indiewire
The 76th edition of the Cannes Film Festival has now concluded, with Sean Baker’s Anora taking home the Palme d’Or. While our coverage will continue with a few more reviews this week––and far beyond as we provide updates on the journey of these selections––we’ve asked our contributors on the ground to share favorites.
See their picks below, and explore all of our coverage here.
Leonardo Goi (@LeonardoGoi)
1. Grand Tour (Miguel Gomes)
2. All We Imagine As Light (Payal Kapadia)
3. Misericordia (Alain Guiraudie)
4. Anora (Sean Baker)
5. Eephus (Carson Lund)
6. Viet And Nam (Trương Minh Quý)
7. Christmas Eve In Miller’s Point (Tyler Taormina)
8. Black Dog (Guan Hu)
9. Megalopolis (Francis Ford Coppola)
10. Good One (India Donaldson)
Read all of Leonardo’s reviews here.
Luke Hicks (@lou_hicks)
1. Anora (Sean Baker)
2. Caught by the Tides (Jia Zhangke)
3. Oh, Canada (Paul Schrader)
4. Viet and Nam (Trương Minh Quý)
5. The Seed of the Sacred Fig...
See their picks below, and explore all of our coverage here.
Leonardo Goi (@LeonardoGoi)
1. Grand Tour (Miguel Gomes)
2. All We Imagine As Light (Payal Kapadia)
3. Misericordia (Alain Guiraudie)
4. Anora (Sean Baker)
5. Eephus (Carson Lund)
6. Viet And Nam (Trương Minh Quý)
7. Christmas Eve In Miller’s Point (Tyler Taormina)
8. Black Dog (Guan Hu)
9. Megalopolis (Francis Ford Coppola)
10. Good One (India Donaldson)
Read all of Leonardo’s reviews here.
Luke Hicks (@lou_hicks)
1. Anora (Sean Baker)
2. Caught by the Tides (Jia Zhangke)
3. Oh, Canada (Paul Schrader)
4. Viet and Nam (Trương Minh Quý)
5. The Seed of the Sacred Fig...
- 5/27/2024
- by The Film Stage
- The Film Stage
Get in touch to send in cinephile news and discoveries. To keep up with our latest features, sign up for the Weekly Edit newsletter and follow us @mubinotebook on Twitter and Instagram.NEWSThere Is No Evil.Facing eight years in prison, Mohammad Rasoulof has fled Iran for Europe and may even be in Cannes next week for the premiere of The Seed of the Sacred Fig. In a statement, he concludes, “Many people helped to make this film. My thoughts are with all of them, and I fear for their safety and well-being.”The US 10th Circuit Court of Appeals has ruled against Netflix in a case determining whether a video excerpted for Tiger King (2020–21) constituted fair use. The ruling may have far-reaching implications for documentary makers.Cannesa rumored list of ten alleged abusers in the film industry has not yet materialized, but Cannes reportedly has a crisis management team...
- 5/15/2024
- MUBI
"Are they staying here?" Metrograph FIlms has revealed the first official trailer for Good One, one of the most critically acclaimed films from this year's 2024 Sundance Film Festival. Good One is the feature debut of filmmaker India Donaldson, proving she has an eye for detail and a knack for nuanced storytelling. During a weekend backpacking trip in the Catskills, 17-year-old Sam navigates the clash of egos between her father and his oldest friend. The film also features the breakout lead performance by Lily Collias as the main character Sam. Donaldson's heralded first feature, starring the talented Lily Collias, is Metrograph Picture's first new release of 2024, and the only film this year to play at both the Sundance & Cannes Film Festivals – it's screening soon in the Directors' Fortnight sidebar in Cannes this month. This also co-stars James Le Gros and Danny McCarthy as the two adults. With a score by Celia Hollander.
- 5/8/2024
- by Alex Billington
- firstshowing.net
Good OnePhoto: Metrograph
India Donaldson takes the coming-of-age parent-child road trip for a spin in her directorial debut, Good One, which premiered earlier at this year’sSundance Film Festival. In theaters August 9, Good One centers on a teen named Sam (Lily Collias) who goes camping with her dad (James Le Gros...
India Donaldson takes the coming-of-age parent-child road trip for a spin in her directorial debut, Good One, which premiered earlier at this year’sSundance Film Festival. In theaters August 9, Good One centers on a teen named Sam (Lily Collias) who goes camping with her dad (James Le Gros...
- 5/8/2024
- by Mary Kate Carr
- avclub.com
Camping is a lot of fun. It offers a chance for families to have an adventure in the woods. But as seen in “Good One,” it’s not always a great time.
The trailer for “Good One” begins by showing the happy moments as a father and daughter embark on a backpacking trip with a good family friend. Things begin to deteriorate a little, testing the bonds of family, and showing that camping isn’t always awesome.
Continue reading ‘Good One’ Trailer: India Donaldson’s Intimate Sundance Debut Turns Lily Collias Into A Breakthrough Indie Star at The Playlist.
The trailer for “Good One” begins by showing the happy moments as a father and daughter embark on a backpacking trip with a good family friend. Things begin to deteriorate a little, testing the bonds of family, and showing that camping isn’t always awesome.
Continue reading ‘Good One’ Trailer: India Donaldson’s Intimate Sundance Debut Turns Lily Collias Into A Breakthrough Indie Star at The Playlist.
- 5/8/2024
- by Martin Miller
- The Playlist
One of the greatest discoveries at this year’s Sundance Film Festival, India Donaldson’s directorial debut Good One is also the only film this year to go on to play New Directors/New Films and the Cannes Film Festival. Picked up by Metrograph Pictures as their first major release, ahead of an August 9 debut, the first trailer has now arrived.
Here’s the synopsis: “In India Donaldson’s insightful, piercing debut, 17-year-old Sam (Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (Le Gros) and his oldest friend, Matt (McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, attempts to mediate. But when lines are crossed and Sam’s trust is betrayed, tensions reach a fever pitch, as Sam struggles with her dad’s emotional limitations and experiences the universal moment when the parental bond is tested.
Here’s the synopsis: “In India Donaldson’s insightful, piercing debut, 17-year-old Sam (Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (Le Gros) and his oldest friend, Matt (McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, attempts to mediate. But when lines are crossed and Sam’s trust is betrayed, tensions reach a fever pitch, as Sam struggles with her dad’s emotional limitations and experiences the universal moment when the parental bond is tested.
- 5/8/2024
- by Jordan Raup
- The Film Stage
Beloved by critics and festivalgoers out of this year’s Sundance, India Donaldson’s feature directorial debut “Good One” is now set to be the only film playing in both Sundance and Cannes this year, with the feature debuting in the Directors’ Fortnight section at the 2024 Cannes Film Festival. The coming-of-age story about the ramifications of a father-daughter camping trip is also the first new release from Metrograph Pictures. IndieWire shares the exclusive trailer and poster below.
Per the official synopsis, in “Good One,” 17-year-old Sam (Collias) “embarks on a three-day backpacking trip in the Catskills with her dad, Chris (Le Gros) and his oldest friend, Matt (McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, attempts to mediate. But when lines are crossed and Sam’s trust is betrayed, tensions reach a fever pitch, as Sam struggles...
Per the official synopsis, in “Good One,” 17-year-old Sam (Collias) “embarks on a three-day backpacking trip in the Catskills with her dad, Chris (Le Gros) and his oldest friend, Matt (McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, attempts to mediate. But when lines are crossed and Sam’s trust is betrayed, tensions reach a fever pitch, as Sam struggles...
- 5/8/2024
- by Ryan Lattanzio
- Indiewire
Chicago – The 2024 Chicago Critics Film Festival on Day Six – Wednesday, May 8th – screens a feature film director debut about a hiking trip and the scattered remnants of disconnected people. “Good One” is by India Donaldson, and she will appear on behalf of the film For the full schedule, info and tickets, click Ccff May 8th. For individual films, click titles below.
Good One
Good One
Photo credit: ChicagoCriticsFilmFestival.com
17-year-old Sam (Lily Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (James Le Gros) and his oldest friend, Matt (Danny McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, attempts to mediate. But when lines are crossed and Sam’s trust is betrayed, she is confronted with her dad’s emotional limitations and experiences the universal moment when the parental bond is tested.
Good One
Good One
Photo credit: ChicagoCriticsFilmFestival.com
17-year-old Sam (Lily Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (James Le Gros) and his oldest friend, Matt (Danny McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, attempts to mediate. But when lines are crossed and Sam’s trust is betrayed, she is confronted with her dad’s emotional limitations and experiences the universal moment when the parental bond is tested.
- 5/7/2024
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Heading into the Cannes market Vmi Worldwide has acquired international sales rights to the action title Kill Craft, with sister company Vmi Releasing set to release in North America.
Mark Savage wrote and directed the story starring Sanae Loutsis as a wife and daughter forced to take over the family business after her veteran hitman father is mysteriously killed on the job.
Michael Paré and Bill Oberst Jr. also star in the feature from Stl Productions, Savage Sinema, and Millman Productions.
Savage, Alexi Angelino, and Jeff Miller produced Kill Craft, with Shawn Loutsis and Tamie Loutsis serving as executive producers.
Mark Savage wrote and directed the story starring Sanae Loutsis as a wife and daughter forced to take over the family business after her veteran hitman father is mysteriously killed on the job.
Michael Paré and Bill Oberst Jr. also star in the feature from Stl Productions, Savage Sinema, and Millman Productions.
Savage, Alexi Angelino, and Jeff Miller produced Kill Craft, with Shawn Loutsis and Tamie Loutsis serving as executive producers.
- 5/2/2024
- ScreenDaily
Visit Films, New Story close French sale on Cannes Directors’ Fortnight entry ‘Good One’ (exclusive)
In an early deal Visit Films has licensed French rights to New Story on India Donaldson’s Cannes Directors’ Fortnight selection Good One.
Donaldson’s feature debut premiered in Sundance and follows 17-year-old Sam on a weekend backpacking trip in the Catskills as she contends with the competing egos of her father and his oldest friend.
Newcomer Lily Colias stars alongside James Le Gros and Danny McCarthy.
Graham Mason, Diana Irvine, Wilson Cameron, and Donaldson served as producers. Sarah Winshall’s (I Saw the TV Glow) Smudge Films, and Neil Champagne, Veronica Diaferia and Sara Eolin of Tinygiant served as executive producers.
Donaldson’s feature debut premiered in Sundance and follows 17-year-old Sam on a weekend backpacking trip in the Catskills as she contends with the competing egos of her father and his oldest friend.
Newcomer Lily Colias stars alongside James Le Gros and Danny McCarthy.
Graham Mason, Diana Irvine, Wilson Cameron, and Donaldson served as producers. Sarah Winshall’s (I Saw the TV Glow) Smudge Films, and Neil Champagne, Veronica Diaferia and Sara Eolin of Tinygiant served as executive producers.
- 5/2/2024
- ScreenDaily
Clockwise from bottom left: Good One (Metrograph Pictures), Deadpool & Wolverine (Disney/Marvel), The Watchers (Warner Bros.), Alien: Romulus (20th Century Studios)Graphic: The A.V. Club
Yesterday, we took a look at the films that really stand out to us this summer, but there are still plenty of other movies on...
Yesterday, we took a look at the films that really stand out to us this summer, but there are still plenty of other movies on...
- 4/30/2024
- by Jen Lennon, Drew Gillis, Cindy White, Jacob Oller, Matt Schimkowitz, and Saloni Gajjar
- avclub.com
Who says this summer is light on blockbuster fare, despite the strikes holding productions and release dates up?
Big movies coming to theaters in the next hot few months include favorite IP getting a 2024 burnish, from “Kingdom of the Planet of the Apes” to “Alien: Romulus” and “Twisters”. Oh, and a little movie called “Furiosa: A Mad Max Saga” (May 24), which George Miller will first bring to the Cannes Film Festival before opening it in theaters later that month. Plus, poised to be a Netflix hit this summer is Richard Linklater’s “Hit Man” (May 24 in theaters), playing for a couple of weeks in select cities before the crime comedy starring Glen Powell hits the streaming platform.
But those bigger-ticket titles aside, summer 2024 is a time for indies to shine, from Annie Baker’s long-awaited festival hit “Janet Planet” (June 14) to India Donaldson’s wonderful Sundance premiere “Good One” (August...
Big movies coming to theaters in the next hot few months include favorite IP getting a 2024 burnish, from “Kingdom of the Planet of the Apes” to “Alien: Romulus” and “Twisters”. Oh, and a little movie called “Furiosa: A Mad Max Saga” (May 24), which George Miller will first bring to the Cannes Film Festival before opening it in theaters later that month. Plus, poised to be a Netflix hit this summer is Richard Linklater’s “Hit Man” (May 24 in theaters), playing for a couple of weeks in select cities before the crime comedy starring Glen Powell hits the streaming platform.
But those bigger-ticket titles aside, summer 2024 is a time for indies to shine, from Annie Baker’s long-awaited festival hit “Janet Planet” (June 14) to India Donaldson’s wonderful Sundance premiere “Good One” (August...
- 4/23/2024
- by Ryan Lattanzio, David Ehrlich and Kate Erbland
- Indiewire
Exclusive: Metrograph Pictures announced on Wednesday that Good One — the first feature from writer-director India Donaldson, which premiered to rave reviews at this year’s Sundance Film Festival — will open in NY/LA on August 9 and expand nationwide in the following weeks.
That weekend, it will be up against Neon’s horror pic Cuckoo starring Hunter Schafer, Amazon MGM’s boxing drama The Fire Inside starring Brian Tyree Henry, Sony’s It Ends With Us, Lionsgate’s Borderlands, and M. Night Shyamalan’s Warner Bros thriller Trap.
The first title acquired by Metrograph since its recent expansion into theatrical releases under the leadership of former A24 exec David Laub, Good One watches as 17-year-old Sam (newcomer Lily Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (James Le Gros) and his oldest friend, Matt (Danny McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic,...
That weekend, it will be up against Neon’s horror pic Cuckoo starring Hunter Schafer, Amazon MGM’s boxing drama The Fire Inside starring Brian Tyree Henry, Sony’s It Ends With Us, Lionsgate’s Borderlands, and M. Night Shyamalan’s Warner Bros thriller Trap.
The first title acquired by Metrograph since its recent expansion into theatrical releases under the leadership of former A24 exec David Laub, Good One watches as 17-year-old Sam (newcomer Lily Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (James Le Gros) and his oldest friend, Matt (Danny McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic,...
- 4/17/2024
- by Matt Grobar
- Deadline Film + TV
Visit Films has come on board to represent international sales on India Donaldson’s Good One, which was just announced in the Cannes Directors’ Fortnight line-up.
The film receives its international premiere on the Croisette after it world-premiered in Sundance in January.
As previously announced, Metrograph Pictures acquired North American rights to Good One in its first buy since moving into distribution.
The film follows 17-year-old Sam on a weekend backpacking trip in the Catskills as she contends with the competing egos of her father and his oldest friend. Newcomer Lily Collias stars alongside James Le Gros and Danny McCarthy.
The film receives its international premiere on the Croisette after it world-premiered in Sundance in January.
As previously announced, Metrograph Pictures acquired North American rights to Good One in its first buy since moving into distribution.
The film follows 17-year-old Sam on a weekend backpacking trip in the Catskills as she contends with the competing egos of her father and his oldest friend. Newcomer Lily Collias stars alongside James Le Gros and Danny McCarthy.
- 4/16/2024
- ScreenDaily
The 55th edition of the Cannes’ Directors’ Fortnight, the parallel section of the main Cannes Film Festival, has announced its 2024 line-up. Running from May 15 to 23, the Fortnight, or the Quinzaine Des Cinéastes, in French, will debut 21 feature films and ten short films.
This year’s selection is the second line-up curated by delegate General Julien Rejl, who assumed his role in 2023.
Continue reading Cannes Director’s Fortnight Line-Up Adds Sundance Breakout ‘Good One,’ A Michael Cera Christmas Movie & More at The Playlist.
This year’s selection is the second line-up curated by delegate General Julien Rejl, who assumed his role in 2023.
Continue reading Cannes Director’s Fortnight Line-Up Adds Sundance Breakout ‘Good One,’ A Michael Cera Christmas Movie & More at The Playlist.
- 4/16/2024
- by The Playlist
- The Playlist
Following the main lineups for the 2024 Cannes Film Festival, a handful of sidebar slates have been unveiled, featuring Directors Fortnight, Critics Week, and Acid. Notable highlights include the Sundance favorite Good One (read our review here), Tyler Taormina’s Christmas Eve in Miller’s Point starring Michael Cera, the first film in over a decade from James White director Josh Mond, the Christopher Abbott-led It Doesn’t Matter, Eat the Night from Jessica Forever duo Caroline Poggi & Jonathan Vinel, Carson Lund’s Eephus, Patricia Mazuy’s Visting Hours, The Hyperboreans, a new film from The Wolf House directors Cristobal Leo & Joaquin Cocina, Matthew Rankin’s The Twentieth Century follow-up Universal Language, and more.
Check out the lineups below.
Cannes Directors Fortnight
Feature films:
“Ma Vie Ma Gueule,” Sophie Fillieres (France) – opening film
“A Son Image,” Thierry de Peretti (France)
“Christmas Eve in Miller’s Point,” Tyler Taormina (USA)
“Desert of Namibia,...
Check out the lineups below.
Cannes Directors Fortnight
Feature films:
“Ma Vie Ma Gueule,” Sophie Fillieres (France) – opening film
“A Son Image,” Thierry de Peretti (France)
“Christmas Eve in Miller’s Point,” Tyler Taormina (USA)
“Desert of Namibia,...
- 4/16/2024
- by Jordan Raup
- The Film Stage
The Cannes Directors’ Fortnight section has unveiled its lineup for the 2024 festival, which will open with This Life of Mine, the final feature from the late French director Sophie Fillières. The drama features Agnès Jaoui as a woman whose identity starts to unravel when she turns 55. Fillières died shortly after wrapping principal photography on the film and her children finished post-production.
There are four U.S. titles in the feature section of the non-competitive sidebar: Tyler Taormina’s Christmas Eve In Miller’s Point, Carson Lund’s Eephus, India Donaldson’s Good One and Gazer from Ryan J. Sloan.
Christmas Eve in Miller’s Point, starring Michael Cera, Elsie Fisher, Francesca Scorsese. Ben Shenkman, Gregg Turkington, Sawyer Spielberg, Maria Dizzia and newcomer Matilda Fleming, follows four generations as they gather for what might be their last Christmas in the family home. Lund, who lensed Christmas Eve, makes his feature debut with Eephus,...
There are four U.S. titles in the feature section of the non-competitive sidebar: Tyler Taormina’s Christmas Eve In Miller’s Point, Carson Lund’s Eephus, India Donaldson’s Good One and Gazer from Ryan J. Sloan.
Christmas Eve in Miller’s Point, starring Michael Cera, Elsie Fisher, Francesca Scorsese. Ben Shenkman, Gregg Turkington, Sawyer Spielberg, Maria Dizzia and newcomer Matilda Fleming, follows four generations as they gather for what might be their last Christmas in the family home. Lund, who lensed Christmas Eve, makes his feature debut with Eephus,...
- 4/16/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
The 77th edition of Cannes’ Directors’ Fortnight will kick off with “This Life of Mine,” a dramedy directed by Sophie Fillières, a renowned French filmmaker who died last year. Presented posthumously, the film is headlined by French stars including Agnès Jaoui, Philippe Katerine and Valérie Donzelli. The independent selection, which has recently gone through a rebranding and is now spearheaded by artistic director Julien Rejl, will close with another French film, Jean-Christophe Meurisse’s “Plastic Guns,” an offbeat crime comedy headlined by popular actor Jonathan Cohen.
The lineup includes as many as four U.S. features, three of which are feature debuts, including India Donaldson’s coming-of-age film”Good One” which premiered at Sundance and garnered solid reviews. Set in upstate New York, “Good One” follows 17-year-old Sam as she joins her father and his oldest friend, Matt, on their annual backpacking trip in the Catskill Mountains. “Good One” has...
The lineup includes as many as four U.S. features, three of which are feature debuts, including India Donaldson’s coming-of-age film”Good One” which premiered at Sundance and garnered solid reviews. Set in upstate New York, “Good One” follows 17-year-old Sam as she joins her father and his oldest friend, Matt, on their annual backpacking trip in the Catskill Mountains. “Good One” has...
- 4/16/2024
- by Elsa Keslassy
- Variety Film + TV
Directors’ Fortnight has unveiled the selection for its 56th edition heavy on films from first-time US filmmakers, South American titles, and talent including Isabelle Huppert, Michael Cera and Agnès Jaoui.
Artistic director Julien Rejl revealed the line-up at a press conference in Paris on Tuesday (April 16) for the Cannes parallel section run by French directors guild the Srf.
Scroll down for the full selection
After undergoing a complete rebranding for last year’s edition complete with new artistic director Rejl and a new more inclusive female-forward name in French to La Quinzaine des Cinéastes, this year’s selection includes eight...
Artistic director Julien Rejl revealed the line-up at a press conference in Paris on Tuesday (April 16) for the Cannes parallel section run by French directors guild the Srf.
Scroll down for the full selection
After undergoing a complete rebranding for last year’s edition complete with new artistic director Rejl and a new more inclusive female-forward name in French to La Quinzaine des Cinéastes, this year’s selection includes eight...
- 4/16/2024
- ScreenDaily
Cannes parallel section Directors’ Fortnight has unveiled the line-up for its 56th edition running from May 15 to 23, at a press conference in Paris’ Forum des Images cultural center.
The section, launched in 1969 and overseen by the French Directors Guild, will present 21 feature films and 10 short films.
It is the second line-up overseen by Delegate General Julien Rejl, who took up the role last year.
Discoveries of his inaugural edition included Georgian director Elene Naveriani’s late coming-of-age drama Blackbird Blackbird Blackberry; U.S. indie film Riddle Of Fire by Weston Razooli, as well as Vietnamese filmmaker Phạm Thiên Ân’s 2023 Cannes Caméra d’Or winner Inside The Yellow Cocoon Shell.
The 2024 edition will open with late director Sophie Fillières’ final feature This Life of Mine, starring Agnès Jaoui as a woman whose sense of self starts to unravel as she turns 55.
Fillières died shortly after completing the shoot and her...
The section, launched in 1969 and overseen by the French Directors Guild, will present 21 feature films and 10 short films.
It is the second line-up overseen by Delegate General Julien Rejl, who took up the role last year.
Discoveries of his inaugural edition included Georgian director Elene Naveriani’s late coming-of-age drama Blackbird Blackbird Blackberry; U.S. indie film Riddle Of Fire by Weston Razooli, as well as Vietnamese filmmaker Phạm Thiên Ân’s 2023 Cannes Caméra d’Or winner Inside The Yellow Cocoon Shell.
The 2024 edition will open with late director Sophie Fillières’ final feature This Life of Mine, starring Agnès Jaoui as a woman whose sense of self starts to unravel as she turns 55.
Fillières died shortly after completing the shoot and her...
- 4/16/2024
- by Melanie Goodfellow
- Deadline Film + TV
Looking for bold new work from first- and second-time feature filmmakers? Look no further than New Directors/New Films, the premier New York City festival that annually highlights them.
Now in its 53rd edition, New Directors/New Films returns to New York April 3 through 14 from Film at Lincoln Center and the Museum of Modern Art, bringing the best of the fests so far to audiences eager for discovery. This year’s festival is bookended by Aaron Schimberg’s opening night entry “A Different Man,” starring Sebastian Stan as an actor who unravels after a facial reconstruction surgery, and Theda Hammel’s “Stress Positions,” an anxiety-inducing Covid lockdown comedy starring John Early. Both films premiered at the 2024 Sundance Film Festival, whose Dramatic Competition gem “Good One,” a coming-of-age drama set around a derailed camping trip and directed by India Donaldson, also features at New Directors.
Also premiering at the festival is Sundance favorite “Exhibiting Forgiveness,...
Now in its 53rd edition, New Directors/New Films returns to New York April 3 through 14 from Film at Lincoln Center and the Museum of Modern Art, bringing the best of the fests so far to audiences eager for discovery. This year’s festival is bookended by Aaron Schimberg’s opening night entry “A Different Man,” starring Sebastian Stan as an actor who unravels after a facial reconstruction surgery, and Theda Hammel’s “Stress Positions,” an anxiety-inducing Covid lockdown comedy starring John Early. Both films premiered at the 2024 Sundance Film Festival, whose Dramatic Competition gem “Good One,” a coming-of-age drama set around a derailed camping trip and directed by India Donaldson, also features at New Directors.
Also premiering at the festival is Sundance favorite “Exhibiting Forgiveness,...
- 4/2/2024
- by Ryan Lattanzio
- Indiewire
IndieWire’s “Screen Talk” podcast is coming live to New York City with a special edition on Thursday, April 4.
To celebrate Film at Lincoln Center and the Museum of Modern Art’s New Directors/New Films festival, “Screen Talk” co-hosts Anne Thompson and Ryan Lattanzio will host a free live recording of the podcast at the Elinor Bunin Munroe Film Center at 5 p.m. They’ll be joined by special guest Derek Cianfrance, the director of the films “Blue Valentine” and “The Place Beyond the Pines” and TV series including “I Know This Much Is True,” and the Oscar-nominated co-writer of “Sound of Metal.” Most recently, he’s a producer behind the New Directors/New Films entry “Exhibiting Forgiveness,” which premiered at the 2024 Sundance Film Festival. The drama, directed by Titus Kaphar, stars André Holland as an artist confronted with the return of his long-estranged father.
During the live “Screen Talk,...
To celebrate Film at Lincoln Center and the Museum of Modern Art’s New Directors/New Films festival, “Screen Talk” co-hosts Anne Thompson and Ryan Lattanzio will host a free live recording of the podcast at the Elinor Bunin Munroe Film Center at 5 p.m. They’ll be joined by special guest Derek Cianfrance, the director of the films “Blue Valentine” and “The Place Beyond the Pines” and TV series including “I Know This Much Is True,” and the Oscar-nominated co-writer of “Sound of Metal.” Most recently, he’s a producer behind the New Directors/New Films entry “Exhibiting Forgiveness,” which premiered at the 2024 Sundance Film Festival. The drama, directed by Titus Kaphar, stars André Holland as an artist confronted with the return of his long-estranged father.
During the live “Screen Talk,...
- 4/1/2024
- by Ryan Lattanzio and Anne Thompson
- Indiewire
Judd Apatow has directed such comedy films as The 40-Year-Old Virgin, Knocked Up and Trainwreck, among others. Despite his recent The King of Staten Island and The Bubble going straight to streaming, he still believes comedy films have a place in theaters.
“The highest-grossing comedy last year made over a billion dollars. Barbie was a comedy,” Apatow said in an interview with Vulture on the Good One podcast.
Barbie is “not a drama,” Apatow said. “There are some emotional moments in it, but it’s just wall-to-wall jokes. There’s something about it where I feel like no one wants to give comedy the win there. Like, why can’t we say Barbie is a comedy? What other category would it be?”
Apatow thinks the genre just needs “another hit or two” to mount its theatrical comeback, citing Hollywood’s propensity to imitate success. Apatow said producers will “chase anything...
“The highest-grossing comedy last year made over a billion dollars. Barbie was a comedy,” Apatow said in an interview with Vulture on the Good One podcast.
Barbie is “not a drama,” Apatow said. “There are some emotional moments in it, but it’s just wall-to-wall jokes. There’s something about it where I feel like no one wants to give comedy the win there. Like, why can’t we say Barbie is a comedy? What other category would it be?”
Apatow thinks the genre just needs “another hit or two” to mount its theatrical comeback, citing Hollywood’s propensity to imitate success. Apatow said producers will “chase anything...
- 3/28/2024
- by Bruce Haring
- Deadline Film + TV
From a pandemic and Hollywood’s dual strikes to fundraising issues, film festivals have faced a number of challenges in recent years. But a new one is braving the scene and about to hit the circuit.
The Los Angeles Festival of Movies will present its inaugural edition on April 4-7, co-presented by Mubi and Mezzanine and featuring 12 titles (one world premiere), three 4K restorations, a featured artist talk, documentary series and a short film program. Passes are currently on sale with single tickets on sale March 14. Lafm screenings will take place at three recently opened venues across Los Angeles: Vidiots in Eagle Rock, 2220 Arts + Archives in Historic Filipinotown and Now Instant Image Hall in Chinatown.
A24’s I Saw the TV Glow from filmmaker Jane Schoenbrun will open the fest with a West Coast premiere at Vidiots on April 4. Closing Lafm three days later will be the world premiere of...
The Los Angeles Festival of Movies will present its inaugural edition on April 4-7, co-presented by Mubi and Mezzanine and featuring 12 titles (one world premiere), three 4K restorations, a featured artist talk, documentary series and a short film program. Passes are currently on sale with single tickets on sale March 14. Lafm screenings will take place at three recently opened venues across Los Angeles: Vidiots in Eagle Rock, 2220 Arts + Archives in Historic Filipinotown and Now Instant Image Hall in Chinatown.
A24’s I Saw the TV Glow from filmmaker Jane Schoenbrun will open the fest with a West Coast premiere at Vidiots on April 4. Closing Lafm three days later will be the world premiere of...
- 3/7/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
A new Los Angeles film festival featuring independent films, documentaries and artist talks is set for April 4-7 at venues in Chinatown, Eagle Rock and Filipinotown.
The Los Angeles Festival of Movies was launched by Micah Gottlieb and Sarah Winshall, and will open April 4 with Jane Schoenbrun’s “I Saw the TV Glow.” Closing night film is Conner O’Malley and Danny Scharar’s “Rap World” on April 7. Both films screen at Vidiots.
Screenings will be spread between Vidiots in Eagle Rock, 2220 Arts + Archives in Historic Filipinotown and Now Instant Image Hall in Chinatown.
An artist’s talk will feature musician and artist Kim Gordon and writer Rachel Kushner in conversation about their relationships to the city and cinema of Los Angeles.
The city’s last festival focused on independent films, the L.A. Independent Film Festival, closed in 2018. For several years, Sundance hosted an L.A. screening series, which hasn...
The Los Angeles Festival of Movies was launched by Micah Gottlieb and Sarah Winshall, and will open April 4 with Jane Schoenbrun’s “I Saw the TV Glow.” Closing night film is Conner O’Malley and Danny Scharar’s “Rap World” on April 7. Both films screen at Vidiots.
Screenings will be spread between Vidiots in Eagle Rock, 2220 Arts + Archives in Historic Filipinotown and Now Instant Image Hall in Chinatown.
An artist’s talk will feature musician and artist Kim Gordon and writer Rachel Kushner in conversation about their relationships to the city and cinema of Los Angeles.
The city’s last festival focused on independent films, the L.A. Independent Film Festival, closed in 2018. For several years, Sundance hosted an L.A. screening series, which hasn...
- 3/7/2024
- by Pat Saperstein
- Variety Film + TV
A new film festival is on the scene. Los Angeles Festival of Movies (Lafm), co-presented by Mubi and Mezzanine, has announced the full line-up for its inaugural run, taking place April 4-7, 2024. Boasting 11 titles––including one world premiere, three 4K restorations, a featured artist talk, documentary series, and curated shorts program––screenings will take place at three recently opened venues on the east side of Los Angeles: Vidiots in Eagle Rock, 2220 Arts + Archives in Historic Filipinotown, and Now Instant Image Hall in Chinatown.
Among the lineup are some of our recent festival favorites: Jane Schoenbrun’s I Saw the TV Glow, India Donaldson’s Good One, the Ross brothers’ Gasoline Rainbow, and Eduardo Williams’ The Human Surge 3. Closing the festival is the world premiere of Conner O’Malley and Danny Scharer’s Rap World.
“This lineup is a snapshot of the past and present landscape of independent cinema, and a group...
Among the lineup are some of our recent festival favorites: Jane Schoenbrun’s I Saw the TV Glow, India Donaldson’s Good One, the Ross brothers’ Gasoline Rainbow, and Eduardo Williams’ The Human Surge 3. Closing the festival is the world premiere of Conner O’Malley and Danny Scharer’s Rap World.
“This lineup is a snapshot of the past and present landscape of independent cinema, and a group...
- 3/7/2024
- by Jordan Raup
- The Film Stage
The LA film festival scene just got a bit brighter.
The Los Angeles Festival of Movies (Lafm), co-presented by Mubi and Mezzanine, announced the full lineup for its inaugural festival taking place April 4-7, 2024. The new festival will screen 11 titles including one world premiere, three 4K restorations, plus a featured artist talk, documentary series, and a curated short film program. Passes are currently on sale, and single film tickets go on sale March 14.
Per the festival’s organizers, Lafm was created to redefine Los Angeles as a destination for independent film. There are many film festivals in LA, primarily led by AFI Fest in the fall, but rarely do they make independent film their only focus.
The festival’s screenings will all take place at three recently opened venues on the east side of Los Angeles: Vidiots in Eagle Rock, 2220 Arts + Archives in Historic Filipinotown, and Now Instant Image Hall in Chinatown.
The Los Angeles Festival of Movies (Lafm), co-presented by Mubi and Mezzanine, announced the full lineup for its inaugural festival taking place April 4-7, 2024. The new festival will screen 11 titles including one world premiere, three 4K restorations, plus a featured artist talk, documentary series, and a curated short film program. Passes are currently on sale, and single film tickets go on sale March 14.
Per the festival’s organizers, Lafm was created to redefine Los Angeles as a destination for independent film. There are many film festivals in LA, primarily led by AFI Fest in the fall, but rarely do they make independent film their only focus.
The festival’s screenings will all take place at three recently opened venues on the east side of Los Angeles: Vidiots in Eagle Rock, 2220 Arts + Archives in Historic Filipinotown, and Now Instant Image Hall in Chinatown.
- 3/7/2024
- by Ryan Lattanzio
- Indiewire
It’s about time for the annual New Directors/New Films Festival. Set to take place April 3 – 14, the festival presented by Film at Lincoln Center and the Museum of Modern Art features a slew of early 2024 festival favorites. Nd/Nf opens with Sundance hit “A Different Man,” directed by breakout filmmaker Aaron Schimberg. Sebastian Stan won the Berlinale best actor award for his turn in the feature as an actor who undergoes a facial reconfiguration surgery.
Film at Lincoln Center programmer and 2024 New Directors/New Films co-chair Dan Sullivan billed “A Different Man” as a “delirious, complex, and hilarious work that evokes the best black comedies produced on the streets and inside the apartments of New York City in the 1960s and ’70s (with a healthy dash of body horror and metanarrative).”
Nd/Nf closes with fellow New York-based film “Stress Positions,” which also premiered at the 2024 Sundance Film Festival.
Film at Lincoln Center programmer and 2024 New Directors/New Films co-chair Dan Sullivan billed “A Different Man” as a “delirious, complex, and hilarious work that evokes the best black comedies produced on the streets and inside the apartments of New York City in the 1960s and ’70s (with a healthy dash of body horror and metanarrative).”
Nd/Nf closes with fellow New York-based film “Stress Positions,” which also premiered at the 2024 Sundance Film Festival.
- 3/7/2024
- by Samantha Bergeson
- Indiewire
The New Directors/New Films lineup boasts a slew of 2024 festival breakout features.
The annual festival, presented by Film at Lincoln Center and The Museum of Modern Art, will take place from April 3 to April 14 at Film at Lincoln Center. Sundance premiere “A Different Man,” Berlinale best first feature winner “Cu Li Never Cries,” and Locarno Film Festival winner “A Good Place” are among this year’s standout titles.
The 53rd annual festival celebrates rising filmmakers who redefine the state of cinema. The 2024 lineup includes 25 features and 10 short films, including one world premiere. “A Different Man,” directed by Aaron Schimberg and co-starring Berlinale best actor winner Sebastian Stan, will open the festival April 3. Theda Hammel’s “Stress Positions,” which also premiered at the 2024 Sundance Film Festival, will close New Directors/New Films April 14. Both features were directed by New York City-based filmmakers.
“It just feels right for us to bookend...
The annual festival, presented by Film at Lincoln Center and The Museum of Modern Art, will take place from April 3 to April 14 at Film at Lincoln Center. Sundance premiere “A Different Man,” Berlinale best first feature winner “Cu Li Never Cries,” and Locarno Film Festival winner “A Good Place” are among this year’s standout titles.
The 53rd annual festival celebrates rising filmmakers who redefine the state of cinema. The 2024 lineup includes 25 features and 10 short films, including one world premiere. “A Different Man,” directed by Aaron Schimberg and co-starring Berlinale best actor winner Sebastian Stan, will open the festival April 3. Theda Hammel’s “Stress Positions,” which also premiered at the 2024 Sundance Film Festival, will close New Directors/New Films April 14. Both features were directed by New York City-based filmmakers.
“It just feels right for us to bookend...
- 2/29/2024
- by Samantha Bergeson
- Indiewire
Comedians Colin Burgess and Anthony Oberbeck lead a fully improvised indie film about the hilarious hijinks of fatherhood.
Burgess and Oberbeck are credited as co-writers for “Dad & Step-Dad,” which marks Brooklyn-based artist Tynan DeLong’s feature directorial debut. IndieWire exclusively debuts the trailer for the buzzed-about film that debuted on indie streaming platform NoBudge.
Now, after a premiere at Nitehawk Cinema Prospect Park, sold-out screenings at Spectacle theater, and a limited theatrical run at Alamo Drafthouse, “Dad & Step-Dad” arrives on digital platforms. The movie marks NoBudge’s first move into distribution.
Director DeLong co-wrote “Dad & Step-Dad” with lead stars Burgess and Oberbeck. The official synopsis reads: “A comedy about family, communication, insecurity, and the fragility of the male ego, the film follows Jim and Dave, a dad and a step-dad, as they struggle with bonding during a weekend upstate with Branson, the son they share.”
Brooklyn-based comedian...
Burgess and Oberbeck are credited as co-writers for “Dad & Step-Dad,” which marks Brooklyn-based artist Tynan DeLong’s feature directorial debut. IndieWire exclusively debuts the trailer for the buzzed-about film that debuted on indie streaming platform NoBudge.
Now, after a premiere at Nitehawk Cinema Prospect Park, sold-out screenings at Spectacle theater, and a limited theatrical run at Alamo Drafthouse, “Dad & Step-Dad” arrives on digital platforms. The movie marks NoBudge’s first move into distribution.
Director DeLong co-wrote “Dad & Step-Dad” with lead stars Burgess and Oberbeck. The official synopsis reads: “A comedy about family, communication, insecurity, and the fragility of the male ego, the film follows Jim and Dave, a dad and a step-dad, as they struggle with bonding during a weekend upstate with Branson, the son they share.”
Brooklyn-based comedian...
- 2/27/2024
- by Samantha Bergeson
- Indiewire
Over 60 films came into this year’s Sundance Film Festival looking for buyers, but many of the key players on the indie film market already had movies premiering in the festival, with many of those among the most commercial and star-studded movies making their debuts.
Last year’s market was slow, especially for documentaries, but this year’s festival market was nothing but robust in 2024. We’re tracking everything that already has a home and will update this space throughout the month with every sale that comes in.
“Good One”
Section: U.S. Dramatic
Director: India Donaldson
Buyer: Metrograph Pictures
Cast: Lily Collias, James Le Gros, Danny McCarthy
Release Plans: Theatrical in Summer 2024
Buzz: India Donaldson’s “Good One” will be the first title acquired by Metrograph Pictures, as the company known for its film restorations and SVOD platform is now getting into theatrical distribution. And they picked a good one too.
Last year’s market was slow, especially for documentaries, but this year’s festival market was nothing but robust in 2024. We’re tracking everything that already has a home and will update this space throughout the month with every sale that comes in.
“Good One”
Section: U.S. Dramatic
Director: India Donaldson
Buyer: Metrograph Pictures
Cast: Lily Collias, James Le Gros, Danny McCarthy
Release Plans: Theatrical in Summer 2024
Buzz: India Donaldson’s “Good One” will be the first title acquired by Metrograph Pictures, as the company known for its film restorations and SVOD platform is now getting into theatrical distribution. And they picked a good one too.
- 2/13/2024
- by Brian Welk
- Indiewire
Metrograph Pictures has acquired North American rights to “Good One,” one of the breakouts of the 2024 Sundance Film Festival. The indie film had its world premiere in the U.S. Narrative Competition section. It’s the feature debut of writer and director India Donaldson, and stars newcomer Lily Collias, whose performance captivated critics, alongside James Le Gros (“Showing Up”) and Danny McCarthy.
This marks the first title acquired by Metrograph Pictures, which recently expanded into releasing films theatrically under the leadership of David Laub, a former A24 executive who now heads distribution for the new studio growing out of Metrograph’s New York theater. The film will receive a national theatrical release in summer 2024.
“We are extremely proud to have the opportunity to release India Donaldson’s wonderful Sundance breakout as our first acquisition under David’s new leadership of Metrograph Pictures,” Christian Grass, CEO of Metrograph, said in a statement.
This marks the first title acquired by Metrograph Pictures, which recently expanded into releasing films theatrically under the leadership of David Laub, a former A24 executive who now heads distribution for the new studio growing out of Metrograph’s New York theater. The film will receive a national theatrical release in summer 2024.
“We are extremely proud to have the opportunity to release India Donaldson’s wonderful Sundance breakout as our first acquisition under David’s new leadership of Metrograph Pictures,” Christian Grass, CEO of Metrograph, said in a statement.
- 2/13/2024
- by Brent Lang
- Variety Film + TV
Recreational camping — and its corollary, hiking or backpacking — has been part of the American experience for more than a century. For the minority who enjoy “roughing it,” leaving modern comforts like running water, functioning toilets, and central heating behind can be a mostly positive experience. By accepting the temporary suspension of those comforts, campers, hikers, and backpackers also embrace the old-school idea of “American exceptionalism,” of proving ourselves against whatever the elements have to offer while simultaneously keeping in mind that warm beds, hot showers, and cooked meals are only a day’s hike out of a forest at worst. For Sam, the protagonist of writer-director India Donaldson’s deeply felt, wryly observant feature-length debut, Good One, backpacking and...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 2/2/2024
- Screen Anarchy
Last year may have been the official return of the Sundance Film Festival to an in-person experience, but the just-concluded 2024 edition felt even more lively: This wasn’t just back to business, this was a full-on coming-out party, with A-list talent on-hand even beyond what you could have expected from the festival in its last couple pre-covid years.
The best movies of the 2024 Sundance Film Festival, as determined by IndieWire’s annual critics survey, are an eclectic mix, full of starpower and starmaking turns. And undoubtedly, having all the competition titles screen virtually in the last five days of the fest buoyed the visibility of some — if the celebrities all descended on Park City, Utah, this year, some journalists who used to be in-person regulars opted instead for just the online experience.
If the journalists who responded to IndieWire’s survey, 166 in total, are fewer in number than the past,...
The best movies of the 2024 Sundance Film Festival, as determined by IndieWire’s annual critics survey, are an eclectic mix, full of starpower and starmaking turns. And undoubtedly, having all the competition titles screen virtually in the last five days of the fest buoyed the visibility of some — if the celebrities all descended on Park City, Utah, this year, some journalists who used to be in-person regulars opted instead for just the online experience.
If the journalists who responded to IndieWire’s survey, 166 in total, are fewer in number than the past,...
- 1/31/2024
- by Christian Blauvelt
- Indiewire
Early in writer-director India Donaldson’s Good One, during lunch at a diner, 17-year-old Sam (Lily Collias) takes an enormous bite of a burger. “I thought you were a vegetarian,” her father, Chris (James Le Gros), bemoans. She replies that she’s “never been one,” to which Matt (Danny McCarthy), Chris’s oldest friend, incredulously states, “You seem like one.”
The essence of Donaldson’s feature-length directorial debut, which traces this trio’s weekend backpacking trip in the Catskills, is distilled in that seemingly throwaway moment, as this is a film about two adults who spend much time presumptuously ascribing stereotypical behavior to the teens in their midst. Though Sam is on her way to college, about to face the onset of adulthood, her divorced parents barely notice the young woman developing before their eyes. Good One, then, in its glimpse of a generational divide, is less a tale of...
The essence of Donaldson’s feature-length directorial debut, which traces this trio’s weekend backpacking trip in the Catskills, is distilled in that seemingly throwaway moment, as this is a film about two adults who spend much time presumptuously ascribing stereotypical behavior to the teens in their midst. Though Sam is on her way to college, about to face the onset of adulthood, her divorced parents barely notice the young woman developing before their eyes. Good One, then, in its glimpse of a generational divide, is less a tale of...
- 1/29/2024
- by Greg Nussen
- Slant Magazine
Back at the 2023 Sundance Film Festival, Celine Song’s debut feature, “Past Lives,” premiered to rave reviews and early speculation about its awards chances. That turned out to be prescient. One year later, “Past Lives” is a 2024 Oscars Best Picture nominee, while Song is a nominee for Best Original Screenplay. So with the 2024 Sundance Film Festival at its end, what better time than now to speculate about what next year’s “Past Lives” will be? Whether anything on 2024’s Sundance roster can scale those heights is up for debate, but plenty of promising titles could compete for acting and screenplay prizes. The documentary lineup was robust this year, which makes sense: Six of the last 10 Best Documentary Feature Film winners got their start at Sundance.
Below is a sample of Sundance highlights that could be award contenders this time next year.
Narrative features
“Between the Temples”: It’s hard to fathom,...
Below is a sample of Sundance highlights that could be award contenders this time next year.
Narrative features
“Between the Temples”: It’s hard to fathom,...
- 1/29/2024
- by Matthew Jacobs
- Gold Derby
At its heart, Sundance is about discovery. Some of our brightest, biggest filmmaking stars — we’re talking Steven Soderbergh, Richard Linklater, Ava DuVernay, Paul Thomas Anderson, Lulu Wang, Ryan Coogler, Aubrey Plaza, Catherine Hardwicke, Todd Haynes, Tessa Thompson, Jennifer Lawrence, Robert Eggers, the Duplass brothers, Michael B. Jordan, Amy Adams, Elizabeth Olsen, Brie Larson, Lakeith Stanfield, Miles Teller, Anya Taylor-Joy, and many, many more — first rose to acclaim by bringing their work to Sundance.
Some of the biggest films at this year’s festivals came to us through creators and stars we already know and love — it’s no surprise that Jesse Eisenberg and Kieran Culkin are so wonderful in Eisenberg’s “A Real Pain” or that “Worst Person in the World” star Renate Reinsve finds new dimension in both pitch-black comedy “A Different Man” and the off-kilter zombie drama “Handling the Undead” or that Kristen Stewart is riveting in...
Some of the biggest films at this year’s festivals came to us through creators and stars we already know and love — it’s no surprise that Jesse Eisenberg and Kieran Culkin are so wonderful in Eisenberg’s “A Real Pain” or that “Worst Person in the World” star Renate Reinsve finds new dimension in both pitch-black comedy “A Different Man” and the off-kilter zombie drama “Handling the Undead” or that Kristen Stewart is riveting in...
- 1/26/2024
- by Kate Erbland
- Indiewire
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
2024 Sundance Film Festival
Through Sunday, one can experience the 2024 Sundance Film Festival from the comfort of their own home, if it’s in the United States. Having seen over 50 titles in the lineup, in terms of films with tickets still available I can highly recommend Good One, Between the Temples, Tendaberry, Black Box Diaries, Ibelin, Kneecap, Didi, Brief History of a Family, Porcelain War, Sugarcane, Sujo, Seeking Mavis Beacon, Skywalkers: A Love Story, Union, Soundtrack to a Coup d’Etat, and Realm of Satan. – Jordan R.
Where to Stream: Official Site (through Sunday only)
Amanda (Carolina Cavalli)
Sofia Coppola’s eighth feature doesn’t hit theaters for another few months, but you’d be forgiven if you thought it was actually Amanda, writer-director Carolina Cavalli’s darkly humorous,...
2024 Sundance Film Festival
Through Sunday, one can experience the 2024 Sundance Film Festival from the comfort of their own home, if it’s in the United States. Having seen over 50 titles in the lineup, in terms of films with tickets still available I can highly recommend Good One, Between the Temples, Tendaberry, Black Box Diaries, Ibelin, Kneecap, Didi, Brief History of a Family, Porcelain War, Sugarcane, Sujo, Seeking Mavis Beacon, Skywalkers: A Love Story, Union, Soundtrack to a Coup d’Etat, and Realm of Satan. – Jordan R.
Where to Stream: Official Site (through Sunday only)
Amanda (Carolina Cavalli)
Sofia Coppola’s eighth feature doesn’t hit theaters for another few months, but you’d be forgiven if you thought it was actually Amanda, writer-director Carolina Cavalli’s darkly humorous,...
- 1/26/2024
- by Jordan Raup
- The Film Stage
At this year’s Sundance Film Festival, the IndieWire team is endeavoring to take you into the heart of the festival experience, thanks to a series of rolling roundups that aim to synthesize each day, all the action, most of the drama, and the stuff everyone is talking about, in Park City and beyond.
Day Five
We’ll admit it: Day 5 at Sundance started on a bit of a slower note, at least over at IndieWire Editorial Condo No. 2, whose inhabitants were still processing both our (In)Famous Chili Party and/or Aaron Schimberg’s wild “A Different Man.” The first day after the festival’s opening weekend tends to spell a slower vibe, with many leaving after the first flush of premieres and parties, and Park City easing, ever so slowly, back into a more normal pace.
Though I’d already seen Richard Linklater’s sexy action comedy “Hit Man...
Day Five
We’ll admit it: Day 5 at Sundance started on a bit of a slower note, at least over at IndieWire Editorial Condo No. 2, whose inhabitants were still processing both our (In)Famous Chili Party and/or Aaron Schimberg’s wild “A Different Man.” The first day after the festival’s opening weekend tends to spell a slower vibe, with many leaving after the first flush of premieres and parties, and Park City easing, ever so slowly, back into a more normal pace.
Though I’d already seen Richard Linklater’s sexy action comedy “Hit Man...
- 1/23/2024
- by Kate Erbland, Ryan Lattanzio and Marcus Jones
- Indiewire
A slight but sensitive and fantastically assured debut that unfolds with the pointillistic detail of a great short story, India Donaldson’s “Good One” is a coming-of-age story that jettisons all of the genre’s most familiar trappings in favor of a long walk in the woods.
There were supposed to be four people on the upstate New York camping trip, but one of the teens dropped out because he didn’t want to spend one of their last pre-college weekends sleeping in a polyester tent with his dad. That leaves anxious divorcee Chris, his avuncular best friend Matt, and Chris’ queer 17-year-old daughter Sam (extraordinary newcomer Lily Collias), who dutifully comes along because she’s always seen it as her job to keep what little peace is left in her family. To not be a burden. To make her parents feel like they still know her, even if they...
There were supposed to be four people on the upstate New York camping trip, but one of the teens dropped out because he didn’t want to spend one of their last pre-college weekends sleeping in a polyester tent with his dad. That leaves anxious divorcee Chris, his avuncular best friend Matt, and Chris’ queer 17-year-old daughter Sam (extraordinary newcomer Lily Collias), who dutifully comes along because she’s always seen it as her job to keep what little peace is left in her family. To not be a burden. To make her parents feel like they still know her, even if they...
- 1/22/2024
- by David Ehrlich
- Indiewire
It’s been nearly two decades since Kelly Reichardt’s Old Joy showed how the wilderness can be an open canvas to explore the breaking points of male friendship and reckoning with a midlife crisis. While those emotional quandaries are evergreen, it’s appropriate timing to bring an entirely new element to this conceit. India Donaldson’s carefully observed, refreshingly patient, beautifully rendered debut feature Good One shifts the perspective, concerning a 17-year-old girl who embarks on a camping trip in the Catskills with her father and his best friend. Through an accumulation of minute details and uneasy glances, the drama becomes a portrait of increasingly crossed boundaries leading to an ultimate breaking point.
What was originally envisioned as a four-person backpacking trip into the woods with Sam (Lily Collias), her father Chris (James Le Gros), his best friend Matt (Danny McCarthy), and Matt’s son Dylan quickly turns to...
What was originally envisioned as a four-person backpacking trip into the woods with Sam (Lily Collias), her father Chris (James Le Gros), his best friend Matt (Danny McCarthy), and Matt’s son Dylan quickly turns to...
- 1/21/2024
- by Jordan Raup
- The Film Stage
As teenagers go — and let us allow for some hormonal leeway here — 17-year-old Sam is what most would call a good one: smart, thoughtful, grounded, self-sufficient but not averse to advice, the kind of kid that parents can’t help bragging about, as their friends wish their own nightmare offspring were a little more like her. But such a reputation has its downside, as elders take the teen’s compliance and good humor for granted, and expect undue allowances for their own irresponsibilities. Writer-director India Donaldson probes that awkward reversal of roles with delicacy and care in her debut feature “Good One,” monitoring the white lies and red flags that emerge over the course of a father-daughter camping weekend in upstate New York.
Premiering in the U.S. Dramatic competition at this year’s Sundance festival, “Good One” is modest but assuredly perceptive independent filmmaking that makes no grand claims...
Premiering in the U.S. Dramatic competition at this year’s Sundance festival, “Good One” is modest but assuredly perceptive independent filmmaking that makes no grand claims...
- 1/21/2024
- by Guy Lodge
- Variety Film + TV
Men can be overbearing. Some of us know this firsthand because, with a bit of self-awareness, we can recognize we have, at least at some point, been the pompous bloviating jackass while more introverted people, sometimes women, silently sit and tolerate our blowhard monologues. Maybe some of us aren’t that bad, but we haven’t always provided space for others, either. India Donaldson’s insightful, intimate girlhood drama, “Good One,” takes the soft but observant perspective of the quiet, internalized teen forced to endure haughty men, namely self-centered fathers, and turns it into a masterful look at discomfort, alienation, and the put-upon fatiguing role of people pleaser.
Continue reading ‘Good One’ Review: Lily Collias Radiates In An Intimate Kelly Reichardt-Esque Of Girlhood & Overbearing Fathers [Sundance] at The Playlist.
Continue reading ‘Good One’ Review: Lily Collias Radiates In An Intimate Kelly Reichardt-Esque Of Girlhood & Overbearing Fathers [Sundance] at The Playlist.
- 1/21/2024
- by The Playlist
- The Playlist
India Donaldson has been ready to make her narrative feature debut for a while now, with three short films under her belt already. But it was only after the pandemic hit and she moved in with her family for a few months that she found her story around family dynamics in isolation. So she poured that inspiration into Good One, a terrific slow-burn at this year’s Sundance Film Festival (US Dramatic Competition) that follows the 17-year-old Sam (Lily Collias) on a Catskills camping trip with her dad Chris (James Le Gros) and his longtime friend Matt (Danny McCarthy). As the […]
The post “…The Relationship Between This Father and Daughter is Forever Changed”: India Donaldson on Her Sundance-Premiering Wilderness Drama, Good One first appeared on Filmmaker Magazine.
The post “…The Relationship Between This Father and Daughter is Forever Changed”: India Donaldson on Her Sundance-Premiering Wilderness Drama, Good One first appeared on Filmmaker Magazine.
- 1/21/2024
- by Tomris Laffly
- Filmmaker Magazine-Director Interviews
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