Natalia Oreiro (“The German Doctor”) and Juan Minujín are set to star in “Bypass: Almost Dead” (“Bypass: Casi Muerta”).
Adapting the original Basque film “Bypass,” the first feature of Aitor Mazo and Patxo Tellería which scored 15 nominations at the 2013 Spanish Academy Goya Awards, “Bypass: Almost Dead” is produced by Argentina’s Cinema 7 Films and Non Stop and will be directed by Fernán Mirás. The director’s debut feature, “El Peso de la Ley” (“The Heavy Hand of the Law”), snagged six nominations at Argentina’s 2017 Premios Sur.
A screwball romantic comedy, the original “Bypass” turns on the feckless Aitor, who visits a dying woman friend María who, he learns, has always carried a candle for him. To grant her an almost last wish, he falsely confesses he has always loved her, which sparks her miraculous recovery, leaving Aitor to juggle a new love life and a relationship with a girl-friend...
Adapting the original Basque film “Bypass,” the first feature of Aitor Mazo and Patxo Tellería which scored 15 nominations at the 2013 Spanish Academy Goya Awards, “Bypass: Almost Dead” is produced by Argentina’s Cinema 7 Films and Non Stop and will be directed by Fernán Mirás. The director’s debut feature, “El Peso de la Ley” (“The Heavy Hand of the Law”), snagged six nominations at Argentina’s 2017 Premios Sur.
A screwball romantic comedy, the original “Bypass” turns on the feckless Aitor, who visits a dying woman friend María who, he learns, has always carried a candle for him. To grant her an almost last wish, he falsely confesses he has always loved her, which sparks her miraculous recovery, leaving Aitor to juggle a new love life and a relationship with a girl-friend...
- 12/2/2020
- by Pablo Sandoval
- Variety Film + TV
More details are emerging for Gareth Bryn's The Passing. A full length trailer has been released, along with a movie poster. The trailer shows a couple involved in a car crash and their rescue. But, where has Stanley taken them? The Passing centrally stars: Annes Elwy, Dyfan Dwyfor and Mark Lewis Jones. The script was developed by Ed Talfan (Bypass, 2014). And, fans can find the first trailer for the film here and the official artwork. The Passing is a BAFTA award winner. This title has already won "Best Actor" (Mark Lewis Jones), "Best Writer" and "Best Production Design." This prestigious charity, from London, continues to support excellence in film, including Gareth Bryn's latest. The Passing will be available in mid-June. On June 13th, the film will be available via Global Digital Releasing, through Video-on-demand. The release will be worldwide. Digital hosting platforms, for The Passing, include: iTunes, Amazon Instant,...
- 6/12/2017
- by noreply@blogger.com (Michael Allen)
- 28 Days Later Analysis
Author: Zehra Phelan
If you like your coming-of-age stories with a twist of psychedelia and completely bonkers the upcoming film Spaceship, judging from the trailer could be right up your street.
Related: Take a look at all our British Film articles here.
From the trailer, without even reading the synopsis, you would have no idea whatsoever what to expect or what the film is about. A bunch of teenage outsiders prance around as if they have just overdone that bong sitting in the corner while donning fluorescent make-up all whilst dreaming of being abducted by aliens and disappearing through black holes while riding on unicorns. Come on – what’s not to be completely intrigued by from that?
The film’s ensemble cast includes Alexa Davies (A Brilliant Young Mind, Raised by Wolves) who was nominated for the Evening Standard New West End Company Award for Best Actress for her role in the film,...
If you like your coming-of-age stories with a twist of psychedelia and completely bonkers the upcoming film Spaceship, judging from the trailer could be right up your street.
Related: Take a look at all our British Film articles here.
From the trailer, without even reading the synopsis, you would have no idea whatsoever what to expect or what the film is about. A bunch of teenage outsiders prance around as if they have just overdone that bong sitting in the corner while donning fluorescent make-up all whilst dreaming of being abducted by aliens and disappearing through black holes while riding on unicorns. Come on – what’s not to be completely intrigued by from that?
The film’s ensemble cast includes Alexa Davies (A Brilliant Young Mind, Raised by Wolves) who was nominated for the Evening Standard New West End Company Award for Best Actress for her role in the film,...
- 4/20/2017
- by Zehra Phelan
- HeyUGuys.co.uk
The programme for developing approaches to talent will again be held in Amsterdam, March 16-18.
TalentX, Creative England’s platform for development executives across Europe, will return to Amsterdam for a second edition in 2016.
The event, which will run March 16-18, will be hosted in partnership with the Danish Film Institute, the Irish Film Board and the Nertherlands Film Fund. Support also comes from the EU’s Creative Europe programme.
Last year’s forum culminated with a report published at Cannes Film Festival, which outlined six key areas in which the sector can progress to better nurture emerging talent.
The 2016 TalentX programme will focus on gathering representatives from European film funds and talents labs to help shape new approahces to developing talent for feature filmmaking. In total, there will be 30 participants involved in the three-day event.
Last year’s forum involved 40 speakers including Tristan Goligher, producer of 45 Years, and Duane Hopkins, writer-director of [link...
TalentX, Creative England’s platform for development executives across Europe, will return to Amsterdam for a second edition in 2016.
The event, which will run March 16-18, will be hosted in partnership with the Danish Film Institute, the Irish Film Board and the Nertherlands Film Fund. Support also comes from the EU’s Creative Europe programme.
Last year’s forum culminated with a report published at Cannes Film Festival, which outlined six key areas in which the sector can progress to better nurture emerging talent.
The 2016 TalentX programme will focus on gathering representatives from European film funds and talents labs to help shape new approahces to developing talent for feature filmmaking. In total, there will be 30 participants involved in the three-day event.
Last year’s forum involved 40 speakers including Tristan Goligher, producer of 45 Years, and Duane Hopkins, writer-director of [link...
- 11/3/2015
- ScreenDaily
The programme for developing approaches to talent will again be held in Amsterdam, March 16-18.
TalentX, Creative England’s platform for development executives across Europe, will return to Amsterdam for a second edition in 2016.
The event, which will run March 16-18, will be hosted in partnership with the Danish Film Institute, the Irish Film Board and the Nertherlands Film Fund. Support also comes from the EU’s Creative Europe programme.
Last year’s forum culminated with a report published at Cannes Film Festival, which outlined six key areas in which the sector can progress to better nurture emerging talent.
The 2016 TalentX programme will focus on gathering representatives from European film funds and talents labs to help shape new approahces to developing talent for feature filmmaking. In total, there will be 30 participants involved in the three-day event.
Last year’s forum involved 40 speakers including Tristan Goligher, producer of 45 Years, and Duane Hopkins, writer-director of [link...
TalentX, Creative England’s platform for development executives across Europe, will return to Amsterdam for a second edition in 2016.
The event, which will run March 16-18, will be hosted in partnership with the Danish Film Institute, the Irish Film Board and the Nertherlands Film Fund. Support also comes from the EU’s Creative Europe programme.
Last year’s forum culminated with a report published at Cannes Film Festival, which outlined six key areas in which the sector can progress to better nurture emerging talent.
The 2016 TalentX programme will focus on gathering representatives from European film funds and talents labs to help shape new approahces to developing talent for feature filmmaking. In total, there will be 30 participants involved in the three-day event.
Last year’s forum involved 40 speakers including Tristan Goligher, producer of 45 Years, and Duane Hopkins, writer-director of [link...
- 11/3/2015
- ScreenDaily
Screen International has revealed its Stars of Tomorrow, spotlighting the hottest up-and-coming actors and filmmakers.
Click here to access the Screen Stars of Tomorrow microsite, including full profiles, picture gallery and digital edition
Now in its 12th year, the annual showcase spotlights up-and-coming actors, writers, directors and producers who will be making waves in the years to come.
Scroll down for the full list
Past Stars of Tomorrow selected by Screen include Benedict Cumberbatch (2004), Oscar-winner Eddie Redmayne (2005), Suffragette star Carey Mulligan, Star Wars: The Force Awakens actor John Boyega (2011) and last year’s cover stars Taron Egerton, Olivia Cooke and Sam Keeley.
Stars of Tomorrow editor Fionnuala Halligan curates the stars after considering hundreds of candidates and consulting with industry experts including casting agents, talent agents, managers, producers and directors.
This year marks a partnership with the BFI London Film Festival (Oct 7-18), which will present the Stars as part of its programme of events.
Halligan...
Click here to access the Screen Stars of Tomorrow microsite, including full profiles, picture gallery and digital edition
Now in its 12th year, the annual showcase spotlights up-and-coming actors, writers, directors and producers who will be making waves in the years to come.
Scroll down for the full list
Past Stars of Tomorrow selected by Screen include Benedict Cumberbatch (2004), Oscar-winner Eddie Redmayne (2005), Suffragette star Carey Mulligan, Star Wars: The Force Awakens actor John Boyega (2011) and last year’s cover stars Taron Egerton, Olivia Cooke and Sam Keeley.
Stars of Tomorrow editor Fionnuala Halligan curates the stars after considering hundreds of candidates and consulting with industry experts including casting agents, talent agents, managers, producers and directors.
This year marks a partnership with the BFI London Film Festival (Oct 7-18), which will present the Stars as part of its programme of events.
Halligan...
- 10/5/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Screen International has revealed its Stars of Tomorrow, spotlighting the hottest up-and-coming actors and filmmakers.
Click here to access the Screen Stars of Tomorrow microsite, including full profiles, picture gallery and digital edition
Now in its 12th year, the annual showcase spotlights up-and-coming actors, writers, directors and producers who will be making waves in the years to come.
Scroll down for the full list
Past Stars of Tomorrow selected by Screen include Benedict Cumberbatch (2004), Oscar-winner Eddie Redmayne (2005), Suffragette star Carey Mulligan, Star Wars: The Force Awakens actor John Boyega (2011) and last year’s cover stars Taron Egerton, Olivia Cooke and Sam Keeley.
Stars of Tomorrow editor Fionnuala Halligan curates the stars after considering hundreds of candidates and consulting with industry experts including casting agents, talent agents, managers, producers and directors.
This year marks a partnership with the BFI London Film Festival (Oct 7-18), which will present the Stars as part of its programme of events.
Halligan...
Click here to access the Screen Stars of Tomorrow microsite, including full profiles, picture gallery and digital edition
Now in its 12th year, the annual showcase spotlights up-and-coming actors, writers, directors and producers who will be making waves in the years to come.
Scroll down for the full list
Past Stars of Tomorrow selected by Screen include Benedict Cumberbatch (2004), Oscar-winner Eddie Redmayne (2005), Suffragette star Carey Mulligan, Star Wars: The Force Awakens actor John Boyega (2011) and last year’s cover stars Taron Egerton, Olivia Cooke and Sam Keeley.
Stars of Tomorrow editor Fionnuala Halligan curates the stars after considering hundreds of candidates and consulting with industry experts including casting agents, talent agents, managers, producers and directors.
This year marks a partnership with the BFI London Film Festival (Oct 7-18), which will present the Stars as part of its programme of events.
Halligan...
- 10/5/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
★★☆☆☆ Better Things director Duane Hopkins' second feature, Bypass (2014), is a stylistically overblown tale from the lower echelons of crime and economic hardship. The first ten minutes or so follow Greg (Benjamin Dilloway), a young man whose football career was terminated by a brutal injury. All he has left are the memories and a life of breaking and entering to help support his family and sick mum. However, the police kick in his door and after a chase Greg is caught and finds himself at the receiving end of a custodial sentence. A year later and the narrative bypasses Greg to focus on younger brother Tim (George MacKay), who now must fend off the bailiffs wanting to collect for non-payment of rent.
- 4/7/2015
- by CineVue UK
- CineVue
The 15th edition of Film Comment Selects opens tomorrow with Mark Hartley's Electric Boogaloo: The Wild, Untold Story of Cannon Films and runs through March 5 in New York. Films in this year's program for which we already have entries going: David Robert Mitchell's It Follows, Duane Hopkins's Bypass, Shinya Tsukamoto's Fires on the Plain, Christian Petzold's Phoenix and Larry Clark's The Smell of Us. At Critics Round Up, James Kang has an excellent entry on Ann Hui's The Golden Era. And in conjunction with the "rare screening of the test preview cut" of Gremlins (1984), Michael Sragow's been interviewing Joe Dante for Film Comment. » - David Hudson...
- 2/19/2015
- Fandor: Keyframe
The 15th edition of Film Comment Selects opens tomorrow with Mark Hartley's Electric Boogaloo: The Wild, Untold Story of Cannon Films and runs through March 5 in New York. Films in this year's program for which we already have entries going: David Robert Mitchell's It Follows, Duane Hopkins's Bypass, Shinya Tsukamoto's Fires on the Plain, Christian Petzold's Phoenix and Larry Clark's The Smell of Us. At Critics Round Up, James Kang has an excellent entry on Ann Hui's The Golden Era. And in conjunction with the "rare screening of the test preview cut" of Gremlins (1984), Michael Sragow's been interviewing Joe Dante for Film Comment. » - David Hudson...
- 2/19/2015
- Keyframe
19 year old Alexa Davies leads the cast in Spaceship, which has just started shooting in Farnborough and Guildford, Surrey.
Written and directed by Alex Taylor, Spaceship tells the story of a father's search for his daughter after an apparent alien abduction.
Alexa plays Lucidia, alongside Finish actor Antti Reini as Gabriel. Alexa (represented by Bwh), one of Screenterrier's Faces to Watch 2014 will next be seen alongside Asa Butterfield in up coming feature X + Y, and has just completed filming on the first series of the Caitlin Moran family comedy series Raised By Wolves.
The film also stars Lara Peake (represented by Hamilton Hodell) as Tegan. Lara can currently be seen alongside George Mackay in Duane Hopkins feature Bypass.
They are joined by two newcomers, 20 year old Lucian Charles Collier (represented by Bananafish Management) from Leeds as Luke, and Tallulah Haddon from London.
“The story has gripped us all in a...
Written and directed by Alex Taylor, Spaceship tells the story of a father's search for his daughter after an apparent alien abduction.
Alexa plays Lucidia, alongside Finish actor Antti Reini as Gabriel. Alexa (represented by Bwh), one of Screenterrier's Faces to Watch 2014 will next be seen alongside Asa Butterfield in up coming feature X + Y, and has just completed filming on the first series of the Caitlin Moran family comedy series Raised By Wolves.
The film also stars Lara Peake (represented by Hamilton Hodell) as Tegan. Lara can currently be seen alongside George Mackay in Duane Hopkins feature Bypass.
They are joined by two newcomers, 20 year old Lucian Charles Collier (represented by Bananafish Management) from Leeds as Luke, and Tallulah Haddon from London.
“The story has gripped us all in a...
- 10/31/2014
- by noreply@blogger.com (ScreenTerrier)
- ScreenTerrier
New films on Screenbase this week include sci-fi film The Call Up, Talulah Riley’s Scottish Mussel, and iFeatures’ Spaceship.
UK action sci-fi The Call Up is set to begin shooting Nov 10 in Birmingham, UK.
The Charles Barker film follows a group of online gamers who are invited to trial a state-of-the-art virtual reality game, but what starts out like a dream encounter takes a turn for the sinister when the stakes are fatally raised.
Max Deacon (Into the Storm, Hatfields & McCoys) takes the lead role and is joined by a cast of up-and-comers including Morfydd Clark (Madame Bovary), Ali Cook (The Anomaly), and Parker Sawyers (Monsters: Dark Continent).
Directed by Charles Barker from his own Brit List screenplay, the film is produced by Matthew James Wilkinson (Stigma Films), John Giwa-Amu (Red&Black Films) with Alan Martin (The Machine) to exec produce.
Talulah Riley’s directorial debut
Shooting is underway in Glasgow on ‘eco-rom com’ Scottish Mussel...
UK action sci-fi The Call Up is set to begin shooting Nov 10 in Birmingham, UK.
The Charles Barker film follows a group of online gamers who are invited to trial a state-of-the-art virtual reality game, but what starts out like a dream encounter takes a turn for the sinister when the stakes are fatally raised.
Max Deacon (Into the Storm, Hatfields & McCoys) takes the lead role and is joined by a cast of up-and-comers including Morfydd Clark (Madame Bovary), Ali Cook (The Anomaly), and Parker Sawyers (Monsters: Dark Continent).
Directed by Charles Barker from his own Brit List screenplay, the film is produced by Matthew James Wilkinson (Stigma Films), John Giwa-Amu (Red&Black Films) with Alan Martin (The Machine) to exec produce.
Talulah Riley’s directorial debut
Shooting is underway in Glasgow on ‘eco-rom com’ Scottish Mussel...
- 10/31/2014
- ScreenDaily
New films on Screenbase this week include sci-fi film The Call Up, Talulah Riley’s Scottish Mussel, and iFeatures’ Spaceship.
UK action sci-fi The Call Up is set to begin shooting Nov 10 in Birmingham, UK.
The Charles Barker film follows a group of online gamers who are invited to trial a state-of-the-art virtual reality game, but what starts out like a dream encounter takes a turn for the sinister when the stakes are fatally raised.
Max Deacon (Into the Storm, Hatfields & McCoys) takes the lead role and is joined by a cast of up-and-comers including Morfydd Clark (Madame Bovary), Ali Cook (The Anomaly), and Parker Sawyers (Monsters: Dark Continent).
Directed by Charles Barker from his own Brit List screenplay, the film is produced by Matthew James Wilkinson (Stigma Films), John Giwa-Amu (Red&Black Films) with Alan Martin (The Machine) to exec produce.
Talulah Riley’s directorial debut
Shooting is underway in Glasgow on ‘eco-rom com’ Scottish Mussel...
UK action sci-fi The Call Up is set to begin shooting Nov 10 in Birmingham, UK.
The Charles Barker film follows a group of online gamers who are invited to trial a state-of-the-art virtual reality game, but what starts out like a dream encounter takes a turn for the sinister when the stakes are fatally raised.
Max Deacon (Into the Storm, Hatfields & McCoys) takes the lead role and is joined by a cast of up-and-comers including Morfydd Clark (Madame Bovary), Ali Cook (The Anomaly), and Parker Sawyers (Monsters: Dark Continent).
Directed by Charles Barker from his own Brit List screenplay, the film is produced by Matthew James Wilkinson (Stigma Films), John Giwa-Amu (Red&Black Films) with Alan Martin (The Machine) to exec produce.
Talulah Riley’s directorial debut
Shooting is underway in Glasgow on ‘eco-rom com’ Scottish Mussel...
- 10/31/2014
- ScreenDaily
Exclusive: Principal production begins in Surrey on iFeatures’ latest venture.
Writer and director Alex Taylor’s Spaceship begins principal photography this week in Farnborough and Guilford, Surrey.
Produced by Nicola Bowen and Olivier Kaempfer with Belly Productions and Parkville Pictures, Spaceship tells the story of Gabriel’s search for his daughter after an apparent alien abduction.
“The story has gripped us all in a collective dream of what it is to be different and to want our own personal world in which we can be who we want,” said Taylor.
The film stars Antti Reini (The Man Without a Past), Alexa Davies (X+Y), Lara Peake (Bypass), Lucian Charles Collier (The Only One Who Knows You’re Afraid) and Tallulah Haddon.
The film was developed through IFeatures, Creative England’s flagship low budge feature film initiative, which runs in partnership with the BFI Film Fund, BBC Films and Creative Skillset.
“iFeatures is all...
Writer and director Alex Taylor’s Spaceship begins principal photography this week in Farnborough and Guilford, Surrey.
Produced by Nicola Bowen and Olivier Kaempfer with Belly Productions and Parkville Pictures, Spaceship tells the story of Gabriel’s search for his daughter after an apparent alien abduction.
“The story has gripped us all in a collective dream of what it is to be different and to want our own personal world in which we can be who we want,” said Taylor.
The film stars Antti Reini (The Man Without a Past), Alexa Davies (X+Y), Lara Peake (Bypass), Lucian Charles Collier (The Only One Who Knows You’re Afraid) and Tallulah Haddon.
The film was developed through IFeatures, Creative England’s flagship low budge feature film initiative, which runs in partnership with the BFI Film Fund, BBC Films and Creative Skillset.
“iFeatures is all...
- 10/30/2014
- ScreenDaily
Exclusive: Production begins in Surrey on crime-comedy.
Writer and director Alex Taylor’s Spaceship begins principal photography this week in Farnborough and Guilford, Surrey.
Produced by Nicola Bowen and Olivier Kaempfer with Belly Productions and Parkville Pictures, Spaceship tells the story of Gabriel’s search for his daughter after an apparent alien abduction.
“The story has gripped us all in a collective dream of what it is to be different and to want our own personal world in which we can be who we want,” said Taylor.
The film stars Antti Reini (The Man Without a Past), Alexa Davies (X+Y), Lara Peake (Bypass), Lucian Charles Collier (The Only One Who Knows You’re Afraid) and Tallulah Haddon.
The film was developed through IFeatures, Creative England’s flagship low budge feature film initiative, which runs in partnership with the BFI Film Fund, BBC Films and Creative Skillset.
“iFeatures is all about supporting talented emerging filmmakers and Alex...
Writer and director Alex Taylor’s Spaceship begins principal photography this week in Farnborough and Guilford, Surrey.
Produced by Nicola Bowen and Olivier Kaempfer with Belly Productions and Parkville Pictures, Spaceship tells the story of Gabriel’s search for his daughter after an apparent alien abduction.
“The story has gripped us all in a collective dream of what it is to be different and to want our own personal world in which we can be who we want,” said Taylor.
The film stars Antti Reini (The Man Without a Past), Alexa Davies (X+Y), Lara Peake (Bypass), Lucian Charles Collier (The Only One Who Knows You’re Afraid) and Tallulah Haddon.
The film was developed through IFeatures, Creative England’s flagship low budge feature film initiative, which runs in partnership with the BFI Film Fund, BBC Films and Creative Skillset.
“iFeatures is all about supporting talented emerging filmmakers and Alex...
- 10/30/2014
- ScreenDaily
Debut competition titles at cinematography festival unveiled.
Camerimage, the International Film Festival of the Art of Cinematography (Nov 15-22), has revealed the line-up of films screening in three of the festival’s competition sections including Cinematographers’ Debut, Directors’ Debut and Student Etudes.
The entries are:
Cinematographers’ Debut Competition
Duane Hopkins’ Bypass;
UK, 2014; Cinematographer: David Procter
Sidney Lexy Plaut’s Dark Samurai;
Denmark, 2014; Cinematographer: Sidney Lexy Plaut
Zeresenay Berhane Mehari’s Difret;
Ethiopia, USA, 2014; Cinematographer: Monika Lenczewska
Krzysztof Skonieczny’s Hardkor Disko;
Poland, 2014; Cinematographer: Kacper Fertacz
Arild Østin Ommundsen’s It’s Only Make Believe;
Norway, 2013; Cinematographer: Arild Østin Ommundsen
Michael Cody and Amiel Courtin-Wilson’s Ruin;
Australia, 2013; Cinematographer: Ari Wegner
Ester Martin Bergsmark’s Something Must Break;
Sweden, 2014; Cinematographers: Lisabi Fridell and Minka Jakerson
David Pablos’ The Life After;
Mexico, 2013; Cinematographer: José De- La-Torre
Saar Klein’s Things People Do;
USA, 2014; Cinematographer: Matthias Koenigswieser
Jonas Alexander Arnby’s When Animals Dream;
Denmark, 2013; Cinematographer: [link=nm...
Camerimage, the International Film Festival of the Art of Cinematography (Nov 15-22), has revealed the line-up of films screening in three of the festival’s competition sections including Cinematographers’ Debut, Directors’ Debut and Student Etudes.
The entries are:
Cinematographers’ Debut Competition
Duane Hopkins’ Bypass;
UK, 2014; Cinematographer: David Procter
Sidney Lexy Plaut’s Dark Samurai;
Denmark, 2014; Cinematographer: Sidney Lexy Plaut
Zeresenay Berhane Mehari’s Difret;
Ethiopia, USA, 2014; Cinematographer: Monika Lenczewska
Krzysztof Skonieczny’s Hardkor Disko;
Poland, 2014; Cinematographer: Kacper Fertacz
Arild Østin Ommundsen’s It’s Only Make Believe;
Norway, 2013; Cinematographer: Arild Østin Ommundsen
Michael Cody and Amiel Courtin-Wilson’s Ruin;
Australia, 2013; Cinematographer: Ari Wegner
Ester Martin Bergsmark’s Something Must Break;
Sweden, 2014; Cinematographers: Lisabi Fridell and Minka Jakerson
David Pablos’ The Life After;
Mexico, 2013; Cinematographer: José De- La-Torre
Saar Klein’s Things People Do;
USA, 2014; Cinematographer: Matthias Koenigswieser
Jonas Alexander Arnby’s When Animals Dream;
Denmark, 2013; Cinematographer: [link=nm...
- 10/16/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Screen International has teamed with BFI London Film Festival and British Council to present the UK Stars of Tomorrow – one of several industry events unveiled today.
The first Screen International UK Stars of Tomorrow at Lff dinner is to be held on Oct 14 during the BFI London Film Festival (Oct 8-19).
The event will bring together a selection of this year’s Stars of Tomorrow, including Aimee Ffion-Edwards and Phoebe Walller-Bridge, with casting directors, packaging agents, festival programmers, producers and financiers.
It will be preceded by a masterclass led by Us casting agent Deborah Aquila, whose credits include The Shawshank Redemption and TV series Dexter and The Shield.
The event is supported by British Council and Casting Society of America (Csa), and will be held in association with We Are UK Film.
The dinner is by invitation only and is not an open event.
Lff industry events
The 58th edition of the festival has restructured its industry...
The first Screen International UK Stars of Tomorrow at Lff dinner is to be held on Oct 14 during the BFI London Film Festival (Oct 8-19).
The event will bring together a selection of this year’s Stars of Tomorrow, including Aimee Ffion-Edwards and Phoebe Walller-Bridge, with casting directors, packaging agents, festival programmers, producers and financiers.
It will be preceded by a masterclass led by Us casting agent Deborah Aquila, whose credits include The Shawshank Redemption and TV series Dexter and The Shield.
The event is supported by British Council and Casting Society of America (Csa), and will be held in association with We Are UK Film.
The dinner is by invitation only and is not an open event.
Lff industry events
The 58th edition of the festival has restructured its industry...
- 10/1/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Glue, the highly-anticipated new drama series created and written by BAFTA-winning writer Jack Thorne, comes to E4 on Monday 15th September at 10:00pm.
Set in a small village called Overton, it's about the murder of a boy, and how it affects his friends and the community that they live in.
Yasmine Paige plays Ruth Rosen, a 20 year old provisional police officer from a Romany background. She and her Romany mum are estranged from the travelling community, but that doesn’t stop Ruth. Not much does. Not being a young single mum, or the fact that she lives in the same village as a group of friends who no longer talk to her. She’s made of stronger stuff, or at least she thinks she is. Yasmine (represented by Curtis Brown), starred in the critically-acclaimed Submarine, and was named as a Screen International Star of Tomorrow in 2010.
Charlotte Spencer plays 19 year old Tina Fallon.
Set in a small village called Overton, it's about the murder of a boy, and how it affects his friends and the community that they live in.
Yasmine Paige plays Ruth Rosen, a 20 year old provisional police officer from a Romany background. She and her Romany mum are estranged from the travelling community, but that doesn’t stop Ruth. Not much does. Not being a young single mum, or the fact that she lives in the same village as a group of friends who no longer talk to her. She’s made of stronger stuff, or at least she thinks she is. Yasmine (represented by Curtis Brown), starred in the critically-acclaimed Submarine, and was named as a Screen International Star of Tomorrow in 2010.
Charlotte Spencer plays 19 year old Tina Fallon.
- 9/10/2014
- by noreply@blogger.com (ScreenTerrier)
- ScreenTerrier
With the entirety of Duane Hopkins' "Bypass" shot like a mood-setting montage, you may find yourself waiting for the storytelling proper to start. It never really happens. Overusing lens-flare-y wooziness and a handheld, shallow depth of field aesthetic in an effort to inject a kind of lyricism into its dehumanized urban environments and working-class interiors, the film never settles into anything like a compelling rhythm. And this is despite some very good, committed performances that are happening somewhere underneath all that lathered-on style. It’s a great shame that the sophomore feature director was not as interested in his characters as he was in making a statement film about his characters. Indeed, it feels like the person we come away from the film knowing most about is not its would-be tragic hero, but the director himself who, frankly, comes across as a bit of a show-off, insistently insinuating himself...
- 9/8/2014
- by Jessica Kiang
- The Playlist
"The youth of Britain is green and dying in Bypass, Duane Hopkins's overwrought yet convincing tale of a nauseous petty criminal torn between the hospital appointment and the lock-up garage," writes the Guardian's Xan Brooks in a dispatch from Venice. "Hopkins, some may recall, made an eye-catching debut with 2008's Better Things, a film that rustled up a keen portrait of marginalized, alienated middle England. If Bypass hardly heads in search of fresh terrain, it at least provides a brooding, increasingly potent spin around the familiar sights." We've got more reviews, all singling out George MacKay's performance, and three clips. » - David Hudson...
- 9/4/2014
- Fandor: Keyframe
"The youth of Britain is green and dying in Bypass, Duane Hopkins's overwrought yet convincing tale of a nauseous petty criminal torn between the hospital appointment and the lock-up garage," writes the Guardian's Xan Brooks in a dispatch from Venice. "Hopkins, some may recall, made an eye-catching debut with 2008's Better Things, a film that rustled up a keen portrait of marginalized, alienated middle England. If Bypass hardly heads in search of fresh terrain, it at least provides a brooding, increasingly potent spin around the familiar sights." We've got more reviews, all singling out George MacKay's performance, and three clips. » - David Hudson...
- 9/4/2014
- Keyframe
Venice — Looking scrawny and sallow compared to his 2013 appearances in Kevin Macdonald’s underrated Ya novel adaptation “How I Live Now” and Proclaimers musical “Sunshine on Leith,” George MacKay is the standout in Duane Hopkins’ UK Horizons entry “Bypass” here at Venice. “Bypass” sees Brit-on-the-rise MacKay in loosely similar territory to his other 2013 release, Paul Wright’s dour, artful “For Those In Peril,” in which he also played an almost completely friendless and increasingly desperate youth isolated from his family, though there the similarities between the two films end. MackKay is a compelling presence as the lead here. In fact, we should really start referring to him as reliably compelling, given his current hit rate. The aforementioned three 2013 releases (plus sports comedy “Breakfast with Jonny Wilkinson”) saw him nominated for the British Academy and London Film Critics’ Circle’s Rising Star awards, but the young actor is yet to really break through in America,...
- 9/4/2014
- by Catherine Bray
- Hitfix
Fury (David Ayer)
[via the BFI]
The programme for the 58th BFI London Film Festival launched today, with Festival Director Clare Stewart presenting this year’s rich and diverse selection of films and events. The lineup includes highly anticipated fall titles including David Ayer’s Fury, Bennett Miller’s Foxcatcher, the Sundance smash Whiplash, Jean-Luc Godard’s Goodbye to Language 3D, The Imitation Game starring Benedict Cumberbatch, Mike Leigh’s Mr. Turner, Jason Reitman’s Men, Women and Children and Jean-Marc Vallee’s Wild.
As Britain’s leading film event and one of the world’s oldest film festivals, it introduces the finest new British and international films to an expanding London and UK-wide audience, offering a compelling combination of red carpet glamour, engaged audiences and vibrant exchange. The Festival provides an essential profiling opportunity for films seeking global success at the start of the Awards season, promotes the careers of British and...
[via the BFI]
The programme for the 58th BFI London Film Festival launched today, with Festival Director Clare Stewart presenting this year’s rich and diverse selection of films and events. The lineup includes highly anticipated fall titles including David Ayer’s Fury, Bennett Miller’s Foxcatcher, the Sundance smash Whiplash, Jean-Luc Godard’s Goodbye to Language 3D, The Imitation Game starring Benedict Cumberbatch, Mike Leigh’s Mr. Turner, Jason Reitman’s Men, Women and Children and Jean-Marc Vallee’s Wild.
As Britain’s leading film event and one of the world’s oldest film festivals, it introduces the finest new British and international films to an expanding London and UK-wide audience, offering a compelling combination of red carpet glamour, engaged audiences and vibrant exchange. The Festival provides an essential profiling opportunity for films seeking global success at the start of the Awards season, promotes the careers of British and...
- 9/3/2014
- by John
- SoundOnSight
It has been a rather long, almost interminable wait, but finally, Duane Hopkins’ sophomore feature will finally be making its world premiere debut at the Venice Film Festival. A visually engulfing multi-pov portrait that tapped into the motivations and behaviors of a teenage wasteland, while the nouveau British cinematic wave Cannes’ Critics’ Week selected Better Things showcased Hopkins’ skill set, the cloud formations were perhaps layers of blue, but the actual tone of the film was shades of dark sky grey. Calling his debut film “bleak” is an understatement.
Named as United Kingdom’s Shooting Star for 2013 (his range was on full display at last year’s Tiff — we highlighted his double dose), George MacKay has been padding his filmography with versatile roles including the seminal perf in Paul Wright’s For Those in Peril. Set in a dichotomous world where those with an already handcuffed future are further punished...
Named as United Kingdom’s Shooting Star for 2013 (his range was on full display at last year’s Tiff — we highlighted his double dose), George MacKay has been padding his filmography with versatile roles including the seminal perf in Paul Wright’s For Those in Peril. Set in a dichotomous world where those with an already handcuffed future are further punished...
- 9/2/2014
- by Eric Lavallee
- IONCINEMA.com
Once again the publicist/ producer Richard Lormand has made his picks for the Venice Film Festival. His choices invariably are top-notch and his notes on the films show a deep love for his work. I always gravitate toward his films, as I often gravitate toward others’, both publicists and critics, whom I know to be the best. Why? Because we tend to like the same films.
By Richard Lormand
Greetings Venice-bound (or not) Film Lovers!
Here’s what’s going on with us at this year’s Mostra del Cinema on the Venice Lido…
"Dearest"(Qui’ Ai De) is a powerhouse of emotion. The ensemble cast represents some of China’s finest acting talents – leading actresses Zhao Wei and Hao Lei and actors Huang Bo, Tong Dawei and Zhang Yi all give knockout performances. Director Peter Ho-Sun Chan has made such an intriguing film from newspaper headlines – children gone missing, searching for them, dealing with the loss and sometimes dealing with finding them again. These incidents might not be new, but "Dearest" fascinated me because of thevery original and respectful treatment of this material by its astute writer-director. I really didn’t know where I was being taken. But I liked each new path in this heartbreaking journey of a movie. I felt every one of this film’s thousands of carefully constructed emotional moments. And Zhao Wei’s performance as the foster mother:wow!
"Ich Seh Ich Seh" ("Goodnight Mommy") is a real discovery. It’s clever, playful and it’s really good filmmaking. It’s horror, it’s European art house, it’s Austrian. And produced by bad boy director himself Ulrich Seidl. And it’s a first feature co-directed by sort of an odd pairing – not really related, not a romantic couple. But Veronika Franz and Severin Fiala definitely got something going (talent, intelligence and a passion for cinema) with their mix because the results are all over the screen. I won’t pitch you the horror scenes, but they are real fun and mean like they should be. But what really struck me about this film is that it is so amazingly gorgeous. Such a consistent impeccable taste in all that is beautiful, even the ugly. Oh, the cornfields, the forest. Mom’s bruised and bandaged face and head. Those mischievous twin boys. (By the way, “Ich Seh” is the child’s game “I Spy.” "Ich Seh Ich Seh" because of the twin boys. "Goodnight Mommy" because… Well, you’ll see.)
"The Cut" is Fatih Akin’s much anticipated new feature. It was destined to be controversial in some way or another because of the material, Fatih himself, so many possible reasons. And here it is finally. It’s without a doubt an epic – a big topic, big crowd scenes, wide open spaces, world travels. But "The Cut" is a very intimate epic about a man alone. A man who cheats the Armenian genocide, but sometimes survival is simply not enough. He will only live again through the search for his twin daughters. I admire how Fatih Akin courageously focused on the human side – the blood, sweat and tears - of this potent political subject matter. Fatih’s hero is Nazaret, a sort of Armenian “Everyman”, incarnated by Tahar Rahim whose face tells so many stories without words. Equally remarkable are "The Cut’s" production values. I was especially moved by the haunting beauty of the Armenian shanty town, backdrop for one of Fatih’s boldest scenes, one of many. Still flashing in my mind’s eye: Nazaret watching Chaplin on screen is such a fine Fatih Akin moment of cinema. And the title reference scene in the desert is Fatih Akin intensity like no one else’s.
"Altman" is such an enjoyable and informative documentary about the career of late great Robert Altman. I was very surprised. I see a lot of short, medium and feature-length films about directors, and sadly, I am usually disappointed by something. But Ron Mann’s "Altman" satisfied my bio-doc needs: strong linear structure, interesting archival footage, good interviews and narration and no abuse of movie excerpts. "Altman" actually relies on its own solid research and editorial savvy to remain captivating for 95 minutes. Altman’s wife, Kathryn Reed Altman, served as a consultant on the production and her intermittent narration add both credibility and heart to the film. Not only did I learn some things about Robert Altman, the film made me feel like I even got to know him a bit personally. And it’s a great feeling to think about his films: "Mash," "Short Cuts", "Nashville" "The Player"… "Altman" actually made me want to go back and see all of his movies again. Now that’s what I call an homage to a filmmaker.
"Tsili" is Amos Gitai’s latest exploration of cinematographic language, another manifestation of his passion for cinema. Inspired by an Aharon Appelfield novel in Yiddish, "Tsili" is one of the rare instances when Yiddish is heard in a movie. Young Jewish woman Tsili, hiding out in a Central European forest with the sounds of WWII not so far away, is actually played by three different women in Gitai’s film. Once again, actress Sarah Adler ("Jellyfish" proves that she’s got one of the most beguiling screen presences around today. I loved the visual and emotional treatment of Tsili’s nest. For such sad and lonely subject matter, "Tsili" actually feels quite celebratory. A celebration of life and cinema. "Tsili" is another fine example that Amos Gitai is both an innovator who breaks the rules and a fierce defender of the traditions of pure cinema. He has played not only an essential role in Israeli cinema history, but also in European and international cinema.
"Bypass" is UK writer-director Duane Hopkins’ second film. He previously made the acclaimed "Better Things" (Cannes 2008 – Critics Week). Similarly in "Bypass," this young filmmaker continues to show a real talent for balancing bleakness and hope. I was particularly struck by the aesthetics of "Bypass," as I’m quite sure you will be too. "Bypass" is simply gorgeous to look at. It’s a true example of artistry applied to film. But Duane doesn’t sacrifice his love of the characters for the sake of the film’s beauty. Everything is centered around the outstanding leading performance by George MacKay as troubled Tim who works part-time as a criminal to keep his family afloat. MacKay’s Tim is calmly tense and fascinating to watch. As Tim’s situation becomes more dangerous, Duane shows a knack for crime genre. But just as important – perhaps even more – is Tim’s love for Lilly. It’s as if lovely actress Charlotte Spencer actually incarnated love and hope on the screen.
Quick note: I return to the Toronto Film Festival this year with four films: Christian Petzold’s "Phoenix", Ole Christian Madsen’s "Itsi Bitsi," Bent Hamer’s "1001 Grams" and Danis Tanovic’s "Tigers." More on these Toronto world premieres soon.
By Richard Lormand
Greetings Venice-bound (or not) Film Lovers!
Here’s what’s going on with us at this year’s Mostra del Cinema on the Venice Lido…
"Dearest"(Qui’ Ai De) is a powerhouse of emotion. The ensemble cast represents some of China’s finest acting talents – leading actresses Zhao Wei and Hao Lei and actors Huang Bo, Tong Dawei and Zhang Yi all give knockout performances. Director Peter Ho-Sun Chan has made such an intriguing film from newspaper headlines – children gone missing, searching for them, dealing with the loss and sometimes dealing with finding them again. These incidents might not be new, but "Dearest" fascinated me because of thevery original and respectful treatment of this material by its astute writer-director. I really didn’t know where I was being taken. But I liked each new path in this heartbreaking journey of a movie. I felt every one of this film’s thousands of carefully constructed emotional moments. And Zhao Wei’s performance as the foster mother:wow!
"Ich Seh Ich Seh" ("Goodnight Mommy") is a real discovery. It’s clever, playful and it’s really good filmmaking. It’s horror, it’s European art house, it’s Austrian. And produced by bad boy director himself Ulrich Seidl. And it’s a first feature co-directed by sort of an odd pairing – not really related, not a romantic couple. But Veronika Franz and Severin Fiala definitely got something going (talent, intelligence and a passion for cinema) with their mix because the results are all over the screen. I won’t pitch you the horror scenes, but they are real fun and mean like they should be. But what really struck me about this film is that it is so amazingly gorgeous. Such a consistent impeccable taste in all that is beautiful, even the ugly. Oh, the cornfields, the forest. Mom’s bruised and bandaged face and head. Those mischievous twin boys. (By the way, “Ich Seh” is the child’s game “I Spy.” "Ich Seh Ich Seh" because of the twin boys. "Goodnight Mommy" because… Well, you’ll see.)
"The Cut" is Fatih Akin’s much anticipated new feature. It was destined to be controversial in some way or another because of the material, Fatih himself, so many possible reasons. And here it is finally. It’s without a doubt an epic – a big topic, big crowd scenes, wide open spaces, world travels. But "The Cut" is a very intimate epic about a man alone. A man who cheats the Armenian genocide, but sometimes survival is simply not enough. He will only live again through the search for his twin daughters. I admire how Fatih Akin courageously focused on the human side – the blood, sweat and tears - of this potent political subject matter. Fatih’s hero is Nazaret, a sort of Armenian “Everyman”, incarnated by Tahar Rahim whose face tells so many stories without words. Equally remarkable are "The Cut’s" production values. I was especially moved by the haunting beauty of the Armenian shanty town, backdrop for one of Fatih’s boldest scenes, one of many. Still flashing in my mind’s eye: Nazaret watching Chaplin on screen is such a fine Fatih Akin moment of cinema. And the title reference scene in the desert is Fatih Akin intensity like no one else’s.
"Altman" is such an enjoyable and informative documentary about the career of late great Robert Altman. I was very surprised. I see a lot of short, medium and feature-length films about directors, and sadly, I am usually disappointed by something. But Ron Mann’s "Altman" satisfied my bio-doc needs: strong linear structure, interesting archival footage, good interviews and narration and no abuse of movie excerpts. "Altman" actually relies on its own solid research and editorial savvy to remain captivating for 95 minutes. Altman’s wife, Kathryn Reed Altman, served as a consultant on the production and her intermittent narration add both credibility and heart to the film. Not only did I learn some things about Robert Altman, the film made me feel like I even got to know him a bit personally. And it’s a great feeling to think about his films: "Mash," "Short Cuts", "Nashville" "The Player"… "Altman" actually made me want to go back and see all of his movies again. Now that’s what I call an homage to a filmmaker.
"Tsili" is Amos Gitai’s latest exploration of cinematographic language, another manifestation of his passion for cinema. Inspired by an Aharon Appelfield novel in Yiddish, "Tsili" is one of the rare instances when Yiddish is heard in a movie. Young Jewish woman Tsili, hiding out in a Central European forest with the sounds of WWII not so far away, is actually played by three different women in Gitai’s film. Once again, actress Sarah Adler ("Jellyfish" proves that she’s got one of the most beguiling screen presences around today. I loved the visual and emotional treatment of Tsili’s nest. For such sad and lonely subject matter, "Tsili" actually feels quite celebratory. A celebration of life and cinema. "Tsili" is another fine example that Amos Gitai is both an innovator who breaks the rules and a fierce defender of the traditions of pure cinema. He has played not only an essential role in Israeli cinema history, but also in European and international cinema.
"Bypass" is UK writer-director Duane Hopkins’ second film. He previously made the acclaimed "Better Things" (Cannes 2008 – Critics Week). Similarly in "Bypass," this young filmmaker continues to show a real talent for balancing bleakness and hope. I was particularly struck by the aesthetics of "Bypass," as I’m quite sure you will be too. "Bypass" is simply gorgeous to look at. It’s a true example of artistry applied to film. But Duane doesn’t sacrifice his love of the characters for the sake of the film’s beauty. Everything is centered around the outstanding leading performance by George MacKay as troubled Tim who works part-time as a criminal to keep his family afloat. MacKay’s Tim is calmly tense and fascinating to watch. As Tim’s situation becomes more dangerous, Duane shows a knack for crime genre. But just as important – perhaps even more – is Tim’s love for Lilly. It’s as if lovely actress Charlotte Spencer actually incarnated love and hope on the screen.
Quick note: I return to the Toronto Film Festival this year with four films: Christian Petzold’s "Phoenix", Ole Christian Madsen’s "Itsi Bitsi," Bent Hamer’s "1001 Grams" and Danis Tanovic’s "Tigers." More on these Toronto world premieres soon.
- 8/26/2014
- by Sydney Levine
- Sydney's Buzz
As previously reported by my HitFix colleagues, 2014’s fall festivals represent something of a battle royale for various heavyweight Oscar hopefuls. The oldest fest in the big four, venerable Venice, is up against younger North American counterparts Toronto, Telluride and New York in the perennial fight to deliver a truly memorable Competition. Which films will be left standing once the critics have had their way with them? Contenders hoping to emerge victorious from La Biennale’s royal rumble include Alejandro González Iñárritu’s opening nighter "Birdman" starring Michael Keaton, David Gordon Green’s Al Pacino vehicle "Manglehorn" and Andrew Garfield vs Michael Shannon in Ramin Bahrani’s real estate showdown "99 Homes." As far as awards season goes, for me the big hitter to beat from Cannes is "Foxcatcher," an extraordinary and illuminating piece of filmmaking from Bennett Miller, a director I’ve not been personally persuaded by before now. In the documentary category,...
- 8/21/2014
- by Catherine Bray
- Hitfix
While a Venetian touch (gondolas, art, architecture, margherita pizzas) certainly adds to the charm of the Venice Film Festival experience, for a third year straight, cinephiles can skip the packing their suitcases portion of a trip and bring the Lido into their own screening rooms. Venice Biennale’s Sala Web has reteamed with Festival Scope folks to offer an appetite whetting total of eleven features (8 Orizzonti section & 3 Biennale College – Cinema). Announced yesterday, digital tickets for the Sala Web screenings (4€ each) can be grabbed at www.boxoffice.festivalscope.com – but don’t throw your popcorn into the microwave just yet. The 2014 sampling of world cinema/72nd Venice Film Fest is only available during a period of 5 days beginning at 9 pm (Italian time) on the day of each film’s official presentation.
Among the headliner items we find Kandahar helmer Mohsen Makhmalbaf’s The President tells a story set in a fictional...
Among the headliner items we find Kandahar helmer Mohsen Makhmalbaf’s The President tells a story set in a fictional...
- 8/20/2014
- by Eric Lavallee
- IONCINEMA.com
The Venice International Film Festival is in the process announcing the lineup for its 71st edition. Here's what we know so far:
Competition
The Cut (Fatih Akin)
A Pigeon Sat on a Branch Reflecting on Existence (Roy Andersson)
99 Homes (Ramin Bahrani)
Tales (Rakhshan Bani E'temad)
La rancon de la gloire (Xavier Beauvois)
Hungry Hearts (Saverio Costanzo)
Le dernier coup de marteau (Alix Delaporte)
Pasolini (Abel Ferrara)
Manglehorn (David Gordon Green)
Birdman or the Unexpected Virtue of Ignorance (Alejandro González Iñárritu)
Three Hearts (Benoît Jacquot)
The Postman's White Nights (Andrei Konchalovsky)
Il Giovane Favoloso (Mario Martone)
Sivas (Kaan Mujdeci)
Anime Nere (Francesco Munzi)
Good Kill (Andrew Niccol)
Loin des hommes (David Oelhoffen)
The Look of Silence (Joshua Oppenheimer)
Nobi (Shinya Tsukamoto)
Red Amnesia (Wang Xiaoshuai)
Out Of Competition
Joe Date. Photo by Evan Dickson.
Words with Gods (Guillermo Arriaga, Emir Kusturica, Amos Gitai, Mira Nair, Warwick Thornton, Hector Babenco, Bahman Ghobadi,...
Competition
The Cut (Fatih Akin)
A Pigeon Sat on a Branch Reflecting on Existence (Roy Andersson)
99 Homes (Ramin Bahrani)
Tales (Rakhshan Bani E'temad)
La rancon de la gloire (Xavier Beauvois)
Hungry Hearts (Saverio Costanzo)
Le dernier coup de marteau (Alix Delaporte)
Pasolini (Abel Ferrara)
Manglehorn (David Gordon Green)
Birdman or the Unexpected Virtue of Ignorance (Alejandro González Iñárritu)
Three Hearts (Benoît Jacquot)
The Postman's White Nights (Andrei Konchalovsky)
Il Giovane Favoloso (Mario Martone)
Sivas (Kaan Mujdeci)
Anime Nere (Francesco Munzi)
Good Kill (Andrew Niccol)
Loin des hommes (David Oelhoffen)
The Look of Silence (Joshua Oppenheimer)
Nobi (Shinya Tsukamoto)
Red Amnesia (Wang Xiaoshuai)
Out Of Competition
Joe Date. Photo by Evan Dickson.
Words with Gods (Guillermo Arriaga, Emir Kusturica, Amos Gitai, Mira Nair, Warwick Thornton, Hector Babenco, Bahman Ghobadi,...
- 7/25/2014
- by Notebook
- MUBI
This morning in Rome, Biennale president Paolo Baratta and Venice Film Festival chief Alberto Barbera unveiled the lineup for the 71st Venice Film Festival, which features some extraordinarily exciting titles and intriguingly under-the-radar picks.
Twenty films will be competing in the main competition, 19 of which are world premieres with one international premiere out of the lot. Out of all the titles at Venice this year, Birdman, which stars Michael Keaton and features a star-studded cast including Zach Galifianakis, Edward Norton, Andrea Riseborough, Amy Ryan, Emma Stone and Naomi Watts, is undoubtedly the title with the most chance of gaining Oscar attention this year after making the rounds on the festival circuit (it’s heading to the Toronto International Film Festival next).
Also anticipated are Manglehorn, a collaboration between Prince Avalanche helmer David Gordon Green and Al Pacino, and Andrew Niccol’s Good Kill, with Ethan Hawke, Bruce Greenwood, January Jones and Zoe Kravitz.
Twenty films will be competing in the main competition, 19 of which are world premieres with one international premiere out of the lot. Out of all the titles at Venice this year, Birdman, which stars Michael Keaton and features a star-studded cast including Zach Galifianakis, Edward Norton, Andrea Riseborough, Amy Ryan, Emma Stone and Naomi Watts, is undoubtedly the title with the most chance of gaining Oscar attention this year after making the rounds on the festival circuit (it’s heading to the Toronto International Film Festival next).
Also anticipated are Manglehorn, a collaboration between Prince Avalanche helmer David Gordon Green and Al Pacino, and Andrew Niccol’s Good Kill, with Ethan Hawke, Bruce Greenwood, January Jones and Zoe Kravitz.
- 7/24/2014
- by Isaac Feldberg
- We Got This Covered
The 71st Venice Film Festival announced its lineup this morning, highlighted by films from American directors, including David Gordon Green, Barry Levinson, Peter Bogdanovich, Lisa Cholodenko, Andrew Niccol, and James Franco. As had been previously announced, Alejandro González Iñárritu’s Birdman, starring Michael Keaton and many others, will be the opening film when the festival begins on Aug. 27.
Click below for the entire list of 55 films playing in Venice.
Competition
The Cut, directed by Fatih Akin
Starring Tahar Rahim, Akin Gazi, Simon Abkarian, George Georgiou
A Pigeon Sat On A Branch Reflecting On Existence, directed by Roy Andersson
Starring Holger Andersson,...
Click below for the entire list of 55 films playing in Venice.
Competition
The Cut, directed by Fatih Akin
Starring Tahar Rahim, Akin Gazi, Simon Abkarian, George Georgiou
A Pigeon Sat On A Branch Reflecting On Existence, directed by Roy Andersson
Starring Holger Andersson,...
- 7/24/2014
- by Jeff Labrecque
- EW - Inside Movies
This morning came the announcement of the 2014 Venice Film Festival lineup and we already knew Alejandro Gonzalez Inarritu's Birdman would serve as the opening night film and for the most part a lot of the more recognizable entries are those we already discussed as part of the Toronto Film Festival lineup. This includes Ramin Bahrani's 99 Homes, David Gordon Green's Manglehorn starring Al Pacino, Abel Ferrera's Pasolini, Barry Levinson's The Humbling and Andrew Niccol's The Good Kill. There are, however, some titles worthy of note such as the latest film from The Act of Killing director Joshua Oppenheimer, The Lord of Silence, Fatih Akin's The Cut, She's Funny that Way from Peter Bogdanovich, Lisa Cholodenko's Olive Kitteredge and a new film from James Franco in The Sound and the Fury based on Faulkner's novel. Joe Dante shows up with a new horror-comedy in Burying the Ex,...
- 7/24/2014
- by Brad Brevet
- Rope of Silicon
The Venice Film Festival’s Horizons section (aka Orizzonti) is logically comparable to Cannes’ Un Certain Regard section. As well as including about a dozen shorts in the programme (Ramin Bahrani is among those listed with an eight minuter called Life You Up), this year’s pack of seventeen unquestionably highlighted by the presence of Moshen Makhmalbaf’s The President, also includes the much anticipated sophomore film by Duane Hopkins’ youth portrait Bypass (see pic above – youth portrait), the Safdie Bros.’ Heaven Knows What – a docu-fiction hybrid starring Caleb Landry Jone and newcomer Arielle Holmes, the latest from frenzied pace working Hong Sangsoo (Hill Of Freedom) and a new item from actress Katherine Heigl (who knows this might actually be good) starring in Ami Canaan Mann’s Your Right Mind, about a modern day train hopper fighting to be a successful musician and a single mom battling to maintain custody...
- 7/24/2014
- by Eric Lavallee
- IONCINEMA.com
David Gordon Green’s Manglehorn, Andrew Niccol’s Good Kill and Joshua Oppenheimer’s The Look of Silence among competition titles.Scroll down for full lists
The line-up for the 71st Venice Film Festival (Aug 27-Sept 6) has been revealed this morning by Biennale president Paolo Baratta and film festival director Alberto Barbera at Rome’s St. Regis Grand Hotel.
Early standouts include Abel Ferrara’s Pasolini, which centres on the final days of the Italian filmmaker and his death in 1975; David Gordon Green’s Manglehorn, starring Al Pacino as a locksmith in a small town who never got over the love of his life; and The Look Of Silence, Joshua Oppenheimer’s highly anticipated follow-up to his award-winning documentary, The Act of Killing.
As previously announced, Alejandro Gonzalez Iñárritu’s Birdman or The Unexpected Virtue of Ignorance, starring Michael Keaton, will open the festival on August 27 and is among the 20-strong competition titles, of which all...
The line-up for the 71st Venice Film Festival (Aug 27-Sept 6) has been revealed this morning by Biennale president Paolo Baratta and film festival director Alberto Barbera at Rome’s St. Regis Grand Hotel.
Early standouts include Abel Ferrara’s Pasolini, which centres on the final days of the Italian filmmaker and his death in 1975; David Gordon Green’s Manglehorn, starring Al Pacino as a locksmith in a small town who never got over the love of his life; and The Look Of Silence, Joshua Oppenheimer’s highly anticipated follow-up to his award-winning documentary, The Act of Killing.
As previously announced, Alejandro Gonzalez Iñárritu’s Birdman or The Unexpected Virtue of Ignorance, starring Michael Keaton, will open the festival on August 27 and is among the 20-strong competition titles, of which all...
- 7/24/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Films by David Gordon Green, Andrew Niccol and Abel Ferrara will bring world premieres to the Lido di Venezia this year, as the Venice Film Festival has announced its selections for the 71st edition of the oldest such event in the world. Green's "Manglehorn" with Al Pacino, Niccol's "Good Kill" with Ethan Hawke and Ferrara's "Pasolini" with Willem Dafoe promise to bring a fair share of star power to the event, while actors such as Viggo Mortensen, Andrew Garfield and Adam Driver feature in films sprinkled throughout the Competition. "The Act of Killing" director Joshua Oppenheimer will also continue his look at the Indonesian genocide with a new documentary, "The Look of Silence." Playing out of competition are films by Barry Levinson ("The Humbling," also starring Pacino), James Franco ("The Sound and the Fury") and Lisa Cholodenko ("Olive Kitteridge"), while Focus Features will bring the new Laika film, "The Boxtrolls,...
- 7/24/2014
- by Kristopher Tapley
- Hitfix
Hovering around the twenty-one to twenty-four feature film mark with at least a quarter of those films belonging to first time filmmakers, the Quinzaine des Realisateurs (a.k.a Directors’ Fortnight) has in the past couple of years, counted on a healthy supply of French, Spanish and Belgium produced film items, and has been geared towards the offbeat genre items as with last year’s edition curated by Edouard Waintrop and co. To be unveiled on the 22nd, as we attempted with our Critics’ Week predix, Blake Williams, Nicholas Bell and I (Eric Lavallee) are thinking out loud and hedging our bets on what the section might look like or what the programmers might be looking at for 2014. Here is our predictions overview:
Alleluia
Six years after presenting Vinyan at the Venice Film Festival, Fabrice Du Welz finally returns with potentially not one, but a pair of works for the ’14 campaign.
Alleluia
Six years after presenting Vinyan at the Venice Film Festival, Fabrice Du Welz finally returns with potentially not one, but a pair of works for the ’14 campaign.
- 4/16/2014
- by IONCINEMA.com Contributing Writers
- IONCINEMA.com
Tourist
Director: Ruben Östlund
Writer: Ruben Östlund
Producers: Plattform Produktion’s Erik Hemmendorff (Bypass), Essential Film’s Marie Kjellson, Film i Vast
U.S. Distributor: Rights Available
Cast: Johannes Bah Kuhnke, Lisa Loven Kongsli, Vincent and Clara Wettergren, Brady Corbet
Lauded by international critics, cheered by film festival programmers (Cannes, Tiff, Nyff) and criminally overlooked by U.S. distribution companies, Ruben Östlund’s Play was a thorny, provocatively eye-poking social study that one could argue, belongs to a larger discussion that Haneke’s Code Unknown: Incomplete Tales of Several Journeys brought to the table. After The Guitar Mongoloid (2004), Involuntary (2008), for his fourth narrative feature, we think we might have a Swedish answer to Jeff Nichols’ Take Shelter, where indie film borrows from studio pedigree. Meaning a disaster film but with a bit more philosophical edge, Scandi noir humor and plenty of snow (the filmmaker revealed to us in our interview...
Director: Ruben Östlund
Writer: Ruben Östlund
Producers: Plattform Produktion’s Erik Hemmendorff (Bypass), Essential Film’s Marie Kjellson, Film i Vast
U.S. Distributor: Rights Available
Cast: Johannes Bah Kuhnke, Lisa Loven Kongsli, Vincent and Clara Wettergren, Brady Corbet
Lauded by international critics, cheered by film festival programmers (Cannes, Tiff, Nyff) and criminally overlooked by U.S. distribution companies, Ruben Östlund’s Play was a thorny, provocatively eye-poking social study that one could argue, belongs to a larger discussion that Haneke’s Code Unknown: Incomplete Tales of Several Journeys brought to the table. After The Guitar Mongoloid (2004), Involuntary (2008), for his fourth narrative feature, we think we might have a Swedish answer to Jeff Nichols’ Take Shelter, where indie film borrows from studio pedigree. Meaning a disaster film but with a bit more philosophical edge, Scandi noir humor and plenty of snow (the filmmaker revealed to us in our interview...
- 3/7/2014
- by Eric Lavallee
- IONCINEMA.com
Bypass
Director: Duane Hopkins
Writer: Duane Hopkins
Producer: Samm Haillay
U.S. Distributor: Rights Available
Cast: George MacKay, Donald Sumpter, Felicity Gilbert
Steve McQueen, Ben Wheatley and Andrea Arnold might be leading the charge of new British filmmaker talents and are already well-established internationally with more than three features in, but filmmaker Duane Hopkins (2008′s Better Things) will surely become a household name member of the clique. Hopkins revisits a shipwrecked youth generation featuring George MacKay (who recently shined in another new filmmaking talent in Paul Wright’s For Those in Peril) and Felicity Gilbert (appears in Lars Von Trier’s Nymphomaniac: Volume I as the dissed secretary). Worth mentioning: Danny Bensi & Saunder Jurriaans also collaborated on the project.
Gist: This shows in graphic detail the life of Tim (MacKay). His habits, his hustle, his family, his responsibilities, his conflicts, his hopes, his fears, his character, his existence. Through this we understand his present,...
Director: Duane Hopkins
Writer: Duane Hopkins
Producer: Samm Haillay
U.S. Distributor: Rights Available
Cast: George MacKay, Donald Sumpter, Felicity Gilbert
Steve McQueen, Ben Wheatley and Andrea Arnold might be leading the charge of new British filmmaker talents and are already well-established internationally with more than three features in, but filmmaker Duane Hopkins (2008′s Better Things) will surely become a household name member of the clique. Hopkins revisits a shipwrecked youth generation featuring George MacKay (who recently shined in another new filmmaking talent in Paul Wright’s For Those in Peril) and Felicity Gilbert (appears in Lars Von Trier’s Nymphomaniac: Volume I as the dissed secretary). Worth mentioning: Danny Bensi & Saunder Jurriaans also collaborated on the project.
Gist: This shows in graphic detail the life of Tim (MacKay). His habits, his hustle, his family, his responsibilities, his conflicts, his hopes, his fears, his character, his existence. Through this we understand his present,...
- 3/4/2014
- by Eric Lavallee
- IONCINEMA.com
3 Hearts
Director: Benoit Jacquot
Writers: Benoit Jacquot, Julien Boivent
Producers: Edouard Weil
U.S. Distributor: Rights Available
Cast: Catherine Deneuve, Charlotte Gainsbourg, Chiara Mastroianni, Benoît Poelvoorde
Though he’s been working steadily since the mid-70’s, director Benoit Jacquot’s films tend not to get much attention in the Us, even his growing handful of Isabelle Huppert starring titles (The School of Flesh; Keep It Quiet; False Servant; Villa Amalia) don’t get theatrical or DVD releases here. But the 2012 critical success of his 2012 film, Farewell My Queen seems to have snagged him some more international attention. While Lea Seydoux was originally slated to return for this latest film (scheduling conflicts have caused her to be replaced by Mastroianni), the presence of Deneuve and Gainsbourg should make this an undoubted item of interest.
Gist: One night, in the countryside. Marc misses his train to head back to Paris and meets Sylvie.
Director: Benoit Jacquot
Writers: Benoit Jacquot, Julien Boivent
Producers: Edouard Weil
U.S. Distributor: Rights Available
Cast: Catherine Deneuve, Charlotte Gainsbourg, Chiara Mastroianni, Benoît Poelvoorde
Though he’s been working steadily since the mid-70’s, director Benoit Jacquot’s films tend not to get much attention in the Us, even his growing handful of Isabelle Huppert starring titles (The School of Flesh; Keep It Quiet; False Servant; Villa Amalia) don’t get theatrical or DVD releases here. But the 2012 critical success of his 2012 film, Farewell My Queen seems to have snagged him some more international attention. While Lea Seydoux was originally slated to return for this latest film (scheduling conflicts have caused her to be replaced by Mastroianni), the presence of Deneuve and Gainsbourg should make this an undoubted item of interest.
Gist: One night, in the countryside. Marc misses his train to head back to Paris and meets Sylvie.
- 3/4/2014
- by Nicholas Bell
- IONCINEMA.com
Thrills, spills and – hopefully – not too much bellyaching about our pick of 2014's upcoming thrillers
• 2014 preview: comedy
• 2014 preview: Oscar hopefuls
• 2014 preview: science fiction
• 2014 preview: romance
• 2014 preview: drama
Monuments Men
George Clooney gets the gang (Matt Damon, John Goodman, Bill Murray) back together for the greatest of capers – protecting works of art from the Nazis. Based loosely on Robert Edsel's book about the real life Monuments, Fine Arts, and Archives programme, the trailer suggests the director/star has gone all Boys' Own on this one. Funny old gang of recruits mind – we can buy Clooney and Damon as rogues on a mission, but Murray and Goodman look more Dad's Army than Dirty Dozen. 1 January
Gone Girl
Gillian Flynn's best-seller gets a big-screen adaptation. Ben Affleck plays Nick Dunne, a struggling journalist implicated in the disappearance of his wife (Rosamund Pike), who went missing on the day of their fifth wedding anniversary.
• 2014 preview: comedy
• 2014 preview: Oscar hopefuls
• 2014 preview: science fiction
• 2014 preview: romance
• 2014 preview: drama
Monuments Men
George Clooney gets the gang (Matt Damon, John Goodman, Bill Murray) back together for the greatest of capers – protecting works of art from the Nazis. Based loosely on Robert Edsel's book about the real life Monuments, Fine Arts, and Archives programme, the trailer suggests the director/star has gone all Boys' Own on this one. Funny old gang of recruits mind – we can buy Clooney and Damon as rogues on a mission, but Murray and Goodman look more Dad's Army than Dirty Dozen. 1 January
Gone Girl
Gillian Flynn's best-seller gets a big-screen adaptation. Ben Affleck plays Nick Dunne, a struggling journalist implicated in the disappearance of his wife (Rosamund Pike), who went missing on the day of their fifth wedding anniversary.
- 12/30/2013
- The Guardian - Film News
No less than a week ago, English actor George MacKay walked away from the Scottish BAFTAs with the Best Actor award to his name, for his spine-chilling performance in For Those In Peril. He now returns in something a little more light-hearted, in Simon Sprackling’s Breakfast with Jonny Wilkinson – and we had the pleasure of speaking to the gifted young actor.
Based on Chris England’s stage play, Breakfast with Jonny Wilkinson takes place on the morning England were victorious in the Rugby World Cup final, beating Australia narrowly. MacKay recalls his own memories of the day, who his own sporting idols are – and he also discusses his future, and whether Hollywood may be on the cards…
Well I’ll start by saying congratulations on the BAFTA, you must have been thrilled?
Yeah thank you very much, I was chuffed, really chuffed. It’s cool. For Those in Peril got Best Feature Film too,...
Based on Chris England’s stage play, Breakfast with Jonny Wilkinson takes place on the morning England were victorious in the Rugby World Cup final, beating Australia narrowly. MacKay recalls his own memories of the day, who his own sporting idols are – and he also discusses his future, and whether Hollywood may be on the cards…
Well I’ll start by saying congratulations on the BAFTA, you must have been thrilled?
Yeah thank you very much, I was chuffed, really chuffed. It’s cool. For Those in Peril got Best Feature Film too,...
- 11/22/2013
- by Stefan Pape
- HeyUGuys.co.uk
Now that the dust has settled and the behemoth Tiff is in our rear-view mirror, the Ioncinema.com team are comparing notes, grading films and looking back at our personal experiences, our rapport with the films we saw and the characters that vividly remain with us. Among our favorite fest recaps, our discerning fivesome (Eric Lavallee, Jordan M. Smith, Nicholas Bell, Leora Heilbronn, Caitlin Coder) have created a Top 20 List of New Faces from the 2013 of up-and-coming actors and actresses (of all age demos) that stole some thunder in lead or supporting player roles. Here they are:
#20. Zoe Levin (Palo Alto, Beneath the Harvest Sky)
Unlike the characters of Emily and Tasha in Gia Coppola’s Palo Alto and Aron Gaudet & Gita Pullapilly’s Beneath the Harvest Sky, Zoe Levin‘s future is a a bright one. Respectively playing a teens suffering from suburban and country-setting ennui, in Palo Alto...
#20. Zoe Levin (Palo Alto, Beneath the Harvest Sky)
Unlike the characters of Emily and Tasha in Gia Coppola’s Palo Alto and Aron Gaudet & Gita Pullapilly’s Beneath the Harvest Sky, Zoe Levin‘s future is a a bright one. Respectively playing a teens suffering from suburban and country-setting ennui, in Palo Alto...
- 9/19/2013
- by IONCINEMA.com Contributing Writers
- IONCINEMA.com
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