Eva Crutzen shines in her role as Cat, delivering a performance that is both heartfelt and authentic. While I've found her previous work to be hit-or-miss, she truly excels in striking the right balance of emotion and humor.
Unlike many Dutch dramas that lose steam after a few episodes, this series kept me watching throughout its run. The storyline is engaging, the characters are well-developed, and the pacing is spot-on. The series masterfully navigates through heartbreaking moments while still offering lots of laughs. It's a testament to the well-crafted script and talented cast.
However, it is not without its flaws. It's hard to praise Meral Polat's performance. Whether due to miscasting or lack of skill, her scenes feel lackluster compared to the rest of the cast, taking away from the overall quality of the series.
Furthermore, the lack of originality and the striking resemblance to other acclaimed shows like "Six Feet Under" and "Russian Doll" the lather even clearer considering the first 15 minutes of episode 1 is a scene-by-scene remake. Additionally, Cat, the main character shares loads of similarities and character traits with the protagonist of "Russian Doll," further reinforcing the sense of familiarity.
However, it's worth noting that after the second episode. The series begins to find its own identity, exploring themes and storylines that set it apart from its American counterpart.
Another major drawback is the poor choice of music throughout the series. While the music sets the mood effectively, the lyrics often feel mismatched with the scene. It's a recurring mistake that Dutch showrunners seem to make time and again. If the words don't complement the on-screen action or add depth to the storytelling, then perhaps it's best to opt for instrumental pieces or explore other options altogether.
Additionally, the series seems to target a specific demographic, often leaving younger or older viewers feeling disconnected from some of its themes. While this isn't necessarily a flaw, it does limit the series' appeal.
Ending on a positive note, the final episode delivers a satisfying conclusion to the series, tying up loose ends and providing closure for the characters and plotlines. It's a testament to the writers' skill that the ending feels both fitting and fulfilling. Showcasing the potential of Dutch television dramas to deliver engaging and thought-provoking content. I rate this 7/10.
Unlike many Dutch dramas that lose steam after a few episodes, this series kept me watching throughout its run. The storyline is engaging, the characters are well-developed, and the pacing is spot-on. The series masterfully navigates through heartbreaking moments while still offering lots of laughs. It's a testament to the well-crafted script and talented cast.
However, it is not without its flaws. It's hard to praise Meral Polat's performance. Whether due to miscasting or lack of skill, her scenes feel lackluster compared to the rest of the cast, taking away from the overall quality of the series.
Furthermore, the lack of originality and the striking resemblance to other acclaimed shows like "Six Feet Under" and "Russian Doll" the lather even clearer considering the first 15 minutes of episode 1 is a scene-by-scene remake. Additionally, Cat, the main character shares loads of similarities and character traits with the protagonist of "Russian Doll," further reinforcing the sense of familiarity.
However, it's worth noting that after the second episode. The series begins to find its own identity, exploring themes and storylines that set it apart from its American counterpart.
Another major drawback is the poor choice of music throughout the series. While the music sets the mood effectively, the lyrics often feel mismatched with the scene. It's a recurring mistake that Dutch showrunners seem to make time and again. If the words don't complement the on-screen action or add depth to the storytelling, then perhaps it's best to opt for instrumental pieces or explore other options altogether.
Additionally, the series seems to target a specific demographic, often leaving younger or older viewers feeling disconnected from some of its themes. While this isn't necessarily a flaw, it does limit the series' appeal.
Ending on a positive note, the final episode delivers a satisfying conclusion to the series, tying up loose ends and providing closure for the characters and plotlines. It's a testament to the writers' skill that the ending feels both fitting and fulfilling. Showcasing the potential of Dutch television dramas to deliver engaging and thought-provoking content. I rate this 7/10.
