To many, Don McCullin is the greatest living war photographer, often cited as an inspiration for today's photojournalists. For the first time, McCullin speaks candidly about his three-decade career covering wars and humanitarian disasters...
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Directors:
Awards:
- Nominated for 2 BAFTA Film Awards. Another 1 win & 1 nomination.
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Photos and Videos
Cast
| Rest of cast listed alphabetically: | |||
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Harold Evans | ... |
Self - Interviewee
(as Sir Harold Evans)
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Don McCullin | ... |
Self
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| Michael Parkinson | ... |
Self (archiveFootage)
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Sue Ryder | ... |
Self (archiveFootage)
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Directed by
| David Morris | ||
| Jacqui Morris | ||
Produced by
| David Allain | ... | assistant executive producer |
| Natasha Dack | ... | co-executive producer |
| Harry Donna | ... | assistant producer |
| Christian Eisenbeiss | ... | executive producer |
| James Gay-Rees | ... | executive producer |
| Jess Gormley | ... | assistant executive producer |
| Christopher Hird | ... | executive producer |
| Steve Milne | ... | executive producer |
| David Morris | ... | producer |
| Jacqui Morris | ... | producer |
| Nikki Parrott | ... | co-executive producer |
| Rankin | ... | executive producer |
Music by
| Alex Baranowski | ||
Cinematography by
| Richard Stewart | ||
| Michael Wood | ||
Editing by
| David Fairhead | ||
| Andy McGraw | ||
Editorial Department
| Alison Carter | ... | additional editor |
| Andrew Chambers | ... | on-line assistant (as Andy Chambers) |
| Mike Curd | ... | additional colorist |
| Phil Currie | ... | assistant editor |
| Steven Forrester | ... | first assistant editor |
| Gareth Parry | ... | on-line editor |
| Tim Waller | ... | colorist |
| Jamie Welsh | ... | digital intermediate conform editor |
| Max Windows | ... | assistant editor |
Production Management
| Steven Forrester | ... | post-production supervisor |
| Nina Khan | ... | post-production manager |
Sound Department
| Nicholas Ashe | ... | dubbing mixer |
| Simon Bysshe | ... | additional sound recordist |
| Steve Cookman | ... | audio supervisor |
| Tom Foster | ... | sound designer |
| Kim Tae Hak | ... | effects sound design |
| Joe Mount | ... | sound effects editor |
| Nas Parkash | ... | dubbing assistant |
| Rob Saunders | ... | sound recordist |
Camera and Electrical Department
| Will Akbar | ... | vt operator |
| Eva Arnold | ... | first assistant camera |
| Ally Bhatia | ... | digital rostrum |
| Nathan Crooker | ... | additional cinematography |
| Sara Deane | ... | additional cinematography |
| Brian Fawcett | ... | additional cinematography |
| Graham Young | ... | stills rostrum |
| Charlie Chambers | ... | clapper loader (uncredited) |
Location Management
| Eley Geoff | ... | location manager |
Music Department
| Alex Baranowski | ... | musician: piano, percussion, mandolin, guitar, programming |
| Peter Gregson | ... | musician: cello, electric cello |
| Iskra | ... | musician: String Quartet |
| Underwood James | ... | musician: violin |
| Dominik Johnson | ... | musician: ronroco, mandola, baglama |
Additional Crew
| Helen Bloor | ... | post coordinator |
| John Bulmer | ... | additional photography: McCullin in Cyprus |
| Hockey Gwyneth | ... | production assistant |
| Tilley Jimmy | ... | title design |
| Peter Leibing | ... | additional photography: Conrad Schumann |
| Clive Limpkin | ... | additional photography: McCullin in Northern Ireland |
| Gloria Lin | ... | production assistant |
| Kennedy Stephen | ... | title design |
Thanks
| Mark George | ... | special thanks |
| Phillip Knightley | ... | special thanks |
| Sharon McNab | ... | special thanks |
| Tanya Phegan | ... | special thanks |
| Hilary Roberts | ... | special thanks |
| David Sington | ... | special thanks |
Production Companies
- British Film Company (present)
- Frith Street Films
- British Film Company (funding)
- Mugshots Productions
- Rankin Film Productions
Distributors
- Artificial Eye (2012) (United Kingdom)
- Netflix (2016) (Australia) (video) (VOD)
Special Effects
Other Companies
- Framestore (post-production facilities)
- Heirloom Media (post-production facilities)
- Molinare Studio (post-production facilities)
- Molinare (sound post-production)
- Stitch (post-production)
Storyline
| Plot Summary |
To many, Don McCullin is the greatest living war photographer, often cited as an inspiration for today's photojournalists. For the first time, McCullin speaks candidly about his three-decade career covering wars and humanitarian disasters on virtually every continent and the photographs that often defined historic moments. From 1969 to 1984, he was the Sunday Times of London's star photographer, where he covered stories from the civil war in Cyprus to the war in Vietnam, from the man-made famine in Biafra to the plight of the homeless in the London of the swinging sixties. Exploring not only McCullin's life and work, but how the ethos of journalism has changed throughout his career, the film is a commentary on the history of photojournalism told through the lens of one of its most acclaimed photographers. Written by Anonymous |
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| Parents Guide | Add content advisory for parents » |
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Additional Details
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Did You Know?
| Trivia | Don McCullin explained how he began to hate being known as a great 'war photographer' as to him, being a war photographer was no different to being a mercenary See more » |
| Movie Connections | Featured in McCullin (2013). See more » |